Cristina plays starts from a double “game” with the reader: Cristina’s game with her toy (a rabbit) and the game of the play with the reader, whom she seeks to surprise at a time when the scene of Cristina’s game changes, and therefore, the whole perspective of what has been read changes because, from the image, the story is turned upside down and will leave more than one reader thinking. The space of the secret game is practically the center of this book, written in the key of poetry and illustrated with careful attention to each of the details of a dollhouse (one of the scenarios where the action takes place) and attending to a palette of vibrant colors that seek to take us to another time and another space: that of games and toys. This is how from the word and the image this book is a very original proposal.