Cultures of decolonisation
Transnational productions and practices, 1945–70
by Ruth Craggs, Andrew Thompson, Claire Wintle, John M. MacKenzie
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Afghanistan, Aland Islands, Albania, Algeria, American Samoa, Andorra, Angola, Anguilla, Antarctica, Antigua and Barbuda, Argentina, Armenia, Aruba, Australia, Austria, Azerbaijan, Bahamas, Bahrain, Bangladesh, Barbados, Belarus, Belgium, Belize, Benin, Bermuda, Bhutan, Bolivia, Bosnia and Herzegovina, Botswana, Bouvet Island, Brazil, British Indian Ocean Territory, British Virgin Islands, Brunei, Bulgaria, Burkina Faso, Burundi, Cambodia, Cameroon, Canada, Cape Verde, Cayman Islands, Central African Republic, Chad, Chile, China, Christmas Island, Cocos [Keeling] Islands, Colombia, Comoros, Congo [DRC], Congo [Republic], Cook Islands, Costa Rica, Cote d'Ivoire, Croatia, Cuba, Cyprus, Czech Republic, Denmark, Djibouti, Dominica, Dominican Republic, Ecuador, Egypt, El Salvador, Equatorial Guinea, Eritrea, Estonia, Ethiopia, Falkland Islands [Islas Malvinas], Faroe Islands, Fiji, Finland, France, French Guiana, French Polynesia, French Southern Territories, Gabon, Gambia, Georgia, Germany, Ghana, Gibraltar, Greece, Greenland, Grenada, Guadeloupe, Guam, Guatemala, Guernsey, Guinea, Guinea-Bissau, Guyana, Haiti, Heard Island and McDonald Islands, Honduras, Hong Kong, Hungary, Iceland, India, Indonesia, Iran, Iraq, Ireland, Isle of Man, Israel, Italy, Jamaica, Japan, Jersey, Jordan, Kazakhstan, Kenya, Kiribati, Kuwait, Kyrgyzstan, Laos, Latvia, Lebanon, Lesotho, Liberia, Libya, Liechtenstein, Lithuania, Luxembourg, Macau, Macedonia [FYROM], Madagascar, Malawi, Malaysia, Maldives, Mali, Malta, Marshall Islands, Martinique, Mauritania, Mauritius, Mayotte, Mexico, Micronesia, Moldova, Monaco, Mongolia, Montenegro, Montserrat, Morocco, Mozambique, Myanmar [Burma], Namibia, Nauru, Nepal, Netherlands, New Caledonia, New Zealand, Nicaragua, Niger, Nigeria, Niue, Norfolk Island, Northern Mariana Islands, North Korea, Norway, Oman, Pakistan, Palau, Palestinian Territories, Panama, Papua New Guinea, Paraguay, Peru, Philippines, Pitcairn Islands, Poland, Portugal, Puerto Rico, Qatar, Reunion, Romania, Russia, Rwanda, Saint Helena, Saint Kitts and Nevis, Saint Lucia, Saint Pierre and Miquelon, Saint Vincent and the Grenadines, Samoa, San Marino, Sao Tome and Principe, Saudi Arabia, Senegal, Serbia, Seychelles, Sierra Leone, Singapore, Slovakia, Slovenia, Solomon Islands, Somalia, South Africa, South Georgia and the South Sandwich Islands, South Korea, Spain, Sri Lanka, Sudan, Suriname, Svalbard and Jan Mayen, Swaziland, Sweden, Switzerland, Syria, Taiwan, Tajikistan, Tanzania, Thailand, Timor-Leste, Togo, Tokelau, Tonga, Trinidad and Tobago, Tunisia, Turkey, Turkmenistan, Turks and Caicos Islands, Tuvalu, U.S. Minor Outlying Islands, U.S. Virgin Islands, Uganda, Ukraine, United Arab Emirates, United Kingdom, United States, Uruguay, Uzbekistan, Vanuatu, Vatican City, Venezuela, Vietnam, Wallis and Futuna, Western Sahara, Yemen, Zambia, Zimbabwe, Bonaire, Sint Eustatius, Saba, Curaçao, Saint Barthélemy, Saint Martin, French part, Sint Maarten (Dutch Part), South Sudan
Endorsements
What were the distinctive cultures of decolonisation that emerged between 1945 and 1970? What can they tell us about the complexities of the 'end of empire' as a process? How did they reflect and influence the processes of dramatic geopolitical change wrought by the dismantling of European empires? Cultures of decolonisation brings together studies of visual, literary and material cultures to explore these questions. The collection illustrates the value of engaging with the complexities of decolonisation, as enacted and experienced by a broad range of actors beyond 'flag independence' and the realm of high politics. In doing so it makes an important contribution to the diversification of the historiography of the end of empire. A range of disciplinary perspectives are included, with individual chapters focusing on architecture, theatre, museums, heritage sites, fine art and interior design alongside institutions such as artists' groups, language agencies and the Royal Mint, in Africa, Asia, the Caribbean and Europe. The contributions reveal the diverse ways in which cultures were active in wider political, economic and social change, working as crucial gauges, microcosms and agents of decolonisation. They demonstrate the transnational character of decolonisation and its cultures, thereby illustrating the value of comparison - between different sorts of cultural forms and different geographical locations - in understanding the nature of this dramatic and wide-reaching geopolitical process. This collection will appeal to students and lecturers in imperial history and researchers of decolonisation at all levels across the humanities and social sciences.
Reviews
What were the distinctive cultures of decolonisation that emerged between 1945 and 1970? What can they tell us about the complexities of the 'end of empire' as a process? How did they reflect and influence the processes of dramatic geopolitical change wrought by the dismantling of European empires? Cultures of decolonisation brings together studies of visual, literary and material cultures to explore these questions. The collection illustrates the value of engaging with the complexities of decolonisation, as enacted and experienced by a broad range of actors beyond 'flag independence' and the realm of high politics. In doing so it makes an important contribution to the diversification of the historiography of the end of empire. A range of disciplinary perspectives are included, with individual chapters focusing on architecture, theatre, museums, heritage sites, fine art and interior design alongside institutions such as artists' groups, language agencies and the Royal Mint, in Africa, Asia, the Caribbean and Europe. The contributions reveal the diverse ways in which cultures were active in wider political, economic and social change, working as crucial gauges, microcosms and agents of decolonisation. They demonstrate the transnational character of decolonisation and its cultures, thereby illustrating the value of comparison - between different sorts of cultural forms and different geographical locations - in understanding the nature of this dramatic and wide-reaching geopolitical process. This collection will appeal to students and lecturers in imperial history and researchers of decolonisation at all levels across the humanities and social sciences.
Author Biography
Ruth Craggs is a Lecturer in Cultural and Historical Geography at King's College, London; ; Claire Wintle is a Senior Lecturer in History of Art and Design at the University of Brighton; John MacKenzie is Emeritus Professor of Imperial History, Lancaster University and holds Honorary Professorships at Aberdeen, St Andrews and Stirling, as well as an Honorary Fellowship at Edinburgh.
Manchester University Press
Manchester University Press is a leading UK publisher known for excellent research in the humanities and social sciences.
View all titlesBibliographic Information
- Publisher Manchester University Press
- Publication Date September 2018
- Orginal LanguageEnglish
- ISBN/Identifier 9781526134301 / 1526134306
- Publication Country or regionUnited Kingdom
- ReadershipGeneral/trade
- Publish StatusPublished
- Dimensions234 X 156 mm
- SeriesStudies in Imperialism
- Reference Code11481
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