Picturing women in late medieval and renaissance art
by Christa Grossinger
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Endorsements
This extensively illustrated book discusses the representation of women in the art of the late Middle Ages in Northern Europe. Drawing on a wide range of different media, but making particular use of the rich plethora of woodcuts, the author charts how the images of women changed during the period and proposes two basic categories - the Virgin and Eve, good and evil. Within these, however, we discover attitudes to sinful, foolish, married and unmarried women and the style and use of these images exposes the full extent of the misogyny entrenched in medieval society. -
Reviews
This extensively illustrated book discusses the representation of women in the art of the late Middle Ages in Northern Europe. Drawing on a wide range of different media, but making particular use of the rich plethora of woodcuts, the author charts how the images of women changed during the period and proposes two basic categories - the Virgin and Eve, good and evil. Within these, however, we discover attitudes to sinful, foolish, married and unmarried women and the style and use of these images exposes the full extent of the misogyny entrenched in medieval society. -
Author Biography
Christa Grossinger is Lecturer in the History of Art Department at the University of Manchester
Manchester University Press
Manchester University Press is a leading UK publisher known for excellent research in the humanities and social sciences.
View all titlesBibliographic Information
- Publisher Manchester University Press
- Publication Date July 1997
- Orginal LanguageEnglish
- ISBN/Identifier 9780719041105 / 0719041104
- Publication Country or regionUnited Kingdom
- Primary Price 30 USD
- Pages192
- ReadershipGeneral/trade
- Publish StatusPublished
- Dimensions216 X 138 Millimeters
- SeriesManchester Medieval Studies
- Reference CodeIPR3235
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