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Promoted ContentThe ArtsFebruary 2018
European fashion
The creation of a global industry
by Regina Lee Blaszczyk, Véronique Pouillard, Christopher Breward
The period since 1945 has been a transformative era for the fashion industry. Over the course of seventy years, the fashion world has moved from celebrating the craftsmanship of haute couture to revelling in ever-changing fast-fashion. This volume examines the transition from the old system to the new in a series of case studies grouped around three major themes. Part I focuses on Paris as a creative hub, aiming to understand how the birthplace of haute couture adapted to late-twentieth-century developments. Part II considers the retailer's role in shaping taste, responding to consumer expectations and disseminating fashion merchandise. Part III looks to alternative visions of the European fashion system that have appeared in unexpected places. The volume is highly interdisciplinary, covering design history, cultural anthropology, ethnography, management studies and the cultural history of business.
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Trusted Partner
The ArtsFebruary 2018European fashion
The creation of a global industry
by Regina Lee Blaszczyk, Véronique Pouillard, Christopher Breward
The period since 1945 has been a transformative era for the fashion industry. Over the course of seventy years, the fashion world has moved from celebrating the craftsmanship of haute couture to revelling in ever-changing fast-fashion. This volume examines the transition from the old system to the new in a series of case studies grouped around three major themes. Part I focuses on Paris as a creative hub, aiming to understand how the birthplace of haute couture adapted to late-twentieth-century developments. Part II considers the retailer's role in shaping taste, responding to consumer expectations and disseminating fashion merchandise. Part III looks to alternative visions of the European fashion system that have appeared in unexpected places. The volume is highly interdisciplinary, covering design history, cultural anthropology, ethnography, management studies and the cultural history of business.
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Trusted Partner
The ArtsFebruary 2018European fashion
The creation of a global industry
by Regina Lee Blaszczyk, Véronique Pouillard, Christopher Breward
The period since 1945 has been a transformative era for the fashion industry. Over the course of seventy years, the fashion world has moved from celebrating the craftsmanship of haute couture to revelling in ever-changing fast-fashion. This volume examines the transition from the old system to the new in a series of case studies grouped around three major themes. Part I focuses on Paris as a creative hub, aiming to understand how the birthplace of haute couture adapted to late-twentieth-century developments. Part II considers the retailer's role in shaping taste, responding to consumer expectations and disseminating fashion merchandise. Part III looks to alternative visions of the European fashion system that have appeared in unexpected places. The volume is highly interdisciplinary, covering design history, cultural anthropology, ethnography, management studies and the cultural history of business.
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Trusted Partner
Humanities & Social SciencesAugust 2017Cultivating political and public identity
Why plumage matters
by Rodney Barker
Public and political life can no longer be seen as simply the pursuit of material gain or even as the struggle for enough food and shelter by which to live. The interests people pursue are shaped by the identities which they both inherit and cultivate. In generating identities, everything is important, from clothing to cuisine, from architecture to language, and to understand why and how people associate in groups and communities, and why they compete and conflict with each other, every aspect of identity has to be taken seriously. Whatever secrets may remain in people's minds or souls, who they are socially is what they say, what they eat, and how they live. This book is ideal reading for students, lecturers, and the general reader interested in the importance of identity in public life, and in the inherent political momentum in identity cultivation to both equality and inequality simultaneously. This title will be available as an open access ebook under a CC-BY licence.
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Trusted Partner
Humanities & Social SciencesAugust 2017Cultivating political and public identity
Why plumage matters
by Rodney Barker
The colour of your clothes, the way you pronounce a name, the way you wear your hair, proclaim to the world who you think you are. Every aspect of human identity, from the way you walk to the way you talk, from clothes to food, can be a vital part of joining friends or fearing enemies. The identity which is cultivated out of such apparently trivial or superficial details is both the engine and the fragmenter of human society.
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Trusted Partner
Humanities & Social SciencesAugust 2017Cultivating political and public identity
Why plumage matters
by Rodney Barker
Public and political life can no longer be seen as simply the pursuit of material gain or even as the struggle for enough food and shelter by which to live. The interests people pursue are shaped by the identities which they both inherit and cultivate. In generating identities, everything is important, from clothing to cuisine, from architecture to language, and to understand why and how people associate in groups and communities, and why they compete and conflict with each other, every aspect of identity has to be taken seriously. Whatever secrets may remain in people's minds or souls, who they are socially is what they say, what they eat, and how they live. This book is ideal reading for students, lecturers, and the general reader interested in the importance of identity in public life, and in the inherent political momentum in identity cultivation to both equality and inequality simultaneously. This title will be available as an open access ebook under a CC-BY licence.
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Trusted Partner
Business, Economics & LawOctober 2017Fashionability
Abraham Moon and the creation of British cloth for the global market
by Regina Lee Blaszczyk
Fashion studies is a burgeoning field that often highlights the contributions of genius designers and high-profile brands with little reference to what goes on behind the scenes in the supply chain. This book pulls back the curtain on the global fashion system of the past 200 years to examine the relationship between the textile mills of Yorkshire - the firms that provided the entire Western world with warm wool fabrics - and their customers. It is a microhistory of a single firm, Abraham Moon and Sons Ltd, that sheds light on important macro questions about British industry, government policies on international trade, the role of multi-generational family firms and the place of design and innovation in business strategy. It is the first book to connect Yorkshire tweeds to the fashion system. Written in lively, accessible prose, this book will appeal to anyone who works in fashion or who wears fashion. There is nothing like it - and it will raise the bar for historical studies of global fashion. Here you'll find intriguing stories about a tweed theft from the Leeds Coloured Cloth Hall, debates on tariffs and global trade, the battle against synthetic fibres and the reinvention of British tweeds around heritage marketing. You won't be bored.
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Trusted Partner
Humanities & Social SciencesAugust 2017Cultivating political and public identity
Why plumage matters
by Rodney Barker
Public and political life can no longer be seen as simply the pursuit of material gain or even as the struggle for enough food and shelter by which to live. The interests people pursue are shaped by the identities they both inherit and cultivate. In generating identities, everything is important, from clothing to cuisine, from architecture to language; and to understand why and how people associate in groups and communities, and why they compete and conflict with each other, every aspect of identity has to be taken seriously. Whatever secrets may remain in people's minds or souls, who they are socially is what they say, what they eat, and how they live. This book is ideal reading for students, lecturers, and the general reader interested in the importance of identity in public life, and in the inherent political momentum in identity cultivation to both equality and inequality simultaneously. This title is available as an open access ebook under a CC-BY licence at www.oapen.org.
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Trusted Partner
The ArtsOctober 2020Deco dandy
Designing masculinity in 1920s Paris
by John Potvin, Christopher Breward, James Ryan
Richly illustrated with over 110 colour and black and white images, Deco dandy productively contests the supposedly exclusive feminine aspect of the style moderne (art deco) by exploring how alternative, parallel and overlapping experiences and expressions of decorative modernism, nationalism, gender and sexuality in the heady years surrounding World War I converge in the protean figure of the deco dandy. The book suggests a broader view of art deco by claiming a greater place for the male body, masculinity and the dandy in this history than has been given to date. Important, essential and productive moments in the history of the cultural life of Paris presented in the book are instructive of the changing role performed by consumerism, masculinity, design history and national identity.
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Trusted Partner
The ArtsOctober 2020Deco dandy
Designing masculinity in 1920s Paris
by John Potvin, Christopher Breward, James Ryan
Richly illustrated with over 110 colour and black and white images, Deco dandy productively contests the supposedly exclusive feminine aspect of the style moderne (art deco) by exploring how alternative, parallel and overlapping experiences and expressions of decorative modernism, nationalism, gender and sexuality in the heady years surrounding World War I converge in the protean figure of the deco dandy. The book suggests a broader view of art deco by claiming a greater place for the male body, masculinity and the dandy in this history than has been given to date. Important, essential and productive moments in the history of the cultural life of Paris presented in the book are instructive of the changing role performed by consumerism, masculinity, design history and national identity.
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Trusted Partner
The ArtsOctober 2020Deco dandy
Designing masculinity in 1920s Paris
by John Potvin, Christopher Breward, James Ryan
Richly illustrated with over 110 colour and black and white images, Deco dandy productively contests the supposedly exclusive feminine aspect of the style moderne (art deco) by exploring how alternative, parallel and overlapping experiences and expressions of decorative modernism, nationalism, gender and sexuality in the heady years surrounding World War I converge in the protean figure of the deco dandy. The book suggests a broader view of art deco by claiming a greater place for the male body, masculinity and the dandy in this history than has been given to date. Important, essential and productive moments in the history of the cultural life of Paris presented in the book are instructive of the changing role performed by consumerism, masculinity, design history and national identity.
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Trusted Partner
The ArtsJune 2020European fashion
The creation of a global industry
by Regina Lee Blaszczyk, Véronique Pouillard, Christopher Breward
The period since 1945 has been a transformative era for the fashion industry. Over the course of seventy years, the fashion world has moved from celebrating the craftsmanship of haute couture to revelling in ever-changing fast-fashion. This volume examines the transition from the old system to the new in a series of case studies grouped around three major themes. Part I focuses on Paris as a creative hub, aiming to understand how the birthplace of haute couture adapted to late-twentieth-century developments. Part II considers the retailer's role in shaping taste, responding to consumer expectations and disseminating fashion merchandise. Part III looks to alternative visions of the European fashion system that have appeared in unexpected places. The volume is highly interdisciplinary, covering design history, cultural anthropology, ethnography, management studies and the cultural history of business.
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Trusted Partner
The ArtsFebruary 2020Critical design in Japan
Material culture, luxury, and the avant-garde
by Ory Bartal, James Ryan, Christopher Breward
This book tells the story of critical avant-garde design in Japan, which emerged during the 1960s and continues to inspire designers today. The practice communicates a form of visual and material protest drawing on the ideologies and critical theories of the 1960s and 1970s, notably feminism, body politics, the politics of identity, and ecological, anti-consumerist and anti-institutional critiques, as well as the concept of otherness. It also presents an encounter between two seemingly contradictory concepts: luxury and the avant-garde. The book challenges the definition of design as the production of unnecessary decorative and conceptual objects, and the characterisation of Japanese design in particular as beautiful, sublime or a product of 'Japanese culture'. In doing so it reveals the ways in which material and visual culture serve to voice protest and formulate a social critique.
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Trusted Partner
The ArtsFebruary 2020Critical design in Japan
Material culture, luxury, and the avant-garde
by Ory Bartal, James Ryan, Christopher Breward
This book tells the story of critical avant-garde design in Japan, which emerged during the 1960s and continues to inspire designers today. The practice communicates a form of visual and material protest drawing on the ideologies and critical theories of the 1960s and 1970s, notably feminism, body politics, the politics of identity, and ecological, anti-consumerist and anti-institutional critiques, as well as the concept of otherness. It also presents an encounter between two seemingly contradictory concepts: luxury and the avant-garde. The book challenges the definition of design as the production of unnecessary decorative and conceptual objects, and the characterisation of Japanese design in particular as beautiful, sublime or a product of 'Japanese culture'. In doing so it reveals the ways in which material and visual culture serve to voice protest and formulate a social critique.
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Trusted Partner
The ArtsFebruary 2020Critical design in Japan
Material culture, luxury, and the avant-garde
by Ory Bartal, James Ryan, Christopher Breward
This book tells the story of critical avant-garde design in Japan, which emerged during the 1960s and continues to inspire designers today. The practice communicates a form of visual and material protest drawing on the ideologies and critical theories of the 1960s and 1970s, notably feminism, body politics, the politics of identity, and ecological, anti-consumerist and anti-institutional critiques, as well as the concept of otherness. It also presents an encounter between two seemingly contradictory concepts: luxury and the avant-garde. The book challenges the definition of design as the production of unnecessary decorative and conceptual objects, and the characterisation of Japanese design in particular as beautiful, sublime or a product of 'Japanese culture'. In doing so it reveals the ways in which material and visual culture serve to voice protest and formulate a social critique.
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Trusted Partner
The ArtsMarch 2022Deco Dandy
Designing masculinity in 1920s Paris
by John Potvin, Christopher Breward, James Ryan
Deco dandy contests the supposedly exclusive feminine aspect of the style moderne (art deco) by exploring how alternative, parallel and overlapping experiences of decorative modernism, nationalism, gender and sexuality in the years surrounding World War I converge in the protean figure of the 'deco dandy'. The book suggests a broader view of art deco by claiming a greater place for the male body, masculinity and the dandy in this history than has been given to date. Important and productive moments in the history of the cultural life of Paris presented in the book provide insights into the changing role performed by consumerism, masculinity, design history and national identity.
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Trusted Partner
The ArtsFebruary 2024Threads of globalization
Fashion, textiles, and gender in Asia in the long twentieth century
by Melia Belli Bose
Threads of globalization is an interdisciplinary volume that brings fashion-specific garments, motifs, materials, and methods of production into dialogue with gender and identity in various cultures throughout Asia during the long twentieth century. It examines how the shift from artisanal production to 'fast fashion' over the past 150 years has devalued women's textile labour and how skilled textile/ garment makers and the organizations that support them are preserving and reviving heritage traditions. It also offers examples of how socially engaged artists in Asia and the diaspora use their work to criticize labour and environmental abuses in the global fashion industry.
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Trusted Partner
The ArtsFebruary 2024Threads of globalization
Fashion, textiles, and gender in Asia in the long twentieth century
by Melia Belli Bose
Threads of globalization is an interdisciplinary volume that brings fashion-specific garments, motifs, materials, and methods of production into dialogue with gender and identity in various cultures throughout Asia during the long twentieth century. It examines how the shift from artisanal production to 'fast fashion' over the past 150 years has devalued women's textile labour and how skilled textile/ garment makers and the organizations that support them are preserving and reviving heritage traditions. It also offers examples of how socially engaged artists in Asia and the diaspora use their work to criticize labour and environmental abuses in the global fashion industry.
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Trusted Partner
The ArtsJanuary 2021Critical design in Japan
Material culture, luxury, and the avant-garde
by Ory Bartal
This book tells the story of critical avant-garde design in Japan, which emerged during the 1960s and continues to inspire designers today. The practice communicates a form of visual and material protest drawing on the ideologies and critical theories of the 1960s and 1970s, notably feminism, body politics, the politics of identity, and ecological, anti-consumerist and anti-institutional critiques, as well as the concept of otherness. It also presents an encounter between two seemingly contradictory concepts: luxury and the avant-garde. The book challenges the definition of design as the production of unnecessary decorative and conceptual objects, and the characterisation of Japanese design in particular as beautiful, sublime or a product of 'Japanese culture'. In doing so it reveals the ways in which material and visual culture serve to voice protest and formulate a social critique.