Your Search Results

      • Trusted Partner
        Humanities & Social Sciences
        August 2017

        Cultivating political and public identity

        Why plumage matters

        by Rodney Barker

        Public and political life can no longer be seen as simply the pursuit of material gain or even as the struggle for enough food and shelter by which to live. The interests people pursue are shaped by the identities which they both inherit and cultivate. In generating identities, everything is important, from clothing to cuisine, from architecture to language, and to understand why and how people associate in groups and communities, and why they compete and conflict with each other, every aspect of identity has to be taken seriously. Whatever secrets may remain in people's minds or souls, who they are socially is what they say, what they eat, and how they live. This book is ideal reading for students, lecturers, and the general reader interested in the importance of identity in public life, and in the inherent political momentum in identity cultivation to both equality and inequality simultaneously. This title will be available as an open access ebook under a CC-BY licence.

      • Trusted Partner
        Business, Economics & Law
        November 2017

        Fashionability

        Abraham Moon and the creation of British cloth for the global market

        by Regina Lee Blaszczyk

      • Trusted Partner
        The Arts
        February 2018

        European fashion

        The creation of a global industry

        by Regina Lee Blaszczyk, Véronique Pouillard, Christopher Breward

        The period since 1945 has been a transformative era for the fashion industry. Over the course of seventy years, the fashion world has moved from celebrating the craftsmanship of haute couture to revelling in ever-changing fast-fashion. This volume examines the transition from the old system to the new in a series of case studies grouped around three major themes. Part I focuses on Paris as a creative hub, aiming to understand how the birthplace of haute couture adapted to late-twentieth-century developments. Part II considers the retailer's role in shaping taste, responding to consumer expectations and disseminating fashion merchandise. Part III looks to alternative visions of the European fashion system that have appeared in unexpected places. The volume is highly interdisciplinary, covering design history, cultural anthropology, ethnography, management studies and the cultural history of business.

      • Trusted Partner
        The Arts
        February 2018

        European fashion

        The creation of a global industry

        by Regina Lee Blaszczyk, Véronique Pouillard, Christopher Breward

        The period since 1945 has been a transformative era for the fashion industry. Over the course of seventy years, the fashion world has moved from celebrating the craftsmanship of haute couture to revelling in ever-changing fast-fashion. This volume examines the transition from the old system to the new in a series of case studies grouped around three major themes. Part I focuses on Paris as a creative hub, aiming to understand how the birthplace of haute couture adapted to late-twentieth-century developments. Part II considers the retailer's role in shaping taste, responding to consumer expectations and disseminating fashion merchandise. Part III looks to alternative visions of the European fashion system that have appeared in unexpected places. The volume is highly interdisciplinary, covering design history, cultural anthropology, ethnography, management studies and the cultural history of business.

      • Trusted Partner
        The Arts
        February 2018

        European fashion

        The creation of a global industry

        by Regina Lee Blaszczyk, Véronique Pouillard, Christopher Breward

        The period since 1945 has been a transformative era for the fashion industry. Over the course of seventy years, the fashion world has moved from celebrating the craftsmanship of haute couture to revelling in ever-changing fast-fashion. This volume examines the transition from the old system to the new in a series of case studies grouped around three major themes. Part I focuses on Paris as a creative hub, aiming to understand how the birthplace of haute couture adapted to late-twentieth-century developments. Part II considers the retailer's role in shaping taste, responding to consumer expectations and disseminating fashion merchandise. Part III looks to alternative visions of the European fashion system that have appeared in unexpected places. The volume is highly interdisciplinary, covering design history, cultural anthropology, ethnography, management studies and the cultural history of business.

      • Trusted Partner
        Humanities & Social Sciences
        August 2017

        Cultivating political and public identity

        Why plumage matters

        by Rodney Barker

        Public and political life can no longer be seen as simply the pursuit of material gain or even as the struggle for enough food and shelter by which to live. The interests people pursue are shaped by the identities they both inherit and cultivate. In generating identities, everything is important, from clothing to cuisine, from architecture to language; and to understand why and how people associate in groups and communities, and why they compete and conflict with each other, every aspect of identity has to be taken seriously. Whatever secrets may remain in people's minds or souls, who they are socially is what they say, what they eat, and how they live. This book is ideal reading for students, lecturers, and the general reader interested in the importance of identity in public life, and in the inherent political momentum in identity cultivation to both equality and inequality simultaneously. This title is available as an open access ebook under a CC-BY licence at www.oapen.org.

      • Trusted Partner
        Business, Economics & Law
        October 2017

        Fashionability

        Abraham Moon and the creation of British cloth for the global market

        by Regina Lee Blaszczyk

        Fashion studies is a burgeoning field that often highlights the contributions of genius designers and high-profile brands with little reference to what goes on behind the scenes in the supply chain. This book pulls back the curtain on the global fashion system of the past 200 years to examine the relationship between the textile mills of Yorkshire - the firms that provided the entire Western world with warm wool fabrics - and their customers. It is a microhistory of a single firm, Abraham Moon and Sons Ltd, that sheds light on important macro questions about British industry, government policies on international trade, the role of multi-generational family firms and the place of design and innovation in business strategy. It is the first book to connect Yorkshire tweeds to the fashion system. Written in lively, accessible prose, this book will appeal to anyone who works in fashion or who wears fashion. There is nothing like it - and it will raise the bar for historical studies of global fashion. Here you'll find intriguing stories about a tweed theft from the Leeds Coloured Cloth Hall, debates on tariffs and global trade, the battle against synthetic fibres and the reinvention of British tweeds around heritage marketing. You won't be bored.

      • Trusted Partner
        The Arts
        October 2020

        Deco dandy

        Designing masculinity in 1920s Paris

        by John Potvin, Christopher Breward, James Ryan

        Richly illustrated with over 110 colour and black and white images, Deco dandy productively contests the supposedly exclusive feminine aspect of the style moderne (art deco) by exploring how alternative, parallel and overlapping experiences and expressions of decorative modernism, nationalism, gender and sexuality in the heady years surrounding World War I converge in the protean figure of the deco dandy. The book suggests a broader view of art deco by claiming a greater place for the male body, masculinity and the dandy in this history than has been given to date. Important, essential and productive moments in the history of the cultural life of Paris presented in the book are instructive of the changing role performed by consumerism, masculinity, design history and national identity.

      • Trusted Partner
        The Arts
        October 2020

        Deco dandy

        Designing masculinity in 1920s Paris

        by John Potvin, Christopher Breward, James Ryan

        Richly illustrated with over 110 colour and black and white images, Deco dandy productively contests the supposedly exclusive feminine aspect of the style moderne (art deco) by exploring how alternative, parallel and overlapping experiences and expressions of decorative modernism, nationalism, gender and sexuality in the heady years surrounding World War I converge in the protean figure of the deco dandy. The book suggests a broader view of art deco by claiming a greater place for the male body, masculinity and the dandy in this history than has been given to date. Important, essential and productive moments in the history of the cultural life of Paris presented in the book are instructive of the changing role performed by consumerism, masculinity, design history and national identity.

      • Trusted Partner
        The Arts
        October 2020

        Deco dandy

        Designing masculinity in 1920s Paris

        by John Potvin, Christopher Breward, James Ryan

        Richly illustrated with over 110 colour and black and white images, Deco dandy productively contests the supposedly exclusive feminine aspect of the style moderne (art deco) by exploring how alternative, parallel and overlapping experiences and expressions of decorative modernism, nationalism, gender and sexuality in the heady years surrounding World War I converge in the protean figure of the deco dandy. The book suggests a broader view of art deco by claiming a greater place for the male body, masculinity and the dandy in this history than has been given to date. Important, essential and productive moments in the history of the cultural life of Paris presented in the book are instructive of the changing role performed by consumerism, masculinity, design history and national identity.

      • Trusted Partner
        The Arts
        June 2020

        European fashion

        The creation of a global industry

        by Regina Lee Blaszczyk, Véronique Pouillard, Christopher Breward

        The period since 1945 has been a transformative era for the fashion industry. Over the course of seventy years, the fashion world has moved from celebrating the craftsmanship of haute couture to revelling in ever-changing fast-fashion. This volume examines the transition from the old system to the new in a series of case studies grouped around three major themes. Part I focuses on Paris as a creative hub, aiming to understand how the birthplace of haute couture adapted to late-twentieth-century developments. Part II considers the retailer's role in shaping taste, responding to consumer expectations and disseminating fashion merchandise. Part III looks to alternative visions of the European fashion system that have appeared in unexpected places. The volume is highly interdisciplinary, covering design history, cultural anthropology, ethnography, management studies and the cultural history of business.

      • Trusted Partner
        The Arts
        February 2020

        Critical design in Japan

        Material culture, luxury, and the avant-garde

        by Ory Bartal, James Ryan, Christopher Breward

        This book tells the story of critical avant-garde design in Japan, which emerged during the 1960s and continues to inspire designers today. The practice communicates a form of visual and material protest drawing on the ideologies and critical theories of the 1960s and 1970s, notably feminism, body politics, the politics of identity, and ecological, anti-consumerist and anti-institutional critiques, as well as the concept of otherness. It also presents an encounter between two seemingly contradictory concepts: luxury and the avant-garde. The book challenges the definition of design as the production of unnecessary decorative and conceptual objects, and the characterisation of Japanese design in particular as beautiful, sublime or a product of 'Japanese culture'. In doing so it reveals the ways in which material and visual culture serve to voice protest and formulate a social critique.

      • Trusted Partner
        The Arts
        February 2020

        Critical design in Japan

        Material culture, luxury, and the avant-garde

        by Ory Bartal, James Ryan, Christopher Breward

        This book tells the story of critical avant-garde design in Japan, which emerged during the 1960s and continues to inspire designers today. The practice communicates a form of visual and material protest drawing on the ideologies and critical theories of the 1960s and 1970s, notably feminism, body politics, the politics of identity, and ecological, anti-consumerist and anti-institutional critiques, as well as the concept of otherness. It also presents an encounter between two seemingly contradictory concepts: luxury and the avant-garde. The book challenges the definition of design as the production of unnecessary decorative and conceptual objects, and the characterisation of Japanese design in particular as beautiful, sublime or a product of 'Japanese culture'. In doing so it reveals the ways in which material and visual culture serve to voice protest and formulate a social critique.

      • Trusted Partner
        The Arts
        February 2020

        Critical design in Japan

        Material culture, luxury, and the avant-garde

        by Ory Bartal, James Ryan, Christopher Breward

        This book tells the story of critical avant-garde design in Japan, which emerged during the 1960s and continues to inspire designers today. The practice communicates a form of visual and material protest drawing on the ideologies and critical theories of the 1960s and 1970s, notably feminism, body politics, the politics of identity, and ecological, anti-consumerist and anti-institutional critiques, as well as the concept of otherness. It also presents an encounter between two seemingly contradictory concepts: luxury and the avant-garde. The book challenges the definition of design as the production of unnecessary decorative and conceptual objects, and the characterisation of Japanese design in particular as beautiful, sublime or a product of 'Japanese culture'. In doing so it reveals the ways in which material and visual culture serve to voice protest and formulate a social critique.

      • Trusted Partner
        Business, Economics & Law
        July 2024

        The business of time

        A global history of the watch industry

        by Pierre-Yves Donzé

        The business of time presents a comprehensive history of the global watch industry from the mid-nineteenth century to the present. Watch production in the twenty-first century is concentrated in three countries: Switzerland, Japan and China. The industry is dominated by a dozen or so large companies, including the Swatch Group, Richemont, LVMH, Seiko and Fossil. But a hundred years ago the picture was dramatically different. Over the course of a century, Great Britain, France, the United States and Russia saw the manufacture of watches disappear from their territory. At the same time, Hong Kong went from being a subcontractor of watch components to an intermediary between Chinese factories and the world market. Revealing the conditions that drove the spread of watch production around the globe, The business of time explains how multinationals emerged to dominate the industry and highlights how Swiss companies were able to establish themselves as the undisputed leader in luxury watches.

      • Trusted Partner
        The Arts
        December 2024

        Becoming couture

        The Italian fashion industry after the Second World War

        by Chiara Faggella

        Becoming couture is the first book to examine the history of the Italian fashion industry during the global transition brought about by the Second World War. It draws on a wide range of primary sources, some of them newly unearthed, to demonstrate that the Italian fashion industry in the Republican era continued to rely on business practices and professionals established during Fascism. Analysing changes in promotional discourses and press coverage, the book traces the shift that occurred when manufacturers were encouraged to expand their exports of accessories to include sportswear, knitwear and moda boutique. This ultimately led to the legitimisation of Italian dressmaking as creatively independent of French influences and therefore worthy of the label 'couture'.

      • Trusted Partner
        The Arts
        March 2022

        Deco Dandy

        Designing masculinity in 1920s Paris

        by John Potvin, Christopher Breward, James Ryan

        Deco dandy contests the supposedly exclusive feminine aspect of the style moderne (art deco) by exploring how alternative, parallel and overlapping experiences of decorative modernism, nationalism, gender and sexuality in the years surrounding World War I converge in the protean figure of the 'deco dandy'. The book suggests a broader view of art deco by claiming a greater place for the male body, masculinity and the dandy in this history than has been given to date. Important and productive moments in the history of the cultural life of Paris presented in the book provide insights into the changing role performed by consumerism, masculinity, design history and national identity.

      • Trusted Partner
        The Arts
        May 2021

        Deco Dandy

        Designing masculinity in 1920s Paris

        by John Potvin, Christopher Breward, James Ryan

        Deco dandy contests the supposedly exclusive feminine aspect of the style moderne (art deco) by exploring how alternative, parallel and overlapping experiences of decorative modernism, nationalism, gender and sexuality in the years surrounding World War I converge in the protean figure of the 'deco dandy'. The book suggests a broader view of art deco by claiming a greater place for the male body, masculinity and the dandy in this history than has been given to date. Important and productive moments in the history of the cultural life of Paris presented in the book provide insights into the changing role performed by consumerism, masculinity, design history and national identity.

      Subscribe to our

      newsletter