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      • Trusted Partner
        Designs on modernity
        The Arts
        November 2003

        Designs on modernity

        Exhibiting the city in 1920s Paris

        by Tag Gronberg

        Presents the 1925 Paris Exhibition as a key moment in attempts to update the image of Paris as "capital of the 19th century". At the Exposition Internationale des Arts Decoratifs et Industriels Modernes, Paris itself, as much as the commodity, was put on show. This text focuses on the Exhibition as a set of contesting representations of the modern city, stressing the importance of consumption and display for concepts of urban modernity. Here Le Corbusier's "Pavillon de L'Esprit Nouveau" with its "Plan Voisin" for the redesign of Paris confronted another equally up-to-date city - Paris "a woman's city", world centre of fashion and shopping. Taking as her starting point one of the most dramatic 1925 exhibits, the Rue des Boutiques which spanned the river Seine, the author analyzes the contemporary significance of the small Parisian luxury shop. She demonstrates how boutiques, conceived both as urbanism and as advertising, redefined Paris as the modern city. ;

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      • Trusted Partner
        Travel and the British country house
        Humanities & Social Sciences
        November 2017

        Travel and the British country house

        Cultures, critiques and consumption in the long eighteenth century

        by Jon Stobart, Roey Sweet, John Harrison, Rebecca Campion, Emile de Bruijn, Hanneke Ronnes, Renske Koster, Rosie MacArthur, Jocelyn Anderson, Kristof Fatsar, Peter Edwards, Jon Stobart, Ellen Filor

        Travel and the British country house explores the ways in which travel by owners, visitors and material objects shaped country houses during the long eighteenth century. It provides a richer and more nuanced understanding of this relationship, and how it varied according to the identity of the traveller and the geography of their journeys. The essays explore how travel on the Grand Tour and further afield formed an inspiration to build or remodel houses and gardens; the importance of country house visiting in shaping taste amongst British and European elites, and the practical aspects of travel, including the expenditure involved. Suitable for a scholarly audience, including postgraduate and undergraduate students, but also accessible to the general reader, Travel and the British country house offers a series of fascinating studies of the country house that serve to animate the country house with flows of people, goods and ideas.

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      • Trusted Partner
        Travel and the British country house
        Humanities & Social Sciences
        November 2017

        Travel and the British country house

        Cultures, critiques and consumption in the long eighteenth century

        by Jon Stobart, Roey Sweet, John Harrison, Rebecca Campion, Emile de Bruijn, Hanneke Ronnes, Renske Koster, Rosie MacArthur, Jocelyn Anderson, Kristof Fatsar, Peter Edwards, Jon Stobart, Ellen Filor

        Travel and the British country house explores the ways in which travel by owners, visitors and material objects shaped country houses during the long eighteenth century. It provides a richer and more nuanced understanding of this relationship, and how it varied according to the identity of the traveller and the geography of their journeys. The essays explore how travel on the Grand Tour and further afield formed an inspiration to build or remodel houses and gardens; the importance of country house visiting in shaping taste amongst British and European elites, and the practical aspects of travel, including the expenditure involved. Suitable for a scholarly audience, including postgraduate and undergraduate students, but also accessible to the general reader, Travel and the British country house offers a series of fascinating studies of the country house that serve to animate the country house with flows of people, goods and ideas.

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      • Trusted Partner
        Travel and the British country house
        Humanities & Social Sciences
        November 2017

        Travel and the British country house

        Cultures, critiques and consumption in the long eighteenth century

        by Jon Stobart, Roey Sweet, John Harrison, Rebecca Campion, Emile de Bruijn, Hanneke Ronnes, Renske Koster, Rosie MacArthur, Jocelyn Anderson, Kristof Fatsar, Peter Edwards, Jon Stobart, Ellen Filor

        Travel and the British country house explores the ways in which travel by owners, visitors and material objects shaped country houses during the long eighteenth century. It provides a richer and more nuanced understanding of this relationship, and how it varied according to the identity of the traveller and the geography of their journeys. The essays explore how travel on the Grand Tour and further afield formed an inspiration to build or remodel houses and gardens; the importance of country house visiting in shaping taste amongst British and European elites, and the practical aspects of travel, including the expenditure involved. Suitable for a scholarly audience, including postgraduate and undergraduate students, but also accessible to the general reader, Travel and the British country house offers a series of fascinating studies of the country house that serve to animate the country house with flows of people, goods and ideas.

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      • Trusted Partner
        Ideal homes, 1918–39
        The Arts
        February 2018

        Ideal homes, 1918–39

        Domestic design and suburban Modernism

        by Deborah Sugg Ryan, Christopher Breward, Bill Sherman

        This book focuses on the housebuilding boom of the interwar years, when Britain became a nation of homeowners. It investigates the ways in which ordinary people expressed new class and gender identities through the design, architecture and decoration of interwar homes then and now. It argues that these 'ideal' homes combine nostalgia for the past and longing for the future resulting in a new specifically suburban modernism.

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      • Trusted Partner
        Ideal homes, 1918–39
        The Arts
        February 2018

        Ideal homes, 1918–39

        Domestic design and suburban Modernism

        by Deborah Sugg Ryan, Christopher Breward, Bill Sherman

        This book explores the aspirations and tastes of new suburban communities in interwar England for domestic architecture and design that was both modern and nostalgic. It investigates the ways in which new suburban class and gender identities were forged in the architecture, design and decoration of the home, through choices such as ebony elephants placed on mantelpieces and modern Easiwork dressers in kitchens. Ultimately, it argues that a specifically suburban modernism emerged, which looked to both past and future for inspiration. Thus the interwar 'ideal' home was both a retreat from the outside world and a site of change and experimentation. The book also examines how the interwar home is lived in today.

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      • Trusted Partner
        Ideal homes, 1918–39
        The Arts
        February 2018

        Ideal homes, 1918–39

        Domestic design and suburban Modernism

        by Deborah Sugg Ryan, Christopher Breward, Bill Sherman

        This book explores the aspirations and tastes of new suburban communities in interwar England for domestic architecture and design that was both modern and nostalgic. It investigates the ways in which new suburban class and gender identities were forged in the architecture, design and decoration of the home, through choices such as ebony elephants placed on mantelpieces and modern Easiwork dressers in kitchens. Ultimately, it argues that a specifically suburban modernism emerged, which looked to both past and future for inspiration. Thus the interwar 'ideal' home was both a retreat from the outside world and a site of change and experimentation. The book also examines how the interwar home is lived in today. It will appeal to academics and students in design and social and cultural history, as well as a wider readership curious about interwar homes.

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      • Trusted Partner
        Ideal homes, 1918–39
        The Arts
        February 2018

        Ideal homes, 1918–39

        Domestic design and suburban Modernism

        by Deborah Sugg Ryan, Christopher Breward, Bill Sherman

        This book explores the aspirations and tastes of new suburban communities in interwar England for domestic architecture and design that was both modern and nostalgic. It investigates the ways in which new suburban class and gender identities were forged in the architecture, design and decoration of the home, through choices such as ebony elephants placed on mantelpieces and modern Easiwork dressers in kitchens. Ultimately, it argues that a specifically suburban modernism emerged, which looked to both past and future for inspiration. Thus the interwar 'ideal' home was both a retreat from the outside world and a site of change and experimentation. The book also examines how the interwar home is lived in today. It will appeal to academics and students in design and social and cultural history, as well as a wider readership curious about interwar homes.

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      • Trusted Partner
        Reconstructing modernity
        Humanities & Social Sciences
        January 2018

        Reconstructing modernity

        Space, power and governance in mid-twentieth century British cities

        by James Greenhalgh

        Reconstructing modernity assesses the character of approaches to rebuilding British cities during the decades after the Second World War. It explores the strategies of spatial governance that sought to restructure society and looks at the cast of characters who shaped these processes. It challenges traditional views of urban modernism and sheds new light on the importance of the immediate post-war for the trajectory of planned urban renewal in twentieth century. It examines plans and policies designed to produce and govern lived spaces- shopping centers, housing estates, parks, schools and homes - and shows how and why they succeeded or failed. It demonstrates how the material space of the city and how people used and experienced it was crucial in understanding historical change in urban contexts. The book is aimed at those interested in urban modernism, the use of space in town planning, the urban histories of post-war Britain and of social housing.

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      • Trusted Partner
        Reconstructing modernity
        Humanities & Social Sciences
        January 2018

        Reconstructing modernity

        Space, power and governance in mid-twentieth century British cities

        by James Greenhalgh

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      • Trusted Partner
        Reconstructing modernity
        Humanities & Social Sciences
        January 2018

        Reconstructing modernity

        Space, power and governance in mid-twentieth century British cities

        by James Greenhalgh

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      • Trusted Partner
        High culture and tall chimneys
        The Arts
        December 2017

        High culture and tall chimneys

        Art institutions and urban society in Lancashire, 1780–1914

        by James Moore

        This new study examines how nineteenth-century industrial Lancashire became a leading national and international art centre. By the end of the century almost every major town possessed an art gallery, while Lancashire art schools and artists were recognised at home and abroad. The book documents the remarkable rise of visual art across the county, along with the rise of the commercial and professional classes who supported it. It examines how Lancashire looked to great civilisations of the past for inspiration while also embracing new industrial technologies and distinctively modern art movements. This volume will be essential reading for all those with an interest in the new industrial society of the nineteenth century, from art lovers and collectors to urban and social historians.

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      • Trusted Partner
        High culture and tall chimneys
        The Arts
        December 2017

        High culture and tall chimneys

        Art institutions and urban society in Lancashire, 1780–1914

        by James Moore

        This new study examines how nineteenth-century industrial Lancashire became a leading national and international art centre. By the end of the century almost every major town possessed an art gallery, while Lancashire art schools and artists were recognised at home and abroad. The book documents the remarkable rise of visual art across the county, along with the rise of the commercial and professional classes who supported it. It examines how Lancashire looked to great civilisations of the past for inspiration while also embracing new industrial technologies and distinctively modern art movements. This volume will be essential reading for all those with an interest in the new industrial society of the nineteenth century, from art lovers and collectors to urban and social historians.

        More
      • Trusted Partner
        High culture and tall chimneys
        The Arts
        December 2017

        High culture and tall chimneys

        Art institutions and urban society in Lancashire, 1780–1914

        by James Moore

        This new study examines how nineteenth-century industrial Lancashire became a leading national and international art centre. By the end of the century almost every major town possessed an art gallery, while Lancashire art schools and artists were recognised at home and abroad. The book documents the remarkable rise of visual art across the county, along with the rise of the commercial and professional classes who supported it. It examines how Lancashire looked to great civilisations of the past for inspiration while also embracing new industrial technologies and distinctively modern art movements. This volume will be essential reading for all those with an interest in the new industrial society of the nineteenth century, from art lovers and collectors to urban and social historians.

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      • Trusted Partner
        Modernism and the making of the Soviet New Man
        The Arts
        May 2017

        Modernism and the making of the Soviet New Man

        by Tijana Vujosevic

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      • Trusted Partner
        Modernism and the making of the Soviet New Man
        The Arts
        May 2017

        Modernism and the making of the Soviet New Man

        by Tijana Vujosevic

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      • Trusted Partner
        The factory in a garden
        Gardens (descriptions, history etc)
        February 2017

        The factory in a garden

        A history of corporate landscapes from the industrial to the digital age

        by Helena Chance. Series edited by Christopher Breward

        When we think about Victorian factories, 'Dark Satanic Mills' might spring to mind - images of blackened buildings and exhausted, exploited workers struggling in unhealthy and ungodly conditions. But for some employees this image was far from the truth, and this is the subject of 'The Factory in a Garden' which traces the history of a factory gardens movement from its late-eighteenth century beginnings in Britain to its twenty-first century equivalent in Google's vegetable gardens at their headquarters in California. The book is the first study of its kind examining the development of parks, gardens, and outdoor leisure facilities for factories in Britain and America as a model for the reshaping of the corporate environment in the twenty-first century. This is also the first book to give a comprehensive account of the contribution of gardens, gardening and recreation to the history of responsible capitalism and ethical working practices.

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      • Trusted Partner
        Modernism and the making of the Soviet New Man
        The Arts
        May 2017

        Modernism and the making of the Soviet New Man

        by Tijana Vujosevic

        The creation of Soviet culture in the 1920s and the 1930s was the most radical of modernist projects, both in aesthetic and in political terms. Modernism and the Making of the New Man explores the architecture of this period as the nexus between aesthetics and politics. The design of the material environment, according to the author, was the social effort that most clearly articulated the dynamic of the socialist project as a negotiation between utopia and reality, the will for progress and the will for tyranny. It was a comprehensive effort that brought together professional architects and statisticians, theatre directors, managers, housewives, pilots, construction workers. What they had in common was the enthusiasm for defining the "new man", the ideal citizen of the radiant future, and the settings in which he or she lives.

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