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      • Trusted Partner
        Interior decorating in nineteenth-century France
        The Arts
        August 2018

        Interior decorating in nineteenth-century France

        The visual culture of a new profession

        by Anca I. Lasc, James Ryan

        This book examines the beginnings of the interior-design profession in nineteenth-century France. Here, the ideal domestic interior was represented and expressed through various media outlets, including collecting and domestic-advice manuals, pattern books, illustrated magazines, art and architectural exhibitions and department-store catalogues. Upholsterers, cabinet-makers, architects, stage designers, department store managers, taste advisors, collectors and illustrators 'sold' the interior as an image and a work of art to their customers and the public at large. The book argues that the growing visual culture of the interior, encouraged by new, modern techniques of image-making and reproduction enabled the still-unnamed profession of the interior designer to take shape. Observing the dependence of trades on the visual appeal of their work, the book establishes crucial links between the fields of art history, material and visual culture and design history.

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      • Trusted Partner
        Interior decorating in nineteenth-century France
        The Arts
        January 2019

        Interior decorating in nineteenth-century France

        The visual culture of a new profession

        by Anca I. Lasc, James Ryan

        This book explores the beginnings of the interior design profession in nineteenth-century France. Drawing on a wealth of visual sources, from collecting and advice manuals to pattern books and department store catalogues, it demonstrates how new forms of print media were used to 'sell' the idea of the unified interior as a total work of art, enabling the profession of interior designer to take shape. In observing the dependence of the trades on the artistic and public visual appeal of their work, the book establishes crucial links between the fields of art history, material and visual culture, and design history.

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      • Trusted Partner
        Interior decorating in nineteenth-century France
        The Arts
        December 2020

        Interior decorating in nineteenth-century France

        The visual culture of a new profession

        by Anca I. Lasc, James Ryan

        This book explores the beginnings of the interior design profession in nineteenth-century France. Drawing on a wealth of visual sources, from collecting and advice manuals to pattern books and department store catalogues, it demonstrates how new forms of print media were used to 'sell' the idea of the unified interior as a total work of art, enabling the profession of interior designer to take shape. In observing the dependence of the trades on the artistic and public visual appeal of their work, Interior decorating in nineteenth-century France establishes crucial links between the fields of art history, material and visual culture, and design history.

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      • Trusted Partner
        Reassembling the social interior
        Humanities & Social Sciences
        June 2025

        Reassembling the social interior

        Historical spaces from contemporary viewpoints

        by Helen McCormack, Jennifer Gray, Anne Nellis Richter

        At the intersection of heritage, design history and contemporary art, this book offers new perspectives on the way historical interiors are encountered by, and viewed and presented for, present-day audiences. Many studies have highlighted the historical significance and meanings embedded in the landscape, architecture, decoration and objects to be found within houses and homes. But what about the social meanings of these spaces? Central to this book is the idea that in reflecting, remaking and reimagining historical interiors, the contributions of artists, designers and craftspeople should be foregrounded in constructing ideas of authenticity, transparency, and materiality in the making process. The chapters present a range of case studies that reflect upon on how historical interiors are remade and reimagined by looking in and out; at how a reassembling of spaces ought to avoid 'a shrinking definition of the social itself' (Latour, 2005). Surveying a range of interior 'types' from a number of historical periods, the book includes contributions from practitioners, scholars and makers. From digital reconstructions of a seventeenth-century Belgian constcamer to the interior and exterior worlds of specific historical figures, including Charles Rennie Mackintosh and Beatrix Potter, the book considers how these spaces have powerful significance for contemporary audiences, particularly in ways that are relatable to shared experiences of work, leisure, family, community, power and politics. This book will be of interest to scholars of the history of interiors and collections, museology, archaeology, architectural history, art, and design history, as well as curators and caretakers of historical sites, spaces and objects.

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      • Trusted Partner
        'The industrialized designer'
        The Arts
        June 2026

        'The industrialized designer'

        Gender, identity and professionalization in Britain and the United States, 1930-80

        by Leah Armstrong

        What does it mean to be called an industrial designer? This book traces the remarkable rise of this professional identity in historical perspective from a position of anonymity in the early twentieth century, to mid-century professionalisation, to decline and disintegration by 1980. Drawing on new, extensive, original archival research, it uncovers the history of a profession in a state of re-invention, 1930-1980 in Britain and the United States. The book tests assumptions about the relationship between the professions in the two countries, bringing them into comparative historical perspective for the first time. The gendered dynamics of professionalisation and their interaction with the representation of the heroic male designer are interrogated and critically examined. Building on new gender perspectives to the history of the industrial design profession, the book calls for a re-examination of the limits and boundaries of what constitutes professional identity and work.

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      • Trusted Partner
        'The industrialized designer'
        The Arts
        November 2024

        'The industrialized designer'

        Gender, identity and professionalization in Britain and the United States, 1930-80

        by Leah Armstrong

        What does it mean to be called an industrial designer? This book traces the remarkable rise of this professional identity in historical perspective from a position of anonymity in the early twentieth century, to mid-century professionalisation, to decline and disintegration by 1980. Drawing on new, extensive, original archival research, it uncovers the history of a profession in a state of re-invention, 1930-1980 in Britain and the United States. The book tests assumptions about the relationship between the professions in the two countries, bringing them into comparative historical perspective for the first time. The gendered dynamics of professionalisation and their interaction with the representation of the heroic male designer are interrogated and critically examined. Building on new gender perspectives to the history of the industrial design profession, the book calls for a re-examination of the limits and boundaries of what constitutes professional identity and work.

        More

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