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      • Trusted Partner
        Watching the World
        Documentary films
        July 2013

        Watching the World

        Screen documentary and audiences

        by Thomas Austin

        Screen documentary has experienced a marked rise in visibility and popularity in recent years. What are the reasons for the so-called 'boom' in documentaries at the cinema? How has television documentary met the challenge of new formats? And how do audiences engage with documentaries on screen? Watching the world extends the reach of documentary studies by investigating recent instances of screen documentary and the uses made of them by audiences. The book focuses on the interfaces between textual mechanisms, promotional tactics, and audiences' viewing strategies. Key topics of inquiry are: film and televisual form, truth claims and issues of trust, the pleasures, politics and the ethics of documentary. Case studies include Capturing the Friedmans, Être et Avoir, Paradise Lost, Touching the Void, and wildlife documentaries on television. This compelling and accessible book will be of interest to both students and fans of documentary.

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      • Trusted Partner
        Watching the World
        Documentary films
        July 2013

        Watching the World

        Screen documentary and audiences

        by Thomas Austin

        Screen documentary has experienced a marked rise in visibility and popularity in recent years. What are the reasons for the so-called 'boom' in documentaries at the cinema? How has television documentary met the challenge of new formats? And how do audiences engage with documentaries on screen? Watching the world extends the reach of documentary studies by investigating recent instances of screen documentary and the uses made of them by audiences. The book focuses on the interfaces between textual mechanisms, promotional tactics, and audiences' viewing strategies. Key topics of inquiry are: film and televisual form, truth claims and issues of trust, the pleasures, politics and the ethics of documentary. Case studies include Capturing the Friedmans, Être et Avoir, Paradise Lost, Touching the Void, and wildlife documentaries on television. This compelling and accessible book will be of interest to both students and fans of documentary.

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      • Trusted Partner
        Watching the World
        Documentary films
        July 2012

        Watching the World

        Screen documentary and audiences

        by Thomas Austin

        The first in-depth assessment of 're-vision' as a phenomenon in women's drama, examining the diverse ways in which classical myth narratives have been reworked by women playwrights for the European stage. This study explores the ideological and aesthetic potential of such practice and silmultaneously exposes the tensions inherent in attempts to challenge narratives that have fundamentally shaped western thought. From tracing the persistence of classical myths in contemporary culture and the significance of this in shaping gendered identities and opportunities, through to analysis of individual plays and productions, Babbage reveals how myths have served in the theatre as 'pretexts' for ideological debate; enabling exploration of the fragile borders between mythic and the everyday and how revision has been regarded, not unproblematically, as a route towards restructuring the self. This makes compelling reading for anyone interested in women's writing for the theatre or wider practices of adaptation in literature and performance.

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      • Trusted Partner
        Watching the World
        The Arts
        June 2012

        Watching the World

        Screen documentary and audiences

        by Thomas Austin

        Screen documentary has experienced a marked rise in visibility and popularity in recent years. What are the reasons for the so-called 'boom' in documentaries at the cinema? How has television documentary met the challenge of new formats? And how do audiences engage with documentaries on screen? Watching the world extends the reach of documentary studies by investigating recent instances of screen documentary and the uses made of them by audiences. The book focuses on the interfaces between textual mechanisms, promotional tactics, and audiences' viewing strategies. Key topics of inquiry are: film and televisual form, truth claims and issues of trust, the pleasures, politics and the ethics of documentary. Case studies include Capturing the Friedmans, Être et Avoir, Paradise Lost, Touching the Void, and wildlife documentaries on television. This compelling and accessible book will be of interest to both students and fans of documentary. ;

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      • Trusted Partner
        Photography and documentary film in the making of modern Brazil
        The Arts
        October 2013

        Photography and documentary film in the making of modern Brazil

        by Luciana Martins, Amelia Jones, Marsha Meskimmon

        Photography and documentary film in the making of modern Brazil provides a major contribution to the field of visual culture through a study of still and moving images of Brazil in the first four decades of the twentieth century, when the camera played a key role in making Brazilian peoples and places visible to a variety of audiences. The book explores what is distinctive about the visual representation of Brazil in an era of modernisation, also attending to the significance of the different technical properties of film and photography for the writing of new histories of visual technologies. It offers new insights into the work of key writers, photographers, anthropologists and filmmakers, including Claude Lévi-Strauss, Mário de Andrade, Silvino Santos and Aloha Baker. Unearthing a wealth of materials from archives in the USA, Britain, and Brazil, the book seeks to contribute to the postcolonial theoretical project of pinpointing locally distinctive histories of visual technologies and practices. ;

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      • Trusted Partner
        The documentary diaries
        The Arts
        June 2016

        The documentary diaries

        Working experiences of a non-fiction filmmaker

        by Alan Rosenthal

        How do you make a successful documentary in an era of media turmoil, network disruption and increasing financial restrictions? This is the question Alan Rosenthal, distinguished international filmmaker and teacher, sets out to answer in The documentary diaries. Using seven of his recent releases as case studies - ranging from high-budget historical and political documentaries to shoestring observational films and hybrid docudramas - he explores with style and humour the challenges facing the contemporary documentarian, and demonstrates how they can be overcome. Numerous aspects of film production are examined, notably proposal and script writing, fund raising, managing co-productions, dealing with commissioning editors and choosing distributors. Additional mini-chapters provide extra perspective on key topics, and the book is completed by a wealth of supplementary material, including excerpts from script drafts, variations on proposals and discussions of marketing strategies. The documentary diaries offers piercing insights into the world of documentary filmmaking, and will be essential reading for students and professionals alike. ;

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      • Trusted Partner
        The documentary diaries
        The Arts
        June 2016

        The documentary diaries

        Working experiences of a non-fiction filmmaker

        by Alan Rosenthal

        This book addresses one of the most difficult questions facing non-fiction filmmakers today: how do you make a successful documentary in an era of media turmoil, network change and increasing financial restrictions? Alan Rosenthal, an eminent international filmmaker and teacher, provides answers via detailed case studies of seven of his own films, which range from high-budget political documentaries to shoestring observational pieces and hybrid docudramas, and treat subjects as diverse as Joseph Stalin, a transported convict and the history of opera. Drawing on a wealth of experience, he examines some of the trickiest aspects of the trade, such as putting together a proposal, raising money, launching a co-production, writing a dynamic script, dealing with problematic commissioning editors and choosing a distributor. Supplementary materials - including script drafts, variations on proposals and discussion of marketing strategies - help to illustrate the challenges of filmmaking while simultaneously showing how they can be overcome. This unique book is rounded out by three very personal chapters on pitching, dealing with distributors and drawing inspiration from your colleagues. It will be indispensable for students and scholars of film, as well as anyone who is interested in reading about the fascinating life of a globe-trotting documentary filmmaker.

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      • Trusted Partner
        Regarding the real
        The Arts
        January 2016

        Regarding the real

        Cinema, documentary, and the visual arts

        by Des O'Rawe

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      • Trusted Partner
        Regarding the real
        The Arts
        January 2016

        Regarding the real

        Cinema, documentary, and the visual arts

        by Des O'Rawe

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      • Trusted Partner
        Regarding the real
        The Arts
        July 2018

        Regarding the real

        Cinema, documentary, and the visual arts

        by Des O'Rawe

        Regarding the real develops an original approach to documentary film, focusing on its aesthetic relations to visual arts such as animation, assemblage, photography, painting and architecture. Throughout, the book considers the work of figures whose preferred film language is associative and fragmentary, and for whom the documentary is an endlessly open form; an unstable expressive phenomenon that cannot help but interrogate its own narratives and intentions. Combining close analysis with cultural history, the book re-assesses the influence of the modern arts in subverting structures of realism typically associated with the documentary. In the course of its discussion, it charts a fascinating path that leads from Len Lye to Hiroshi Teshigahara, and includes along the way figures such as Joseph Cornell, Johan van der Keuken, William Klein, Jean-Luc Godard, Jonas Mekas and Raymond Depardon.

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      • Trusted Partner
        The documentary diaries
        The Arts
        June 2016

        The documentary diaries

        Working experiences of a non-fiction filmmaker

        by Alan Rosenthal

        This book addresses one of the most difficult questions facing non-fiction filmmakers today: how do you make a successful documentary in an era of media turmoil, network change and increasing financial restrictions? Alan Rosenthal, an eminent international filmmaker and teacher, provides answers via detailed case studies of seven of his own films, which range from high-budget political documentaries to shoestring observational pieces and hybrid docudramas, and treat subjects as diverse as Joseph Stalin, a transported convict and the history of opera. Drawing on a wealth of experience, he examines some of the trickiest aspects of the trade, such as putting together a proposal, raising money, launching a co-production, writing a dynamic script, dealing with problematic commissioning editors and choosing a distributor. Supplementary materials - including script drafts, variations on proposals and discussion of marketing strategies - help to illustrate the challenges of filmmaking while simultaneously showing how they can be overcome. This unique book is rounded out by three very personal chapters on pitching, dealing with distributors and drawing inspiration from your colleagues. It will be indispensable for students and scholars of film, as well as anyone who is interested in reading about the fascinating life of a globe-trotting documentary filmmaker.

        More
      • Trusted Partner
        The looking machine
        Humanities & Social Sciences
        January 2019

        The looking machine

        Essays on cinema, anthropology and documentary filmmaking

        by David MacDougall, Paul Henley, Andrew Irving

        This new collection of essays presents the latest thoughts of one of the world's leading ethnographic filmmakers and writers on cinema. It will provide essential reading for students in cinema studies, filmmaking, and visual anthropology. The dozen wide-ranging essays give unique insights into the history of documentary, how films evoke space, time and physical sensations, and the intellectual and emotional links between filmmakers and their subjects. In an era of reality television, historical re-enactments, and designer packaging, MacDougall defends the principles that inspired the earliest practitioners of documentary cinema. He urges us to consider how the form can more accurately reflect the realities of our everyday lives. Building on his own practice in filmmaking, he argues that this means resisting the pressures for self-censorship and the inherent ethnocentrism of our own society and those we film.

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      • Trusted Partner
        The looking machine
        Humanities & Social Sciences
        January 2019

        The looking machine

        Essays on cinema, anthropology and documentary filmmaking

        by David MacDougall, Paul Henley, Andrew Irving

        This new collection of essays presents the latest thoughts of one of the world's leading ethnographic filmmakers and writers on cinema. It will provide essential reading for students in cinema studies, filmmaking, and visual anthropology. The dozen wide-ranging essays give unique insights into the history of documentary, how films evoke space, time and physical sensations, and the intellectual and emotional links between filmmakers and their subjects. In an era of reality television, historical re-enactments, and designer packaging, MacDougall defends the principles that inspired the earliest practitioners of documentary cinema. He urges us to consider how the form can more accurately reflect the realities of our everyday lives. Building on his own practice in filmmaking, he argues that this means resisting the pressures for self-censorship and the inherent ethnocentrism of our own society and those we film.

        More
      • Trusted Partner
        The looking machine
        Humanities & Social Sciences
        January 2019

        The looking machine

        Essays on cinema, anthropology and documentary filmmaking

        by David MacDougall, Paul Henley, Andrew Irving

        This new collection of essays presents the latest thoughts of one of the world's leading ethnographic filmmakers and writers on cinema. It will provide essential reading for students in cinema studies, filmmaking, and visual anthropology. The dozen wide-ranging essays give unique insights into the history of documentary, how films evoke space, time and physical sensations, and the intellectual and emotional links between filmmakers and their subjects. In an era of reality television, historical re-enactments, and designer packaging, MacDougall defends the principles that inspired the earliest practitioners of documentary cinema. He urges us to consider how the form can more accurately reflect the realities of our everyday lives. Building on his own practice in filmmaking, he argues that this means resisting the pressures for self-censorship and the inherent ethnocentrism of our own society and those we film.

        More
      • Trusted Partner
        Beyond observation
        Humanities & Social Sciences
        January 2020

        Beyond observation

        A history of authorship in ethnographic film

        by Paul Henley, Paul Henley, Andrew Irving

        A history of ethnographic film from the birth of cinema in 1895 until 2015 that analyses a large number of films made in a broad range of styles, on a broad range of topics and in many different parts of the world. For the period before the Second World War, it considers films made in reportage, exotic melodrama and travelogue genres as well as more conventionally ethnographic films made for academic and state-funded purposes. It then describes how after the war, ethnographic film-makers developed various different modes of authorship inspired by the ideas of Jean Rouch, Robert Gardner and Colin Young. It also considers films made from the 1970s by the indigenous subjects themselves as well as those made for British television up until the 1990s. In the final part, it examines various possible models for the future of ethnographic film.

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      • Trusted Partner
        Filmmaking for fieldwork
        The Arts
        June 2020

        Filmmaking for fieldwork

        A practical handbook for ethnographers

        by Andy Lawrence

        This handbook is intended for those wanting to use documentary filmmaking as a research method to explore subjects and also as a way of expressing ideas. Its focus is practical rather than technical, aiming to complement the many handbooks that already exist covering filmmaking, digital videography, sound recording and video editing. It concentrates on aspects of filmmaking for research purposes at an introductory level that are not so well documented elsewhere, such as the practical stages involved in the production of an ethnographic film. The underlying principal of this handbook is to broaden the application of ethnographic filmmaking to suit a wide range of research areas and documentary expression, encompassing sensory, fictive, observational, participatory, reflexive, performative and immersive modes of storytelling. I have chosen to avoid detailed discussion of technology as this dates quickly. This handbook aims to assist individuals in their personalised searches using online facilities to develop research methods and also teaching, by decoding technical terminology and explaining filmmaking workflows.

        More
      • Trusted Partner
        Filmmaking for fieldwork
        The Arts
        June 2020

        Filmmaking for fieldwork

        A practical handbook for ethnographers

        by Andy Lawrence

        This handbook is intended for those wanting to use documentary filmmaking as a research method to explore subjects and also as a way of expressing ideas. Its focus is practical rather than technical, aiming to complement the many handbooks that already exist covering filmmaking, digital videography, sound recording and video editing. It concentrates on aspects of filmmaking for research purposes at an introductory level that are not so well documented elsewhere, such as the practical stages involved in the production of an ethnographic film. The underlying principal of this handbook is to broaden the application of ethnographic filmmaking to suit a wide range of research areas and documentary expression, encompassing sensory, fictive, observational, participatory, reflexive, performative and immersive modes of storytelling. I have chosen to avoid detailed discussion of technology as this dates quickly. This handbook aims to assist individuals in their personalised searches using online facilities to develop research methods and also teaching, by decoding technical terminology and explaining filmmaking workflows.

        More
      • Trusted Partner
        Beyond observation
        Humanities & Social Sciences
        January 2099

        Beyond observation

        A history of authorship in ethnographic film

        by Paul Henley, Paul Henley, Andrew Irving

        More

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