Your Search Results

      • Trusted Partner
        The Arts
        November 2007

        Alan Bennett

        by Kara McKechnie, Jonathan Bignell, Sarah Cardwell, Steven Peacock

        Alan Bennett is one of the UK's most well-known and successful writers. His oeuvre is one where populist art forms and intellectually complex arguments co-exist seamlessly, allowing the work to appeal to a wide audience. Bennett's familiar voice combines both an appreciation for the past with a critical assessment of contemporary Britain, often through relentlessly detailed observation of himself and of others. Bennett has acted, written, directed, presented or edited in almost every conceivable dramatic medium, including stage, television, radio, film and print media. This book is the first to focus on his often neglected work for television, from the mid-1960s right through to the present. It encompasses formats such as the single play (the rarely seen 1970s collaborations with Stephen Frears and Lindsay Anderson), the two Talking Heads series, perceived as a reinvention of the television monologue, and his autobiographical documentaries. While providing a context of television drama in which Bennett's output is embedded, this study also provides compact overviews of his work in other media. The book is intended for those interested in Alan Bennett, his many voices and the history of television drama. ;

      • Trusted Partner
        Television
        November 2015

        Entertaining television

        The BBC and popular television culture in the 1950s

        by Su Holmes

        Entertaining television challenges the idea that the BBC in the 1950s was elitist and 'staid', upholding Reithian values in a paternalistic, even patronising way. By focusing on a number of (often controversial) programme case studies - such as the soap opera, the quiz/ game show, the 'problem' show and programmes dealing with celebrity culture - Su Holmes demonstrates how BBC television surprisingly explored popular interests and desires. She also uncovers a number of remarkable connections with programmes and topics at the forefront of television today, ranging from talk shows, 'Reality TV', even to our contemporary obsession with celebrity. The book is iconclastic, percipient and grounded in archival research, and will be of use to anyone studying television history.

      • Trusted Partner
        Television
        November 2015

        Entertaining television

        The BBC and popular television culture in the 1950s

        by Su Holmes

        Entertaining television challenges the idea that the BBC in the 1950s was elitist and 'staid', upholding Reithian values in a paternalistic, even patronising way. By focusing on a number of (often controversial) programme case studies - such as the soap opera, the quiz/ game show, the 'problem' show and programmes dealing with celebrity culture - Su Holmes demonstrates how BBC television surprisingly explored popular interests and desires. She also uncovers a number of remarkable connections with programmes and topics at the forefront of television today, ranging from talk shows, 'Reality TV', even to our contemporary obsession with celebrity. The book is iconclastic, percipient and grounded in archival research, and will be of use to anyone studying television history.

      • Trusted Partner
        Television
        November 2015

        Cult british TV comedy

        From Reeves and Mortimer to Psychoville

        by Leon Hunt

        This book is the first sustained critical analysis of Cult British TV comedy from 1990 to the present day. The book examines 'post-alternative' comedy as both 'cult' and 'quality' TV, aimed mostly at niche audiences and often possessing a subcultural aura (comedy was famously declared 'the new 'rock'n'roll' in the early '90s). It includes case studies of Vic Reeves and Bob Mortimer and the sitcom writer Graham Linehan. It examines developments in sketch shows and the emergence of 'dark' and 'cringe' comedy, and considers the politics of 'offence' during a period in which Brass Eye, 'Sachsgate' and Frankie Boyle provoked different kinds of media outrage. Programmes discussed include Vic Reeves Big Night Out, Peep Show, Father Ted, The Mighty Boosh, The Fast Show and Psychoville. Cult British TV Comedy will be of interest to both students and fans of modern TV comedy.

      • Trusted Partner
        Television
        November 2015

        Cult british TV comedy

        From Reeves and Mortimer to Psychoville

        by Leon Hunt

        This book is the first sustained critical analysis of Cult British TV comedy from 1990 to the present day. The book examines 'post-alternative' comedy as both 'cult' and 'quality' TV, aimed mostly at niche audiences and often possessing a subcultural aura (comedy was famously declared 'the new 'rock'n'roll' in the early '90s). It includes case studies of Vic Reeves and Bob Mortimer and the sitcom writer Graham Linehan. It examines developments in sketch shows and the emergence of 'dark' and 'cringe' comedy, and considers the politics of 'offence' during a period in which Brass Eye, 'Sachsgate' and Frankie Boyle provoked different kinds of media outrage. Programmes discussed include Vic Reeves Big Night Out, Peep Show, Father Ted, The Mighty Boosh, The Fast Show and Psychoville. Cult British TV Comedy will be of interest to both students and fans of modern TV comedy.

      • Trusted Partner
        Television
        September 2015

        A loss of innocence?

        Television and Irish society, 1960–72

        by Robert J. Savage

        This book explores the evolution of Ireland's national television service during its first tumultuous decade, addressing how the medium helped undermine the conservative political, cultural and social consensus that dominated Ireland into the 1960s. It also traces the development of the BBC and ITA in Northern Ireland, considering how television helped undermine a state that had long governed without consensus. Using a wide array of new archival sources and extensive interviews Savage illustrates how an increasingly confident television service upset political, religious and cultural elites who were profoundly uncomfortable with the changes taking place around them. Savage argues that during this period television was not a passive actor, but an active agent often times aggressively testing the limits of the medium and the patience of governments. Television helped facilitate a process of modernisation that slowly transformed Irish society during the 1960s. This book will be essential for those interested in contemporary Irish political and cultural history and readers interested in media history, and cultural studies.

      • Trusted Partner
        Television
        September 2013

        Cult british TV comedy

        From Reeves and Mortimer to Psychoville

        by Leon Hunt

        This book is the first sustained critical analysis of Cult British TV comedy from 1990 to the present day. The book examines 'post-alternative' comedy as both 'cult' and 'quality' TV, aimed mostly at niche audiences and often possessing a subcultural aura (comedy was famously declared 'the new 'rock'n'roll' in the early '90s). It includes case studies of Vic Reeves and Bob Mortimer and the sitcom writer Graham Linehan. It examines developments in sketch shows and the emergence of 'dark' and 'cringe' comedy, and considers the politics of 'offence' during a period in which Brass Eye, 'Sachsgate' and Frankie Boyle provoked different kinds of media outrage. Programmes discussed include Vic Reeves Big Night Out, Peep Show, Father Ted, The Mighty Boosh, The Fast Show and Psychoville. Cult British TV Comedy will be of interest to both students and fans of modern TV comedy.

      • Trusted Partner
        Television
        June 2013

        Cult british TV comedy

        From Reeves and Mortimer to Psychoville

        by Leon Hunt

        This book is the first sustained critical analysis of Cult British TV comedy from 1990 to the present day. The book examines 'post-alternative' comedy as both 'cult' and 'quality' TV, aimed mostly at niche audiences and often possessing a subcultural aura (comedy was famously declared 'the new 'rock'n'roll' in the early '90s). It includes case studies of Vic Reeves and Bob Mortimer and the sitcom writer Graham Linehan. It examines developments in sketch shows and the emergence of 'dark' and 'cringe' comedy, and considers the politics of 'offence' during a period in which Brass Eye, 'Sachsgate' and Frankie Boyle provoked different kinds of media outrage. Programmes discussed include Vic Reeves Big Night Out, Peep Show, Father Ted, The Mighty Boosh, The Fast Show and Psychoville. Cult British TV Comedy will be of interest to both students and fans of modern TV comedy.

      • Trusted Partner
        Television
        May 2015

        The BBC's 'Irish troubles'

        Television, conflict and Northern Ireland

        by Robert J. Savage

        This book explores how news and information about the conflict in Northern Ireland was disseminated through the most accessible, powerful and popular form of media: television. It focuses on the BBC and considers how its broadcasts complicated the 'Troubles' by challenging decisions, policies and tactics developed by governments trying to defeat a stubborn insurgency that threatened national security. The book uses a wide array of highly original sources to consider how Britain's public service broadcaster upset the efforts of a number of governments to control the narrative of a conflict that claimed over 3,500 lives and caused deep emotional scarring to thousands of citizens in Northern Ireland, Britain and the Irish Republic. Using recently released archival material from the BBC and a variety of government archives the book addresses the contentious relationship between broadcasting officials, politicians, the army, police and civil service from the outbreak of violence throughout the 1980s.

      • Trusted Partner
        Television
        May 2015

        The BBC's 'Irish troubles'

        Television, conflict and Northern Ireland

        by Robert J. Savage

        This book explores how news and information about the conflict in Northern Ireland was disseminated through the most accessible, powerful and popular form of media: television. It focuses on the BBC and considers how its broadcasts complicated the 'Troubles' by challenging decisions, policies and tactics developed by governments trying to defeat a stubborn insurgency that threatened national security. The book uses a wide array of highly original sources to consider how Britain's public service broadcaster upset the efforts of a number of governments to control the narrative of a conflict that claimed over 3,500 lives and caused deep emotional scarring to thousands of citizens in Northern Ireland, Britain and the Irish Republic. Using recently released archival material from the BBC and a variety of government archives the book addresses the contentious relationship between broadcasting officials, politicians, the army, police and civil service from the outbreak of violence throughout the 1980s.

      • Trusted Partner
        Television
        May 2015

        The BBC's 'Irish troubles'

        Television, conflict and Northern Ireland

        by Robert J. Savage

        This book explores how news and information about the conflict in Northern Ireland was disseminated through the most accessible, powerful and popular form of media: television. It focuses on the BBC and considers how its broadcasts complicated the 'Troubles' by challenging decisions, policies and tactics developed by governments trying to defeat a stubborn insurgency that threatened national security. The book uses a wide array of highly original sources to consider how Britain's public service broadcaster upset the efforts of a number of governments to control the narrative of a conflict that claimed over 3,500 lives and caused deep emotional scarring to thousands of citizens in Northern Ireland, Britain and the Irish Republic. Using recently released archival material from the BBC and a variety of government archives the book addresses the contentious relationship between broadcasting officials, politicians, the army, police and civil service from the outbreak of violence throughout the 1980s.

      • Trusted Partner
        Television
        January 2015

        Popular television in authoritarian Europe

        by Peter Goddard

        This lively and ground-breaking collection brings together work on forms of popular television within the authoritarian regimes of Europe after World War Two. Ten chapters based on new and original research examine approaches to programming and individual programmes in Spain, Greece, Czechoslovakia, Romania, the USSR and the GDR at a time when they were governed as dictatorships or one-party states. Drawing on surviving archives, scripts and production records, contemporary publications, YouTube clips and interviews with producers and performers, its chapters recover examples of television programming history unknown beyond national borders and often preserved largely in the memories of the audiences who lived with them. The introduction examines how television can be considered 'popular' in circumstances where audience appeal is often secondary to the need for state control. Published in English, Popular television in authoritarian Europe represents a significant intervention in transnational television studies, making these histories available to scholars for the first time, encouraging comparative enquiry and extending the reach - intellectually and geographically - of European television history. There is a foreword by John Corner and an informative timeline of events in the history of television in the countries covered.

      • Trusted Partner
        The Arts
        November 2013

        Popular television in authoritarian Europe

        by Peter Goddard

        This lively and ground-breaking collection brings together work on forms of popular television within the authoritarian regimes of Europe after World War Two. Ten chapters based on new and original research examine approaches to programming and individual programmes in Spain, Greece, Czechoslovakia, Romania, the USSR and the GDR at a time when they were governed as dictatorships or one-party states. Drawing on surviving archives, scripts and production records, contemporary publications, YouTube clips and interviews with producers and performers, its chapters recover examples of television programming history unknown beyond national borders and often preserved largely in the memories of the audiences who lived with them. The introduction examines how television can be considered 'popular' in circumstances where audience appeal is often secondary to the need for state control. Published in English, Popular television in authoritarian Europe represents a significant intervention in transnational television studies, making these histories available to scholars for the first time, encouraging comparative enquiry and extending the reach - intellectually and geographically - of European television history. There is a foreword by John Corner and an informative timeline of events in the history of television in the countries covered. ;

      • Trusted Partner
        The Arts
        October 2013

        Paul Abbott

        by Beth Johnson, Jonathan Bignell, Sarah Cardwell, Steven Peacock

        Creator of television series such as Shameless, Clocking Off, State of Play, Reckless, Linda Green and Children's Ward, Paul Abbott is a British 'showrunner' and writer whose name and reputation for edgy, intelligent, successful and socio-political programmes holds significant weight both in the contemporary television industry and with the public. This is the first book-length academic study of the television programmes created, written by, and/or executive-produced, by Abbott. It is also the first academic study to attempt to consider his complete oeuvre. Within a broadly chronological structure this book elucidates, decodes and evaluates key examples of Abbott's output, exhibiting a vital evaluation of Abbott's work over the past three decades and assessing his contribution to British television. Engaging with thematic and ideological notions of the personal, the autobiographical, the honest, the shameless, the pleasurable and the painful recourse of the specificity of 'ordinary life', the volume seeks to combine close textual analysis of Abbott's work with archival research and specially commissioned interviews with Abbott and other important industry practitioners. ;

      • Trusted Partner
        Television
        July 2013

        State of play

        Contemporary 'high-end' TV drama

        by Robin Nelson

        Robin Nelson's State of play up-dates and develops the arguments of his influential TV Drama In Transition (1997). It is equally distinctive in setting analusis of the aesethetics and compositional principles of texts within a broad conceptual framework (technologies, institutions, economics, cultural trends). Tracing "the great value shift from conduit to content" (Todreas, 1999), Nelson is relatively optimistic about the future quality of TV Drama in a global market-place. But, characteristically taking up questions of worth where others have avoided them, Nelson recognizes that certain types of "quality" are privileged for viewers able to pay, possibly at the expense of viewer preference worldwide for "local" resonances in television. The mix of arts and cultural studies methodologies makes for an unusual and insightful approach.

      • Trusted Partner
        Television
        July 2013

        State of play

        Contemporary 'high-end' TV drama

        by Robin Nelson

        Robin Nelson's State of play up-dates and develops the arguments of his influential TV Drama In Transition (1997). It is equally distinctive in setting analusis of the aesethetics and compositional principles of texts within a broad conceptual framework (technologies, institutions, economics, cultural trends). Tracing "the great value shift from conduit to content" (Todreas, 1999), Nelson is relatively optimistic about the future quality of TV Drama in a global market-place. But, characteristically taking up questions of worth where others have avoided them, Nelson recognizes that certain types of "quality" are privileged for viewers able to pay, possibly at the expense of viewer preference worldwide for "local" resonances in television. The mix of arts and cultural studies methodologies makes for an unusual and insightful approach.

      • Trusted Partner
        Television
        July 2012

        State of play

        Contemporary 'high-end' TV drama

        by Robin Nelson

        Robin Nelson's State of play up-dates and develops the arguments of his influential TV Drama In Transition (1997). It is equally distinctive in setting analusis of the aesethetics and compositional principles of texts within a broad conceptual framework (technologies, institutions, economics, cultural trends). Tracing "the great value shift from conduit to content" (Todreas, 1999), Nelson is relatively optimistic about the future quality of TV Drama in a global market-place. But, characteristically taking up questions of worth where others have avoided them, Nelson recognizes that certain types of "quality" are privileged for viewers able to pay, possibly at the expense of viewer preference worldwide for "local" resonances in television. The mix of arts and cultural studies methodologies makes for an unusual and insightful approach.

      • Trusted Partner
        The Arts
        November 2007

        State of play

        Contemporary 'high-end' TV drama

        by Robin Nelson

        Robin Nelson's State of play up-dates and develops the arguments of his influential TV Drama In Transition (1997). It is equally distinctive in setting analusis of the aesethetics and compositional principles of texts within a broad conceptual framework (technologies, institutions, economics, cultural trends). Tracing "the great value shift from conduit to content" (Todreas, 1999), Nelson is relatively optimistic about the future quality of TV Drama in a global market-place. But, characteristically taking up questions of worth where others have avoided them, Nelson recognizes that certain types of "quality" are privileged for viewers able to pay, possibly at the expense of viewer preference worldwide for "local" resonances in television. The mix of arts and cultural studies methodologies makes for an unusual and insightful approach. ;

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