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      • Trusted Partner
      • Trusted Partner
        The Arts
        March 2020

        Performing care

        New perspectives on socially engaged performance

        by Amanda Stuart Fisher, James Thompson

      • Trusted Partner
        The Arts
        March 2020

        Performing care

        New perspectives on socially engaged performance

        by Amanda Stuart Fisher, James Thompson

        This edited collection brings together essays presenting an interdisciplinary dialogue between theatre and performance and the fields of care ethics, care studies, health and social care. The book advances our understanding of performance as a mode of care, challenging existing debates in this area by re-thinking the caring encounter as a performed, embodied experience and interrogating the boundaries between care practice and performance. Through an examination of a wide range of different care performances drawn from interdisciplinary and international settings, the book interrogates how performance might be understood as caring or uncaring, careless or careful, and correlatively how care can be conceptualised as artful, aesthetic, authentic or even 'fake' and 'staged'.

      • Trusted Partner
        The Arts
        March 2020

        Performing care

        New perspectives on socially engaged performance

        by Amanda Stuart Fisher, James Thompson

      • Trusted Partner
        The Arts
        July 2019

        Street theatre and the production of postindustrial space

        Working memories

        by David Calder, Maggie B. Gale

        Deindustrialising communities have called upon street theatre companies to re-animate public space and commemorate industrial heritage. How have these companies converted derelict factories into spaces of theatrical production? How do they connect their work to the industrial work that once occurred there? How do those connections manifest in theatrical events, and how do such events give shape and meaning to ongoing redevelopment projects? This book develops an understanding of the relationship between theatre and redevelopment that goes beyond accusations of gentrification or celebrations of radical resistance. Ultimately, Calder argues that deindustrialisation and redevelopment depend on theatrical events and performative acts to make ongoing change intelligible and navigable. Working memories brings together some of current theatre scholarship's fundamental concerns while demonstrating the significance of those concerns to an interdisciplinary readership.

      • Trusted Partner
        The Arts
        July 2022

        Performing care

        New perspectives on socially engaged performance

        by Amanda Stuart Fisher, James Thompson

        This edited collection brings together essays presenting an interdisciplinary dialogue between theatre and performance and the fields of care ethics, care studies, health and social care. The book advances our understanding of performance as a mode of care, challenging existing debates in this area by re-thinking the caring encounter as a performed, embodied experience and interrogating the boundaries between care practice and performance. Through an examination of a wide range of different care performances drawn from interdisciplinary and international settings, the book interrogates how performance might be understood as caring or uncaring, careless or careful, and correlatively how care can be conceptualised as artful, aesthetic, authentic or even 'fake' and 'staged'.

      • Trusted Partner
        The Arts
        January 2024

        Pierrot and his world

        Art, theatricality, and the marketplace in France, 1697–1945

        by Marika Takanishi Knowles

        Pierrot, a theatrical stock character known by his distinctive costume of loose white tunic and trousers, is a ubiquitous figure in French art and culture. This richly illustrated book offers an account of Pierrot's recurrence in painting, printmaking, photography and film, tracing this distinctive type from the art of Antoine Watteau to the cinema of Occupied France. As a visual type, Pierrot thrives at the intersection of theatrical and marketplace practices. From Watteau's Pierrot (c. 1720) and Édouard Manet's The Old Musician (1862) to Nadar and Adrien Tournachon's Pierrot the Photographer (1855) and the landmark film Children of Paradise (1945), Pierrot has given artists a medium through which to explore the marketplace as a form for both social life and creative practice. Simultaneously a human figure and a theatrical mask, Pierrot elicits artistic reflection on the representation of personality in the marketplace.

      • Trusted Partner
        The Arts
        January 2024

        Pierrot and his world

        Art, theatricality, and the marketplace in France, 1697–1945

        by Marika Takanishi Knowles

        Pierrot, a theatrical stock character known by his distinctive costume of loose white tunic and trousers, is a ubiquitous figure in French art and culture. This richly illustrated book offers an account of Pierrot's recurrence in painting, printmaking, photography and film, tracing this distinctive type from the art of Antoine Watteau to the cinema of Occupied France. As a visual type, Pierrot thrives at the intersection of theatrical and marketplace practices. From Watteau's Pierrot (c. 1720) and Édouard Manet's The Old Musician (1862) to Nadar and Adrien Tournachon's Pierrot the Photographer (1855) and the landmark film Children of Paradise (1945), Pierrot has given artists a medium through which to explore the marketplace as a form for both social life and creative practice. Simultaneously a human figure and a theatrical mask, Pierrot elicits artistic reflection on the representation of personality in the marketplace.

      • Trusted Partner
        The Arts
        January 2024

        Pierrot and his world

        Art, theatricality, and the marketplace in France, 1697–1945

        by Marika Takanishi Knowles

        Pierrot, a theatrical stock character known by his distinctive costume of loose white tunic and trousers, is a ubiquitous figure in French art and culture. This richly illustrated book offers an account of Pierrot's recurrence in painting, printmaking, photography and film, tracing this distinctive type from the art of Antoine Watteau to the cinema of Occupied France. As a visual type, Pierrot thrives at the intersection of theatrical and marketplace practices. From Watteau's Pierrot (c. 1720) and Édouard Manet's The Old Musician (1862) to Nadar and Adrien Tournachon's Pierrot the Photographer (1855) and the landmark film Children of Paradise (1945), Pierrot has given artists a medium through which to explore the marketplace as a form for both social life and creative practice. Simultaneously a human figure and a theatrical mask, Pierrot elicits artistic reflection on the representation of personality in the marketplace.

      • Trusted Partner
        Humanities & Social Sciences
        October 2025

        Entertaining the empire

        London music hall and the export of Britishness

        by Andrew Horrall

        The stage entertainments known as music hall emerged in mid-Victorian London just as the British began colonising large parts of the world.Settlers recreated this metropolitan popular culture throughout the empire and in places under foreign control. They erected music halls resembling those at home, imported songs and sketches, performed inamateur shows and watched touring professionals. London originals were rewritten as commentaries on local conditions. This activity transformed music hall into a marker of an exclusionary British identity overseas and made colonies look and sound more like Britain. The result was that settlers separated by vast distances were linked by a shared popular culture. The touring circuits and cultural affinities the Victorians created endure to this day.

      • Trusted Partner
        Biography & True Stories
        May 2026

        Caroline Aherne

        Rebel in disguise

        by David Scott

        A thoughtful exploration of the work of this unique comedian and writer. Caroline Aherne was one of the most influential and beloved of British comedians. In this book David Scott explores Aherne's comedic artistry and creative legacy, focusing on her iconic characters and ground-breaking TV shows. Scott dives into Aherne's most beloved creations, from the sharp-tongued Mrs Merton to the quietly revolutionary The Royle Family. Drawing on the tales of collaborators and telling behind-the-scenes stories, he provides an intimate glimpse into the creative processes that brought these iconic works to life. At the same time, he examines the social and cultural influences that shaped Aherne's work, from the rich traditions of Northern working-class humour to the experiences of Irish migrants. Aherne's work is celebrated for its sharp wit, warmth and ability to find comedy in adversity. This book offers an exploration and celebration of one of comedy's most inventive minds, revealing how she reshaped the British comedy landscape.

      • Trusted Partner
        Humanities & Social Sciences
        January 2025

        Worlds of the ring

        Nation and empire in the British and German circus

        by Sabine Hanke

        Worlds of the Ring is a groundbreaking exploration of the interwar European circus scene, focusing on the German Sarrasani and British Bertram W. Mills' circuses. This study illuminates the correlation between the circus's evolution and imperialism/nationalism, revealing how these enterprises shaped national identities for popular audiences. Examining the years 1918-45, the book takes a transnational perspective, uncovering the interplay of international and national forces that influenced the modern circus. Through case studies, it delves into the lives of individuals in the industry, using diverse sources like newspapers, legal documents, and performer archives. The book introduces the concept of Orientalism to analyse how circuses depicted foreign worlds, and provides a fresh perspective on interwar popular culture, globalising forces, and the circus's ties to European imperialism in the early 20th century.

      • Trusted Partner
        The Arts
        January 2026

        Pierrot and his world

        Art, theatricality, and the marketplace in France, 1697–1945

        by Marika Takanishi Knowles

        Pierrot, a theatrical stock character known by his distinctive costume of loose white tunic and trousers, is a ubiquitous figure in French art and culture. This richly illustrated book offers an account of Pierrot's recurrence in painting, printmaking, photography and film, tracing this distinctive type from the art of Antoine Watteau to the cinema of Occupied France. As a visual type, Pierrot thrives at the intersection of theatrical and marketplace practices. From Watteau's Pierrot (c. 1720) and Édouard Manet's The Old Musician (1862) to Nadar and Adrien Tournachon's Pierrot the Photographer (1855) and the landmark film Children of Paradise (1945), Pierrot has given artists a medium through which to explore the marketplace as a form for both social life and creative practice. Simultaneously a human figure and a theatrical mask, Pierrot elicits artistic reflection on the representation of personality in the marketplace.

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