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      • Trusted Partner
        William Trevor
        Literature & Literary Studies
        May 2016

        William Trevor

        Revaluations

        by Paul Delaney, Michael Parker

        William Trevor: Revaluations offers a comprehensive examination of the oeuvre of one of the most accomplished and celebrated practitioners writing in the English language: the author of fifteen novels, three novellas and eleven volumes of short stories, as well as plays, radio and TV adaptations and film screenplays. Drawing on the talents of a team of distinguished international scholars, this volume shines a critical light on Trevor's core concerns with individuality and the family, and cultural and national identity, extending significantly the scope of current scholarship. Essays scrutinise the author's prolonged concern with domestic, communal and national violence, his interrogation of patterns of inheritance and ideological heritage, and the impact of the past on choices his characters make. William Trevor: Revaluations is a groundbreaking collection of essays, and will also be seen as a definitive introduction to the work of a major contemporary novelist and short-story writer. ;

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      • Trusted Partner
        A war of individuals
        Literary studies: fiction, novelists & prose writers
        July 2012

        A war of individuals

        by Atkin

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      • Trusted Partner
        A war of individuals
        Literary studies: fiction, novelists & prose writers
        July 2013

        A war of individuals

        by Nicholas Atkin

        This book draws together for the very first time examples of the 'aesthetic pacifism' practised during the Great War by such celebrated individuals as Virginia Woolf, Siegfried Sassoon and Bertrand Russell. In addition, the book outlines the stories of those less well-known who shared the mind-set of the Bloomsbury Group when it came to facing the first 'total war'. The research for this study took five years, gathering evidence from all the major archives in Great Britain and abroad. This is the first time that such wide-ranging evidence has been placed together in order to paint a complete picture of this fascinating form of anti-war expression.

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      • Trusted Partner
        A war of individuals
        Literary studies: fiction, novelists & prose writers
        July 2013

        A war of individuals

        by Nicholas Atkin

        This book draws together for the very first time examples of the 'aesthetic pacifism' practised during the Great War by such celebrated individuals as Virginia Woolf, Siegfried Sassoon and Bertrand Russell. In addition, the book outlines the stories of those less well-known who shared the mind-set of the Bloomsbury Group when it came to facing the first 'total war'. The research for this study took five years, gathering evidence from all the major archives in Great Britain and abroad. This is the first time that such wide-ranging evidence has been placed together in order to paint a complete picture of this fascinating form of anti-war expression.

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      • Trusted Partner
        American literature and Irish culture, 1910–55
        Literary studies: from c 1900 -
        September 2013

        American literature and Irish culture, 1910–55

        The politics of enchantment

        by Tara Stubbs

        American literature and Irish culture, 1910-55: The politics of enchantment discusses how and why American modernist writers turned to Ireland at various stages during their careers. By placing events such as the Celtic Revival and the Easter Rising at the centre of the discussion, it shows how Irishness became a cultural determinant in the work of American modernists. It is the first study to extend the analysis of Irish influence on American literature beyond racial, ethnic or national frameworks. Through close readings and archival research, American literature and Irish culture, 1910-55 provides a balanced and structured approach to the study of the complexities of American modernist writers' responses to Ireland. Offering new readings of familiar literary figures - including Fitzgerald, Moore, O'Neill, Steinbeck and Stevens - it makes for essential reading for students and academics working on twentieth-century American and Irish literature and culture, and transatlantic studies.

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      • Trusted Partner
        Alan Moore and the Gothic tradition
        Literary studies: from c 1900 -
        November 2015

        Alan Moore and the Gothic tradition

        by Matthew J. A. Green

        The first book-length study to address Moore's significance to the Gothic, this volume is also the first to provide in-depth analyses of his spoken-word performances, poetry and prose, as well as his comics and graphic novels. The essays collected here identify the Gothic tradition as perhaps the most significant cultural context for understanding Moore's work, providing unique insight into its wider social and political dimensions as well as addressing key theoretical issues in Gothic Studies, Comics Studies and Adaptation Studies. Scholars, students and general readers alike will find fresh insights into Moore's use of horror and terror, homage and parody, plus allusion and adaptation. The international list of contributors includes leading researchers in the field and the studies presented here enhance the understanding of Moore's works while at the same time exploring the ways in which these serve to advance a broader appreciation of Gothic aesthetics.

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      • Trusted Partner
        Alan Moore and the Gothic tradition
        Literary studies: from c 1900 -
        November 2015

        Alan Moore and the Gothic tradition

        by Matthew J. A. Green

        The first book-length study to address Moore's significance to the Gothic, this volume is also the first to provide in-depth analyses of his spoken-word performances, poetry and prose, as well as his comics and graphic novels. The essays collected here identify the Gothic tradition as perhaps the most significant cultural context for understanding Moore's work, providing unique insight into its wider social and political dimensions as well as addressing key theoretical issues in Gothic Studies, Comics Studies and Adaptation Studies. Scholars, students and general readers alike will find fresh insights into Moore's use of horror and terror, homage and parody, plus allusion and adaptation. The international list of contributors includes leading researchers in the field and the studies presented here enhance the understanding of Moore's works while at the same time exploring the ways in which these serve to advance a broader appreciation of Gothic aesthetics.

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      • Trusted Partner
        Postcolonial Manchester
        Literary studies: post-colonial literature
        November 2015

        Postcolonial Manchester

        Diaspora space and the devolution of literary culture

        by Lynne Pearce, Corinne Fowler, Robert Crawshaw

        Postcolonial Manchester offers a radical new perspective on Britain's devolved literary cultures by focusing on Manchester's vibrant, multicultural literary scene. Referencing Avtar Brah's concept of 'diaspora space', the authors argue that Manchester is, and always has been, a quintessentially migrant city to which workers of all nationalities and cultures have been drawn since its origins in the cotton trade and the expansion of the British Empire. This colonial legacy - and the inequalities upon which it turns - is a recurrent motif in the texts and poetry performances of the contemporary Mancunian writers featured here, many of them members of the city's long-established African, African-Caribbean, Asian, Chinese, Irish and Jewish diasporic communities. By turning the spotlight on Manchester's rich, yet under-represented, literary tradition in this way, Postcolonial Manchester also argues for the devolution of the canon of English Literature and, in particular, recognition for contemporary black and Asian literary culture outside of London.

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      • Trusted Partner
        Postcolonial Manchester
        Literary studies: post-colonial literature
        November 2015

        Postcolonial Manchester

        Diaspora space and the devolution of literary culture

        by Lynne Pearce, Corinne Fowler, Robert Crawshaw

        Postcolonial Manchester offers a radical new perspective on Britain's devolved literary cultures by focusing on Manchester's vibrant, multicultural literary scene. Referencing Avtar Brah's concept of 'diaspora space', the authors argue that Manchester is, and always has been, a quintessentially migrant city to which workers of all nationalities and cultures have been drawn since its origins in the cotton trade and the expansion of the British Empire. This colonial legacy - and the inequalities upon which it turns - is a recurrent motif in the texts and poetry performances of the contemporary Mancunian writers featured here, many of them members of the city's long-established African, African-Caribbean, Asian, Chinese, Irish and Jewish diasporic communities. By turning the spotlight on Manchester's rich, yet under-represented, literary tradition in this way, Postcolonial Manchester also argues for the devolution of the canon of English Literature and, in particular, recognition for contemporary black and Asian literary culture outside of London.

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      • Trusted Partner
        Back to the Futurists
        Literary studies: from c 1900 -
        November 2015

        Back to the Futurists

        The avant-garde and its legacy

        by Elza Adamowicz, Simona Storchi

        In 1909 the Italian poet Filippo Tommaso Marinetti's Founding Manifesto of Futurism was published on the front page of Le Figaro. Between 1909 and 1912 the Futurists published over thirty manifestos, celebrating speed and danger, glorifying war and technology, and advocating political and artistic revolution. This collection of essays aims to reassess the activities of the Italian Futurist movement from an international and interdisciplinary perspective, focusing on its activities and legacies in the field of poetry, painting, sculpture, theatre, cinema, advertising and politics. The essays offer exciting new readings in gender politics, aesthetics, historiography, intermediality and interdisciplinarity. They explore the works of major players of the movement as well as its lesser-known figures, and the often critical impact of Futurism on contemporary or later avant-garde movements such as Cubism, Dada and Vorticism. The publication will be of interest to scholars and students of European art, literature and cultural history, as well as to the informed general public.

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      • Trusted Partner
        Back to the Futurists
        Literary studies: from c 1900 -
        November 2015

        Back to the Futurists

        The avant-garde and its legacy

        by Elza Adamowicz, Simona Storchi

        In 1909 the Italian poet Filippo Tommaso Marinetti's Founding Manifesto of Futurism was published on the front page of Le Figaro. Between 1909 and 1912 the Futurists published over thirty manifestos, celebrating speed and danger, glorifying war and technology, and advocating political and artistic revolution. This collection of essays aims to reassess the activities of the Italian Futurist movement from an international and interdisciplinary perspective, focusing on its activities and legacies in the field of poetry, painting, sculpture, theatre, cinema, advertising and politics. The essays offer exciting new readings in gender politics, aesthetics, historiography, intermediality and interdisciplinarity. They explore the works of major players of the movement as well as its lesser-known figures, and the often critical impact of Futurism on contemporary or later avant-garde movements such as Cubism, Dada and Vorticism. The publication will be of interest to scholars and students of European art, literature and cultural history, as well as to the informed general public.

        More
      • Trusted Partner
        American literature and Irish culture, 1910–55
        Literary studies: from c 1900 -
        November 2015

        American literature and Irish culture, 1910–55

        The politics of enchantment

        by Tara Stubbs

        American literature and Irish culture, 1910-55: The politics of enchantment discusses how and why American modernist writers turned to Ireland at various stages during their careers. By placing events such as the Celtic Revival and the Easter Rising at the centre of the discussion, it shows how Irishness became a cultural determinant in the work of American modernists. It is the first study to extend the analysis of Irish influence on American literature beyond racial, ethnic or national frameworks. Through close readings and archival research, American literature and Irish culture, 1910-55 provides a balanced and structured approach to the study of the complexities of American modernist writers' responses to Ireland. Offering new readings of familiar literary figures - including Fitzgerald, Moore, O'Neill, Steinbeck and Stevens - it makes for essential reading for students and academics working on twentieth-century American and Irish literature and culture, and transatlantic studies.

        More
      • Trusted Partner
        American literature and Irish culture, 1910–55
        Literary studies: from c 1900 -
        November 2015

        American literature and Irish culture, 1910–55

        The politics of enchantment

        by Tara Stubbs

        American literature and Irish culture, 1910-55: The politics of enchantment discusses how and why American modernist writers turned to Ireland at various stages during their careers. By placing events such as the Celtic Revival and the Easter Rising at the centre of the discussion, it shows how Irishness became a cultural determinant in the work of American modernists. It is the first study to extend the analysis of Irish influence on American literature beyond racial, ethnic or national frameworks. Through close readings and archival research, American literature and Irish culture, 1910-55 provides a balanced and structured approach to the study of the complexities of American modernist writers' responses to Ireland. Offering new readings of familiar literary figures - including Fitzgerald, Moore, O'Neill, Steinbeck and Stevens - it makes for essential reading for students and academics working on twentieth-century American and Irish literature and culture, and transatlantic studies.

        More
      • Trusted Partner
        Reading behind the lines
        Literary studies: from c 1900 -
        November 2015

        Reading behind the lines

        Postmemory in contemporary British war fiction

        by Natasha Alden

        This book takes the concept of postmemory, developed in Holocaust studies, and applies it for the first time to novels by contemporary British writers. Focusing on war fiction, Alden builds upon current scholarship on historical fiction and memory studies, and extends the field by exploring how the use of historical research within fiction illuminates the ways in which we remember and recreate the past. Using postmemory to unlock both the transgenerational aspects of the novels discussed and the development of historiographic metafiction, Alden provides a ground-breaking analysis of the nature and potential of contemporary historical fiction. By examining the patterns and motivations behind authors' translations of material from the historical record into fiction, Alden also asks to what extent such writing is, necessarily, metafictional. Ultimately, this study offers an updated answer to the question that historical fiction has always posed: what can fiction do with history that history cannot?

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      • Trusted Partner
        Reading behind the lines
        Literary studies: from c 1900 -
        November 2015

        Reading behind the lines

        Postmemory in contemporary British war fiction

        by Natasha Alden

        This book takes the concept of postmemory, developed in Holocaust studies, and applies it for the first time to novels by contemporary British writers. Focusing on war fiction, Alden builds upon current scholarship on historical fiction and memory studies, and extends the field by exploring how the use of historical research within fiction illuminates the ways in which we remember and recreate the past. Using postmemory to unlock both the transgenerational aspects of the novels discussed and the development of historiographic metafiction, Alden provides a ground-breaking analysis of the nature and potential of contemporary historical fiction. By examining the patterns and motivations behind authors' translations of material from the historical record into fiction, Alden also asks to what extent such writing is, necessarily, metafictional. Ultimately, this study offers an updated answer to the question that historical fiction has always posed: what can fiction do with history that history cannot?

        More
      • Trusted Partner
        Limits of horror
        Literary studies: from c 1900 -
        July 2013

        Limits of horror

        Technology, bodies, Gothic

        by Fred Botting

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      • Trusted Partner
        Limits of horror
        Literary studies: from c 1900 -
        July 2013

        Limits of horror

        Technology, bodies, Gothic

        by Fred Botting

        Horror isn't what it used to be. Nor are its Gothic avatars. The meaning of monsters, vampires and ghosts has changed significantly over the last two hundred years, as have the mechanisms (from fiction to fantasmagoria, film and video games) through which they are produced and consumed. Limits of horror, moving from gothic to cybergothic, through technological modernity and across a range of literary, cinematic and popular cultural texts, critically examines these changes and the questions they pose for understanding contemporary culture and subjectivity. Re-examining key concepts such as the uncanny, the sublime, terror, shock and abjection in terms of their bodily and technological implications, this book advances current critical and theoretical debates on Gothic horror to propose a new theory of cultural production based on an extensive discussion of Freud's idea of the death drive. Limits of horror will appeal to students and academics in Literature, Film, Media and Cultural Studies and Cultural Theory.

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      • Trusted Partner
        Limits of horror
        Literary studies: from c 1900 -
        July 2012

        Limits of horror

        Technology, bodies, Gothic

        by Fred Botting

        Horror isn't what it used to be. Nor are its Gothic avatars. The meaning of monsters, vampires and ghosts has changed significantly over the last two hundred years, as have the mechanisms (from fiction to fantasmagoria, film and video games) through which they are produced and consumed. Limits of horror, moving from gothic to cybergothic, through technological modernity and across a range of literary, cinematic and popular cultural texts, critically examines these changes and the questions they pose for understanding contemporary culture and subjectivity. Re-examining key concepts such as the uncanny, the sublime, terror, shock and abjection in terms of their bodily and technological implications, this book advances current critical and theoretical debates on Gothic horror to propose a new theory of cultural production based on an extensive discussion of Freud's idea of the death drive.

        More

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