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      • Trusted Partner
        The Arts
        March 2023

        The art of darkness

        The history of goth

        by John Robb

        This is the first comprehensive history of goth music and culture. Across more than 500 pages, John Robb explores the origins and legacy of this enduring scene, which has its roots in the post-punk era. Drawing on his own experience as a musician and journalist, Robb covers the style, the music and the clubs that spawned the culture, alongside political and social conditions. He also reaches back further to key historic events and movements that frame the ideas of goth, from the fall of Rome to Lord Byron and the romantic poets, European folk tales, Gothic art and the occult. Finally, he considers the current mainstream goth of Instagram influencers, film, literature and music. The Art of Darkness features interviews with Siouxsie and the Banshees, The Cure, The Damned, Nick Cave, Southern Death Cult, Einstürzende Neubauten, Bauhaus, Killing Joke, Throbbing Gristle, Danielle Dax, Lydia Lunch and many more. It offers a first-hand account of being there at the gigs and clubs that made the scene happen.

      • Trusted Partner
        Social & cultural history
        May 2013

        Amateur film

        Meaning and practice c. 1927–77

        by Heather Norris Nicholson

        Amateur film: Meaning and practice 1927-77 plunges readers into the world of home movies making and reveals that behind popular perceptions of clichéd family scenes shakily shot at home or by the sea, there is much more to discover. Exploring who, how, where, when and why amateur enthusiasts made and shared their films provides fascinating insights into an often misunderstood aspect of national visual history. This study of how non-professional filmmakers responded to the new possibilities of moving image places decades of cine use into a history of changing visual technologies that span from Edwardian visual toys to mobile phones. Using northern cine club records, interviews and amateur films, the author reveals how film-making practices ranged from family footage to highly crafted edited productions about local life and distant places made by enthusiasts who sought to 'educate, inspire and entertain' armchair audiences during the early decades of British television.

      • Trusted Partner
        Humanities & Social Sciences
        October 2012

        Amateur film

        Meaning and practice c. 1927–77

        by Heather Nicholson, Jeffrey Richards

        Amateur film: Meaning and practice 1927-77 plunges readers into the world of home movies making and reveals that behind popular perceptions of clichéd family scenes shakily shot at home or by the sea, there is much more to discover. Exploring who, how, where, when and why amateur enthusiasts made and shared their films provides fascinating insights into an often misunderstood aspect of national visual history. This study of how non-professional filmmakers responded to the new possibilities of moving image places decades of cine use into a history of changing visual technologies that span from Edwardian visual toys to mobile phones. Using northern cine club records, interviews and amateur films, the author reveals how film-making practices ranged from family footage to highly crafted edited productions about local life and distant places made by enthusiasts who sought to 'educate, inspire and entertain' armchair audiences during the early decades of British television. ;

      • Trusted Partner
        Humanities & Social Sciences
        May 2016

        The cultural construction of the British world

        by Andrew Thompson, Barry Crosbie, Mark Hampton, John Mackenzie

        What were the cultural factors that held the British world together? How was Britishness understood at home, in the Empire, and in areas of informal British influence? This book makes the case for a 'cultural British world', and examines how it took shape in a wide range of locations, ranging from India to Jamaica, from Sierra Leone to Australia, and from south China to New Zealand. These eleven original essays explore a wide range of topics, including images of nakedness, humanitarianism, anti-slavery, literary criticism, travel narratives, legal cultures, visions of capitalism, and household possessions. The book argues that the debates around these issues, as well as the consumer culture associated with them, helped give the British world a sense of cohesion and identity. This book will be essential reading for historians of imperialism and globalisation, and includes contributions from some of the most prominent historians of British imperial and cultural history. ;

      • Trusted Partner
        Humanities & Social Sciences
        June 1997

        A Ragged Schooling

        Growing up in the classic slum

        by Robert Roberts

        With great humour and vitality, Robert Roberts evokes his Edwardian childhood in the vivid portrait of a vanished community. Breathing the smoke from the factory chimneys, the children of Salford struggled daily to survive the grinding poverty that surrounded them. Sharing lively games along the railways lines and canal banks, their lives were rich in experience and comradeship. ;

      • Trusted Partner
        Humanities & Social Sciences
        September 2016

        Politics, performance and popular culture

        Theatre and society in nineteenth-century Britain

        by Peter Yeandle, Jeffrey Richards, Katherine Newey, Jeffrey Richards

        This collection brings together studies of popular performance and politics across the nineteenth century, offering a fresh perspective from an archivally grounded research base. It works with the concept that politics is performative and performance is political. The book is organised into three parts in dialogue regarding specific approaches to popular performance and politics. Part I offers a series of conceptual studies using popular culture as an analytical category for social and political history. Part II explores the ways that performance represents and constructs contemporary ideologies of race, nation and empire. Part III investigates the performance techniques of specific politicians - including Robert Peel, Keir Hardie and Henry Hyndman - and analyses the performative elements of collective movements. ;

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        Humanities & Social Sciences
        November 1998

        Marxism and History

        A critical introduct

        by S. H. Rigby

        This critically aclaimed book, now in its second edition is firmly established as an essential guide to this recent historiographical debate. Adopted as a set book by the Open University. An indispensable guide to Marxist historiography for undergradu. . . . ;

      • Trusted Partner
        Humanities & Social Sciences
        May 2016

        Protest and the politics of space and place, 1789–1848

        by Katrina Navickas

        This book is a wide-ranging survey of the rise of mass movements for democracy and workers' rights in northern England. It is a provocative narrative of the closing down of public space and dispossession from place. The book offers historical parallels for contemporary debates about protests in public space and democracy and anti-globalisation movements. In response to fears of revolution from 1789 to 1848, the British government and local authorities prohibited mass working-class political meetings and societies. Protesters faced the privatisation of public space. The 'Peterloo Massacre' of 1819 marked a turning point. Radicals, trade unions and the Chartists fought back by challenging their exclusion from public spaces, creating their own sites and eventually constructing their own buildings or emigrating to America. This book also uncovers new evidence of protest in rural areas of northern England, including rural Luddism. It will appeal to academic and local historians, as well as geographers and scholars of social movements in the UK, France and North America. ;

      • Trusted Partner
        Humanities & Social Sciences
        March 2016

        Novelty fair

        British visual culture between Chartism and the Great Exhibition

        by Jo Briggs

      • Trusted Partner
        Humanities & Social Sciences
        March 2016

        Novelty fair

        British visual culture between Chartism and the Great Exhibition

        by Jo Briggs

      • Trusted Partner
        Humanities & Social Sciences
        December 1999

        Death in England

        An illustrated history

        by Peter Jupp, Clare Gittings

        Death in England provides the first ever social history of death from the earliest times 500,000 BC to Diana, Princess of Wales.. The book reveals how attitudes, practices and beliefs about death have undergone constant change: how, why and at what ages people died; plagues and violence; wills and deathbeds; funerals and memorials; beliefs and bereavement.. Richly illustrated - striking and often very powerful images.. In time with the spirit of the age and coming Millenium key scholars in their field write on their respective periods.. With the recent upturn of popular interest in death - through films,TV, books and newspapers - this book will prove stimulating to the general reader; to students of archaeology, art, history, medicine and sociology. ;

      • Trusted Partner
        Social & cultural history
        January 2016

        Gender, rhetoric and regulation

        Women's work in the Civil Service and the London County Council, 1900–55

        by Helen Glew

        The Civil Service and the London County Council employed tens of thousands of women in Britain in the early twentieth century. As public employers these institutions influenced both each other and private organisations, thereby serving as a barometer or benchmark for the conditions of women's white-collar employment. Drawing on a wide range of archival sources - including policy documents, trade union records, women's movement campaign literature and employees' personal testimony - this is the first book-length study of women's public service employment in this period. It examines three aspects of their working lives - inequality of pay, the marriage bar and inequality of opportunity - and demonstrates how far wider cultural assumptions about womanhood shaped policies towards women's employment and experiences. Scholars and students with interests in gender, British social and cultural history and labour history will find this an invaluable text.

      • Trusted Partner
        Humanities & Social Sciences
        January 2016

        Art and human rights

        Contemporary Asian contexts

        by Caroline Turner, Jen Webb, Amelia Jones, Marsha Meskimmon

        Contemporary Asian art has had a remarkable impact on global art practice, in addition to serving as a record of the region's history from decolonisation to the present. Many Asian artists are deeply concerned about what it means to be human and to contribute to the development of a sustainable society, as well as having a sustained commitment to making art. This book, written at the start of the 'Asian century', focuses on the contexts and conditions which have helped to shape both art practice and postcolonial society in the region. One of the first surveys of contemporary Asian art, it uses case studies of key artists to discuss the work in relation to issues of human rights, social and environmental well-being and creativity. As such, it makes an important contribution to studies of contemporary Asian art and art history. ;

      • Trusted Partner
        Humanities & Social Sciences
        January 2016

        Art and human rights

        Contemporary Asian contexts

        by Caroline Turner, Jen Webb, Amelia Jones, Marsha Meskimmon

        Contemporary Asian art has had a remarkable impact on global art practice, in addition to serving as a record of the region's history from decolonisation to the present. Many Asian artists are deeply concerned about what it means to be human and to contribute to the development of a sustainable society, as well as having a sustained commitment to making art. This book, written at the start of the 'Asian century', focuses on the contexts and conditions which have helped to shape both art practice and postcolonial society in the region. One of the first surveys of contemporary Asian art, it uses case studies of key artists to discuss the work in relation to issues of human rights, social and environmental well-being and creativity. As such, it makes an important contribution to studies of contemporary Asian art and art history. ;

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