Books

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Literature & Literary Studies

May 2018

The gothic novel in Ireland, c. 1760–1829

by Christina Morin

The gothic novel in Ireland, c. 1760-1829 offers a compelling account of the development of gothic literature in late-eighteenth and early-nineteenth century Ireland. Countering traditional scholarly views of the 'rise' of 'the gothic novel' on the one hand, and, on the other, Irish Romantic literature, this study persuasively re-integrates a body of now overlooked works into the history of the literary gothic as it emerged across Ireland, Britain, and Europe between 1760 and 1829. Its twinned quantitative and qualitative analysis of neglected Irish texts produces a new formal, generic, and ideological map of gothic literary production in this period, persuasively positioning Irish works and authors at the centre of a new critical paradigm with which to understand both Irish Romantic and gothic literary production.

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Business, Economics & Law

November 2019

It's a London thing

How rare groove, acid house and jungle remapped the city

by Caspar Melville, Peter Martin

This book tells the history of the London black music culture that emerged in post-colonial London at the end of the twentieth century; the people who made it, the racial and spatial politics of its development and change, and the part it played in founding London's precious, embattled multiculture. It conceives of the linked scenes around black music in London, from ska, reggae and soul in the 1970s, to rare groove and rave in the 1980s and jungle and its offshoots in the 1990s, to dubstep and grime of the 2000s, as demonstrating enough common features to be thought of as one musical culture, an Afro-diasporic continuum. Core to this idea is that this dance culture has been ignored in history and cultural theory and that it should be thought of as a powerful and internationally significant form of popular art.

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Humanities & Social Sciences

March 2008

Osterweiterung

Zwölf Reisen

by Wackwitz, Stephan

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Literature: history & criticism

September 1999

Beginning Postmodernism

by Tim Woods

The first volume of Manchester University Press' 'Beginnings' series, which is based on Peter Barry's critically aclaimed bestseller, Beginning theoryThis brilliant digest offers a clear, step-by-step introduction to postmodernism on every discourse a. . . .

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Literature & Literary Studies

July 2015

Rocks of nation

The imagination of Celtic Cornwall

by Shelley Trower

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Humanities & Social Sciences

August 2016

Turkish immigration, art and narratives of home in France

by Annedith Schneider

Turkish immigration, art and narratives of home in France argues for a cultural, rather than a sociological or economic, approach to understanding how immigrants become part of their new country. In contrast to the language of integration or assimilation which evaluates an immigrant's success in relation to a static endpoint (e.g. integrated or not), 'settling' is a more useful metaphor. Immigrants and their descendants are not definitively 'settled', but rather engage in an ongoing process of adaptation. In order to understand this process of settling, it is important to pay particular attention to immigrants not only as consumers, but also as producers of culture, since artistic production provides a unique and nuanced perspective on immigrants' sense of home and belonging, especially within the multi-generational process of settling. In order to anchor these larger theoretical questions in actual experience, this book looks at music, theatre and literature by artists of Turkish immigrant origin in France. ;

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Literature & Literary Studies

July 2015

Rocks of nation

The imagination of Celtic Cornwall

by Shelley Trower

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Humanities & Social Sciences

March 2016

Rebel by vocation

Seán O’Faoláin and the generation of The Bell

by Niall Carson

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Humanities & Social Sciences

March 2016

Rebel by vocation

Seán O’Faoláin and the generation of The Bell

by Niall Carson

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Humanities & Social Sciences

July 2016

Exoticisation undressed

Ethnographic nostalgia and authenticity in Emberá clothes

by Dimitrios Theodossopoulos, Alexander Smith

Exoticisation Undressed is an innovative ethnography that makes visible the many layers through which our understandings of indigenous cultures are filtered and their inherent power to distort and refract understanding. The book focuses in detail on the clothing practices of the Emberá in Panama, an Amerindian ethnic group, who have gained national and international visibility through their engagement with indigenous tourism. The very act of gaining visibility while wearing indigenous attire has encouraged among some Emberá communities a closer identification with an indigenous identity and a more confident representational awareness. The clothes that the Emberá wear are not simply used to convey messages, but also become constitutive of their intended messages. By wearing indigenous-and-modern clothes, the Emberá-who are often seen by outsiders as shadows of a vanishing world-reclaim their place as citizens of a contemporary nation. Through reflexive engagement, Exoticisation Undressed exposes the workings of ethnographic nostalgia and the Western quest for a singular, primordial authenticity, unravelling instead new layers of complexity that reverse and subvert exoticisation. ;

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Humanities & Social Sciences

January 2016

The story of Alderley

Living with the Edge

by A. J. N. W. Prag

In 1953 the schoolboy Alan Garner rediscovered a wooden shovel originally found in the Alderley copper mines in 1875. In 1991 he presented it to the Manchester Museum in the University of Manchester: this - and the discovery of a hoard of over 500 Roman coins - inspired the creation of the Alderley Edge Landscape Project, a multi-disciplinary research programme of the Museum and the National Trust, who own of most of the Edge, that aimed to study the entire history of Alderley, from geology to entomology, mining to oral history. No other village has enjoyed such a comprehensive study of its story: the list of chapter-headings reads like a roll-call of everything you ever wanted to know about this or any place. The book concludes with Alan Garner's retelling of the famous legend of the sleeping king, setting a familiar tale told him by his grandfather in a whole other world of prehistoric ritual and sacrifice. ;

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Cultural studies

January 2015

Are the Irish different?

by Edited by Tom Inglis

This book examines the extent and nature of Irish social and cultural difference. It is a collection of twenty-three short essays written in a clear and accessible manner by human scientists who are international experts in their area. The essays cover topics covered include the nature of Irish nationalism and capitalism, the Irish political elite, the differences and similarities of the Irish family, the upsurge in immigration, Northern Ireland, the Irish diaspora, the Irish language, sport, music and many other topics. The book will be bought by those who have an academic and personal interest in Irish Studies. It will be attractive to those who are not familiar with the theories and methods of the human sciences and how they can shine a light on the transformations that have taken place in Ireland. Tom Inglis, the editor of the collection, is a sociologist who has written extensively on Irish culture and society.

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Cultural studies

January 2015

Are the Irish different?

by Edited by Tom Inglis

This book examines the extent and nature of Irish social and cultural difference. It is a collection of twenty-three short essays written in a clear and accessible manner by human scientists who are international experts in their area. The essays cover topics covered include the nature of Irish nationalism and capitalism, the Irish political elite, the differences and similarities of the Irish family, the upsurge in immigration, Northern Ireland, the Irish diaspora, the Irish language, sport, music and many other topics. The book will be bought by those who have an academic and personal interest in Irish Studies. It will be attractive to those who are not familiar with the theories and methods of the human sciences and how they can shine a light on the transformations that have taken place in Ireland. Tom Inglis, the editor of the collection, is a sociologist who has written extensively on Irish culture and society.

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Humanities & Social Sciences

April 2010

Arts and Crafts objects

by Imogen Hart, Christopher Breward, Bill Sherman

In this groundbreaking reassessment of the conventional understanding of a cohesive 'Arts and Crafts movement' in Britain, Imogen Hart argues that a sophisticated mode of looking at decorative art developed in England during the second half of the nineteenth century. Bringing to light a significant number of little-known visual and textual sources, Arts and Crafts Objects insists that the history of British design between the 1830s and the 1910s is more complex and interwoven than concepts of clearly differentiated 'movements' allow for. Reinvesting the objects with the original importance ascribed to them by their makers and users, this book places furniture, metalwork, tiles, vases, chintzes, carpets, and wallpaper at the centre of a rigorous reassessment of the concept of 'Arts and Crafts'. The book offers radical new interpretations of the Arts and Crafts Exhibition Society and the homes of William Morris, alongside illuminating analyses of less familiar but equally rich contexts. ;

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Cultural studies

July 2013

British Asian fiction

Twenty-first-century voices

by Sara Upstone

This is the first text to focus solely on the writing of British writers of South Asian descent born or raised in Britain. Exploring the unique contribution of these writers, it positions their work within debates surrounding black British, diasporic, migrant, and postcolonial literature in order to foreground both the continuities and tensions embedded in their relationship to such terms, engaging in particular with the ways in which this 'new' generation has been denied the right to a distinctive theoretical framework through absorption into pre-existing frames of reference. Focusing on the diversity of contemporary British Asian experience, the book engages with themes including gender, national and religious identity, the reality of post-9/11 Britain, the post-ethnic self, urban belonging, generational difference and youth identities, as well as indicating how these writers manipulate genre and the novel form in support of their thematic concerns.

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Trusted Partner

Cultural studies

July 2013

British Asian fiction

Twenty-first-century voices

by Sara Upstone

This is the first text to focus solely on the writing of British writers of South Asian descent born or raised in Britain. Exploring the unique contribution of these writers, it positions their work within debates surrounding black British, diasporic, migrant, and postcolonial literature in order to foreground both the continuities and tensions embedded in their relationship to such terms, engaging in particular with the ways in which this 'new' generation has been denied the right to a distinctive theoretical framework through absorption into pre-existing frames of reference. Focusing on the diversity of contemporary British Asian experience, the book engages with themes including gender, national and religious identity, the reality of post-9/11 Britain, the post-ethnic self, urban belonging, generational difference and youth identities, as well as indicating how these writers manipulate genre and the novel form in support of their thematic concerns.

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Trusted Partner

Cultural studies

July 2012

British Asian fiction

Twenty-first-century voices

by Sara Upstone

This is the first text to focus solely on the writing of British writers of South Asian descent born or raised in Britain. Exploring the unique contribution of these writers, it positions their work within debates surrounding black British, diasporic, migrant, and postcolonial literature in order to foreground both the continuities and tensions embedded in their relationship to such terms, engaging in particular with the ways in which this 'new' generation has been denied the right to a distinctive theoretical framework through absorption into pre-existing frames of reference. Focusing on the diversity of contemporary British Asian experience, the book engages with themes including gender, national and religious identity, the reality of post-9/11 Britain, the post-ethnic self, urban belonging, generational difference and youth identities, as well as indicating how these writers manipulate genre and the novel form in support of their thematic concerns.

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Humanities & Social Sciences

May 2000

Colonial India and the making of Empire cinema

Image, ideology and Identity

by Prem Chowdhry

This book examines the empire cinema made in Hollywood and Britain during the turbulent 1930s and 1940s.. It shows how the empire cinema constructed the colonial world, its rationale for doing so, and the manner in which such constructions were received by the colonized people.. Unique approach to the subject cinema and Empire from the perspective of the colonised rather than the coloniser.. Vast amount of original research conducted in India contributing to a fresh perspective.. Multifocal attitude which stretches through media and cultural studies, gender, film, imperial history, nationalism and postcolonialism. ;

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Cultural studies

November 2015

Performing Englishness

Identity and politics in a contemporary folk resurgence

by Trish Winter, Simon Keegan-Phipps

Performing Englishness examines the growth in popularity and profile of the English folk arts in the first decade of the twenty-first century. In the only study of its kind, the authors explore how the folk resurgence speaks to a broader explosion of interest in the subject of English national and cultural identity. Combining approaches from British cultural studies and ethnomusicology, the book draws on ethnographic fieldwork, interviews with central figures of the resurgence and close analysis of music and dance as well as visual and discursive sources. Its presentation of the English case study calls for a rethinking of concepts such as revival and indigeneity. It will be of interest to students and scholars in cultural studies, ethnomusicology and related disciplines.

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Trusted Partner

Cultural studies

November 2015

Performing Englishness

Identity and politics in a contemporary folk resurgence

by Trish Winter, Simon Keegan-Phipps

Performing Englishness examines the growth in popularity and profile of the English folk arts in the first decade of the twenty-first century. In the only study of its kind, the authors explore how the folk resurgence speaks to a broader explosion of interest in the subject of English national and cultural identity. Combining approaches from British cultural studies and ethnomusicology, the book draws on ethnographic fieldwork, interviews with central figures of the resurgence and close analysis of music and dance as well as visual and discursive sources. Its presentation of the English case study calls for a rethinking of concepts such as revival and indigeneity. It will be of interest to students and scholars in cultural studies, ethnomusicology and related disciplines.

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by Christina Morin

How rare groove, acid house and jungle remapped the city

by Caspar Melville, Peter Martin

Zwölf Reisen

by Wackwitz, Stephan

by Tim Woods

The imagination of Celtic Cornwall

by Shelley Trower

by Annedith Schneider

The imagination of Celtic Cornwall

by Shelley Trower

Seán O’Faoláin and the generation of The Bell

by Niall Carson

Seán O’Faoláin and the generation of The Bell

by Niall Carson

Ethnographic nostalgia and authenticity in Emberá clothes

by Dimitrios Theodossopoulos, Alexander Smith

Living with the Edge

by A. J. N. W. Prag

by Edited by Tom Inglis

by Edited by Tom Inglis

by Imogen Hart, Christopher Breward, Bill Sherman

Twenty-first-century voices

by Sara Upstone

Twenty-first-century voices

by Sara Upstone

Twenty-first-century voices

by Sara Upstone

Image, ideology and Identity

by Prem Chowdhry

Identity and politics in a contemporary folk resurgence

by Trish Winter, Simon Keegan-Phipps

Identity and politics in a contemporary folk resurgence

by Trish Winter, Simon Keegan-Phipps

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