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      • Trusted Partner
        Arts and Crafts objects
        Material culture
        April 2010

        Arts and Crafts objects

        by Imogen Hart

        In this groundbreaking reassessment of the conventional understanding of a cohesive 'Arts and Crafts movement' in Britain, Imogen Hart argues that a sophisticated mode of looking at decorative art developed in England during the second half of the nineteenth century. Bringing to light a significant number of little-known visual and textual sources, Arts and Crafts Objects insists that the history of British design between the 1830s and the 1910s is more complex and interwoven than concepts of clearly differentiated 'movements' allow for. Reinvesting the objects with the original importance ascribed to them by their makers and users, this book places furniture, metalwork, tiles, vases, chintzes, carpets, and wallpaper at the centre of a rigorous reassessment of the concept of 'Arts and Crafts'. The book offers radical new interpretations of the Arts and Crafts Exhibition Society and the homes of William Morris, alongside illuminating analyses of less familiar but equally rich contexts.

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      • Trusted Partner
        Arts and Crafts objects
        Humanities & Social Sciences
        April 2010

        Arts and Crafts objects

        by Imogen Hart, Christopher Breward, Bill Sherman

        In this groundbreaking reassessment of the conventional understanding of a cohesive 'Arts and Crafts movement' in Britain, Imogen Hart argues that a sophisticated mode of looking at decorative art developed in England during the second half of the nineteenth century. Bringing to light a significant number of little-known visual and textual sources, Arts and Crafts Objects insists that the history of British design between the 1830s and the 1910s is more complex and interwoven than concepts of clearly differentiated 'movements' allow for. Reinvesting the objects with the original importance ascribed to them by their makers and users, this book places furniture, metalwork, tiles, vases, chintzes, carpets, and wallpaper at the centre of a rigorous reassessment of the concept of 'Arts and Crafts'. The book offers radical new interpretations of the Arts and Crafts Exhibition Society and the homes of William Morris, alongside illuminating analyses of less familiar but equally rich contexts. ;

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      • Trusted Partner
        Design and popular entertainment
        Humanities & Social Sciences
        June 2009

        Design and popular entertainment

        by Christopher Breward, Christopher Frayling, Emily King, Bill Sherman

        Design and Popular Entertainment offers a selection of nine essays that examine the range of design for popular entertainment, from theatre and film, to television and radio. Investigating entertainment design from the late nineteenth century to the 1960s, the book is divided into two sections. The first addresses the 'hardware' of popular entertainment, in other words the objects through which images, sound and performance are transmitted. The second explores the construction of cinematic and televisual imagery and the design of objects for the screen, the 'software' of entertainment. In so doing it offers important insights into this little explored aspect of design. Topics covered by the collection include the design of theatrical lighting and stage sets, cinema and radio design, the representation of designers within film, and the relationship between design and television. The book's concentration on the 1950s and 1960s reflects the profound changes in modes of entertainment that took place during that period, in particular the spread of television, which not only attracted a huge popular audience but also stimulated experimental designing approaches and thinking. With particular focus on the way that both the objects and the construction of entertainment have altered audience's experience, the essays present a novel approach to the subject. This book will be of particular interest to students and teachers working in design and cultural history as well as film and theatre studies. ;

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      • Trusted Partner
        Design and the modern magazine
        Humanities & Social Sciences
        February 2007

        Design and the modern magazine

        by Christopher Breward, Jeremy Aynsley, Kate Forde, Bill Sherman, Martin Hargreaves

        Design and the Modern Magazine provides a thematically arranged set of essays that examine the changing character of the magazine as an important aspect of cultural life from the late nineteenth century until today. In doing so it offers some of the first detailed case-studies of individual titles and analyses how design decisions are made alongside editorial, commercial and technical considerations. The book suggests ways to understand the magazine as a designed object. Among the more significant titles considered are Woman's Home Companion, Design, Woman and Vogue. While largely drawing from British and American sources, the book also covers the impact of modern design ideas from Europe on such publications. The essays present new and original scholarship on the subject and will be of use to students and teachers working on a wide range of art and design history, and literature studies courses. ;

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      • Trusted Partner
        Dress and globalisation
        Humanities & Social Sciences
        June 2004

        Dress and globalisation

        by Margaret Maynard, Christopher Breward, Bill Sherman

        Dress and globalisation is the first work to survey dress around the world, drawing together issues of consumption, ethnicity, gender and the body, as well as anthropological accounts and studies of representation. It examines international western style dress, including jeans and business suits, headwear and hairdressing, ethnicity and so called 'ethnic chic', clothes for the tourist market, the politicisation of traditional dress, 'alternative' dressing, and T-shirts as temporary markers of identity. It also considers dress and environmental issues, touching on adventure gear, the 'green' consumer and the possible impact of 'smart' clothing. Dispelling the myth of universal 'world' attire, this book demonstrates that western-style clothing transcends geographical boundaries but along with other forms of dress, can form a montage of differing tastes, ethnic preferences and national and local imperatives. By discussing the nature of globalisation, this book shows that, if economics permit, all cultures are selective in their choice of what to wear. Dress and globalisation will be welcomed by students of dress history and cultural studies. ;

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      • Trusted Partner
        The culture of fashion
        Material culture
        March 1995

        The culture of fashion

        A New History of Fashionable Dress

        by Christopher Breward

        This illustrated survey of 600 years of fashion investigates its cultural and social meanings from medieval Europe to 20th-century America. It provides a guide to the changes in style and taste, and challenges existing fashion histories, showing that clothes have always played a pivotal role in defining a sense of identity and society, especially when concerned with sexual and body politics. With a chronological structure, each chapter focuses on both male and female fashion of a specific period, covering its fascinating developments. It discusses: androgynous dressing; body piercing; fabrics, clothing and the rise of city life; dress, and the changing shape of the human body; controversies surrounding trousers and leg wear for both men and women; exposure of flesh; fashion and social status; and the dissemination of fashion through travel, film, magazines and catwalk shows. ;

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      • Trusted Partner
        History through material culture
        Industrial / commercial art & design
        April 2017

        History through material culture

        by Series edited by Simon Trafford, Leonie Hannan, Sarah Longair

        History through material culture is a unique, step-by-step guide for students and researchers who wish to use objects as historical sources. Responding to the significant, scholarly interest in historical material culture studies, this book makes clear how students and researchers ready to use these rich material sources can make important, valuable and original contributions to history. Written by two experienced museum practitioners and historians, the book recognises the theoretical and practical challenges of this approach and offers clear advice on methods to get the best out of material culture research. With a focus on the early modern and modern periods, this volume draws on examples from across the world and demonstrates how to use material culture to answer a range of enquiries, including social, economic, gender, cultural and global history.

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      • Trusted Partner
        Almost nothing
        History of art & design styles: from c 1900 -
        December 2016

        Almost nothing

        Observations on precarious practices in contemporary art

        by Series edited by Amelia Jones, Marsha Meskimmon, Anna Dezeuze

        What does an assemblage made out of crumpled newspaper have in common with an empty room in which the lights go on and off every five seconds? This book argues that they are both examples of a 'precarious' art that flourished from the late 1950s to the first decade of the twenty-first century, in light of a growing awareness of the individual's fragile existence in capitalist society. Focusing on comparative case studies drawn from European, North and South American practices, this study maps out a network of similar concerns and practices, while outlining its evolution from the 1960s to the beginning of the twenty-first century. This book will provide students and amateurs of contemporary art and culture with new insights into contemporary art practices and the critical issues that they raise concerning the material status of the art object, the role of the artist in society, and the relation between art and everyday life.

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      • Trusted Partner
        Almost nothing
        History of art & design styles: from c 1900 -
        December 2016

        Almost nothing

        Observations on precarious practices in contemporary art

        by Series edited by Amelia Jones, Marsha Meskimmon, Anna Dezeuze

        What does an assemblage made out of crumpled newspaper have in common with an empty room in which the lights go on and off every five seconds? This book argues that they are both examples of a 'precarious' art that flourished from the late 1950s to the first decade of the twenty-first century, in light of a growing awareness of the individual's fragile existence in capitalist society. Focusing on comparative case studies drawn from European, North and South American practices, this study maps out a network of similar concerns and practices, while outlining its evolution from the 1960s to the beginning of the twenty-first century. This book will provide students and amateurs of contemporary art and culture with new insights into contemporary art practices and the critical issues that they raise concerning the material status of the art object, the role of the artist in society, and the relation between art and everyday life.

        More
      • Trusted Partner
        History through material culture
        Teaching, Language & Reference
        April 2017

        History through material culture

        by Simon Trafford, Leonie Hannan, Sarah Longair, Sarah Longair

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      • Trusted Partner
        Ethnography for a data-saturated world
        Humanities & Social Sciences
        September 2018

        Ethnography for a data-saturated world

        by Hannah Knox, Dawn Nafus

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      • Trusted Partner
        Ethnography for a data-saturated world
        Humanities & Social Sciences
        August 2018

        Ethnography for a data-saturated world

        by Hannah Knox, Dawn Nafus

        This edited collection aims to reimagine and extend ethnography for a data-saturated world. The book brings together leading scholars in the social sciences who have been interrogating and collaborating with data scientists working in a range of different settings. The book explores how a repurposed form of ethnography might illuminate the kinds of knowledge that are being produced by data science. It also describes how collaborations between ethnographers and data scientists might lead to new forms of social analysis

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      • Trusted Partner
        Ethnography for a data-saturated world
        Humanities & Social Sciences
        August 2018

        Ethnography for a data-saturated world

        by Hannah Knox, Dawn Nafus

        This edited collection aims to reimagine and extend ethnography for a data-saturated world. The book brings together leading scholars in the social sciences who have been interrogating and collaborating with data scientists working in a range of different settings. The book explores how a repurposed form of ethnography might illuminate the kinds of knowledge that are being produced by data science. It also describes how collaborations between ethnographers and data scientists might lead to new forms of social analysis

        More
      • Trusted Partner
        Ethnography for a data-saturated world
        Humanities & Social Sciences
        August 2018

        Ethnography for a data-saturated world

        by Hannah Knox, Dawn Nafus

        This edited collection aims to reimagine and extend ethnography for a data-saturated world. The book brings together leading scholars in the social sciences who have been interrogating and collaborating with data scientists working in a range of different settings. The book explores how a repurposed form of ethnography might illuminate the kinds of knowledge that are being produced by data science. It also describes how collaborations between ethnographers and data scientists might lead to new forms of social analysis

        More
      • Trusted Partner
        Stained glass and the Victorian Gothic revival
        Humanities & Social Sciences
        June 2017

        Stained glass and the Victorian Gothic revival

        by Christopher Breward, Jim Cheshire, Bill Sherman

        Stained glass reached the height of its popularity in the Victorian period. But how did it become so popular and who was involved in this remarkable revival? The enthusiasm for these often exquisite pieces of artwork spread from specialist groups of antiquarians and architects to a much wider section of the Victorian public. By looking at stained glass from the perspective of both glass-painter and patron, and by considering how stained glass was priced, bought and sold, this enlightening study traces the emergence of the market for stained glass in Victorian England. Thus it contains new insights into the Gothic Revival and the relationship between architecture and the decorative arts. Beautifully illustrated with colour plates and black and white illustrations, this book will be valuable to those interested in stained glass and the wider world of Victorian art.

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      • Trusted Partner
        Almost nothing
        The Arts
        December 2016

        Almost nothing

        Observations on precarious practices in contemporary art

        by Amelia Jones, Marsha Meskimmon, Anna Dezeuze

        What does an assemblage made out of crumpled newspaper have in common with an empty room in which the lights go on and off every five seconds? This book argues that they are both examples of a 'precarious' art that flourished from the late 1950s to the first decade of the twenty-first century, in light of a growing awareness of the individual's fragile existence in capitalist society. Focusing on comparative case studies drawn from European, North and South American practices, this study maps out a network of similar concerns and practices, while outlining its evolution from the 1960s to the beginning of the twenty-first century. This book will provide students and amateurs of contemporary art and culture with new insights into contemporary art practices and the critical issues that they raise concerning the material status of the art object, the role of the artist in society, and the relation between art and everyday life.

        More
      • Trusted Partner
        Almost nothing
        The Arts
        December 2016

        Almost nothing

        Observations on precarious practices in contemporary art

        by Amelia Jones, Marsha Meskimmon, Anna Dezeuze

        More
      • Trusted Partner
        History through material culture
        Teaching, Language & Reference
        May 2020

        History through material culture

        by Simon Trafford, Leonie Hannan, Sarah Longair

        History through material culture is a unique, step-by-step guide for students and researchers who wish to use objects as historical sources. Responding to the significant, scholarly interest in historical material culture studies, this book makes clear how students and researchers ready to use these rich material sources can make important, valuable and original contributions to history. Written by two experienced museum practitioners and historians, the book recognises the theoretical and practical challenges of this approach and offers clear advice on methods to get the best out of material culture research. With a focus on the early modern and modern periods, this volume draws on examples from across the world and demonstrates how to use material culture to answer a range of enquiries, including social, economic, gender, cultural and global history.

        More

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