Your Search Results

      • Trusted Partner
        Teaching, Language & Reference
        November 2015

        Kids and branding in a digital world

        by Barry Gunter

      • Trusted Partner
        Humanities & Social Sciences
        December 2015

        Sovereignty and superheroes

        by Neal Curtis

      • Trusted Partner
        Teaching, Language & Reference
        November 2015

        Kids and branding in a digital world

        by Barry Gunter

      • Trusted Partner
        TV & society
        July 2013

        Beyond representation

        Television drama and the politics and aesthetics of identity

        by Geraldine Harris

        Beyond representation explores whether the last thirty years witnessed signs of 'progress' or 'progressiveness' in the representation of 'marginalised' or subaltern identity categories within television drama in Britain and the US. In doing so, it interrogates some of the key assumptions concerning the relationship between aesthetics and the politics of identity that have influenced and informed television drama criticism during this period. This book examines ideas around politics and aesthetics, which emerge from such theories as Marxist-socialism and postmodernism, feminism and postmodern feminism, anti-racism and postcolonialism, queer theory and theories of globalisation, and evaluates their impact on television criticism and on television as an institution. These discussions are consolidated through a number of case studies that offer analyses of a range of television drama texts including 'Ally McBeal', 'Supply and Demand', 'The Bill', 'Second Generation', 'Star Trek: Enterprise', 'Queer as Folk', 'Metrosexuality' and 'The Murder of Stephen Lawrence'.

      • Trusted Partner
        TV & society
        July 2013

        Beyond representation

        Television drama and the politics and aesthetics of identity

        by Geraldine Harris

        Beyond representation explores whether the last thirty years witnessed signs of 'progress' or 'progressiveness' in the representation of 'marginalised' or subaltern identity categories within television drama in Britain and the US. In doing so, it interrogates some of the key assumptions concerning the relationship between aesthetics and the politics of identity that have influenced and informed television drama criticism during this period. This book examines ideas around politics and aesthetics, which emerge from such theories as Marxist-socialism and postmodernism, feminism and postmodern feminism, anti-racism and postcolonialism, queer theory and theories of globalisation, and evaluates their impact on television criticism and on television as an institution. These discussions are consolidated through a number of case studies that offer analyses of a range of television drama texts including 'Ally McBeal', 'Supply and Demand', 'The Bill', 'Second Generation', 'Star Trek: Enterprise', 'Queer as Folk', 'Metrosexuality' and 'The Murder of Stephen Lawrence'.

      • Trusted Partner
        TV & society
        July 2012

        Beyond representation

        Television drama and the politics and aesthetics of identity

        by Geraldine Harris

        Beyond representation poses the question as to whether over the last thirty years there have been signs of 'progress' or 'progressiveness' in the representation of 'marginalised' or subaltern identity categories within television drama in Britain and the US. In doing so, it interrogates some of the key assumptions concerning the relationship between aesthetics and the politics of identity that have influenced and informed television drama criticism during this period. This book can function as an introduction because it provides students with a clear and coherent pathway through complex, wide-reaching and highly influential interdisciplinary terrain. Chapters examine ideas circling around politics and aesthetics, which emerge from such theories as Marxist-socialism and postmodernism, feminism and postmodern feminism, anti-racism and postcolonialism, queer theory and theories of globalisation, and evaluates their impact on television criticism and on television as an institution. These discussions are consolidated through a number of case studies that offer analyses of a range of television drama texts including Ally McBeal, Supply and Demand, The Bill, Second Generation, Star Trek: Enterprise, Queer as Folk, Metrosexuality and The Murder of Stephen Lawrence.

      • Trusted Partner
        Humanities & Social Sciences
        October 2006

        Beyond representation

        Television drama and the politics and aesthetics of identity

        by Geraldine Harris, Martin Hargreaves

        Beyond representation poses the question as to whether over the last thirty years there have been signs of 'progress' or 'progressiveness' in the representation of 'marginalised' or subaltern identity categories within television drama in Britain and the US. In doing so, it interrogates some of the key assumptions concerning the relationship between aesthetics and the politics of identity that have influenced and informed television drama criticism during this period. This book can function as an introduction because it provides students with a clear and coherent pathway through complex, wide-reaching and highly influential interdisciplinary terrain. Chapters examine ideas circling around politics and aesthetics, which emerge from such theories as Marxist-socialism and postmodernism, feminism and postmodern feminism, anti-racism and postcolonialism, queer theory and theories of globalisation, and evaluates their impact on television criticism and on television as an institution. These discussions are consolidated through a number of case studies that offer analyses of a range of television drama texts including Ally McBeal, Supply and Demand, The Bill, Second Generation, Star Trek: Enterprise, Queer as Folk, Metrosexuality and The Murder of Stephen Lawrence. ;

      • Trusted Partner
        Humanities & Social Sciences
        August 2011

        Aesthetic Theory and the Video Game

        by Graeme Kirkpatrick

        This book draws on aesthetic theory, including ideas from the history of painting, music and dance, to offer a fresh perspective on the video game as a popular cultural form. It argues that games like Grand Theft Auto and Elektroplankton are aesthetic objects that appeal to players because they offer an experience of form, as this idea was understood by philosophers like Immanuel Kant and Theodor Adorno. Video games are awkward objects that have defied efforts to categorise them within established academic disciplines and intellectual frameworks. Yet no one can deny their importance in re-configuring contemporary culture and their influence can be seen in contemporary film, television, literature, music, dance and advertising. This book argues that their very awkwardness should form the starting point for a proper analysis of what games are and the reasons for their popularity. This book will appeal to anyone with a serious interest in the increasingly playful character of contemporary capitalist culture. ;

      • Trusted Partner
        Media studies
        July 2013

        Theorising Media

        Power, form and subjectivity

        by John Corner

        In this book, John Corner explores how issues of power, form and subjectivity feature at the core of all serious thinking about the media, including appreciations of their creativity as well as anxiety about the risks they pose. Drawing widely on an interdisciplinary literature, he connects his exposition to examples from film, television, radio, photography, painting, web practice, music and writing in order to bring in topics as diverse as reporting the war in Afghanistan, the televising of football, documentary portrayals of 9/11, reality television, the diversity of taste in the arts and the construction of civic identity. Theorising media brings together concepts both from Social Studies and the Arts and Humanities, addressing a readership wider than the sub-specialisms of media research. It refreshes ideas about why the media matter and how understanding them better remains a key aim of cultural inquiry and a continuing requirement for public policy.

      • Trusted Partner
        Media studies
        July 2013

        Theorising Media

        Power, form and subjectivity

        by John Corner

        In this book, John Corner explores how issues of power, form and subjectivity feature at the core of all serious thinking about the media, including appreciations of their creativity as well as anxiety about the risks they pose. Drawing widely on an interdisciplinary literature, he connects his exposition to examples from film, television, radio, photography, painting, web practice, music and writing in order to bring in topics as diverse as reporting the war in Afghanistan, the televising of football, documentary portrayals of 9/11, reality television, the diversity of taste in the arts and the construction of civic identity. Theorising media brings together concepts both from Social Studies and the Arts and Humanities, addressing a readership wider than the sub-specialisms of media research. It refreshes ideas about why the media matter and how understanding them better remains a key aim of cultural inquiry and a continuing requirement for public policy.

      • Trusted Partner
        Media studies
        July 2012

        Theorising Media

        Power, form and subjectivity

        by John Corner

        In this book, John Corner explores how issues of power, form and subjectivity feature at the core of all serious thinking about the media, including appreciations of their creativity as well as anxiety about the risks they pose. Drawing widely on an interdisciplinary literature, he connects his exposition to examples from film, television, radio, photography, painting, web practice, music and writing in order to bring in topics as diverse as reporting the war in Afghanistan, the televising of football, documentary portrayals of 9/11, reality television, the diversity of taste in the arts and the construction of civic identity. Theorising media brings together concepts both from Social Studies and the Arts and Humanities, addressing a readership wider than the sub-specialisms of media research. It refreshes ideas about why the media matter and how understanding them better remains a key aim of cultural inquiry and a continuing requirement for public policy.

      • Trusted Partner
        Humanities & Social Sciences
        August 2011

        Theorising Media

        Power, form and subjectivity

        by John Corner

        In this book, John Corner explores how issues of power, form and subjectivity feature at the core of all serious thinking about the media, including appreciations of their creativity as well as anxiety about the risks they pose. Drawing widely on an interdisciplinary literature, he connects his exposition to examples from film, television, radio, photography, painting, web practice, music and writing in order to bring in topics as diverse as reporting the war in Afghanistan, the televising of football, documentary portrayals of 9/11, reality television, the diversity of taste in the arts and the construction of civic identity. Theorising media brings together concepts both from Social Studies and the Arts and Humanities, addressing a readership wider than the sub-specialisms of media research. It refreshes ideas about why the media matter and how understanding them better remains a key aim of cultural inquiry and a continuing requirement for public policy. ;

      • Trusted Partner
        Media studies
        July 2013

        Paving the Empire Road

        BBC television and black Britons

        by Darrell Mottley Newton

        Beginning in the 1930s and moving into the post millennium, Newton provides a historical analysis of policies invoked, and practices undertaken as the Service attempted to assist white Britons in understanding the impact of African-Caribbeans, and their assimilation into constructs of Britishness. Management soon approved talks and scientific studies as a means of examining racial tensions, as ITV challenged the discourses of British broadcasting. Soon, BBC2 began broadcasting; and more issues of race appeared on the screens, each reflecting sometimes comedic, somewhat dystopic, often problematic circumstances of integration. In the years that followed however, social tensions such as the Nottingham and Notting Hill riots led to transmissions that included a series of news specials on Britain's Colour Bar, and docudramas such as A Man From the Sun that attempted to frame the immigrant experience for British television audiences, but from the African-Caribbean point of view. Subsequent chapters include an extensive analysis of television programming, along with personal interviews. Topics include current representations of race, the future of British television, and its impact upon multiethnic audiences. Also detailed are the efforts of black Britons working within the British media as employees of the BBC, writers, producers and actors.

      • Trusted Partner
        Media studies
        July 2013

        Paving the Empire Road

        BBC television and black Britons

        by Darrell Mottley Newton

        Beginning in the 1930s and moving into the post millennium, Newton provides a historical analysis of policies invoked, and practices undertaken as the Service attempted to assist white Britons in understanding the impact of African-Caribbeans, and their assimilation into constructs of Britishness. Management soon approved talks and scientific studies as a means of examining racial tensions, as ITV challenged the discourses of British broadcasting. Soon, BBC2 began broadcasting; and more issues of race appeared on the screens, each reflecting sometimes comedic, somewhat dystopic, often problematic circumstances of integration. In the years that followed however, social tensions such as the Nottingham and Notting Hill riots led to transmissions that included a series of news specials on Britain's Colour Bar, and docudramas such as A Man From the Sun that attempted to frame the immigrant experience for British television audiences, but from the African-Caribbean point of view. Subsequent chapters include an extensive analysis of television programming, along with personal interviews. Topics include current representations of race, the future of British television, and its impact upon multiethnic audiences. Also detailed are the efforts of black Britons working within the British media as employees of the BBC, writers, producers and actors.

      • Trusted Partner
        Media studies
        July 2012

        Paving the Empire Road

        BBC television and black Britons

        by Darrell Mottley Newton

        Beginning in the 1930s and moving into the post millennium, Newton provides a historical analysis of policies invoked, and practices undertaken as the Service attempted to assist white Britons in understanding the impact of African-Caribbeans, and their assimilation into constructs of Britishness. Management soon approved talks and scientific studies as a means of examining racial tensions, as ITV challenged the discourses of British broadcasting. Soon, BBC2 began broadcasting; and more issues of race appeared on the screens, each reflecting sometimes comedic, somewhat dystopic, often problematic circumstances of integration. In the years that followed however, social tensions such as the Nottingham and Notting Hill riots led to transmissions that included a series of news specials on Britain's Colour Bar, and docudramas such as A Man From the Sun that attempted to frame the immigrant experience for British television audiences, but from the African-Caribbean point of view. Subsequent chapters include an extensive analysis of television programming, along with personal interviews. Topics include current representations of race, the future of British television, and its impact upon multiethnic audiences. Also detailed are the efforts of black Britons working within the British media as employees of the BBC, writers, producers and actors.

      • Trusted Partner
        Politics & government
        March 2017

        Go home?

        The politics of immigration controversies

        by Hannah Jones, Yasmin Gunaratnam, Gargi Bhatacharyya, William Davies, Sukhwant Dhaliwal, Kirsten Forkert, Emma Jackson and Roiyah Saltus

        In July 2013, the UK government arranged for a van to drive through parts of London carrying the message 'In the UK illegally? GO HOME or face arrest.' This book tells the story of what happened next. The vans were short-lived, but they were part of an ongoing trend in government-sponsored communication designed to demonstrate toughness on immigration. The authors set out to explore the effects of such performances: on policy, on public debate, on pro-migrant and anti-racist activism, and on the everyday lives of people in Britain. This book presents their findings, and provides insights into the practice of conducting research on such a charged and sensitive topic.

      • Trusted Partner
        Humanities & Social Sciences
        July 2017

        Neoliberal Gothic

        International Gothic in the neoliberal age

        by Linnie Blake, Agnieszka Soltysik Monnet, William Hughes

        The explosion of interest in the gothic in recent years has coincided with a number of seismic political changes that have reshaped the world as we know it. Neoliberal Gothic explores that world, considering the ways in which the exponential increase in the cultural visibility of the gothic attests to the mode's engagement with the most significant dynamics of our age. These include the triumph of free market economics, the revolution in information and communication technologies, the emergence of global biotechnologies, the increasing power of transnational corporations, the US-led 'War on Terror' and the global financial crisis of 2008. Through analysis of texts drawn from literature, film, television, theatre and the visual arts (from the Europe to South East Asia, Africa to North and South America) the collection examines the ways in which the representational strategies of the gothic mode are ideally suited to an exploration of the dark side of neoliberal enterprise.

      • Trusted Partner
        Humanities & Social Sciences
        July 2017

        Neoliberal Gothic

        International Gothic in the neoliberal age

        by Linnie Blake, Agnieszka Soltysik Monnet, William Hughes

        The explosion of interest in the gothic in recent years has coincided with a number of seismic political changes that have reshaped the world as we know it. Neoliberal Gothic explores that world, considering the ways in which the exponential increase in the cultural visibility of the gothic attests to the mode's engagement with the most significant dynamics of our age. These include the triumph of free market economics, the revolution in information and communication technologies, the emergence of global biotechnologies, the increasing power of transnational corporations, the US-led 'War on Terror' and the global financial crisis of 2008. Through analysis of texts drawn from literature, film, television, theatre and the visual arts (from the Europe to South East Asia, Africa to North and South America) the collection examines the ways in which the representational strategies of the gothic mode are ideally suited to an exploration of the dark side of neoliberal enterprise.

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