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Literature & Literary StudiesMarch 2020Riddles at work in the early medieval tradition
Words, ideas, interactions
by Megan Cavell, Jennifer Neville, David Matthews
Capitalising on developments in the field over the past decade, Riddles at work provides an up-to-date microcosm of research on the Anglo-Saxon riddle tradition. The book presents a wide range of traditional and experimental methodologies. The contributors treat the riddles both as individual poems and as parts of a tradition, but, most importantly, they address Latin and Old English riddles side-by-side, bringing together texts that originally developed in conversation with each other but have often been separated by scholarship. Together, the chapters reveal that there is no single, right way to read these texts but rather a multitude of productive paths. This book will appeal to students and scholars of Anglo-Saxon and early medieval studies. It contains new as well as established voices, including Jonathan Wilcox, Mercedes Salvador-Bello and Jennifer Neville.
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Literature & Literary StudiesMarch 2020Riddles at work in the early medieval tradition
Words, ideas, interactions
by Megan Cavell, Jennifer Neville, David Matthews
Capitalising on developments in the field over the past decade, Riddles at work provides an up-to-date microcosm of research on the Anglo-Saxon riddle tradition. The book presents a wide range of traditional and experimental methodologies. The contributors treat the riddles both as individual poems and as parts of a tradition, but, most importantly, they address Latin and Old English riddles side-by-side, bringing together texts that originally developed in conversation with each other but have often been separated by scholarship. Together, the chapters reveal that there is no single, right way to read these texts but rather a multitude of productive paths. This book will appeal to students and scholars of Anglo-Saxon and early medieval studies. It contains new as well as established voices, including Jonathan Wilcox, Mercedes Salvador-Bello and Jennifer Neville.
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Literature & Literary StudiesMarch 2020Riddles at work in the early medieval tradition
Words, ideas, interactions
by Megan Cavell, Jennifer Neville, David Matthews
Capitalising on developments in the field over the past decade, Riddles at work provides an up-to-date microcosm of research on the Anglo-Saxon riddle tradition. The book presents a wide range of traditional and experimental methodologies. The contributors treat the riddles both as individual poems and as parts of a tradition, but, most importantly, they address Latin and Old English riddles side-by-side, bringing together texts that originally developed in conversation with each other but have often been separated by scholarship. Together, the chapters reveal that there is no single, right way to read these texts but rather a multitude of productive paths. This book will appeal to students and scholars of Anglo-Saxon and early medieval studies. It contains new as well as established voices, including Jonathan Wilcox, Mercedes Salvador-Bello and Jennifer Neville.
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Literature & Literary StudiesNovember 2020Marie Duval
Maverick Victorian cartoonist
by Simon Grennan, Roger Sabin, Julian Waite, Anna Barton, Andrew Smith
Marie Duval: maverick Victorian cartoonist offers the first critical appraisal of the work of Marie Duval (Isabelle Émilie de Tessier [1847-1890]), one of the most unusual, pioneering and visionary cartoonists of the later nineteenth century. It discusses key themes and practices of Duval's vision and production, relative to the wider historic social, cultural and economic environments in which her work was made, distributed and read, identifing Duval as an exemplary radical practitioner. The book interrogates the relationships between the practices and the forms of print, story-telling, drawing and stage performance. It focuses on the creation of new types of cultural work by women and highlights the style of Duval's drawings relative to both the visual conventions of theatre production and the significance of the visualisation of amateurism and vulgarity. Marie Duval: maverick Victorian cartoonist establishes Duval as a unique but exemplary figure in a transformational period of the nineteenth century.
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Literature & Literary StudiesNovember 2020Marie Duval
Maverick Victorian cartoonist
by Simon Grennan, Roger Sabin, Julian Waite, Anna Barton, Andrew Smith
Marie Duval: maverick Victorian cartoonist offers the first critical appraisal of the work of Marie Duval (Isabelle Émilie de Tessier [1847-1890]), one of the most unusual, pioneering and visionary cartoonists of the later nineteenth century. It discusses key themes and practices of Duval's vision and production, relative to the wider historic social, cultural and economic environments in which her work was made, distributed and read, identifing Duval as an exemplary radical practitioner. The book interrogates the relationships between the practices and the forms of print, story-telling, drawing and stage performance. It focuses on the creation of new types of cultural work by women and highlights the style of Duval's drawings relative to both the visual conventions of theatre production and the significance of the visualisation of amateurism and vulgarity. Marie Duval: maverick Victorian cartoonist establishes Duval as a unique but exemplary figure in a transformational period of the nineteenth century.
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Literature & Literary StudiesNovember 2020Marie Duval
Maverick Victorian cartoonist
by Simon Grennan, Roger Sabin, Julian Waite, Anna Barton, Andrew Smith
Marie Duval: maverick Victorian cartoonist offers the first critical appraisal of the work of Marie Duval (Isabelle Émilie de Tessier [1847-1890]), one of the most unusual, pioneering and visionary cartoonists of the later nineteenth century. It discusses key themes and practices of Duval's vision and production, relative to the wider historic social, cultural and economic environments in which her work was made, distributed and read, identifing Duval as an exemplary radical practitioner. The book interrogates the relationships between the practices and the forms of print, story-telling, drawing and stage performance. It focuses on the creation of new types of cultural work by women and highlights the style of Duval's drawings relative to both the visual conventions of theatre production and the significance of the visualisation of amateurism and vulgarity. Marie Duval: maverick Victorian cartoonist establishes Duval as a unique but exemplary figure in a transformational period of the nineteenth century.
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Literature & Literary StudiesApril 2024Riddles at work in the early medieval tradition
Words, ideas, interactions
by Megan Cavell, Jennifer Neville
Capitalising on developments in the field over the past decade, Riddles at work provides an up-to-date microcosm of research on the early medieval riddle tradition. The book presents a wide range of traditional and experimental methodologies. The contributors treat the riddles both as individual poems and as parts of a tradition, but, most importantly, they address Latin and Old English riddles side-by-side, bringing together texts that originally developed in conversation with each other but have often been separated by scholarship. Together, the chapters reveal that there is no single, right way to read these texts but rather a multitude of productive paths. This book will appeal to students and scholars of early medieval studies. It contains new as well as established voices, including Jonathan Wilcox, Mercedes Salvador-Bello and Jennifer Neville.
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Literature & Literary StudiesJune 2024
Marie Duval
Maverick Victorian Cartoonist
by Simon Grennan, Roger Sabin, Julian Waite
Marie Duval: maverick Victorian cartoonist offers the first critical appraisal of the work of Marie Duval (Isabelle Émilie de Tessier, 1847-1890), one of the most unusual, pioneering and visionary cartoonists of the later nineteenth century. It discusses key themes and practices of Duval's vision and production, relative to the wider historic social, cultural and economic environments in which her work was made, distributed and read, identifing Duval as an exemplary radical practitioner. The book interrogates the relationships between the practices and the forms of print, story-telling, drawing and stage performance. It focuses on the creation of new types of cultural work by women and highlights the style of Duval's drawings relative to both the visual conventions of theatre production and the significance of the visualisation of amateurism and vulgarity. Marie Duval: maverick Victorian cartoonist establishes Duval as a unique but exemplary figure in a transformational period of the nineteenth century.
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Humanities & Social SciencesAugust 2021Humour, subjectivity and world politics
Everyday articulations of identity at the limits of order
by Alister Wedderburn
Questions about the ethical and political boundaries of comedy, satire, or irony have inspired widespread anxiety in recent years, as with the 2015 shootings at the offices of Charlie Hebdo in Paris, or the so called 'locker-room banter' that defined Donald Trump's 2016 election campaign. What, then, can a turn to humour offer International Relations? Drawing on literature across International Relations, literary theory, cultural studies and sociology, Alister Wedderburn argues that humour plays an underappreciated role in the making and unmaking of political subjectivities. The book recovers a historical understanding of humour as a way of making a claim to political subjectivity in the face of its denial. This function, Wedderburn argues, is embodied by the ambiguous figure of the parasite, a stock character of Greek comic drama. The book interrogates three separate sites where political actors have used humour 'parasitically' in order to make political claims and demands. In so doing, it not only outlines humour's political potential and limitations, but also demonstrates how everyday practices can draw from, feed into, interrupt, and potentially transform global-political relations. Representing the first monograph-length study on the politics of humour within International Relations, this book makes a timely contribution to debates about the politics of humour, subjectivity and everyday life.
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Humanities & Social SciencesAugust 2021Humour, subjectivity and world politics
Everyday articulations of identity at the limits of order
by Alister Wedderburn
Questions about the ethical and political boundaries of comedy, satire, or irony have inspired widespread anxiety in recent years, as with the 2015 shootings at the offices of Charlie Hebdo in Paris, or the so called 'locker-room banter' that defined Donald Trump's 2016 election campaign. What, then, can a turn to humour offer International Relations? Drawing on literature across International Relations, literary theory, cultural studies and sociology, Alister Wedderburn argues that humour plays an underappreciated role in the making and unmaking of political subjectivities. The book recovers a historical understanding of humour as a way of making a claim to political subjectivity in the face of its denial. This function, Wedderburn argues, is embodied by the ambiguous figure of the parasite, a stock character of Greek comic drama. The book interrogates three separate sites where political actors have used humour 'parasitically' in order to make political claims and demands. In so doing, it not only outlines humour's political potential and limitations, but also demonstrates how everyday practices can draw from, feed into, interrupt, and potentially transform global-political relations. Representing the first monograph-length study on the politics of humour within International Relations, this book makes a timely contribution to debates about the politics of humour, subjectivity and everyday life.
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Trusted Partner
Humanities & Social SciencesAugust 2021Humour, subjectivity and world politics
Everyday articulations of identity at the limits of order
by Alister Wedderburn
Questions about the ethical and political boundaries of comedy, satire, or irony have inspired widespread anxiety in recent years, as with the 2015 shootings at the offices of Charlie Hebdo in Paris, or the so called 'locker-room banter' that defined Donald Trump's 2016 election campaign. What, then, can a turn to humour offer International Relations? Drawing on literature across International Relations, literary theory, cultural studies and sociology, Alister Wedderburn argues that humour plays an underappreciated role in the making and unmaking of political subjectivities. The book recovers a historical understanding of humour as a way of making a claim to political subjectivity in the face of its denial. This function, Wedderburn argues, is embodied by the ambiguous figure of the parasite, a stock character of Greek comic drama. The book interrogates three separate sites where political actors have used humour 'parasitically' in order to make political claims and demands. In so doing, it not only outlines humour's political potential and limitations, but also demonstrates how everyday practices can draw from, feed into, interrupt, and potentially transform global-political relations. Representing the first monograph-length study on the politics of humour within International Relations, this book makes a timely contribution to debates about the politics of humour, subjectivity and everyday life.
