Your Search Results

      • Trusted Partner
      • Trusted Partner
        Business, Economics & Law
        May 2024

        Governance, democracy and ethics in crisis-decision-making

        The pandemic and beyond

        by Caroline Redhead, Melanie Smallman

        This book is a powerful addition to a developing literature informed by arts and humanities research carried out during the COVID-19 pandemic. Investigating the impacts of crisis governance and decision-making on people and populations, the book brings together microbial organisms and humans, children and data, decision-making and infection prevention, publics and process, global vaccine distribution and citizens' juries. Through its eight chapters, the book stimulates broadly-drawn discussions about exceptional executive powers in an emergency, the role of trust, and the importance of the principles of good governance - such as selflessness, ethics, integrity, accountability and honesty in leadership. The lessons drawn out in this book will support future decision-makers in both ordinary times and extra-ordinary emergencies.

      • Trusted Partner
        The Arts
        November 2011

        Real and Reel

        The education of a film critic

        by Brian McFarlane

        From a little before ten years of age Brian McFarlane became addicted to stories told on the screen, and the mere fact that he had difficulty in getting to see the films he wanted - or any for that matter - only made them seem more alluring. But it wasn't just seeing the films that mattered: he also wanted, and quite soon needed, to be writing about them and these obsessions have been part of his life for the next sixty-odd years. Real and reel is a light-hearted and but deeply felt account of a lifetime's addiction. It is one particular writer and critic's story, but it will strike sparks among many others. Though many other interests have kept Brian McFarlane's life lively, nothing else has exerted such a long-standing grip on the author's imagination as film. Editor of the Encyclopaedia of British Cinema, co-editor of Manchester University Press's British Film Makers series, and author of over a dozen critical works on film and adaptation, Brian McFarlane's autobiographical Real and reel can also be read as a biography of the subject of Film Studies itself. ;

      • Trusted Partner
        Humanities & Social Sciences
        November 2006

        British representations of the Spanish Civil War

        by Brian Shelmerdine

        This book looks at the reception of the Spanish Civil War in British popular culture, and how supporters of both sides in Britain used the rhetoric and imagery of the conflict to bolster support for their respective causes in the arena of British public opinion. Brian Shelmerdine finds that traditional notions of Spain as a country of bullfighting, bandits and flamenco were pervasive and were significant in shaping wider UK government policy towards Spain. He carefully assesses the different political perceptions of the 1930s Spanish scene, the role of the Catholic Church, the depiction of the two sides in terms of class, race and ethnicity, humanitarian appeals, and the plight of the Basques. The book is fluently written, and should make fascinating and entertaining reading for scholars of British society and culture in the twentieth century, as well as those investigating international impact of the Spanish Civil War. ;

      • Trusted Partner
      • Trusted Partner
      • Trusted Partner
      • Trusted Partner
      • Trusted Partner
        Film theory & criticism
        February 2014

        The Encyclopedia of British Film

        Fourth edition

        by Edited by Brian McFarlane

        With well over 6,300 articles, including over 500 new entries, this fourth edition of The Encyclopedia of British Film is a fully updated invaluable reference guide to the British film industry. It is the most authoritative volume yet, stretching from the inception of the industry to the present day, with detailed listings of the producers, directors, actors and studios behind a century or so of great British cinema. Brian McFarlane's meticulously researched guide is the definitive companion for anyone interested in the world of film. Previous editions have sold many thousands of copies and this fourth edition will be an essential work of reference for enthusiasts interested in the history of British cinema, and for universities and libraries.

      • Trusted Partner
        Humanities & Social Sciences
        February 2013

        Comedy, caricature and the social order, 1820–50

        by Brian Maidment

        Offering an overview of the marketplace for comic images between 1820 and 1850, this book makes a case for the interest and importance of a largely neglected area of visual culture. It considers the impact on the development of print culture of the emergent, but soon widespread, use of lithography and wood engraving, both capable of integrating texts and images cheaply and imaginatively on the printed page. Drawing on a wide range of commercially produced print genres, including song books, play-texts, comic annuals and magazines as well as single plate and series of caricatures, this book traces the ways in which Regency and early Victorian visual humour both sustains some of the characteristics of an earlier caricature tradition while also beginning to develop new ways of analyzing and coping with social change through comic forms and genres. ;

      • Trusted Partner
        Humanities & Social Sciences
        March 2017

        Britain in China

        by Robert Bickers

        This is a study of Britain's presence in China both at its peak, and during its inter-war dissolution in the face of assertive Chinese nationalism and declining British diplomatic support. Using archival materials from China and records in Britain and the United States, the author paints a portrait of the traders, missionaries, businessmen, diplomats and settlers who constituted "Britain-in-China", challenging our understanding of British imperialism there. Bickers argues that the British presence in China was dominated by urban settlers whose primary allegiance lay not with any grand imperial design, but with their own communities and precarious livelihoods. This brought them into conflict not only with the Chinese population, but with the British imperial government. The book also analyzes the formation and maintenance of settler identities, and then investigates how the British state and its allies brought an end to the reign of freelance, settler imperialism on the China coast. At the same time, other British sectors, missionary and business, renegotiated their own relationship with their Chinese markets and the Chinese state and distanced themselves from the settler British.

      • Trusted Partner
        May 1989

        Spectaculum 48

        Sechs moderne Theaterstücke

        by Inge Greiffenhagen

        Sechs moderne Theaterstücke Brian Friel Väter und Christopher HamptonGefährliche Liebschaften Bodo Kirchhoff Die verdammte Marie Felix Mitterer Stigma Marco Antonio de la Parra Solo für Carlos und Sigmund Bernard-Marie Koltès In der Einsamkeit der Baumwollfelder Beiträge von Michael Fröhling, Ernst Grohotolsky, Peter Iden, Walter Methlagl, Marco Antonio de la Parra und Michael Raab Brian Friel: Vater und Söhne „Väter“, das ist die Generation liberaler Aristokraten des 19. Jahrhunderts, die das Elend der Leibeigenen sehen, aber zu radikalen Konsequenzen außerstande sind. Ihre „Söhne“, rebellische Studenten, die sich selbst Nihilisten nennen, stellen dagegen alles in Frage: „Die Welt muss neu geschaffen werden.“Brian Friel, der bedeutendste irische Dramatiker der Gegenwart, hat den Roman von I. Turgenjew zu einem Gesellschaftsstück umgearbeitet, das zeigt, wie über alle Zeiten der Generationskonflikt aktuell geblieben ist. Christopher Hampton: Gefährliche Liebschaften Den berühmten Briefroman von Choderlos de Laclos, der ein grelles Sittenbild der mondänen Gesellschaft des Ancien régime gezeichnet hat, ist von Christopher Hampton in ein brillantes Konversationsstück verwandelt worden. Von New York bis London, an der Royal Shakespear Company, wurde das Stück mit überwältigendem Erfolg gespielt und mit den begehrtesten Theaterpreisen ausgezeichnet. Bodo Kirchhoff: Die verdammte Marie Ein wenig erfolgreicher Dramatiker hat auf einem Empfang die Adresse einer Geldverleiherin aufgeschnappt. Dort wird er unfreiwilliger Zeuge einer Verhandlung; es geht um harte Politik, um ein Geschäft. Mit geliehenem Geld will die Stadt ein Bordellhochhaus bauen. Der junge Dramatiker, so scheint es, ist einer Skandalstory auf der Spur. Bernard-Marie Koltès: In der Einsamkeit der Baumwollfelder Dealer und Opfer, sie existieren gleichsam die Regeln des Warenverkehrs. Wer zuerst sagt, was er will, hat verloren. Die Waffen der beiden Männer sind Wörter, es entsteht ein kunstvoll verknotetes Sprachgeflecht voller Anspielungen und Doppelbödigkeiten. Felix Mitterer: Stigma Eine Passion nennt Mitterer die 17 Stationen seines Stückes. Die Bauernmagd Moi leidet aus verzweifelter Liebe zu Jesus dessen Passion nach. Die Dorfbewohner verehren sie als Heilige, sie kämpft bis zu ihrem Tod gegen die menschenverachtende und engstirnige Einstellung der klerikalen Gemeinde. Marco Antonio de la Parra: Solo für Carlos und Sigmund Carlos und Sigmund sind zwei Exhibitionisten wie aus dem Bilderbuch, die einander das streitig machen, das vornehmste Mädchengymnasium Santiagos. So scheint es jedenfalls. Aber ist Carlos wirklich ein Exhibitionist, oder ist er ein Spitzel, der Sigmund aushorchen soll und für wen? Und warum können beide die Namen der Minister, die gerade das Gymnasium besuchen, auswendig hersagen? Oder sind sie nur einfach ganz normale Verrückte?

      • Trusted Partner
        Literature & Literary Studies
        July 2024

        Reanimating grief

        Waking the dead in literature, theatre and performance

        by William McEvoy

        Reanimating grief is a wide-ranging study of the poetics of bereavement in theatre, literature and song. It examines the way cultural works reanimate the dead in the form of ghosts, memories or scenes of mourning, and uses critical and creative writing to express grief's subjectivity and uniqueness. It cover classic texts from Greek tragedy and Shakespeare to works by Anton Chekhov, Samuel Beckett, Enda Walsh, Sally Rooney and Maggie O'Farrell. The book argues that the return of the dead in theatre and fiction is an act of memorial and an expression of love that illustrates the relationship between art, enchantment and impossibility.

      • Trusted Partner
        Humanities & Social Sciences
        November 2023

        Understanding baby loss

        by Kate Reed, Julie Ellis, Elspeth Whitby

      • Trusted Partner
        April 2013

        Stresserleben, Emotionen und Coping in Guangzhou, China

        Mensch-Umwelt-Transaktionen aus geographischer und psychologischer Perspektive

        by Bercht, Anna Lena

      • Trusted Partner
      • Trusted Partner
      • Trusted Partner
        June 2017

        Brand New Ancients / Brandneue Klassiker

        Lyrik

        by Johanna Wange, Kae Tempest

        Die antiken Götter von heute leben im Südosten Londons. Sie heißen Kevin und Jane, Mary und Brian, Thomas und Clive – zwei Familien in benachbarten Häusern, Eheleute, die einander betrügen, Halbbrüder, die nichts voneinander wissen. Ihre Nöte, Hoffnungen und Enttäuschungen bringt Kae Tempest in dem preisgekrönten Langgedicht Brand New Ancients / Brandneue Klassiker zu Gehör. In den kleinen, prekären Leben findet Tempest die Kraft der alten Mythen wieder. Dem Zynismus und der Gleichgültigkeit der kapitalistischen Gesellschaft setzt Tempest Humanismus und Einfühlungsvermögen entgegen und die Wucht der literarischen Sprache.

      Subscribe to our

      newsletter