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      • Sharjah Documentation and Archives Authority

        Sharjah Documentation and Archives Authority, earlier Sharjah Centre for Documentation and Research, was established by resolution no. (4) of 2010, issued by His Highness Sheikh Dr. Sultan Bin Muhammad AL Qassimi, member of the Supreme Council, the Ruler of Sharjah. In 2016, H.H. Ruler of Sharjah issued resolution no. (4) of 2016, on the establishment of Sharjah Documentation and Archives Authority. The objectives were set to collecting and preserving documents related to the emirate, as well as the development of the documentation and archive system. Furthermore, the Authority shall oversee the management of current documents and mediate documents with concerned parties. The Authority represents the local body concerned with all matters of documents and archiving and it abides by the best international standards for preserving and maintaining documents. The Authority works to strengthen cultural and historical awareness and encourage scientific researches and intellectual creativity.

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      • Island Press

        Island Press began with a simple idea:knowledge is power—the power to imagine a better future and find ways for getting us there. Founded in 1984, Island Press’ mission is to provide the best ideas and information to those seeking to understand and protect the environment and create solutions to its complex problems. We elevate voices of change, shine a spotlight on crucial issues, and focus attention on sustainable solutions. Our network of authors includes E.O. Wilson, Paul Ehrlich, Sylvia Earle, Gretchen Daily, Jan Gehl, Daniel Pauly, and many others. By working closely with experts like these, Island Press has developed a comprehensive and growing body of knowledge—vital resources for all those working to protect the environment and create healthy communities.

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      • Trusted Partner
        The Arts
        June 2017

        Gothic television

        by Helen Wheatley

        Gothic television is the first full length study of the Gothic released on British and US television. An historical account, the book combines detailed archival research with analyses of key programmes, from Mystery and Imagination and Dark Shadows, to The Woman in White and Twin Peaks, and uncovers an aspect of television drama history which has, until now, remained critically unexplored. While some have seen television as too literal or homely a medium to successfully present Gothic fictions, Gothic television argues that the genre, in its many guises, is, and has always been, well-suited to television as a domestic medium, given the genre's obsessions with haunted houses and troubled families. This book will be of interest to lecturers and students across a number of disciplines including television studies, Gothic studies, and adaptation studies, as well as to the general reader with an interest in the Gothic, and in the history of television drama.

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        Literature & Literary Studies
        July 2022

        Nordic Gothic

        by Maria Holmgren Troy, Johan Hõglund, Yvonne Leffler, Sofia Wijkmark

        Nordic Gothic traces Gothic fiction in the Nordic region from its beginnings in the nineteenth century, with a main focus on the development of Gothic from the 1990s onwards in literature, film, TV and new media. The volume gives an overview of Nordic Gothic fiction in relation to transnational developments and provides a number of case studies and in-depth analyses of individual narratives. It creates an understanding of this under-researched cultural phenomenon by showing how the narratives make visible cultural anxieties haunting the Nordic countries, their welfare systems, identities and ideologies. Nordic Gothic examines how figures from Nordic folklore function as metaphorical expressions of Gothic themes and Nordic settings are explored from perspectives such as ecocriticism and postcolonialism. The book will be of interest to researchers and post- and- undergraduate students in various fields within the Humanities.

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        Humanities & Social Sciences
        February 2008

        Ireland's Magdalen laundries and the nation's architecture of containment

        by James M. Smith

        Ireland's Magdalen Laundries and the Nation's Architecture of Containment connects Ireland's Magdalen laundries and the nation-state's nativist politics in the post-independence era, while critically evaluating cultural representations of the Magdalen laundries that have, over the past fifteen years, recovered these institutions from the amnesia at the center of state politics. The book interrogates available archival resources, including government reports, legislative debates, and court cases, to assert that the state was always an active agent in the operation and function of the nation's Magdalen homes. The second half of the book considers a wide range of creative works that help imagine and give narrative form to the Magdalen experience: commercial, independent documentaries, photography and literary representations. Ultimately, the book contends that Ireland's Magdalen institutions chiefly exist in the public mind at the level of story (cultural representation and survivor testimony) rather than history (archival history and documentation). This fascinating study will be invaluable to those interested in Irish History, Gender History and Social History. ;

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        Literature & Literary Studies
        April 2024

        Graveyard Gothic

        by Eric Parisot, David McAllister, Xavier Aldana Reyes

        Graveyard Gothic is the first sustained consideration of the graveyard as a key Gothic locale. This volume examines various iterations of the Gothic graveyard (and other burial sites) from the eighteenth century to the twenty-first, as expressed in numerous forms of culture and media including poetry, fiction, TV, film and video games. The volume also extends its geographic scope beyond British traditions to accommodate multiple cultural perspectives, including those from the US, Mexico, Japan, Australia, India and Eastern Europe. The seventeen chapters from key international Gothic scholars engage a range of theoretical frameworks, including the historical, material, colonial, political and religious. With a critical introduction offering a platform for further scholarship and a coda mapping potential future critical and cultural developments, Graveyard Gothic is a landmark volume defining a new area of Gothic studies.

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        Literature & Literary Studies
        January 2024

        Gothic dreams and nightmares

        by Carol Davison

        Gothic dreams and nightmares is an edited collection on the compelling yet under-theorised subject of Gothic dreams and nightmares ranging across more than two centuries of literature, the visual arts, and twentieth- and twenty-first century visual media. Written by an international group of experts, including leading and lesser-known scholars, it considers its subject in various national, cultural, and socio-historical contexts, engaging with questions of philosophy, morality, rationality, consciousness, and creativity.

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        Literature & Literary Studies
        May 2023

        Suicide and the Gothic

        by William Hughes, Andrew Smith

        Suicide and the Gothic is the first protracted study of how the act of self-destruction recurs and functions within one of the most enduring and popular forms of fiction. Comprising eleven original essays and an authoritative introduction, this collection explores how the act of suicide has been portrayed, interrogated and pathologised from the eighteenth century to the present. The featured fictions embrace both canonical and the less-studied texts and examine the crisis of suicide - a crisis that has personal, familial, religious, legal and medical implications - in European, American and Asian contexts. Featuring detailed interventions into the understanding of texts as temporally distant as Thomas Percy's Reliques and Patricia Highsmith's crime fictions, and movements as diverse as Wertherism, Romanticism and fin-de-siècle decadence, Suicide and the Gothic provides a comprehensive and compelling overview of this recurrent crisis in fiction and culture.

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        Literature & Literary Studies
        September 2021

        Mid-century gothic

        by Lisa Mullen

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        Business, Economics & Law
        January 2024

        Capitalism in contemporary Iran

        Capital accumulation, state formation and geopolitics

        by Kayhan Valadbaygi

        By situating Iran within the neoliberal global capitalism and resulting geopolitics, this book traces the patterns of capital accumulation and transformations in class and state formation emanating from it. It shows that Iranian neoliberalisation has brought about two capital fractions, namely the internationally-oriented capital fraction and the military-bonyad complex. It substantiates that the co-existence of these competing class fractions with different accumulation strategies has generated hybrid neoliberalism. The book further demonstrates how this new class formation has reorganised the function and operation of state institutions and transformed state ideology. By documenting the ways in which Iranian neoliberalisation has reshaped the subaltern classes and formed Iran's volatile foreign policy, it also provides a novel account of major events and processes in contemporary Iran, such as the post-2017 wave of uprisings, the nuclear programme and international sanctions.

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        Humanities & Social Sciences
        June 2017

        Stained glass and the Victorian Gothic revival

        by Christopher Breward, Jim Cheshire, Bill Sherman

        Stained glass reached the height of its popularity in the Victorian period. But how did it become so popular and who was involved in this remarkable revival? The enthusiasm for these often exquisite pieces of artwork spread from specialist groups of antiquarians and architects to a much wider section of the Victorian public. By looking at stained glass from the perspective of both glass-painter and patron, and by considering how stained glass was priced, bought and sold, this enlightening study traces the emergence of the market for stained glass in Victorian England. Thus it contains new insights into the Gothic Revival and the relationship between architecture and the decorative arts. Beautifully illustrated with colour plates and black and white illustrations, this book will be valuable to those interested in stained glass and the wider world of Victorian art.

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        The Arts
        June 2021

        Algerian national cinema

        by Guy Austin

        This topical and innovative study is the first book on Algerian cinema to be published in English since the 1970s. At a time when North African and Islamic cultures are of increasing political significance, Algerian National Cinema presents a dynamic, detailed and up to date analysis of how film has represented this often misunderstood nation. Algerian National Cinema explores key films from The Battle of Algiers (1966) to Mascarades (2007). Introductions to Algerian history and to the national film industry are followed by chapters on the essential genres and themes of filmmaking in Algeria, including films of anti-colonial struggle, representations of gender, Berber cinema, and filming the 'black decade' of the 1990s. This thoughtful and timely book will appeal to all interested in world cinemas, in North African and Islamic cultures, and in the role of cinema as a vehicle for the expression of contested identities. By the author of the critically-acclaimed Contemporary French Cinema.

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        The Arts
        January 2019

        Algerian national cinema

        by Guy Austin

        This topical and innovative study is the first book on Algerian cinema to be published in English since the 1970s. At a time when North African and Islamic cultures are of increasing political significance, Algerian National Cinema presents a dynamic, detailed and up to date analysis of how film has represented this often misunderstood nation. Algerian National Cinema explores key films from The Battle of Algiers (1966) to Mascarades (2007). Introductions to Algerian history and to the national film industry are followed by chapters on the essential genres and themes of filmmaking in Algeria, including films of anti-colonial struggle, representations of gender, Berber cinema, and filming the 'black decade' of the 1990s. This thoughtful and timely book will appeal to all interested in world cinemas, in North African and Islamic cultures, and in the role of cinema as a vehicle for the expression of contested identities. By the author of the critically-acclaimed Contemporary French Cinema.

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        Humanities & Social Sciences
        March 2017

        Cultural identities and the aesthetics of Britishness

        by Dana Arnold

        Considers how notions of Britishness were constructed and promoted through architecture, landscape, painting, sculpture and literature. Maps important moments in the self-conscious evolution of the idea of 'nation' against a broad cultural historical framework. An important addition to the field of postcolonial studies as it looks at how British identity creation affected those living in England - most study in this area has thus far focused on the effect of such identity creation upon the colonial subject. Broad appeal due to wide subject matter covered. Examines just how 'constructed' a national identity is - past and present.

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        Literature & Literary Studies
        June 2017

        Gothic Documents

        by E. Clery, Robert Miles

      • Trusted Partner
        The Arts
        June 2023

        Russian Orientalism in a global context

        Hybridity, encounter, and representation, 1740–1940

        by Maria Taroutina, Allison Leigh

        This volume features new research on Russia's historic relationship with Asia and the ways it was mediated and represented in the fine, decorative and performing arts and architecture from the mid-eighteenth century to the first two decades of Soviet rule. It interrogates how Russia's perception of its position on the periphery of the west and its simultaneous self-consciousness as a colonial power shaped its artistic, cultural and national identity as a heterogenous, multi-ethnic empire. It also explores the extent to which cultural practitioners participated in the discursive matrices that advanced Russia's colonial machinery on the one hand and critiqued and challenged it on the other, especially in territories that were themselves on the fault lines between the east and the west.

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        Literature: history & criticism
        February 2017

        The Gothic and death

        by Series edited by Elisabeth Bronfen. Edited by Carol Davison

        The Gothic and death offers the first ever published study devoted to the subject of the Gothic and death across the centuries. It investigates how the multifarious strands of the Gothic and the concepts of death, dying, mourning and memorialisation ('the Death Question') - have intersected and been configured cross-culturally to diverse ends from the mid-eighteenth century to the present day. Drawing on recent scholarship in such fields as Gothic Studies, film theory, Women's and Gender Studies and Thanatology Studies, this interdisciplinary collection of fifteen essays by international scholars combines an attention to socio-historical and cultural contexts with a rigorous close reading of works, both classic and lesser known. This area of enquiry is considered by way of such popular and uncanny figures as corpses, ghosts, zombies and vampires, and across various cultural and literary forms such as Graveyard Poetry, Romantic poetry, Victorian literature, nineteenth-century Italian and Russian literature, Anglo-American film and television, contemporary Young Adult fiction and Bollywood film noir.

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