Sheikh Zayed Book Award
The SZBA is presented to writers, intellectuals and publishers whose writings and translations of humanities have enriched Arab cultural, literary and social life.
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Shepherd Press (Click for full list of titles)
Shepherd Press is a publishing company committed to providing God's people with solid biblical books and materials.
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Humanities & Social SciencesMarch 2023Socialist republic
Remaking the British left in 1980s Sheffield
by Daisy Payling
Socialist republic is a timely account of 1980s left-wing politics in South Yorkshire. It explores how Sheffield City Council set out to renew the British Left. Through careful analysis of the Council's agenda and how it interacted with trade unions, women's groups, lesbian and gay rights groups and acted on issues such as peace, environmentalism, anti-apartheid and anti-racism, the book draws out the complexities involved in building a broad-based politics which aimed unite class and identity politics. Running counter to 1980s narratives dominated by Thatcherism, the book examines the persistence of social democracy locally, demonstrating how grassroots local histories can enrich our understanding of political developments on a national and international level. The book is essential reading for students, scholars, and activists with an interest in left-wing politics and history.
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History of Art / Art & Design StylesFebruary 2017After 1851
The material and visual cultures of the Crystal Palace at Sydenham
by Edited by Kate Nichols, Sarah Victoria Turner
Echoing Joseph Paxton's question at the close of the Great Exhibition, 'What is to become of the Crystal Palace?', this interdisciplinary essay collection argues that there is considerable potential in studying this unique architectural and art-historical document after 1851, when it was rebuilt in the South London suburb of Sydenham. It brings together research on objects, materials and subjects as diverse as those represented under the glass roof of the Sydenham Palace itself; from the Venus de Milo to Sheffield steel, souvenir 'peep eggs' to war memorials, portrait busts to imperial pageants, tropical plants to cartoons made by artists on the spot, copies of paintings from ancient caves in India to 1950s film. Essays do not simply catalogue and collect this eclectic congregation, but provide new ways for assessing the significance of the Sydenham Crystal Palace for both nineteenth- and twentieth-century studies. The volume will be of particular interest to researchers and students of British cultural history, museum studies, and art history.
