Shepherd Press (Click for full list of titles)
Shepherd Press is a publishing company committed to providing God's people with solid biblical books and materials.
View Rights PortalShepherd Press is a publishing company committed to providing God's people with solid biblical books and materials.
View Rights PortalOur purpose is “to make Christian literature available to all nations, so that people may come to faith and maturity in the Lord Jesus Christ.”
View Rights Portal“There is no Planet B!” More and more young people are worried about the future of Planet Earth. Climate change is heating not only the planet but also people’s emotions. But what exactly is climate? And why are the changes threatening the lives of both polar bears and us humans. In simple language but with solid science, the authors explain the most important aspects of climate, from the greenhouse effect to the Gulf Stream. Current developments are described as well, and the scientific background is supplemented by gripping reports. The book also offers a glimpse of the future: what will happen if we go on in the same way as now? How can climate change be halted? This makes for riveting reading – and not just for young activists.
How much CO₂ is emitted by one serving of spaghetti bolognese? About 1.5 kilograms! This example shows what the meat industry and food logistics mean for the eco-balance of our food. But is it enough to switch to meat-free and dairy-free alternatives or local specialities? Dr. Malte Rubach takes a closer look and reviews our food regime and its impact on our climate. We live in a society influenced by technology and the rising consumption of resources. Rubach argues for a sensible attitude to food and shows what we can still eat with a clear conscience.
"Rescue” has two fundamentally different “existential” dimensions. One is aimed at “saving” individual lives that are in danger. Firefighters, for instance, rescue people from fires, while the sea rescue services rescue shipwrecked people from the Mediterranean. The second dimension of “rescue”, on the other hand, concerns systems – think of the bailing out of banks, the euro or the climate disaster – and so points to a larger context that creates the conditions for “life” to even be possible, or at least to be preserved. The complex subject of this stringent essay is just to what extent politics enable or prevent “rescue attempts”, to what extent it understands its actions as “rescue actions”, and how decisively the “narrative”, i.e. the “talk of rescue”, ultimately dominates our entire understanding of politics.
How can humor be used to engage with and help people suffering from mental illness? This practical handbook explains the concept of humor in psychiatric treatment and sets out the case for employing it. The author outlines how nurses can assess who might benefit from the use of humor and for whom it would be out of place, and provides a toolkit of humorous interventions for daily nursing practice. Target Group: Practicing nurses, psychiatric nurses, care clowns
Mit dem Aufkommen der Biotechnologien ist die Natur des Menschen scheinbar verfügbar und manipulierbar geworden und die Frage nach dem Verhältnis von biologischem Leben und menschlicher Lebensform rückt zunehmend ins Zentrum der Aufmerksamkeit. Bios, das spezifische Leben einzelner Wesen, und Zoë, die einfache Tatsache des Lebens, scheinen immer stärker auseinanderzutreten. Der interdisziplinäre Sammelband stellt den Überlegungen bekannter europäischer Autoren die Positionen namhafter Vertreter der angelsächsischen Science Technology Studies gegenüber und bietet so einen aufschlußreichen Überblick über die aktuelle Auseinandersetzung der Geistes- und Sozialwissenschaften mit dem Phänomen der Lebenswissenschaften und ihren biotechnologischen Anwendungen. Mit Beiträgen u. a. von Dieter Birnbacher, Bruno Latour, Gianni Vattimo, Hans-Jörg Rheinberger, Karin Knorr Cetina, Nikolas Rose, Paul Rabinow und Charis Thompson.
Is gender implicated in how art does its work in the world created by global capital? Is a global imperative exclusive to capital's planetary expansion or also witnessed in oppositional practices in art and curating? And what is new in the gendered paradigms of art after the fall of the Berlin Wall? Angela Dimitrakaki addresses these questions in an insightful and highly original analysis of travel as artistic labour, the sexualisation of migration as a relationship between Eastern and Western Europe, the rise of female collectives, masculinity and globalisation's 'bad boys', the emergence of a gendered economic subject that has dethroned postmodernism, and the need for a renewed materialist feminism. This is a theoretically astute overview of developments in art and its contexts since the 1990s and the first study to attempt a critical refocusing of feminist politics in art history in the wake of globalisation. It will be essential reading in art history, gender, feminist and globalisation studies, curatorial theory, cultural studies and beyond. ;
‘We will not stop demonstrating,’ writes Franziska Wessel in a guest column in the Berliner Zeitung. Franziska is pursuing a goal. Decisive measures must finally be taken to protect the climate. While that is not happening she spends every Friday on the streets, gives interviews and puts pressure on politicians. But climate change isn’t the only thing threatening our future. There is so much suffering, injustice and destruction in the world. Something must be done about it. And as a climate activist, Franziska knows exactly how to be active. Together with her father, the journalist and author, Günther Wessel, she explains: How do I start a petition? How do I organise a campaign? How does lobbying work? So that everyone knows how they can make things happen.
Despite its popularity when it first appeared in print in 1600, Every Man out of His Humour has never appeared as a single modern critical edition until now. The volume's introduction and annotations convey early modern obsessions with wealth and self-display by providing historical contexts and pointing out the continuity of those obsessions into modern life. The play is of interest because of its influence on the course of city comedy and its wealth of information about social relationships and colloquial language at the end of Elizabeth's reign. Jonson's experiments in generating theatrical meaning continued throughout his career, but Every Man out of His Humour - with its youthful vigour and extraordinary visualizations of the urban capacity for self-deceit - is a text that enriches the understanding of all the plays that come after it. ;
»Das Vorhaben von Die Sprache der Mode entstand unmittelbar im Anschluß an das Nachwort der Mythen des Alltags, in dem ich die Möglichkeit einer immanenten Analyse anderer Zeichensysteme als der Sprache entdeckt habe - oder zu entdecken geglaubt hatte. Ich hatte von diesem Augenblick an den Wunsch, eines dieser Systeme, eine von allen gesprochene und zugleich allen unbekannte Sprache, Schritt für Schritt zu rekonstruieren. So habe ich die Kleidung gewählt.« Roland Barthes
Sooner or later everything is thrown away. In the consumer society, however, usable and serviceable products that may be as good as new are also thrown away. Such behaviour is the result of a long-term process that has developed over a period of one-and-a-half centuries. The change was led by the USA, and the Federal Republic of Germany followed. It started at the turn of the last century with personal hygiene: articles such as toilet paper, sanitary towels, nappies and paper handkerchiefs. After the Second World War, a large number of other disposable articles were soon added, such as paper cups and plastic dishes, nylon stockings and pens, razor blades, beverage cans and much more besides. Wolfgang König shows how business and consumers have together made throwing things away perfectly normal – and discusses how the throwaway society may be overcome.
Where do we go when Nowhere is the only destination left? Kerrybrook is Jana‘s favourite virtual escape. An idyllic fishing village with beautiful nature and, every now and then, a breeze of fresh air from the nearby sea. Jana, is this world‘s designer and person in power, she’s satisfied with her masterpiece. Best job so far. Until one day, a dead body is found, in both, ’Virtual Reality‘ and the real world. In times of climate change, VR is the only safe place for humankind. That‘s why Jana needs to solve the crime, she’s responsible for stopping the destruction. • CliFi Thriller (Climate Fiction): Climate change & virtual reality • For fans of Black Mirror (Netflix) • All age readers • Strong, female protagonist • Highly relevant topic WHITE RAVENS recommendation (2021): "In the not too distant future, the world is an inhospitable place: droughts, storms, floods. That’s why world designers construct »alternative realities«, such as landscapes populated by dinosaurs, life at court in the Middle Ages, and surfing and chilling out on a beach. People can switch between these worlds at will and, when they die there, they are not truly dead; instead, they merely return to the »real world« – same as at night when they sleep. Then they are reunited with their body, which is lying inside a capsule. In »Cryptos«, Ursula Poznanski pulls out all the stops of storytelling: She embeds numerous references to human and intellectual history in an action-packed and extremely suspenseful thriller plot. In the process, she raises central existential and ontological questions that result from the interplay between the real and the virtual worlds. This complex dystopian novel is narrated in such an enjoyable way that readers will hardly notice their brains going into overdrive as they devour it."