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      • Veronika Engler

        Best-selling author Veronika Engler was born in 1982 in the beautiful state capital of Munich. Even today she lives and works there with her husband and their son. As the daughter of an Oscar winner in film technology, she came into contact with the world of stories and entertainment at an early age. One day, her love of reading gave her the idea of ​​writing a novel according to her wishes. This is how her first love story came about in 2014, which was published that same year. Today she inspires a wide readership in all age groups 18+ with her romance novels from the genres of erotic, new adult and romantasy.

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      • Smart English Company Limited

        Smart English Company Limited is committed to developing a line of fun and educational products, which currently includes Inspirational English and Robin Education, to help young learners acquire the four skills in the English language. With 'Baby Animals', 'Dinosaurs in my Garden', and 'Mirabelle and Milo', Robin Education aims to develop young learners’ ability to use authentic English language in line with the Cambridge English Qualifications syllabus, as they explore the fascinating stories in each series.

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        August 1974

        Leichenreden und Leichenpredigten Tübinger Professoren (1550-1750)

        Untersuchungen zur biographischen Geschichtsschreibung in der frühen Neuzeit

        by Schmidt-Grave, Horst

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        Literature & Literary Studies
        May 2022

        The wood engravers' self portrait

        by Bethan Stevens

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        The Arts
        September 2016

        Marcantonio Raimondi, Raphael and the image multiplied

        by Edward H. Wouk, Leslie A. Geddes, Jun Nakamura, Lisa Pon, David Morris, Edward H. Wouk, Henri Zerner, Tatiana Bissolati, Guido Rebecchini, Kathleen Christian, Paul Joannides, Bryony Bartlett-Rawlings, Beverly Louise Brown, Patricia Emison, Catherine Jenkins, Madeleine Viljoen, Sarah Vowles, Jamie Gabbarelli, Peter Black, Barbara Furlotti, Steven Milner, Jenny Spinks, Rheagan E. Martin, Sophie Gordon Cumming, Imogen Harley, Jemima Rose, Heather Garner, Max Weaver, Albert Lindsell, Peter Hayes, Monique Nievas, Holly Smallbone, James Wildgoose

        Best known for his partnership with Raphael, the engraver Marcantonio Raimondi (c. 1480-c. 1534) enabled Renaissance artists to disseminate their designs in print, advancing a revolution in visual communication that still reverberates in our own information age. Yet Marcantonio did more than render compositions by famous artists in the novel medium of engraving. The entries and essays in this catalogue, written by a group of international scholars and published to accompany the first exhibition of Marcantonio's work in over three decades, reveal the diversity of Marcantonio's oeuvre and the scope of his innovation as the leading printmaker of the Italian Renaissance. In-depth studies of Marcantonio's engravings expand our knowledge of his collaboration with Raphael, while also probing Marcantonio's creative response to the dynamic humanist culture in his native Bologna and later in Venice and Rome. Contributions also examine engravings by Marcantonio's 'followers' and consider the importance of his work to the history of print collecting.

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        Literature & Literary Studies
        June 2024

        Marie Duval

        Maverick Victorian Cartoonist

        by Simon Grennan, Roger Sabin, Julian Waite

        Marie Duval: maverick Victorian cartoonist offers the first critical appraisal of the work of Marie Duval (Isabelle Émilie de Tessier, 1847-1890), one of the most unusual, pioneering and visionary cartoonists of the later nineteenth century. It discusses key themes and practices of Duval's vision and production, relative to the wider historic social, cultural and economic environments in which her work was made, distributed and read, identifing Duval as an exemplary radical practitioner. The book interrogates the relationships between the practices and the forms of print, story-telling, drawing and stage performance. It focuses on the creation of new types of cultural work by women and highlights the style of Duval's drawings relative to both the visual conventions of theatre production and the significance of the visualisation of amateurism and vulgarity. Marie Duval: maverick Victorian cartoonist establishes Duval as a unique but exemplary figure in a transformational period of the nineteenth century.

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        Humanities & Social Sciences
        February 2013

        Comedy, caricature and the social order, 1820–50

        by Brian Maidment

        Offering an overview of the marketplace for comic images between 1820 and 1850, this book makes a case for the interest and importance of a largely neglected area of visual culture. It considers the impact on the development of print culture of the emergent, but soon widespread, use of lithography and wood engraving, both capable of integrating texts and images cheaply and imaginatively on the printed page. Drawing on a wide range of commercially produced print genres, including song books, play-texts, comic annuals and magazines as well as single plate and series of caricatures, this book traces the ways in which Regency and early Victorian visual humour both sustains some of the characteristics of an earlier caricature tradition while also beginning to develop new ways of analyzing and coping with social change through comic forms and genres. ;

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        December 2019

        Grave - Verse der Toten

        Ein neuer Fall für Special Agent Pendergast

        by Preston, Douglas; Child, Lincoln / Übersetzt von Benthack, Michael

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        Grave - Verse der Toten

        Ein neuer Fall für Special Agent Pendergast

        by Preston, Douglas Child, Lincoln

        Aus dem amerikanischen Englisch von Michael Benthack

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        Humanities & Social Sciences
        March 2023

        Golden Mummies of Egypt

        Interpreting identities from the Graeco-Roman period

        by Campbell Price, Julia Thorne

        Golden Mummies of Egypt presents new insights and a rich perspective on beliefs about the afterlife during an era when Egypt was part of the Greek and Roman worlds (c. 300 BCE-200 CE). This beautifully illustrated book, featuring photography by Julia Thorne, accompanies Manchester Museum's first-ever international touring exhibition. Golden Mummies of Egypt is a visually spectacular exhibition that offers visitors unparalleled access to the museum's outstanding collection of Egyptian and Sudanese objects - one of the largest in the UK.

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        Humanities & Social Sciences
        March 2022

        'Adolf Island'

        by Caroline Sturdy Colls, Kevin Colls

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        Biography & True Stories
        February 2025

        Unburied

        The true story of Hannah Beswick, the Manchester Mummy

        by Hannah Priest

        The macabre tale of an eighteenth-century woman immortalised in folklore as the 'Manchester Mummy'. In 1835, the Manchester Natural History Society opened the doors of its museum. Taking pride of place in its collection were three mummies: one was Egyptian, one was Peruvian and one was a woman from Cheetham Hill. This is the first time the true story of Hannah Beswick, the so-called 'Manchester Mummy', has been told. Over the years, explanations for the Manchester Mummy have ranged from the chilling - Hannah's fear of being buried alive - to the downright bizarre - the legend of her buried gold - but the truth is more complex. Exploring this fascinating episode from museum history, Unburied sheds light on the Victorian turn to the macabre and changing attitudes to the display of human remains. It debunks the legends and asks what Hannah Beswick can tell us about death and dying, mummies and museums.

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        Literature & Literary Studies
        April 1997

        Tis Pity She's a Whore

        John Ford

        by Derek Roper

        John Ford's tragedy, first printed in 1633, is the first major English play to take as its theme a subject still rarely handled: fulfilled incest between brother and sister. It is one of the most studied and performed of all plays of the period, and has been successfully adapted for film and radio. The Revels plays edition by Derek Roper has been the standard scholarly edition since it appeared in 1975. This new edition uses the same authoritative text, but with notes designed for modern undergraduate use. The substantial introduction has been completely rewritten to take account of the studies and new approaches of the last twenty years. It presents the play as an 'interrogative text', in which subversive meanings are inscribed within an apparently orthodox narrative; as a courageous treatment of forbidden love; and as an achieved work of Baroque art. ;

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        Humanities & Social Sciences
        January 2025

        England’s military heartland

        Preparing for war on Salisbury Plain

        by Vron Ware, Antonia Dawes, Mitra Pariyar, Alice Cree

        A considered investigation of a long-standing army base's impact on the British countryside. What is it like to live next door to a British Army base? Beyond the barracks provides an eye-opening account of the sprawling military presence on Salisbury Plain, drawing on a wide range of voices from both sides of the divide. Targeted for expansion under government plans to reorganise the UK's global defence estate, the Salisbury 'super garrison' offers a unique opportunity to explore the impact of the military footprint in a particular place. But this is no ordinary environment: as well as being the world-famous site of Stonehenge, the grasslands of Salisbury Plain are home to rare plants and wildlife. How does the army take responsibility for conserving this unique landscape as it trains young men and women to use lethal weapons? Are its claims that its presence is a positive for the environment anything more than propaganda? Beyond the barracks investigates these questions against the backdrop of a historic landscape inscribed with the legacy of perpetual war.

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        Humanities & Social Sciences
        August 2002

        Sodomy in early modern Europe

        by Joseph Bergin, Tom Betteridge, Penny Roberts, Bill Naphy

        This fascinating collection of essays reflects closely the main areas of debate within gay historiography. For the last twenty years scholars have argued over the nature of early modern sodomy, responding in a number of different and contradictory ways. Questions addressed in the book include: was early modern sodomy the same as modern homosexuality? Were there homosexuals in early modern Europe? Did men who had sex with each other in this period regard their behaviour as determining their identity? What was the relationship between the grave sin of sodomy and the homoerotic images that fill Renaissance culture?. The volume includes essays on sodomy in English Protestant history writing, in Calvin's Geneva, in early modern Venice and the trial of sodomy in Germany. ;

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