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      • The Parisian Agency

        Founded in 2010, the Parisian agency is a literary agency based in Paris. We represent a selected group of international writers of literary fiction such as multi-awarded Icelandic author Gudrun Eva Minervudottir and Hungarian novelist Arpad Kun, winner of the prestigious Aegon Award. We also represent the stunning illustrated books of the British and the Bodleian Library (UK) abroad. Last, we are now open to represent new lists in literary fiction, crime fiction and non fiction. Welcome to the Parisian Agency!

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      • Trusted Partner
        Literary studies: c 1800 to c 1900
        January 2013

        Second sight

        by Catherine Maxwell

      • Trusted Partner
      • Trusted Partner
        Humanities & Social Sciences
        January 2023

        The supernatural in early modern Scotland

        by Julian Goodare, Martha McGill

        This book is about other worlds and the supernatural beings, from angels to fairies, that inhabited them. It is about divination, prophecy, visions and trances. And it is about the cultural, religious, political and social uses to which people in Scotland put these supernatural themes between 1500 and 1800. The supernatural consistently provided Scots with a way of understanding topics such as the natural environment, physical and emotional wellbeing, political events and visions of past and future. In exploring the early modern supernatural, the book has much to reveal about how men and women in this period thought about, debated and experienced the world around them. Comprising twelve chapters by an international range of scholars, The supernatural in early modern Scotland discusses both popular and elite understandings of the supernatural.

      • Trusted Partner
        Film, TV & radio
        November 2014

        Spanish cinema 1973–2010

        Auteurism, politics, landscape and memory

        by Edited by Maria M. Delgado and Robin Fiddian

        This collection offers a new lens through which to examine Spain's cinema production following the isolation imposed by the Franco regime. The seventeen key films analysed in the volume span a period of thirty-five years that have been crucial in the development of Spain, Spanish democracy and Spanish cinema. They encompass different genres (horror, thriller, melodrama, social realism, documentary), both popular (Los abrazos rotos/Broken Embraces, Vicky Cristina Barcelona) and more select art house fare (En la ciudad de Sylvia/In the City of Sylvia, El espíritu de la colmena/Spirit of the Beehive) and are made in English (as both first and second language), Basque, Castilian, Catalan and French. Offering an expanded understanding of 'national' cinemas, the volume explores key works by Guillermo del Toro and Lucrecia Martel alongside an examination of the ways in which established auteurs (Almodóvar, José Garci, Carlos Saura) and the younger generations of filmmakers (Cesc Gay, Amenábar, Bollaín) have harnessed cinematic language towards a commentary on the nation-state.

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