Annika Parance Éditeur
Livres Canada Books
View Rights PortalFounded in 2010, the Parisian agency is a literary agency based in Paris. We represent a selected group of international writers of literary fiction such as multi-awarded Icelandic author Gudrun Eva Minervudottir and Hungarian novelist Arpad Kun, winner of the prestigious Aegon Award. We also represent the stunning illustrated books of the British and the Bodleian Library (UK) abroad. Last, we are now open to represent new lists in literary fiction, crime fiction and non fiction. Welcome to the Parisian Agency!
View Rights PortalJohn Polidori's novella The Vampyre (1819) is perhaps 'the most influential horror story of all time' (Frayling). Polidori's story transformed the shambling, mindless monster of folklore into a sophisticated, seductive aristocrat that stalked London society rather than being confined to the hinterlands of Eastern Europe. Polidori's Lord Ruthven was thus the ancestor of the vampire as we know it. This collection explores the genesis of Polidori's vampire. It then tracks his bloodsucking progeny across the centuries and maps his disquieting legacy. Texts discussed range from the Romantic period, including the fascinating and little-known The Black Vampyre (1819), through the melodramatic vampire theatricals in the 1820s, to contemporary vampire film, paranormal romance, and science fiction. They emphasise the background of colonial revolution and racial oppression in the early nineteenth century and the cultural shifts of postmodernity.
In this enthralling book, Ben Alderson-Day explores one of the most curious experiences known to humankind: the universal, disturbing sense that someone or something is there when we are alone - the feeling of an unseen presence. When and why do presences emerge? What does this feeling mean and where does it come from? And how can we even begin to understand a phenomenon that can be transformative for those who experience it and yet so hard to put into words? The answers to these questions lie in this fascinating exploration through cutting-edge research in contemporary psychology, psychiatry, neuroscience and philosophy. Taking the reader on a riveting and emotional journey, Presence offers remarkable insights into the experience of felt presence and how it relates to a range of medical conditions, including sleep paralysis, dementia and Parkinson's. This compelling story will stoke the fascination of sceptics and ardent believers alike who are drawn to the mystery of the unseen.
This book is about other worlds and the supernatural beings, from angels to fairies, that inhabited them. It is about divination, prophecy, visions and trances. And it is about the cultural, religious, political and social uses to which people in Scotland put these supernatural themes between 1500 and 1800. The supernatural consistently provided Scots with a way of understanding topics such as the natural environment, physical and emotional wellbeing, political events and visions of past and future. In exploring the early modern supernatural, the book has much to reveal about how men and women in this period thought about, debated and experienced the world around them. Comprising twelve chapters by an international range of scholars, The supernatural in early modern Scotland discusses both popular and elite understandings of the supernatural.
This collection offers a new lens through which to examine Spain's cinema production following the isolation imposed by the Franco regime. The seventeen key films analysed in the volume span a period of thirty-five years that have been crucial in the development of Spain, Spanish democracy and Spanish cinema. They encompass different genres (horror, thriller, melodrama, social realism, documentary), both popular (Los abrazos rotos/Broken Embraces, Vicky Cristina Barcelona) and more select art house fare (En la ciudad de Sylvia/In the City of Sylvia, El espíritu de la colmena/Spirit of the Beehive) and are made in English (as both first and second language), Basque, Castilian, Catalan and French. Offering an expanded understanding of 'national' cinemas, the volume explores key works by Guillermo del Toro and Lucrecia Martel alongside an examination of the ways in which established auteurs (Almodóvar, José Garci, Carlos Saura) and the younger generations of filmmakers (Cesc Gay, Amenábar, Bollaín) have harnessed cinematic language towards a commentary on the nation-state.