Les Genies du chocolat, refered to as "the bible" is the most comprehensive work on the highest quality chocolate in the world today. Crafted with great sensitivity with meticulous editing, this pioneering masterpiece unravels an undiscovered territory of French gastronomy.
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Choc Lit is an award-winning publisher of women's fiction - romance, historical and crime fiction. We hold world rights for all our titles.
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Sexual politics in revolutionary England recounts a dramatic transformation in English sexual polemic that unfolded during the kingdom's mid-seventeenth-century civil wars. In early Stuart England, explicit sexual language was largely confined to manuscript and oral forms by the combined regulatory pressures of ecclesiastical press licensing and powerful cultural notions of civility and decorum. During the early 1640s, however, graphic sex-talk exploded into polemical print for the first time in English history. Over the next two decades, sexual politics evolved into a vital component of public discourse, as contemporaries utilized sexual satire to reframe the English Revolution as a battle between licentious Stuart tyrants and their lecherous puritan enemies. By the time that Charles II regained the throne in 1660, this book argues, sex was already a routine element of English political culture.
The secret life of romantic comedy offers a new approach to one of the most popular and resilient genres in the history of Hollywood. Steering away from the rigidity and ideological determinism of traditional accounts of the genre, this book advocates a more flexible theory, which allows the student to explore the presence of the genre in unexpected places, extending the concept to encompass films that are not usually considered romantic comedies. Combining theory with detailed analyses of a selection of films, including To Be or Not to Be (1942), Rear Window (1954), Kiss Me Stupid (1964), Crimes and Misdemeanors (1989) and Before Sunset (2004), the book aims to provide a practical framework for the exploration of a key area of contemporary experience - intimate matters - through one of its most powerful filmic representations: the genre of romantic comedy. Original and entertaining, The secret life of romantic comedy is perfect for students and academics of film and film genre.
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Catherine Deneuve is indisputably one of the world's most celebrated actresses, both in her native France and throughout the world. Her career has spanned five decades during which she has worked with the most significant of French auteurs, as well as forging partnerships with international directors such as Bunuel and Polanski. The Deneuve star persona has attained such iconic status that it can now symbolise the very essence of French womanhood and civic identity. In this wide-ranging and authoritative collection of essays by a selection of international film academics and writers, the Deneuve persona is scrutinised and illuminated. Beyond the glamorous iconographic status of Yves Saint Laurent's muse, and the epitome of sexual inviolability, Deneuve's status as actress is foregrounded. The book will be essential reading for students and lecturers in star studies.
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Tensions in the struggle for sexual minority rights in Europe, newly available in paperback, is the first queer and poststructuralist reading of political rights concepts in the specific European transnational context. In the last thirty years Europe has seen the rise of gay, lesbian, bisexual and transgender movements fighting nationally and transnationally for participation rights in society. In addition academic theorists have increasingly paid attention to the epistemological and ontological roles gender and sexuality play in modern politics. However, in the political process of arguing for rights the centrality of those roles is mostly hidden from view in official institutional and movement discourses. This book investigates the conceptual themes of lesbian, gay and transgender rights and lobby politics in Europe and their open and hidden relations to binary and hierarchical orders of dominance. It contributes to an understanding of the conditions upon which politics of inclusion, participation, social justice and equality rest and why struggles for sexual minority rights have been so difficult and slow. It illuminates how the paradigms of political discourse constitute, consolidate and contest the meaning and cultural significance of gender and sexuality on modern, democratic, capitalist European societies. ;
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This book about the Thatcher government and the City of London tells the compelling human story of the people and processes that made Britain's 1980s financial revolution. Fusing insider testimony with new archival discoveries, it examines high stakes and networked solutions, and uncovers new objectives that drove reforms. In so doing it demystifies a major shift in capitalism. This has implications for our understandings of government and capitalism, from the way we think about the origins of subsequent financial crises to today's growing inequalities. Survival Capitalism offers new insights into the last major restructuring of the City, disrupts myths surrounding the logics of the market, and pays attention to people and processes at a time when the City of London again faces major change as Britain seeks to find its place outside the European Union in the wake of Brexit.
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This volume explores a range of premodern rulers and their depictions in historiography, literature, art and material culture to gain a broader understanding of their sexualities. It considers the methodologies and motivations of premodern writers and rulers when fashioning royal and elite sexualities and offers new analyses of an array of texts and artwork from across Europe and the wider Mediterranean.
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Based on award-winning research, Love and revolution brings classical and contemporary anarchist thought into a mutually beneficial dialogue with a global cross-section of ecological, anti-capitalist, feminist and anti-racist activists - discussing real-life examples of the loving-caring relations that underpin many contemporary struggles. Such a (r)evolutionary love is discovered to be a common embodied experience among the activists contributing to this collective vision, manifested as a radical solidarity, as political direct action, as long-term processes of struggle, and as a deeply relational more-than-human ethics. This book provides an essential resource for all those interested in building a free society grounded in solidarity and care, and offers a timely contribution to contemporary movement discourse.
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In this book, the complexity and the significance of the foods we eat are analysed from a variety of perspectives, by sociologists, economists, geographers and anthropologists. Chapters address a number of intriguing questions: how do people make judgments about taste? How do such judgments come to be shared by groups of people?; what social and organisational processes result in foods being certified as of decent or proper quality? How has dissatisfaction with the food system been expressed? What alternatives are thought to be possible? The multi-disciplinary analysis of this book explores many different answers to such questions. The first part of the book focuses on theoretical and conceptual issues, the second part considers processes of formal and informal regulation, while the third part examines social and political responses to industrialised food production and mass consumption. Qualities of food will be of interest to researchers and students in all the social science disciplines that are concerned with food, whether marketing, sociology, cultural studies, anthropology, human nutrition or economics.
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Colonial governments, institutions and companies recognised that in many ways the effective operation of the Empire depended upon sexual arrangements. For example, nuclear families serving agricultural colonization, and prostitutes working for single men who powered armies and plantations, mines and bureaucracies. For this reason they devised elaborate systems of sexual governance, such as attending to marriage and the family. However, they also devoted disproportionate energy to marking and policing the sexual margins. In Sex, Politics and Empire, Richard Phillips investigates controversies surrounding prostitution, homosexuality and the age of consent in the British Empire, and revolutionises our notions about the importance of sex as a nexus of imperial power relations. ;
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Colonial governments, institutions and companies recognised that in many ways the effective operation of the Empire depended upon sexual arrangements. For example, nuclear families serving agricultural colonization, and prostitutes working for single men who powered armies and plantations, mines and bureaucracies. For this reason they devised elaborate systems of sexual governance, such as attending to marriage and the family. However, they also devoted disproportionate energy to marking and policing the sexual margins. In Sex, Politics and Empire, Richard Phillips investigates controversies surrounding prostitution, homosexuality and the age of consent in the British Empire, and revolutionises our notions about the importance of sex as a nexus of imperial power relations.
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This volume examines the films of Hispanic and Lusophone women filmmakers from the 1930s to the present day. It establishes productive connections between film practices across these geographical areas by identifying common areas of concern on the part of these female filmmakers. Focusing on aesthetic, theoretical and socio-historical analyses, it questions the manifest or latent gender and sexual politics that inform and structure the emerging cinematic productions by women filmmakers in Portugal, Spain, Latin America and the US. With a combination of scholars from the UK, the US, Spain and Latin America, the volume documents and interprets a fascinating corpus of films made by Hispanic and Lusophone women and proposes research strategies and methodologies that can expand our understanding of socio-cultural and psychic constructions of gender and sexual politics. An essential resource to rethink notions of gender identity and subjectivity, it is a unique contribution to Spanish and Latin American Film Studies and Film Studies.
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Above all else, and despite all the enlightenment of the age, sex in the 21st century seems to be a problem. Abuse, MeToo, human trafficking, circumcision, role-playing, body cult... But if sex is a mere abyss for modern humans, then why not just let it be? We are the first generation that could actually do it without endangering the survival of the species. And voices are getting louder that once again call for abstinence in a supposedly over-sexualised society. Artificial insemination and artificially intelligent technology for the safe removal of instincts should finally pacify what humans cannot control: instinctive nature. Sex is not the epitome of our animal nature. Every attempt to control the animal in us, either by taming it or by freeing it from tamers in a sexual revolution, inevitably misses the point. Bettina Stangneth asks the quite simple question: what is sex? If every culture of prohibition has failed so far, clearer ideas are obviously needed. Even if we prefer to ignore it, attempts to establish a culture through desire instead of the cultivation of desire have been around for a long time. After all, if you don't want to learn to talk positively about sex, you can't talk meaningfully about coercion and violence.
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Exile, its pain and possibility, is the starting point of this book. Women's experience of exile was often different from that of men, yet it has not received the important attention it deserves. Women in exile in early modern Europe and the Americas addresses that lacuna through a wide-ranging geographical, chronological, social and cultural approach. Whether powerful, well-to-do or impoverished, exiled by force or choice, every woman faced the question of how to reconstruct her life in a new place. These essays focus on women's agency despite the pressures created by political, economic and social dislocation. Collectively, they demonstrate how these women from different countries, continents and status groups not only survived but also in many cases thrived. This analysis of early modern women's experiences not only provides a new vantage point from which to enrich the study of exile but also contributes important new scholarship to the history of women.
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Sexual Progressives is a major new study of the feminists and socialists who campaigned against the moral conservatism of the Victorian period. Drawing on a range of sources, from letters and diaries to radical newspapers and utopian novels, it provides the first group portrait of Scotland's hitherto neglected sexual rebels. They include Bella and Charles Pearce, prominent Glasgow socialists and disciples of an American-based mystic who taught that religion needed 're-sexed'; Jane Hume Clapperton, a feminist freethinker with advanced views on birth-control and women's right to sexual pleasure; and Patrick Geddes, founder of an avant-garde Edinburgh subculture and co-author of an influential scientific book on sex. A consideration of their lives and work forces a reappraisal of our understanding of British sexual progressivism during this period and will therefore be of interest to all historians of modern gender and sexuality.
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Penises are clever guys, sensitive and touchy. At least that’s what Michael Sztenc says. And as a sex and couples’ therapist who has worked on male sexuality for over 25 years, he should know. With practical exercises that have been tried and tested for years, he helps the men who come to him with their problems to develop a sense for their bodies and their own eroticism.
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Ranging from eyebaths and compression stockings to electronic cigarettes, the variety of medical aids available is huge. Every day, expert advice on these is needed at the pharmacy. The authors have summarised these aids in a practically oriented way. They provide background information, specifics about the materials, application descriptions, practical tips and product examples. Colourful illustrations show how they are used on or by the patient. Fully updated, the new edition of the book contains not only conventional medical devices but also those asked for at a contemporary community pharmacy. This 11th edition, which has been completely revised, contains: - definitions enabling rapid familiarisation with the topic, - tables that provide an overview, - illustrations and advice tips to help with practical use, - mnemonics and practice questions which help reinforce the knowledge Bonus: QR codes take the user to additional digital material! The ideal companion in training and on the job!
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Catherine Deneuve is indisputably one of the world's most celebrated actresses, both in her native France and throughout the world. Her career has spanned five decades during which she has worked with the most significant of French auteurs, as well as forging partnerships with international directors such as Buñuel and Polanski. The Deneuve star persona has attained such iconic status that it now symbolises the very essence of French womanhood and civic identity. In this wide-ranging and authoritative collection of essays by a selection of international film academics and writers, the Deneuve persona is scrutinised and illuminated. Beyond the glamorous iconographic status of Yves Saint Laurent's muse, and the epitome of sexual inviolability, Deneuve's status as actress is foregrounded. The book will be essential reading for students and lecturers in star studies. ;
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In the years after the First World War the British government had to adapt its communication policy to connect with the new mass electorate. This book examines the government's own Film Units and their slow development of the Public Information Film. By reviewing the entire film catalogue produced by the Empire Marketing Board, the General Post Office and Crown Film Units, particular themes are identified which not only reflect the demands of the Units' sponsors but also the anxieties and concerns of the 1930s and 1940s. The impact of the films is explored through the contemporary reaction of the audiences to them. By the time the Crown Film Unit was closed in 1952 a style of Public Information Film had been developed and continued into the 1970s.
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Seit ihrer Geburt lebt Pearl im Auto, sie vorne, ihre Ausreißer-Mutter auf der Rückbank. Vierzehn Jahre stehen die beiden jetzt schon am Rande eines Trailerparks irgendwo in Florida. Draußen vor der Windschutzscheibe ist die Welt den Waffen verfallen: Kinder wachsen mit Pistolen statt Haustieren auf, Schießübungen immer und überall, mal Alligatoren, mal den Fluss, mal Polizisten im Visier, und sonntags sitzt man beim Gottesdienst mit der geschulterten Schrotflinte in der ersten Reihe. Doch im Ford Mercury wirken andere Kräfte, hier lernt Pearl das Träumen. Bis ein schöner Mann und seine Pistolen alles verändern … Gun Love handelt vom Zauber zwischen Mutter und Tochter inmitten des Irrsinns. In strahlenden Bildern erzählt Jennifer Clement eine Geschichte, in der Liebe und Hass, Fantasie und Wirklichkeit haltlos ineinanderfallen. Das literarische Stimmungsbild einer ganzen Nation.
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Seit ihrer Geburt lebt Pearl im Auto, sie vorne, ihre Ausreißer-Mutter auf der Rückbank. Vierzehn Jahre stehen die beiden jetzt schon am Rande eines Trailerparks irgendwo in Florida. Draußen vor der Windschutzscheibe ist die Welt den Waffen verfallen: Kinder wachsen mit Pistolen statt Haustieren auf, Schießübungen immer und überall, mal Alligatoren, mal den Fluss, mal Polizisten im Visier, und sonntags sitzt man beim Gottesdienst mit der geschulterten Schrotflinte in der ersten Reihe. Doch im Ford Mercury wirken andere Kräfte, hier lernt Pearl das Träumen. Bis ein schöner Mann und seine Pistolen alles verändern … Gun Love handelt vom Zauber zwischen Mutter und Tochter inmitten des Irrsinns. In strahlenden Bildern erzählt Jennifer Clement eine Geschichte, in der Liebe und Hass, Fantasie und Wirklichkeit haltlos ineinander fallen. Das literarische Stimmungsbild einer ganzen Nation.
