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      • China Social Sciences Press

        Established in June, 1978, China Social Sciences Press is sponsored by Chinese Academy of Social Sciences. CSSP is a national level publishing house focusing on academic publications mainly in the field of humanities and social sciences. In 1993, CSSP won the honorary title of “national outstanding press” granted by Propaganda Department of CPC and General Administration of Press and Publication.The missions and the publication targets of CSSP are: first, editing and publishing the most outstanding academic results of CASS and great achievements from the fields of social sciences and culture circle in China, including academic works, text books, reference books and popular books; second, translating Chinese versions of significant humanities and social sciences books written by western authors.

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      • Strange Days Books, Social Cooperative Enterprise

        Strange Days Books is a social cooperative publishing firm based in Crete, Greece. Since 2012 we have published almost 100 books. Every year we organize Sand Festival, an online Writers’ Workshop and - in cooperation with www.eyelands.gr literary magazine - the one and only international short story competition based in Greece, plus our International Book Awards. In 2019 SDB was the only publishing house in Greece to receive approval by the European Union’s Creative Europe translation funding program for its project "Strange Days in Europe”. Strange Days Books is an entirely independent publisher, primarily interested in showcasing the wealth of new writing voices in Greece. We work closely with our authors to create books that will appeal to booklovers, books about the present, books that strive to push the art of literature forward, books written with talent and passion, books that challenge the way we see the world, books bursting with new ideas and intriguing perspectives.

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      • Trusted Partner
      • Trusted Partner
        Humanities & Social Sciences
        May 2024

        Home front heroism

        Civilians and conflict in Second World War London

        by Ellena Matthews

        Home front heroism investigates how civilians were recognised and celebrated as heroic during the Second World War. Through a focus on London, this book explores how heroism was manufactured as civilians adopted roles in production, protection and defence, through the use of uniforms and medals, and through the way that civilians were injured and killed. This book makes a novel contribution to the study of heroism by exploring the spatial, material, corporeal and ritualistic dimensions of heroic representations. By tracing the different ways that Home Front heroism was cultivated on a national, local and personal level, this study promotes new ways of thinking about the meaning and value of heroism during periods of conflict. It will appeal to anyone interested in the social and cultural history of Second World War as well as the sociology and psychology of heroism.

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        Does Movement Really Make Us Smart?

        by Petra Jansen, Stefanie Richter

        Media reports often praise movement as a cure-all. But apart from its undisputed positive effect on health, does movement really make us smarter? Consider a national football team, for example – are these excessively sports-driven players automatically the smartest people? Should we simply replace all school subjects with sports? The authors provide a detailed summary of the latest scientific findings on the influence of movement on cognitive ability. They describe the effects of movement, on old age, embodiment, emotion, school as well as other factors that influence cognition. Target Group: teachers, lecturers, psychologists, psychiatrists, neurologists, psychotherapists, movement therapists.

      • Trusted Partner
        Humanities & Social Sciences
        May 2009

        The Women's Suffrage movement

        *New feminist perspectives*

        by Maroula Joannou, June Purvis

        Available in paperback for the first time, this important collection of essays illustrates the complexity, richness and diversity of the suffrage movement. Combining historical reappraisal with lively accounts of the culture of the women's suffrage movement, this volume offers a unique focus. It includes studies of the fascinating, but neglected groups that participated in the campaign: the Women's Franchise League; the Women's Freedom League; the Women's Tax Resistance League and the United Suffragists. This is accompanied by feminist research on the poetry, fiction and drama that emerged from women's struggle for the vote. In addition there are reappraisals of two leading figures in the Pankhursts' Women's Social and Political Union, an illuminating analysis of the relationship between suffrage and sexuality, and a discussion of what happened away from the metropolis, as well as of the little known campaign to extend the vote after 1918. ;

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        Humanities & Social Sciences
        January 2021

        Women art workers and the Arts and Crafts movement

        by Zoë Thomas

        This book constitutes the first comprehensive history of the network of women who worked at the heart of the English Arts and Crafts movement from the 1870s to the 1930s. Challenging the long-standing assumption that the Arts and Crafts simply revolved around celebrated male designers like William Morris, it instead offers a new social and cultural account of the movement, which simultaneously reveals the breadth of the imprint of women art workers upon the making of modern society. Thomas provides unprecedented insight into how women navigated authoritative roles as 'art workers' by asserting expertise across a range of interconnected cultures: from the artistic to the professional, intellectual, entrepreneurial and domestic. Through examination of newly discovered institutional archives and private papers, Thomas elucidates the critical importance of the spaces around which women conceptualised alternative creative and professional lifestyles.

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        Humanities & Social Sciences
        May 2009

        Consumerism and the Co-operative movement in modern British history

        Taking stock

        by Lawrence Black, Nicole Robertson

        Despite the abundance and quality of recent historical writing on consumerism, it cannot be said that the modern Co-operative movement (Co-op) has been well served. It has also been by-passed in studies that locate Britons' identity in their consumption. The reasons for this can be found in the widely perceived decline of the Co-op since the 1950s, but also in various historiographical agendas that have resulted in its relative invisibility in modern British history. This book, by demonstrating the variety of broader issues that can be addressed through the Co-op and the vibrancy of new historical research into consumption, seeks to remedy this. Taking stock, both of the Co-op in a broader context and of new approaches to the history of consumption, combines the work of leading authorities on the Co-op with recent scholarly research. It explores the Co-op's distinctive interface between everyday issues and grander idealistic concerns. The chapters intersect to examine a broad range of themes, notably: the politics of consumerism including consumer protection, ethical and fair trading and alternatives to corporate commerce; design and advertising; the Co-op's relations with other components of the labour movement; and its ideology, image and memory. The collection looks at the Co-operative movement locally (through specific case studies), nationally and also in comparison to the European movement. This collection will appeal to academics, researchers, teachers and students of the economic, cultural and political history of twentieth-century Britain. It will also be of interest to academics and students of business studies, and co-operative members themselves. ;

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        The Arts
        September 2015

        Photography and social movements

        From the globalisation of the movement (1968) to the movement against globalisation (2001)

        by Antigoni Memou

        Now available for the first time in paperback, Photography and social movements is the first thorough study of photography's interrelationship with social movements. Focusing on photographic production and dissemination during the student and worker uprising in Paris in May 1968, the Zapatista rebellion, and the anti-capitalist protests in Genoa in 2001, the book argues that at times of political uprisings, photographic documentations, often contradictory, strive to prevail in the public domain, extending the political or economic struggle to a representational level. Photography plays a central role in this representational conflict, by either reproducing or challenging stereotypical narratives of protest. This groundbreaking interdisciplinary analysis of a wide range of practices - amateur and professional - and of previously unpublished archival material will add considerably to students', researchers' and scholars' knowledge of both the visual imagery of political movements and the developing history of photographic representation. ;

      • Trusted Partner
        Humanities & Social Sciences
        April 2007

        Labour, the state, social movements and the challenge of neo-liberal globalisation

        by Andrew Gamble, Steven Fielding, Steve Ludlam, John Callaghan, Andrew Taylor, Steve Ludlam, Stephen Wood

        With the emergence of neo-liberalism in the 1980s as the dominant domestic and international political-economic orthodoxy, labour as both a social category and political movement tended to be written off or ignored by academics, politicians and commentators. However, at a time when the world's working class is growing faster than at any previous time in history and neo-liberalism is widely challenged, this orthodoxy is clearly inadequate. The spread of global production means that to ignore labour, its organisations, interests and politics, is to ignore one of the key components of that process. Labour organisations have not gone away and neither has the state: their relationship remains as significant as ever. The strategic relationship between trade unions and social movements, nationally and internationally, has also developed markedly, especially in the south. New patterns of resistance are emerging to challenge global capital and those who assert that globalisation is irresistible. ;

      • Trusted Partner
        Humanities & Social Sciences
        August 2014

        The women's liberation movement in Scotland

        by Sarah Browne, Pamela Sharpe, Penny Summerfield, Lynn Abrams, Cordelia Beattie

        This is the first book-length account of the women's liberation movement in Scotland, which, using documentary evidence and oral testimony, charts the origins and development of this important social movement of the post-1945 period. In doing so, it reveals the inventiveness and fearlessness of feminist activism, while also pointing towards the importance of considering the movement from the local and grassroots perspectives, presenting a more optimistic account of the enduring legacy of women's liberation. Not only does this book uncover the reach of the WLM but it also considers what case studies of women's liberation can tell us about the ways in which the development of the movement has been portrayed. Previous accounts have tended to equate the fragmentation of the movement with weakness and decline. This book challenges this conclusion, arguing that fragmentation led to a diffusion of feminist ideas into wider society. In the Scottish context, it led to a lively and flourishing feminist culture where activists highlighted important issues such as abortion and violence against women. ;

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        The Arts
        January 2019

        European Film Noir

        by Andrew Spicer

        European Film Noir is the first book to bring together specialist discussions of film noir in specific European national cinemas. Written by leading scholars, this groundbreaking study provides an authoritative understanding of an important aspect of European cinema and of film noir itself, for too long considered as a solely American form. The Introduction reviews the problems of defining film noir, its key characteristics and discusses its significance to the development of European film, the relationship of specific national films noirs to each other, to American noir and to historical and social change. Eight chapters then discuss film noir in France, Germany, Britain and Spain, analysing both earlier developments and the evolution of neo-noir through to the present. A further chapter explores film noir in Italian cinema where its presence is not so well defined. Each piece provides a critical overview of the most significant films in relation to their industrial and social contexts. European Film Noir is an important contribution to the study of European cinema that will have a broad appeal to undergraduates, cinéastes, film teachers and researchers.

      • Trusted Partner
        Humanities & Social Sciences
        April 2021

        Catholic nuns and sisters in a secular age

        Britain, 1945–90

        by Carmen M. Mangion

        This is the first in-depth study of post-war female religious life. It draws on archival materials and a remarkable set of eighty interviews to place Catholic sisters and nuns at the heart of the turbulent 1960s, integrating their story of social change into a larger British and international one. Shedding new light on how religious bodies engaged in modernisation, it addresses themes such as the Modern Girl and youth culture, '1968', generational discourse, post-war modernity, the voluntary sector and the women's movement. Women religious were at the forefront of the Roman Catholic Church's movement of adaptation and renewal towards the world. This volume tells their stories in their own words.

      • Trusted Partner
        Literature & Literary Studies
        May 2023

        Counterfactual Romanticism

        by Damian Walford Davies

        Innovatively extending counterfactual thought experiments from history and the social sciences to literary historiography, criticism and theory, Counterfactual Romanticism reveals the ways in which the shapes of Romanticism are conditioned by that which did not come to pass. Exploring various modalities of counterfactual speculation and inquiry across a range of Romantic-period authors, genres and concerns, this collection offers a radical new purchase on literary history, on the relationship between history and fiction, and on our historicist methods to date - and thus on the Romanticisms we (think we) have inherited. Counterfactual Romanticism provides a ground-breaking method of re-reading literary pasts and our own reading presents; in the process, literary production, texts and reading practices are unfossilised and defamiliarised.

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        Humanities & Social Sciences
        October 2023

        Towards a just Europe

        A theory of distributive justice for the European Union

        by João Labareda

        This highly original book constitutes one of the first attempts to examine the problem of distributive justice in the European Union in a systematic manner. João Labareda argues that the set of shared political institutions at EU level, including the European Parliament and the Court of Justice of the EU, generate democratic duties of redistribution among EU citizens. Furthermore, the economic structure of the EU, comprising a common market, a common currency and a free-movement area, triggers duties of reciprocity among member states. The responsibilities to fulfil these duties, Labareda argues, should be shared by the local, national and supranational levels of government. Not only should the EU act as a safety net to the national welfare systems, applying the principle of subsidiarity, but common market and Eurozone regulations should balance their efficiency targets with fair cooperation terms. The concrete policy proposals presented in this book include a threshold of basic goods for all EU citizens, an EU labour code, a minimum EU corporate tax rate and an EU fund for competitiveness. Labarada argues that his proposals match the political culture of the member states, are economically feasible, can be translated into functioning institutions and policies and are consistent with the limited degree of social solidarity in Europe. This book is a major contribution to the understanding of what a just Europe would look like and what it might take to get us there. This book is relevant to United Nations Sustainable Development Goal 10, Reduced inequalities

      • Trusted Partner
        The Arts
        January 2019

        The British working class in postwar film

        by Philip Gillett

        An incidental pleasure of watching a film is what it tells us about the society in which it is made. Using a sociological model, The British working class in postwar film looks at how working-class people were portrayed in British feature films in the decade after the Second World War. Though some of the films examined are well known, others have been forgotten and deserve reassessment. Original statistical data is used to assess the popularity of the films with audiences. With its interdisciplinary approach and the avoidance of jargon, this book seeks to broaden the approach to film studies. Students of media and cultural studies are introduced to the skills of other disciplines, while sociologists and historians are encouraged to consider the value of film evidence in their own fields. This work should appeal to all readers interested in social history and in how cinema and society works.

      • Trusted Partner
        Humanities & Social Sciences
        July 2015

        The social face of the Regulatory State

        Reforming public services in Europe

        by Sandra Eckert

        Capitalism in Europe is transformed as a result of liberalisation, privatisation and regulatory reform. Unravelling the state as service provider and employer has posed significant social policy challenges to the emerging regulatory state. The book examines how these challenges have been addressed in different varieties of capitalism and across sectors. It compares change in France, Germany and the United Kingdom, takes stock of the reform movement in Europe and internationally, and discusses policy approaches in telecoms and electricity. It pays special attention to falling mail volumes as a driver of change and a new wave of privatisation triggered by the European sovereign debt crisis. The analysis reveals whether and how social policy goals have been addressed by means of regulation and redistribution. The book explains why liberal market economies have been postal reform latecomers and why the regulatory state benefits consumers, but is likely to leave employees' interests behind. ;

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        Humanities & Social Sciences
        January 2013

        Christian Dualist Heresies in the Byzantine World, c. 650-c. 1450

        by Janet Hamilton, Bernard Hamilton

        Christian dualism originated in the reign of Constans II (641-68). It was a popular religion, which shared with orthodoxy an acceptance of scriptual authority and apostolic tradition and held a sacramental doctrine of salvation, but understood all these in a radically different way to the Orthodox Church. One of the differences was the strong part demonology played in the belief system. This text traces, through original sources, the origins of dualist Christianity throughout the Byzantine Empire, focusing on the Paulician movement in Armenia and Bogomilism in Bulgaria. It presents not only the theological texts, but puts the movements into their social and political context.

      • Trusted Partner
        The Arts
        June 2021

        Medieval film

        by Anke Bernau, Bettina Bildhauer

        Medieval film explores theoretical questions about the ideological, artistic, emotional and financial investments inhering in cinematic renditions of the medieval period. What does it mean to create and watch a 'medieval film'? What is a medieval film and why are they successful? This is the first work that attempts to answer these questions, drawing, for instance, on film theory, postcolonial theory, cultural studies and the growing body of work on medievalism. Contributors investigate British, German, Italian, Australian, French, Swedish and American film, exploring topics such translation, temporality, film noir, framing and period film - and find the medieval lurking in inexpected corners. In addition it provides in-depth studies of individual films from different countries including The Birth of a Nation to Nosferatu, and Robin Hood: Prince of Thieves. Medieval Film will be of interest to medievalists working in disciplines including literature, history, to scholars working on film and in cultural studies. It will also be of interest to undergraduates, postgraduates and to an informed enthusiast in film or/and medieval culture.

      • Trusted Partner
        The Arts
        January 2019

        Medieval film

        by Anke Bernau, Bettina Bildhauer

        Medieval film explores theoretical questions about the ideological, artistic, emotional and financial investments inhering in cinematic renditions of the medieval period. What does it mean to create and watch a 'medieval film'? What is a medieval film and why are they successful? This is the first work that attempts to answer these questions, drawing, for instance, on film theory, postcolonial theory, cultural studies and the growing body of work on medievalism. Contributors investigate British, German, Italian, Australian, French, Swedish and American film, exploring topics such translation, temporality, film noir, framing and period film - and find the medieval lurking in unexpected corners. In addition it provides in-depth studies of individual films from different countries including The Birth of a Nation to Nosferatu, and Robin Hood: Prince of Thieves. Medieval film will be of interest to medievalists working in disciplines including literature, history, art history, to scholars working on film and in cultural studies. It will also be of interest to undergraduates, postgraduates and to an informed enthusiast in film or/and medieval culture.

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