De Vecchi/DVE - Confidential Concepts International Ltd.
We are from De Vecchi Ediciones / DVE, a publishing house with about 4000 titles in Spanish.
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Editorial De Conatus
De Conatus is an independent, fiction and nonfiction publisher focused on contemporary, innovative literature, mostly literary fiction. De Conatus is interested in ambitious writing with new points of view and authors with a unique style.
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Promoted Content
Humanities & Social SciencesMay 2024Out of his mind
Masculinity and mental illness in Victorian Britain
by Amy Milne-Smith
Out of His Mind interrogates how Victorians made sense of the madman as both a social reality and a cultural representation. Even at the height of enthusiasm for the curative powers of nineteenth-century psychiatry, to be certified as a lunatic meant a loss of one's freedom and in many ways one's identify. Because men had the most power and authority in Victorian Britain, this also meant they had the most to lose. The madman was often a marginal figure, confined in private homes, hospitals, and asylums. Yet as a cultural phenomenon he loomed large, tapping into broader social anxieties about respectability, masculine self-control, and fears of degeneration. Using a wealth of case notes, press accounts, literature, medical and government reports, this text provides a rich window into public understandings and personal experiences of men's insanity.
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Humanities & Social SciencesJune 2012Coercive confinement in Ireland
Patients, prisoners and penitents
by Eoin Sullivan, Ian O'Donnell
This book provides an overview of the incarceration of tens of thousands of men, women and children during the first fifty years of Irish independence. Psychiatric hospitals, mother and baby homes, Magdalen homes, Reformatory and Industrial schools, prisons and Borstal formed a network of institutions of coercive confinement that was integral to the emerging state. The book provides a wealth of contemporaneous accounts of what life was like within these austere and forbidding places as well as offering a compelling explanation for the longevity of the system and the reasons for its ultimate decline. While many accounts exist of individual institutions and the factors associated with their operation, this is the first attempt to provide a holistic account of the interlocking range of institutions that dominated the physical landscape and, in many ways, underpinned the rural economy. Highlighting the overlapping roles of church, state and family in the maintenance of these forms of social control, this book will appeal to those interested in understanding twentieth-century Ireland: in particular, historians, legal scholars, criminologists, sociologists and other social scientists. These arguments take on special importance as Irish society continues to grapple with the legacy of its extensive use of institutionalisation. ;
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Business, Economics & LawJune 2024
The labour movement in Lebanon
Power on hold
by Lea Bou Khater
The labour movement in Lebanon: Power on hold narrates the history of the Lebanese labour movement from the early twentieth century to today. Bou Khater demonstrates that trade unionism in the country has largely been a failure, for reasons including state interference, tactical co-optation, and the strategic use of sectarianism by an oligarchic elite, together with the structural weakness of a service-based laissez-faire economy. Drawing on a vast body of Arabic-language primary sources and difficult-to-access archives, the book's conclusions are significant not only for trade unionism, but also for new forms of workers' organisations and social movements in Lebanon and beyond. The Lebanese case study presented here holds significant implications for the wider Arab world and for comparative studies of labour. This authoritative history of the labour movement in Lebanon is vital reading for scholars of trade unionism, Lebanese politics, and political economy.
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Humanities & Social SciencesMay 2024
Land and labour
The Potters’ Emigration Society, 1844-51
by Martin Crawford
Land and labour provides the first full-length history of the Potters' Emigration Society, the controversial trade union scheme designed to solve the problems of surplus labour by changing workers into farmers on land acquired in frontier Wisconsin. The book is based on intensive research into British and American newspapers, passenger lists, census, manuscript, and genealogical sources. After tracing the scheme's industrial origins and founding in the Potteries, it examines the migration and settlement process, expansion to other trades and areas, and finally the circumstances that led to its demise in 1851. Despite the Society's failure, the history offers unique insight into working-class dreams of landed independence in the American West and into the complex and contingent character of nineteenth-century emigration.
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The ArtsJanuary 2019Jack Clayton
by Neil Sinyard
In François Truffaut's opinion The Innocents was 'the best English film after Hitchcock goes to America'. Tennessee Williams said of The Great Gatsby: 'a film whose artistry even surpassed the original novel'. The maker of both films was Jack Clayton, one of the finest English directors of the post-war era and perhaps best remembered for the trail-blazing Room at the Top which brought a new sexual frankness and social realism to the British screen. This is the first full-length critical study of Clayton's work. The author has been able to consult and quote from the director's own private papers which illuminate Clayton's creative practices and artistic intentions. In addition to fresh analyses of the individual films, the book contains new material on Clayton's many unrealised projects and valuably includes his previously unpublished short story 'The Enchantment' - as poignant and revealing as the films themselves. This is a personal and fascinating account of the career and achievement of an important, much-loved director that should appeal to students and film enthusiasts.
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The ArtsJanuary 2019The British working class in postwar film
by Philip Gillett
An incidental pleasure of watching a film is what it tells us about the society in which it is made. Using a sociological model, The British working class in postwar film looks at how working-class people were portrayed in British feature films in the decade after the Second World War. Though some of the films examined are well known, others have been forgotten and deserve reassessment. Original statistical data is used to assess the popularity of the films with audiences. With its interdisciplinary approach and the avoidance of jargon, this book seeks to broaden the approach to film studies. Students of media and cultural studies are introduced to the skills of other disciplines, while sociologists and historians are encouraged to consider the value of film evidence in their own fields. This work should appeal to all readers interested in social history and in how cinema and society works.
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Business, Economics & LawFebruary 2022The labour movement in Lebanon
by Lea Bou Khater, Simon Mabon
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Humanities & Social SciencesAugust 2018Labour united and divided from the 1830s to the present
by Yann Béliard, Emmanuelle Avril
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Humanities & Social SciencesMay 2021
Critical race theory and inequality in the labour market
by Ebun Joseph
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Humanities & Social SciencesJuly 2020The modernisation of the Labour Party, 1979–97
by Christopher Massey
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Humanities & Social SciencesSeptember 2021Nostalgia and the post-war Labour Party
by Richard Jobson
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Humanities & Social SciencesSeptember 2019Labour, British radicalism and the First World War
by Lucy Bland, Richard Carr, Marcus Morris, Chris Wrigley, Matthew Kidd, Jack Southern, Deborah Thom, Matt Perry, Krisztina Robert, Richard Carr, Marc Mulholland, Jonathan Davis, Gavin Baird, Bradley Hart, John Callaghan, Mari Takayanagi
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Humanities & Social SciencesJanuary 2023Democracy and dissent in the Irish Free State
by Jason Knirck
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