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Narrative Landscape Press Ltd
Narrative Landscape Press is an independent publisher and a provider of publishing services and independent authors in Nigeria.
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The ArtsFebruary 2025Tattoos in crime and detective narratives
Marking and remarking
by Kate Watson, Katharine Cox
Tattoos in crime and detective narratives examines representations of the tattoo and tattooing in literature, television and film, from two periods of tattoo renaissance (1851-1914, and c1955 to present). It makes an original contribution to understandings of crime and detective genre and the ways in which tattoos act as a mimetic device that marks and remarks these narratives in complex ways. With a focus on tattooing as a bodily narrative, the book incorporates the critical perspectives of posthumanism, spatiality, postcolonialism, embodiment and gender studies. The grouped essays examine the first tattoo renaissance, the rebirth of the tattoo in contemporary culture through literature, children's literature, film and television. The collection has a broad appeal, and will be of interest to all literature and media scholars, but in particular those with an interest in crime and detective narratives and skin studies.
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Humanities & Social SciencesApril 2025Beyond the antislavery haven
Slavery in early Canadian print culture, 1789–1889
by Ellie Bird
This book challenges the idealised narrative of Canada as an antislavery haven for self-liberated people to explore Canada's complicated relationship with slavery. Examining advertisements, abolitionist texts and narratives about slavery in Canadian newspapers and the texts that were printed alongside them, it shows how Canadian readers and enslavers developed an image of themselves as belonging to an antislavery community even while recognising their own complicity in slavery. The book explores narratives that depict the lives of Black settlers in Canada and how slave narratives circulated in Canada. Canada's relationship with slavery is far more complicated than seeing it as either an antislavery haven or a slaveholding space. Canada was connected to Britain, France, the Caribbean and the United States and this was central to how Canadians and Canadian readers fashioned their self-image in relation to slavery.
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Humanities & Social SciencesJune 2023Border images, border narratives
The political aesthetics of boundaries and crossings
by Johan Schimanski, Jopi Nyman
This interdisciplinary volume explores the role of images and narratives in different borderscapes. Written by experienced scholars in the field, Border images, border narratives provides fresh insight into how borders, borderscapes, and migration are imagined and narrated in public and private spheres. Offering new ways to approach the political aesthetics of the border and its ambiguities, this volume makes a valuable contribution to the methodological renewal of border studies and presents ways of discussing cultural representations of borders and related processes. Influenced by the thinking of philosopher Jacques Rancière, this timely volume argues that narrated and mediated images of borders and borderscapes are central to the political process, as they contribute to the public negotiation of borders and address issues such as the in/visiblity of migrants and the formation of alternative borderscapes. The contributions analyse narratives and images in literary texts, political and popular imagery, surveillance data, border art, and documentaries, as well as problems related to borderland identities, migration, and trauma. The case studies provide a highly comparative range of geographical contexts ranging from Northern Europe and Britain, via Mediterranean and Mexican-USA borderlands, to Chinese borderlands from the perspectives of critical theory, literary studies, social anthropology, media studies, and political geography.
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Humanities & Social SciencesMarch 2025Spirits of extraction
Christianity, settler colonialism and the geology of race
by Claire Blencowe
Spirits of extraction revisits the troubling history of socially reformist, ostensibly anti-racist, Christianity and its role in the expansion of the extractive industries, British imperialism, and settler colonialism. The book explores key moments in the history of Methodism and the evangelical movement. Colonial fears, and the attempt to 'civilise savages', were crucial to the movement's foundation in eighteenth-century industrialising Bristol, England. Through the culture of the Cornish mining diaspora of the nineteenth century, Methodism enmeshed with all the complexity of race and labour-structures of the British empire. At the same time, in Anishinaabewaki/Upper Canda/Ontario, Methodist missionaries laid the foundation of abusive education and racialised ideas of redemption that both enable and sacralise the mining industry. Through these histories of our present, the book theorises the relation of religion and education to racism, modernity, biopower, extractivism, and the geology of race.
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Humanities & Social SciencesJuly 2021The bonds of family
Slavery, commerce and culture in the British Atlantic world
by Katie Donington
Moving between Britain and Jamaica The bonds of family reconstructs the world of commerce, consumption and cultivation sustained through an extended engagement with the business of slavery. Transatlantic slavery was both shaping of and shaped by the dynamic networks of family that established Britain's Caribbean empire. Tracing the activities of a single extended family - the Hibberts - this book explores how slavery impacted on the social, cultural, economic and political landscape of Britain. It is a history of trade, colonisation, enrichment and the tangled web of relations that gave meaning to the transatlantic world. The Hibberts's trans-generational story imbricates the personal and the political, the private and the public, the local and the global. It is both the intimate narrative of a family and an analytical frame through which to explore Britain's history and legacies of slavery.
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Humanities & Social SciencesJanuary 2021Border images, border narratives
by Johan Schimanski, Jopi Nyman, Sarah Green, Hastings Donnan
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Literature & Literary StudiesJanuary 2023The gift of narrative in medieval England
by Nicholas Perkins
This invigorating study places medieval romance narrative in dialogue with theories and practices of gift and exchange, opening new approaches to questions of storytelling, agency, gender and materiality in some of the most engaging literature from the Middle Ages. It argues that the dynamics of the gift are powerfully at work in romances: through exchanges of objects and people; repeated patterns of love, loyalty and revenge; promises made or broken; and the complex effects that time works on such objects, exchanges and promises. Ranging from the twelfth century to the fifteenth, and including close discussions of poetry by Chaucer, the Gawain-Poet and romances in the Auchinleck Manuscript, this book will prompt new ideas and debate amongst students and scholars of medieval literature, as well as anyone curious about the pleasures that romance narratives bring.
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Humanities & Social SciencesJuly 2016Romantic narratives in international politics
by Alexander Spencer
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Humanities & Social SciencesNovember 2019The bonds of family
by Katie Donington, Alan Lester, Andrew Thompson
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Literature & Literary StudiesJune 2010Biografía de un cimarrón
By Miguel Barnet and Esteban Montejo
by Catherine Davies, William Rowlandson
This Biography of a runaway slave is arguably the best-known book to have been written and published in revolutionary Cuba, being the testimonial narrative of Esteban Montejo, a former slave, runaway, and soldier in the Cuban wars of independence. The text is the collaboration between ethnographer Miguel Barnet and Montejo, the result of three years of tape-recorded interviews, transcribed, edited and annotated by Barnet. Montejo provides a first-hand account of slavery in nineteenth-century Cuba - the language, religion, music, and customs - and describes life in the sugar plantations and mills and as a runaway slave. Montejo's text also covers key historical moments, from slavery to Abolition, the Ten Years War, the Spanish American War, and US intervention in the new republic. Reflecting the growing interest in Latin American and Cuban Studies, this student edition includes the complete text in Spanish, notes in English, a time-line of Cuban history and themes for debate and discussion. The extensive introduction focuses on three main areas: an overview of Cuban history featuring slavery, wars of independence and the new republic; an overview of the genre of the testimonial narrative as it emerged as an important literary style in revolutionary Cuba; and an analysis of the relationship between the Cuban Revolution and the publication of the text. There is also an extensive bibliography. ;
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Humanities & Social SciencesApril 2020Early modern war narratives and the Revolt in the Low Countries
by Raymond Fagel, Leonor Álvarez Francés, William G. Naphy, Beatriz Santiago Belmonte
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April 2024Die Überlegenheit der Unterlegenen
Eine Theorie der Gegengemeinschaften
by Daniel Loick
Aus der Perspektive unterdrückter Gruppen ist das Leben der Reichen und Mächtigen nicht unbedingt begehrenswert, ja, es erscheint oft ignorant, korrupt, hässlich oder traurig. Menschen, deren Lebensrealität durch Erfahrungen der Gewalt und des Leids geprägt sind, besitzen häufig einen Zugang zu epistemischen Einsichten, ethischen Haltungen und ästhetischen Ausdrucksweisen, der privilegierten Subjekten fehlt. Ob sie diese Ressourcen erschließen können, hängt jedoch von bestimmten kollektiven Praktiken ab: davon, ob sie Mitglieder von Gegengemeinschaften sind. Befreiung kann daher nie durch Inklusion oder Integration in dominante Institutionen zustande kommen. Der Kampf um Befreiung ist vielmehr ein Kampf um Abolition.
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Humanities & Social SciencesNovember 2021De-centering queer theory
Communist sexuality in the flow during and after the Cold War
by Bogdan Popa, Gurminder Bhambra
De-centering queer theory seeks to reorient queer theory to a different conception of bodies and sexuality derived from Eastern European Marxism. The book articulates a contrast between the concept of the productive body, which draws its epistemology from Soviet and avant-garde theorists, and Cold War gender, which is defined as the social construction of the body. The first part of the book concentrates on the theoretical and visual production of Eastern European Marxism, which proposed an alternative version of sexuality to that of western liberalism. In doing so it offers a historical angle to understand the emergence not only of an alternative epistemology, but also of queer theory's vocabulary. The second part of the book provides a Marxist, anti-capitalist archive for queer studies, which often neglects to engage critically with its liberal and Cold War underpinnings.
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Humanities & Social SciencesJune 2021
Acts of supremacy
by J. Bratton, Richard Cave, Brendan Gregory, Michael Pickering
Imperialist discourse interacted with regional and class discourses. Imperialism's incorporation of Welsh, Scots and Irish identities, was both necessary to its own success and one of its most powerful functions in terms of the control of British society. Most cultures have a place for the concept of heroism, and for the heroic figure in narrative fiction; stage heroes are part of the drama's definition of self, the exploration and understanding of personal identity. Theatrical and quasi-theatrical presentations, whether in music hall, clubroom, Shakespeare Memorial Theatre or the streets and ceremonial spaces of the capital, contributed to that much-discussed national mood. This book examines the theatre as the locus for nineteenth century discourses of power and the use of stereotype in productions of the Shakespearean history canon. It discusses the development of the working class and naval hero myth of Jack Tar, the portrayal of Ireland and the Irish, and the portrayal of British India on the spectacular exhibition stage. The racial implications of the ubiquitous black-face minstrelsy are focused upon. The ideology cluster which made up the imperial mindset had the capacity to re-arrange and re-interpret history and to influence the portrayal of the tragic or comic potential of personal dilemmas. Though the British may have prided themselves on having preceded America in the abolition of slavery and thus outpacing Brother Jonathan in humanitarian philanthropy, abnegation of hierarchisation and the acceptance of equality of status between black and white ethnic groups was not part of that achievement.
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The ArtsNovember 2020Stage rights!
The Actresses’ Franchise League, activism and politics 1908–58
by Naomi Paxton
Stage rights! explores the work and legacy of the first feminist political theatre group of the twentieth century, the Actresses' Franchise League. Formed in 1908 to support the suffrage movement through theatre, the League and its membership opened up new roles for women on stage and off, challenged stereotypes of suffragists and actresses, created new work inspired by the movement and was an integral part of the performative propaganda of the campaign. Introducing new archival material to both suffrage and theatre histories, this book is the first to focus in detail on the Actresses' Franchise League, its membership and its work. The volume is formulated as a historiographically innovative critical biography of the organisation over the fifty years of its activities, and invites a total reassessment of the League within the accepted narratives of the development of political theatre in the UK.
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The ArtsJanuary 2019Negotiating the auteur
Dominique Cabrera, Noémie Lvovsky, Laetitia Masson and Marion Vernoux
by Julia Dobson
This book provides the first detailed analysis of the work of four important contemporary directors whose work falls between the reductive labels of 'auteur cinema' and 'popular cinema'. Their work is contextualised within this timely investigation into the shifting relationship between the privileged status of the auteur and questions of genre, gender and cinematic production in France today. This important contribution to understanding the shifting landscapes of contemporary French film identifies an essential intermediacy in the films of these directors, which works to undo a series of dominant oppositions, generic template and contestation, public collectivity and personal intimacy, to offer a new perspective on the location of the political in contemporary French cinema. The four chapters provide detailed critical analysis of films by Dominique Cabrera, Laetitia Masson, Noémie Lvovsky and Marion Vernoux, and present common thread including the possible construction of social intimacy, the political demystification of romance narratives and the role of nostalgia, to argue that their work uses popular genres in order to challenge dominant cultural representation that resonates beyond the immediate parameters of contemporary French cinema. This book will be of interest to researchers working in French and European cinema, to students of Film Studies and French and Francophone Studies, and to film enthusiasts.
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Humanities & Social SciencesJuly 2018Witchcraft narratives in Germany
Rothenburg, 1561–1652
by Joseph Bergin, Alison Rowlands, Penny Roberts, William G. Naphy
Looks at why witch-trials failed to gain momentum and escalate into 'witch-crazes' in certain parts of early modern Europe. Exames the rich legal records of the German city of Rothenburg ob der Tauber, a city which experienced a very restrained pattern of witch-trials and just one execution for witchcraft between 1561 and 1652. Explores the social and psychological conflicts that lay behind the making of accusations and confessions of witchcraft. Offers insights into other areas of early modern life, such as experiences of and beliefs about communal conflict, magic, motherhood, childhood and illness. Offers a critique of existing explanations for the gender bias of witch-trials, and a new explanation as to why most witches were women.
