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Middle English literature is intimately concerned with sleep and the spaces in which it takes place. In the medieval English imagination, sleep is an embodied and culturally determined act. It is both performed and interpreted by characters and contemporaries, subject to a particular habitus and understood through particular hermeneutic lenses. While illuminating the intersecting medical and moral discourses by which it is shaped, sleep also sheds light on subjects in favour of which it has hitherto been overlooked: what sleep can enable (dreams and dream poetry) or what it can stand in for or supersede (desire and sex). This book argues that sleep mediates thematic concerns and questions in ways that have ethical, affective and oneiric implications. At the same time, it offers important contributions to understanding different Middle English genres: romance, dream vision, drama and fabliau.
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In "You Make My Dreams" von Gabriella Santos de Lima folgen wir der 19-jährigen Audrey, die sich nichts sehnlicher wünscht, als Schauspielerin zu werden. Um ihren Traum zu verwirklichen, zieht sie von Florida nach New York, um an der renommierten Juilliard School of Performing Arts zu studieren, trotz ihrer Abneigung gegen die Stadt, die durch die Trennung von ihrer Mutter, einer Frau, die ihre Familie für ihre Karriere verlassen hat, verstärkt wird. In New York fühlt sich Audrey verloren und allein, bis sie durch ein anonymes Mailprogramm namens NewInYork Bennett29 kennenlernt. Trotz eines zunächst fast abweisenden Austauschs entwickelt sich schnell eine tiefe und persönliche Verbindung zwischen ihnen, die Audrey dazu bringt, ihre Wächter herunterzulassen und zu glauben, dass sie vielleicht doch nicht die Einzige mit Geheimnissen ist. Während die Beziehung zwischen Audrey und Bennett29 wächst, wird Audrey mit den Herausforderungen konfrontiert, die sowohl ihr Studium als auch das komplizierte Verhältnis zu ihrer Mutter und ihrer neuen Umgebung mit sich bringen. Der anonyme Austausch wird zu einem sicheren Hafen, in dem sie sich gegenseitig unterstützen und ermutigen, aber auch Audrey dazu bringen, sich ihren Ängsten und der Realität ihres Lebens in New York zu stellen. Das Mysterium um Bennetts wahre Identität und Audreys Kampf, ihre Träume zu verfolgen, während sie versucht, ihre Vergangenheit zu bewältigen und zu verstehen, was Familie und Liebe wirklich bedeuten, treibt die Handlung voran. "You Make My Dreams" ist eine Geschichte über das Erwachsenwerden, die Suche nach Identität und die Macht der Liebe und Freundschaft, die uns hilft, unsere tiefsten Träume zu verwirklichen. Entdecke die Welt der Schauspielkunst an der renommierten Juilliard School durch die Augen der jungen, ambitionierten Audrey. Eine Geschichte über Träume, Entschlossenheit und die unerwarteten Wendungen des Lebens. Tauche ein in die komplexe Dynamik zwischen persönlichen Ambitionen und familiären Bindungen. Erlebe eine moderne Liebesgeschichte, die sich in der Anonymität des Internets entfaltet. Begleite Audrey auf ihrer Reise der Selbstfindung, Konfrontation mit der Vergangenheit und dem Streben nach Vergebung. Für Fans von emotionalen Geschichten über junge Menschen an der Schwelle zum Erwachsenwerden. Ein Roman über die Kraft der Freundschaft, die Bedeutung von Vertrauen und die Suche nach der eigenen Identität. Faszinierendes Setting in New York City, das die Herausforderungen und Chancen des Großstadtlebens einfängt. Ein packendes Leseerlebnis, das zeigt, wie wichtig es ist, für seine Träume zu kämpfen und sich selbst treu zu bleiben.
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How might our friendships shape our politics? This book examines how contemporary American fiction has rediscovered the concept of civic friendship and revived a long tradition of imagining male friendship as interlinked with the promises and paradoxes of democracy in the United States. Bringing into dialogue the work of a wide range of authors - including Philip Roth, Paul Auster, Michael Chabon, Jonathan Lethem, Dinaw Mengestu, and Teju Cole - this innovative study advances a compelling new account of the political and intellectual fabric of the American novel today.
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American society today provides a balanced introduction to the defining features of contemporary American society. Includes the ways in which the US can be considered 'exceptional' - the character of the 'American dream', the role of ethnicity and race, and the differences between the regions. Considers in depth a number of contemporary debates including the claim that the US economy has lost its capacity to generate wealth and stimulate mobility, that there has been a process of civic disengagement as voluntary organisations have lost members, and that the traditional family is in decline. Includes a thorough investigation of the effects of the terrorist attacks of September 11 and their aftermath. Looks at the arguments put forward by those who assert that a common American identity has given way to a multitude of conflicting identities structured around factors such as race, ethnicity, gender and sexuality. ;
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35 Jahre lang hat John E. Woods Arno Schmidt übersetzt, fast das gesamte literarische Werk des deutschen Schriftstellers übertrug der Amerikaner in seine Muttersprache. Die erste Schmidt-Lektüre war für ihn eine »Explosion« – mit Schmidts »Evening Edged in Gold« (»Abend mit Goldrand«) hat der preisgekrönte Übersetzer seine Karriere einst begonnen, dessen wichtigstes und umfangreichstes Werk hob sich Woods bis zum Schluss auf: Jetzt liegt der Überroman »Zettel’s Traum« endlich auf Englisch vor. Schmidts Sprachspiele, eine Herausforderung für jeden Übersetzer, hat Woods immer kreativ in die flexible englische Sprache übertragen, und manchmal ist seine Lösung witziger als das Original. John E. Woods über Bottom’s Dream: »›I have had a dream past the wit of man to say what dream it was,‹ says Bottom. ›I have had a dream, and I wrote a Big Book about it,‹ Arno Schmidt might have said. Schmidt’s rare vision is a journey into many literary worlds. First and foremost it is about Edgar Allan Poe, or perhaps it is language itself that plays that lead role; and it is certainly about sex in its many Freudian disguises, but about love as well, whether fragile and unfulfilled or crude and wedded.«
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This book examines the television serials created by influential showrunner David Simon. The book argues that Simon's main theme is the state of the contemporary American city and that all of his serials (barring one about the Iraq War) explore different facets of the metropolis. Each series offers distinctly different visions of the American city, but taken together they represent a sustained and intricate exploration of urban problems in modern America. From deindustrialisation in The Wire and residential segregation in Show Me a Hero to post-Katrina New Orleans in Treme and the transformation of the urban core in The Deuce, David Simon's American city traces the urban through-line in Simon's body of work. Based on sustained analysis of these serials and their engagement with contemporary politics and culture, David Simon's American city offers a compelling examination of one of television's most arresting voices.
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Politischer Größenwahn und das Verblassen des amerikanischen Traums, die Fragilität der liberalen Demokratie, aber auch Antisemitismus, Rassismus und Misogynie: Ohne Bezug auf die Schlüsselgefühle der explosiven Moderne lassen sie sich weder verstehen noch einhegen oder bekämpfen. Angst, Enttäuschung, Wut, aber auch Scham oder Liebe – Eva Illouz blickt auf unsere aufgewühlte Zeit aus der Perspektive der Gefühle, die fest in die sozialen Arrangements der westlichen Moderne eingebaut sind und von ihrer Ökonomie, Politik und Kultur intensiv bewirtschaftet werden. Gefühle sind psychologisch relevant, moralisch bedeutsam, politisch wirksam – und hochgradig ambivalent. Das macht die Gegenwart, in der wir leben, so brisant, ja explosiv. In einer meisterlichen Komposition aus soziologischen Analysen, historischen Miniaturen und Lektüren ikonischer Werke der Weltliteratur porträtiert Illouz die Emotionen, die unsere Gesellschaft unter Hochspannung setzen.
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A Midsummer Night's Dream is Shakespeare's most enchanting comedy, and in the twentieth century it has become perhaps his most popular play. It contains some of Shakespeare's loveliest poetry and is one of his most complex and effective dramatic structures. After an historical survey of the Dream from Shakespeare's time through to the nineteenth century, Jay Halio focuses primarily on twentieth century productions and adaptations, for film and television as well as for the stage. Chapters are devoted to productions by Max Reinhardt, Peter Hall, Robert Lepage, and especially to Peter Brook's landmark production in 1970 and the reactions to it. Using a wealth of personal experience, as well as original promptbooks and critical reviews, Halio shows how differently but still very effectively the play may be staged, as the wide variety of plays he records. This second, enlarged edition contains three new chapters on Adrian Noble's RSC production and film, Michael Hoffman's film, and the Dream in China. Written in clear, jargon-free language, this is the only book so far in print that offers an extended study of major twentieth-century productions of the Dream in their historical context.
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The untold story of the world's most famous neon sign and the extraordinary woman who created it. Las Vegas in the 1950s and 1960s was a city coming out of wartime and into the public eye. All it needed was the right person to light it up - and against all the odds, that person was Betty Willis. With the Cold War heating up and A-bomb tests going off just outside of town, Willis led a diverse team of glassblowers, metalworkers and electricians in a bold project to illuminate the desert sky. Her iconic neon creations would attract gamblers, filmmakers and artists from across the world. But working in an industry dominated by men, in a town run by the mob, presented its share of challenges. Welcome to fabulous Las Vegas charts the career of one of the twentieth century's most brilliant designers. It is an epic tale of a city and the people who built it, from famous showgirls and entertainers with their names in lights to the women and men working behind the scenes.
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Freud's The Interpretation of Dreams, published in 1900, has been one of the most influential texts of the modern era, fundamentally changing the ways in which people have thought about their waking lives as well as their dreams. This book, more than any other in Freud's massive oeuvre, has shaped a vast amount of work in linguistics and semiotics, literary studies, film theory, psychology, philosophical hermeneutics and the history of ideas. This influence is reflected in the editor's introduction, which includes a substantial discussion of the theory and practice of representation, and the six essays specially commissioned for this volume. The contributors are renowned for their knowledge of Freudian theory and for their interdisciplinary expertise in a wide range of fields. They examine, for example, the relationship of Freud's text to theories of interpretation, autobiography and literary production. The book as a whole gives a clear sense both of the context of Freud's text and of its influence throughout the twentieth century. This volume is an ideal introduction to Freud's work for students and teachers of English and other literatures, philosophy and social and cultural studies, as well as the wider audience concerned with psychoanalysis and its cultural ramifications. ;
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The politics of Middle English parables examines the dynamic intersection of fiction, theology and social practice in late-medieval England. Parables occupy a prominent place in Middle English literature, appearing in dream visions and story collections as well as in lives of Christ and devotional treatises. While most scholarship approaches the translated stories as stable vehicles of Christian teaching, this book highlights the many variations and points of conflict across Middle English renditions of the same story. In parables related to labour, social inequality, charity and penance, the book locates a creative theological discourse through which writers attempted to re-construct Christian belief and practice. Analysis of these diverse retellings reveals not what a given parable meant in a definitive sense but rather how Middle English parables inscribe the ideologies, power structures and cultural debates of late-medieval Christianity.
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The first book to share the untold story of this unique sport, from its origins in the Victorian era to the present day. Over the past two decades, mountain, ultra and trail running has experienced a massive boom in participation, media attention and corporate consumerism. Once little more than an oddball recreation for mountain athletics romantics, the sport has become a mass activity in ways that were previously unimaginable. In Dirtbag dreams, Carl Morris offers the first complete account of mountain, ultra and trail running in North America and Britain. Revealing the sport's eccentric Victorian origins, he traces its development through 200 years of history, travelling from the Sierra Nevada and the English Lake District to the streets of London and New York. Packed with gripping races and colourful characters, Dirtbag dreams is the essential companion for anyone who wants to understand this unique endurance sport.
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