Corregidor is an independent Argentine publisher with more than five decades, dedicated to publishing and distributing a catalog focused in Latin American and Argentine literature.
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In Buenos Aires blühte seit jeher das kulturelle Leben. Hier lebten nicht nur Jorge Luis Borges, Julio Cortázar, der Tangokönig Carlos Gardel und Diego Maradona, hier logierten Ana Pavlova und Manuel de Falla im ersten Hotel der Stadt, die Großen der Opernwelt – Caruso, Karajan, Toscanini, Callas – gastierten am Teatro Colón, Antoine de Saint-Exupéry entwarf seinen Vol de nuit in einem der ersten Hochhäuser der Stadt und Federico García Lorca war monatelang die Attraktion der Theaterwelt. Sieglinde Oehrlein führt den Leser auf den Spuren dieser und anderer Persönlichkeiten durch die Stadt und an so manche versteckte Orte, an die es normalerweise keinen Touristen verschlägt.
Assemblages of cancer illustrates the tensions in the experiences and context of breast cancer in Western Europe. Breast cancer is presented as a success story in oncology, especially in countries with advanced, universal healthcare systems. At the same time, individual experiences are shaped by uncertainty, local variability of healthcare provisions, and the need for patients to assemble information about the treatments, knowledge on healthcare systems navigation, and different processes of meaning-making to manage the uncertainty and variability characterising individual outcomes. The book explores both how individual bodies and experiences are transformed by different local medical practices, institutions and discourses of breast cancer and how patients need to find their own way in these contexts. Assemblages of cancer is based on ten years of ethnographic work with patients and medical professionals in the UK, France and Italy.
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Activating the Knee provides 120 exercises to stretch, strengthen and improve mobility, with detailed photographs and clear instructions. They can be combined to create a personalized exercise program.
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This book examines human disappearances anthropologically in various contexts, ranging from enforced disappearances under oppressive governments and during armed conflicts to disappearing undocumented migrants and, finally, to people who go missing under more everyday circumstances. Two focuses run through the book: the relationship between the state and disappearances, and the consequences of disappearances for the families and communities of missing persons. The book analyses both the circumstances that make some people disappear and the variety of responses that disappearances give rise to; the latter include projects focused on searching for the missing and identifying human remains, as well as political projects that call for accountability for disappearances. While providing empirical examples from a variety of places, with Bosnia-Herzegovina as they key empirical site, the book develops an analytic grip on the slippery category of the 'disappeared'.
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»Ein Liebhaberbändchen zum Mit-sich-Herumschleppen (nicht nur in Paris), zum Fotos-Anschauen (Paris, wie es einmal war, von unnachahmlichem Zauber), zum Sich-Freuen, daß es solche Bücher noch gibt.« BuchJournal
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Cancer patients often suffer from malnutrition. Not only do they lack energy-providing macronutrients such as protein, fats and carbohydrates, they particularly lack the micronutrients that regulate the metabolism. Micronutrients such as vitamin D, selenium, L-carnitine, omega-3 fatty acids and vitamin C significantly contribute to supporting the immune system of cancer patients, reducing inflammatory processes, alleviating the side effects of cancer therapy, and improving their quality of life. This patient guide provides information about the relationship between cancer, malnutrition, micronutrient deficiencies, the influence of cancer therapeutics on micronutrient balance, and how cancer patients can support their therapy and improve their quality of life with a controlled intake of micronutrient
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Paris 1838: Ein geheimnisvoller deutscher Herzog kämpft in den verrufensten Gegenden der Stadt für Gerechtigkeit, denn im Labyrinth der nächtlichen Gassen treiben so allerhand finstre Gestalten ihr Unwesen. Eugène Sue (1804-1857) gehört zu den meistgelesenen Autoren des 19. Jahrhunderts. Die Geheimnisse von Paris wurden bei Erscheinen 1843 schlagartig zum Bestseller. Einer der spannendsten und furiosesten Romane der europäischen Literatur!
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Milde Septembertage in Paris: Nach fast dreißig Jahren kehrt Eric zurück in die Stadt, von der er einmal gehofft hatte, sie würde ihm die Erfüllung bringen. Statt dessen brachten ihn die Tage mit Claudine an den Rand der Verzweiflung – Claudine mit ihren hellen, fast weißblonden Haaren, die Hände in den Taschen ihres grünen Mantels vergraben. Jetzt scheint eine Wiederbegegnung möglich. Und es stellt sich die Frage, ob »einer nicht genauso aus dem besteht, was er nicht gelebt hat, wie aus dem, was durch Zufall seine Wirklichkeit geworden ist«. -- Mit Zeichnungen von Nanne Meyer.
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The decision for cancer treatment has been taken and now a difficult time begins for the cancer patient: complex treatment regimens, side effects, fear. As a trusted confidant and competent point of contact in primary care, the pharmacist is called upon to play a key role. This collection of up-to-date articles provides support in the management of side effects from nausea to cardiotoxicity, gives assistance in interpreting warning signs of complications and highlights particular groups of patients such as pregnant women, geriatric, cachectic or palliative patients.
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Als Junge träumt Silvio Astier davon, edler Bandit zu werden, verworfener Dichter oder aber großer Erfinder. An der erniedrigenden Existenz im Vorort von Buenos Aires jedoch prallt sein Lebensdrang immer wieder ab. Als er sich um alle Möglichkeiten betrogen sieht, treibt er sein Leben durch den Verrat eines Kumpels auf die Spitze: eine Selbstrettung durch das Böse. Erbittert unharmonischer Entwicklungsroman, der den Furor des Lebendigseins feiert; harscher Schnitt in eine soziale Randwirklichkeit in einer expressiven, radikal subjektiven Sprache – das ist Das böse Spielzeug von 1926, womit der literarische Außenseiter Roberto Arlt (1900–1942) den südamerikanischen Roman revolutionierte: auf verstörende Art lebendig bis heute.
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Heresy and inquisition in France, 1200-1300 is an invaluable collection of primary sources in translation, aimed at students and academics alike. It provides a wide array of materials on both heresy (Cathars and Waldensians) and the persecution of heresy in medieval France. The book is divided into eight sections, each devoted to a different genre of source material. It contains substantial material pertaining to the setting up and practice of inquisitions into heretical wickedness, and a large number of translations from the registers of inquisition trials. Each source is introduced fully and is accompanied by references to useful modern commentaries. The study of heresy and inquisition has always aroused considerable scholarly debate; with this book, students and scholars can form their own interpretations of the key issues, from the texts written in the period itself.
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Instead of modernity goes to the very heart of comparative cultural study: the question of what happens when intimate, dynamic connections are made over place and time, what it is to feel at home amid the lavish diversity of culture. This ambitious interdisciplinary book reconsiders foundational figures of the modern western canon, from Darwin to Cameron, Baudelaire to Whistler. It weaves together brain images from France, preserved insects from the Americas, glass in London, poetry from Argentina, paintings from Spain. Flaubert, Whitman, and Nietzsche find themselves with Hostos from Puerto Rico and Gorriti from Argentina. The book ranges over theoretical fields: trauma and sexuality studies, theories of visuality, the philosophy of sacrifice and intimacy, the thought of Wittgenstein. Instead of modernity is an adventure in the practice of comparative writing: resonances join suggestively over place and time, the textures of words, phrases and images combine to form moods.
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The Russian Revolution of 1917 was not just a world-historical event in its own right, but also struck powerful blows against racism and imperialism, and so inspired many black radicals internationally. This edited collection explores the implications of the creation of the Soviet Union and the Communist International for black and colonial liberation struggles across the African diaspora. It examines the critical intellectual influence of Marxism and Bolshevism on the current of revolutionary 'black internationalism' and analyses how 'Red October' was viewed within the contested articulations of different struggles against racism and colonialism. Challenging European-centred understandings of the Russian Revolution and the global left, The Red and the Black offers new insights on the relations between Communism, various lefts and anti-colonialisms across the Black Atlantic - including Garveyism and various other strands of Pan-Africanism. The volume makes a major and original intellectual contribution by making the relations between the Russian Revolution and the Black Atlantic central to debates on questions relating to racism, resistance and social change.
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This book offers a nuanced snapshot of the complex geopolitical dynamics in the Persian Gulf, underlining the interaction between Iran, Saudi Arabia, and the US. Examining their interwoven relations since the 1970s, Luíza Cerioli's framework reveals how changes in US-Saudi ties have ripple effects on Iran-US and Iran-Saudi relations and vice versa. Using a historical lens, she explores how enduring US-Saudi connections hinge on order expectations, delves into the cognitive factors shaping US-Iran enmity and traces the source of oscillation in the Saudi-Iran ties. Employing Neoclassical Realism, the book investigates status-seeking, national identities and leadership preferences, offering a deeper understanding of the region's multipolar system. By combining International Relations and Middle East Studies, Cerioli's work contributes to both fields, unravelling the intricate interplay between international structures, regional nuances and agency in shaping Persian Gulf geopolitics.
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»Schriftsteller haben zwei Länder, eines, wohin sie gehören, und eines, in dem sie wirklich leben …, um darin frei zu sein.« Paris Frankreich ist eine beredte Liebeserklärung der Amerikanerin Gertrude Stein (1874-1946) an Paris, die Stadt ihrer Wahl, die »denjenigen von uns entsprach die die Kunst und Literatur des zwanzigsten Jahrhunderts schaffen sollten«, und an das Land insgesamt. Sie beschäftigt sich mit der Hauptstadt ebenso wie mit dem ganzen Land - sowie mit ihren Befürchtungen angesichts des heraufziehenden Kriegs. Paris, France wurde an dem Tag veröffentlicht, als Paris vor den Deutschen kapitulierte, was Gertrude Steins leidenschaftlich vertretenem Selbstbetrug, der sie hatte behaupten lassen, einen (zweiten) Weltkrieg werde es nicht geben, den Garaus machte.
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Despite the scholarship and political activism devoted to keeping the memory of the Paris Commune alive, there still remains much ignorance both in France and elsewhere, about the traumatic civil war of 1871; some 20,000 to 35,000 people were killed on the streets of Paris in just the final week of the conflict. Colette Wilson identifies a critical blind-spot in French studies and employs new critical approaches to neglected texts, marginalised aspects of the illustrated press, early photography and a selection of novels by Emile Zola. This book will be of interest to students and academics studying France in the nineteenth century from a number of different perspectives war and revolution studies, cultural studies, history and cultural memory, literature, art history, photography, the illustrated press, city studies and human geography. The book will appeal equally to all lovers of Paris who wish to know and understand more about the city's turbulent past. ;
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Despite the scholarship and political activism devoted to keeping the memory of the Paris Commune alive, there still remains much ignorance both in France and elsewhere, about the traumatic civil war of 1871; some 20,000 to 35,000 people were killed on the streets of Paris in just the final week of the conflict. Colette Wilson identifies a critical blind-spot in French studies and employs new critical approaches to neglected texts, marginalised aspects of the illustrated press, early photography and a selection of novels by Emile Zola. This book will be of interest to students and academics studying France in the nineteenth century from a number of different perspectives war and revolution studies, cultural studies, history and cultural memory, literature, art history, photography, the illustrated press, city studies and human geography. The book will appeal equally to all lovers of Paris who wish to know and understand more about the city's turbulent past.
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