Callisto Media
Callisto Media’s scientific approach marries data and technology with deep publishing expertise to accurately identify unmet demand and create exactly the book that consumers are seeking.
View Rights PortalCallisto Media’s scientific approach marries data and technology with deep publishing expertise to accurately identify unmet demand and create exactly the book that consumers are seeking.
View Rights PortalCalixta Editores is a Colombian publishing house, creative and avant-garde, whose main objective is to support and promote literary culture and to generate cultural spaces, where opportunities are created to share new projects and opinions.We are a company that has been consolidating itself in the market for six years as a proper publisher, well-known for the publication of new authors, especially Colombians. Our purpose is to spread and encourage the culture of reading and writing to generate active participation from authors in the cultural and artistic movement of the country.Divided into five thematic lines, we have more than 100 titles and 70 authors, what makes us one of the most active independent publishing on the market.
View Rights PortalDundee had an interesting role to play in the jute trade, but the main player in the story of jute was Calcutta. This book follows the relationship of jute to empire, and discusses the rivalry between the Scottish and Indian cities from the 1840s to the 1950s and reveals the architecture of jute's place in the British Empire. The book adopts significant fresh approaches to imperial history, and explores the economic and cultural landscapes of the British Empire. Jute had been grown, spun and woven in Bengal for centuries before it made its appearance as a factory-manufactured product in world markets in the late 1830s. The book discusses the profits made in Calcutta during the rise of jute between the 1880s and 1920s; the profits reached extraordinary levels during and after World War I. The Calcutta jute industry entered a crisis period even before it was pummelled by the depression of the 1930s. The looming crisis stemmed from the potential of the Calcutta mills to outproduce world demand many times over. The St Andrew's Day rituals in Calcutta, begun three years before the founding of the Indian Jute Mills Association. The ceremonial occasion helps the reader to understand what the jute wallahs meant when they said they were in Calcutta for 'the greater glory of Scotland'. The book sheds some light on the contentious issues surrounding the problematic, if ever-intriguing, phenomenon of British Empire. The jute wallahs were inextricably bound up in the cultural self-images generated by British imperial ideology.
The new activity of trans-continental civil flying in the 1930s is a useful vantage point for viewing the extension of British imperial attitudes and practices. Cultures and caricatures of British imperial aviation examines the experiences of those (mostly men) who flew solo or with a companion (racing or for leisure), who were airline passengers (doing colonial administration, business or research), or who flew as civilian air and ground crews. For airborne elites, flying was a modern and often enviable way of managing, using and experiencing empire. On the ground, aviation was a device for asserting old empire: adventure and modernity were accompanied by supremacism. At the time, however, British civil imperial flying was presented romantically in books, magazines and exhibitions. Eighty years on, imperial flying is still remembered, reproduced and re-enacted in caricature. ;