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      • Nashre-Cheshmeh Publishing House

        Nashre-Cheshmeh is a family business with more than 100 employees. It is one of the most active private publishing houses of the country with more than 1500 books, an annual number of 130 new ones, and six bookstores. The house has been working for more than 35 years, publishing the works of the most significant Iranian writers, poets, and translators, and the young generation of the best Iranian literary figures of the country. Many of these writers have novels, short stories, or poems published, or going to be published, in the European countries, the US, and Asia. We have always supported Iran’s joining the Berne Convention, thus tried to acquire the Persian translation rights for the titles we publish, such as the books by Orhan Pamuk, Steve Toltz, Patrick Modiano, Javier Marias, Rolf Dobelli, Alain Badiou, Klaus Modick, Ben Clanton, Siri Kolu.

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      • Le Cheval d'août

        Le Cheval d'août is an independent publishing company located in Montréal (Québec, Canada) that specializes in fictional contemporary literature, from the novel to non-fictional genres. Passionate about new voices, original and pertinent forms, its catalog has quickly acquired a name for itself and has won the favors of critics and readers. Its authors have earned several distinctions, are translated in Canada and in Europe, and have seen their books enjoy a second life through various adaptations.

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      • Trusted Partner
        September 2017

        Die Wege der Tiere

        Ihre Wanderungen an Land, zu Wasser und in der Luft – in 50 Karten

        by Cheshire, James; Uberti, Oliver / Übersetzt von Block, Claudia

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      • Trusted Partner
        Fiction
        September 2017

        A Vision of Battlements

        by Anthony Burgess

        by Andrew Biswell, Paul Wake

        A Vision of Battlements is the first novel by the writer and composer Anthony Burgess, who was born in Manchester in 1917. Set in Gibraltar during the Second World War, the book follows the fortunes of Richard Ennis, an army sergeant and incipient composer who dreams of composing great music and building a new cultural world after the end of the war. Following the example of his literary hero, James Joyce, Burgess takes the structure of his book from Virgil's Aeneid. The result is, like Joyce's Ulysses, a comic rewriting of a classical epic, whose critique of the Army and the postwar settlement is sharp and assured. The Irwell Edition is the first publication of Burgess's forgotten masterpiece since 1965. This new edition includes an introduction and notes by Andrew Biswell, author of a prize-winning biography of Anthony Burgess.

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        Humanities & Social Sciences
        June 2012

        Cultures and caricatures of British imperial aviation

        Passengers, pilots, publicity

        by Gordon Pirie, Andrew Thompson, John Mackenzie

        The new activity of trans-continental civil flying in the 1930s is a useful vantage point for viewing the extension of British imperial attitudes and practices. Cultures and caricatures of British imperial aviation examines the experiences of those (mostly men) who flew solo or with a companion (racing or for leisure), who were airline passengers (doing colonial administration, business or research), or who flew as civilian air and ground crews. For airborne elites, flying was a modern and often enviable way of managing, using and experiencing empire. On the ground, aviation was a device for asserting old empire: adventure and modernity were accompanied by supremacism. At the time, however, British civil imperial flying was presented romantically in books, magazines and exhibitions. Eighty years on, imperial flying is still remembered, reproduced and re-enacted in caricature. ;

      • Trusted Partner
        Film theory & criticism
        February 2014

        The Encyclopedia of British Film

        Fourth edition

        by Edited by Brian McFarlane

        With well over 6,300 articles, including over 500 new entries, this fourth edition of The Encyclopedia of British Film is a fully updated invaluable reference guide to the British film industry. It is the most authoritative volume yet, stretching from the inception of the industry to the present day, with detailed listings of the producers, directors, actors and studios behind a century or so of great British cinema. Brian McFarlane's meticulously researched guide is the definitive companion for anyone interested in the world of film. Previous editions have sold many thousands of copies and this fourth edition will be an essential work of reference for enthusiasts interested in the history of British cinema, and for universities and libraries.

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