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      • Claret Press

        Claret Press is an independent press based in London. Our books are now read and enjoyed all over the world. We specialise in mysteries and thrills and chronicles and memoirs.

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      • Clare Painter Associates Ltd

        Licensing digital rights can be complicated and time-consuming. For 15 years our digital licensing agency, founded by pioneering digital publisher David Attwooll (as Attwooll Associates), has guided publishers through rapid and complex digital change. Clare and her small team of digital rights experts take a personal approach to each publisher, recommending specific licences and digital business models. We attend the book fairs in London and Frankfurt each year, and deal regularly with over 50 e-vendors across all sectors of the market: professional, academic, educational, and consumer.

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      • Trusted Partner
        August 2010

        Managing Complexity by Modelling Dependencies

        Proceedings of the 12th International DSM Conference Cambridge, UK, 22 and 23 July 2010 (Print-on-Demand)

        by Wynn, David C.; Kreimeyer, Matthias; Eben, Katharina; Maurer, Maik; Lindemann, Udo; Clarkson, John

      • Trusted Partner
        Humanities & Social Sciences
        March 2007

        ‘Chords of freedom’

        Commemoration, ritual and British transatlantic slavery

        by J. R. Oldfield

        How should we as Britons remember transatlantic slavery? How has slavery been remembered in the past? 'Chords of freedom' sets out to answer these questions and, in doing so, traces the way in which British transatlantic slavery has been absorbed into the nation's collective memory. By combining two current historiographical preoccupations - the construction of public memory and British transatlantic slavery - this fascinating book focuses on the way in which the British traditionally have been taught to view transatlantic slavery through the moral triumph of abolition. The author traces the construction of this national history through a number of case studies, including visual images, literary memorials (the competing accounts of the anti-slavery movement produced by Thomas Clarkson and Robert and Samuel Wilberforce), monument-memorials, galleries and museums, and commemorative rituals from the nineteenth century to the present day. A separate chapter also considers how Britain's example in abolishing first the slave trade (1807) and then colonial slavery (1833-34) impacted on the rituals of the American anti-slavery movement, and served as a convenient symbol of the potential of freedom in the British West Indies. 'Chords of freedom' offers valuable new insights into the way in which a 'culture of abolition' took root in Britain, and how our views of transatlantic slavery and figures like William Wilberforce have been revised and amended to reflect the changing demands of a series of 'present days'. Its cross-disciplinary approach will appeal to a broad spectrum of specialists, as well as to undergraduates and postgraduates. ;

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