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        Humanities & Social Sciences
        February 2024

        The history of emotions

        by Rob Boddice

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        April 2015

        Eine Liebe in Prag

        Roman

        by Jean-Michel Guenassia, Eva Moldenhauer

        Tagsüber studiert er Medizin, des Nachts erobert er die Herzen der Frauen: Josef Kaplan, angehender Arzt, sozialistischer Träumer, begnadeter Tangotänzer, charmanter Herzensbrecher – und Jude. Als er in den 1930er Jahren vor den Nazis ins Exil flieht, führt ihn sein Weg von Prag nach Paris und von dort weiter nach Algerien. In Algier findet er in einer schönen französischen Schauspielerin die Liebe seines Lebens – Christine. Nach dem Krieg kehrt das Paar gemeinsam nach Prag zurück, doch das Glück ist nur von kurzer Dauer …

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        May 2011

        Prag

        Literarische Spaziergänge

        by Wolfgang Dömling

        Prag - die goldene Stadt an der Moldau. Seit je wurde hier Geschichte geschrieben. Sei es der Prager Fenstersturz als Auslöser des Dreißigjährigen Krieges, oder die bewegende Rede Genschers im September 1989, die Tausenden DDR-Bürgern die Ausreise in die BRD ermöglichte. Doch in den Gassen entlang des Altstädter Rings gibt es noch einiges mehr zu entdecken als Prager Burg und Karlsbrücke. Wolfgang Dömling führt den Leser auf ausgewählten Spaziergängen vorbei an prachtvollen Palais und Kirchen zu beschaulichen und denkwürdigen Orten, stets auf den Spuren großer Autoren wie Franz Kafka, Bohumil Hrabal, Rainer Maria Rilke u. v. a. Mit Stadtplanauszügen und Serviceteil.

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        The Arts
        March 2006

        Art history

        A critical introduction to its methods

        by Michael Hatt, Charlotte Klonk

        Art History: A critical introduction to its methods provides a lively and stimulating introduction to methodological debates within art history. Offering a lucid account of approaches from Hegel to post-colonialism, the book provides a sense of art history's own history as a discipline from its emergence in the late-eighteenth century to contemporary debates. By explaining the underlying philosophical and political assumptions behind each method, along with clear examples of how these are brought to bear on visual and historical analysis, the authors show that an adherence to a certain method is, in effect, a commitment to a set of beliefs and values. The book makes a strong case for the vitality of the discipline and its methodological centrality to new fields such as visual culture. This book will be of enormous value to undergraduate and graduate students, and also makes its own contributions to ongoing scholarly debates about theory and method. ;

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        Humanities & Social Sciences
        March 2017

        Law, history, colonialism

        The reach of empire

        by Diane Kirkby, Andrew Thompson, Catharine Coleborne, John M. MacKenzie

        Drawing on the latest contemporary research from an internationally acclaimed group of scholars, Law, history, colonialism bring together the disciplines of law, history and postcoloinial studies in a singular exploration of imperialism. In fresh, innovative essays from a range of disciplinary backgrounds, this collection offers exciting new perspectives on the length and breadth of empire. As issues of native title, truth and reconciliation commission, and access to land and natural resources are contested in courtrooms and legislation of former colonies, the disciplines of law and history afford new ways of seeing, hearing and creating knowledge. Issues explored include the judicial construction of racial categories, the gendered definitions of nation-states, the historical construction of citizenship, sovereignty and land rights, the limits to legality and the charting of empire, constructions of madness among colonised peoples, reforming property rights of married women, questions of legal and historical evidence, and the rule of law. This collection will be an indispensable reference work to scholars, students and teachers.

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        Humanities & Social Sciences
        April 2010

        Law, history, colonialism

        The reach of empire

        by Diane Kirkby, Andrew Thompson, Catharine Coleborne, John Mackenzie

        Drawing on the latest contemporary research from an internationally acclaimed group of scholars, Law, history, colonialism brings together the disciplines of law, history and post-colonial studies in a singular exploration of imperialism. In fresh, innovative essays from a range of disciplinary backgrounds, this collection offers exciting new perspectives on the length and breadth of empire. As issues of native title, truth and reconciliation commissions, and access to land and natural resources are contested in courtrooms and legislation of former colonies, the disciplines of law and history afford new ways of seeing, hearing and creating knowledge. Issues explored include the judicial construction of racial categories, the gendered definitions of nation-states, the historical construction of citizenship, sovereignty and land rights, the limits to legality and the charting of empire, constructions of madness among colonised peoples, reforming property rights of married women, questions of legal and historical evidence, and the rule of law. This collection will be an indispensable reference work to scholars, students and teachers. ;

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        Humanities & Social Sciences
        February 2018

        The story of Alderley

        by A. J. N. W. Prag

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        2020

        History of the German Language

        A textbook for German studies; Part 1: Introduction, prehistory and history; Part 2: Old High German, Middle High German and Early New High German

        by Wilhelm Schmidt, Edited by Dr. Elisabeth Berner and Prof. Dr. Dr. h.c. Dr. h.c. Norbert Richard Wolf

        The 12th revised and updated version of the History of the German language – long regarded as an indispensable standard work for German Studies, has just been published. From now on, this comprehensive textbook on the history of the language is divided into two volumes. In addition to introducing questions about historical linguistics, the first volume provides a detailed account of the prehistory and history of German right up to the present day. Based on extensive source analyses, the focus is on aspects of culture and social history; only the chapters on the Indo-Germanic and Germanic language include key information about structural history. The second part contains concise, but readily understandable accounts of Old, Middle and Early New High German in terms of phonology, graphemics, morphology and syntax. Not only are synchronous descriptions given of the particular language period, but also the development of German language construction at all structural levels is explained. The association of grammatical synchrony and structural diachrony is a particular characteristic of this second part of Schmidt’s work on the history of language.

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        The Arts
        March 2026

        Abnormal peripheries

        Slovak and Czech performance art in the 1960s and 70s

        by Sam Cermak

        This book traces an early history of performance art from the former Czechoslovakia, which emerged in the 1960s and 1970s in the context of the Prague Spring and the subsequent policy of Normalization that brought on cultural censorship, prosecution, and state violence against artists. The book draws on Czech and Slovak scholarship as well as primary research in archives, interviews, and fieldwork to dispel misreadings of visual and cultural idioms in pre-existing Anglophone scholarship about the region. Although the former Soviet Bloc is often equated with repression and lack of experimental art in public spaces, performance artists within the former Socialist Czechoslovakia often used public, semi-public and clandestine spheres to create their performances. By analysing both works of established artists such as Aktual, Alex Mlynárcik, Petr Stembera, Jan Mlcoch, as well as under-theorised practitioners including Luba Lauffová, Karel Miler, Temporary Society of Intense Living, and Crusaders School of Pure Humour with no Joke, this book analyses how performance can survive and sometimes even thrive on the background of a politically oppressive regime. Cermak tells a unique story of localised resistance to a monolithic public sphere through artistic intervention, a closely knit community, artistic exchange, and agonistic reframing of socialism as a philosophy rather than state ideology.

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