Your Search Results
-
-
Baerli und der Rotnasige
Bärli und der Rotnasige ist liebevoll illustriert von Michael Stefer und witzig getextet von Helga Kleisny: Ein Flugzeugkapitän und eine Luftfahrtjournalistin, die in Corona-Zeiten in einem Buch den Charme von Janosch-Zeichungen, die illustre Welt einer Alice im Wunderland und die Lebensweisheiten des Kleinen Prinzen vereinen.
View Rights Portal
-
Promoted Content
-
Promoted Content
-
Trusted Partner
Literature & Literary StudiesNovember 2011The Humorous Magistrate (Osborne)
by Jacqueline Jenkins, Mary Polito
The Humorous Magistrate is a seventeenth-century satiric comedy extant in two highly distinctive manuscripts. The earliest and clearly working draft of the play is bound with three other plays (including The Emperor's Favourite, published by the Malone Society in 2010) in a volume in the library of the Newdigate family of Arbury Hall, Nuneaton, Warwickshire. This, the second version, showing yet another stage of revision not found in the Arbury manuscript and orientated towards performance, was purchased by the University of Calgary from the English antiquarian Edgar Osborne in 1972. The relationship between the manuscripts was discovered in 2005. The anonymous play has been attributed to John Newdigate III (1600-1642). Like The Emperor's Favourite, it takes aim at the court; its particular object of satire is governmental strategies under the Personal Rule of Charles I. The play appears in print for the first time in these separate editions. The volumes are illustrated with several plates, some provided for comparative purposes. ;
-
Trusted Partner
April 2025Die Nachbarin
Roman | Der beliebte englische Klassiker
by Elizabeth Jenkins, Eike Schönfeld, Hilary Mantel
Was macht eine glückliche Ehe aus? London, 1950er Jahre. Imogen ist mit dem wesentlich älteren Anwalt Evelyn Gresham verheiratet. Er ist bodenständig und pragmatisch, sie eher ein feinfühliger Mensch. Mit ihrer Ehe steht es nicht zum Besten. Evelyn verbringt seine Freizeit zunehmend mit Blanche, ihrer Nachbarin. Aus Imogens Sicht ist Blanche nicht sonderlich attraktiv: Sie ist Mitte fünfzig, alleinstehend, in groben Tweed gekleidet, und geht gerne fischen und jagen. Aber Evelyn ist offensichtlich gerne mit Blanche zusammen und Imogen muss sich fragen, ob sie den Menschen eigentlich kennt, mit dem sie verheiratet ist…
-
Trusted Partner
-
Trusted Partner
-
Trusted Partner
March 2018Wurzeln schlagen
Ein Jahr im Garten auf der Suche nach mir selbst
by Jenkins, Allan / Übersetzt von Dormagen, Christel; Vorwort von Slater, Nigel
-
Trusted Partner
Literature & Literary StudiesApril 2021John Derricke's The Image of Irelande: with a Discoverie of Woodkarne
by Thomas Herron, Denna Iammarino, Maryclaire Moroney, Joshua Samuel Reid
-
Trusted Partner
-
Trusted Partner
PoetryMay 2008Gesammelte Gedichte
1954 - 2006
by Gernhardt, Robert
Wir vergeben die meisten Genehmigungen zu Robert Gernhardt über den Band "Gesammelte Gedichte". Das Inhaltsverzeichnis findet sich im Punkt "Supporting Information." An den Gedichten auf den Seiten 1 bis 68 aus diesem Band hat S. Fischer keine Rechte!
-
Trusted Partner
The ArtsSeptember 2016Marcantonio Raimondi, Raphael and the image multiplied
by Edward H. Wouk, Leslie A. Geddes, Jun Nakamura, Lisa Pon, David Morris, Edward H. Wouk, Henri Zerner, Tatiana Bissolati, Guido Rebecchini, Kathleen Christian, Paul Joannides, Bryony Bartlett-Rawlings, Beverly Louise Brown, Patricia Emison, Catherine Jenkins, Madeleine Viljoen, Sarah Vowles, Jamie Gabbarelli, Peter Black, Barbara Furlotti, Steven Milner, Jenny Spinks, Rheagan E. Martin, Sophie Gordon Cumming, Imogen Harley, Jemima Rose, Heather Garner, Max Weaver, Albert Lindsell, Peter Hayes, Monique Nievas, Holly Smallbone, James Wildgoose
Best known for his partnership with Raphael, the engraver Marcantonio Raimondi (c. 1480-c. 1534) enabled Renaissance artists to disseminate their designs in print, advancing a revolution in visual communication that still reverberates in our own information age. Yet Marcantonio did more than render compositions by famous artists in the novel medium of engraving. The entries and essays in this catalogue, written by a group of international scholars and published to accompany the first exhibition of Marcantonio's work in over three decades, reveal the diversity of Marcantonio's oeuvre and the scope of his innovation as the leading printmaker of the Italian Renaissance. In-depth studies of Marcantonio's engravings expand our knowledge of his collaboration with Raphael, while also probing Marcantonio's creative response to the dynamic humanist culture in his native Bologna and later in Venice and Rome. Contributions also examine engravings by Marcantonio's 'followers' and consider the importance of his work to the history of print collecting.
