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This book investigates how people have thought about and experienced time, and how their ideas about time have shaped their political views and actions. Using French thinkers and activists of the radical left and right between the Dreyfus Affair and the First World War as a case study, it argues that time provides an important means of exploring how concepts such as nationalism, revolution and social change were understood at the turn of the century. Attending to different experiences of time - the speed at which it was perceived to move, the extent to which the future was near and graspable, the ways in which the past was seen to impinge on the present - opens up exciting new possibilities for analysing politics, ideologies and worldviews.
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Hitchcock's professed disdain for actors is belied by the extraordinary range and depth of performances featured in his films. It might even be argued that many stars gave their richest and most complex performances in his work. Hitchcock's films are also imbued with the theme of performance, as when his fugitive men and errant women assume fragile new identities and move between roles. Actors and other performers also often feature as characters. However, the exhaustive academic literature on Hitchcock has to date produced surprisingly little work about acting and performance in his films. The collection includes contributions from a range of leading scholars on Hitchcock, performance, stardom, and British Cinema, including Charles Barr, David Greven, Mark Glancy, Lucy Bolton, Lawrence Napper and Michael Williams, and an interview with leading composers/accompanists Neil Brand and Stephen Horne on scoring performance in Silent Hitchcock.
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Destruction and human remains investigates a crucial question frequently neglected in academic debate in the fields of mass violence and genocide studies: what is done to the bodies of the victims after they are killed? In the context of mass violence, death does not constitute the end of the executors' work. Their victims' remains are often treated and manipulated in very specific ways, amounting in some cases to true social engineering, often with remarkable ingenuity. To address these seldom-documented phenomena, this volume includes chapters based on extensive primary and archival research to explore why, how and by whom these acts have been committed through recent history. Interdisciplinary in scope, Destruction and human remains will appeal to readers interested in the history and implications of genocide and mass violence, including researchers in anthropology, sociology, history, politics and modern warfare.
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This book outlines for the first time in a single volume the theoretical and methodological tools for a study of human remains resulting from episodes of mass violence and genocide. Despite the highly innovative and contemporary research into both mass violence and the body, the most significant consequence of conflict - the corpse - remains absent from the scope of existing research. Why have human remains hitherto remained absent from our investigation, and how do historians, anthropologists and legal scholars, including specialists in criminology and political science, confront these difficult issues? By drawing on international case studies including genocides in Rwanda, the Khmer Rouge, Argentina, Russia and the context of post-World War II Europe, this ground-breaking edited collection opens new avenues of research. Multidisciplinary in scope, this volume will appeal to readers interested in an understanding of mass violence's aftermath, including researchers in history, anthropology, sociology, law, politics and modern warfare. ;
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This book outlines for the first time in a single volume the theoretical and methodological tools for a study of human remains resulting from episodes of mass violence and genocide. Despite the highly innovative and contemporary research into both mass violence and the body, the most significant consequence of conflict - the corpse - remains absent from the scope of existing research. Why have human remains hitherto remained absent from our investigation, and how do historians, anthropologists and legal scholars, including specialists in criminology and political science, confront these difficult issues? By drawing on international case studies including genocides in Rwanda, the Khmer Rouge, Argentina, Russia and the context of post-World War II Europe, this ground-breaking edited collection opens new avenues of research. Multidisciplinary in scope, this volume will appeal to readers interested in an understanding of mass violence's aftermath, including researchers in history, anthropology, sociology, law, politics and modern warfare. The research program leading to this publication has received funding from the European Research Council under the European Union's Seventh Framework Programme (FP/2007-2013) / ERC Grant Agreement n° 283-617.
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Émile Zola wurde am 2. April 1840 als Sohn eines italienischen Ingenieurs in Paris geboren und wuchs in Aix-en-Provence auf. Nachdem er das Abitur nicht bestanden hatte, war er zunächst als Hilfsarbeiter in einem Hafen tätig, gelangte schließlich aber zu einer Anstellung im Verlag Hachette. Ab 1865 konnte er als Journalist und Kunstkritiker Fuß fassen. Im Zuge der Affäre Alfred Dreyfus verfaßte er einen offenen Brief gegen dessen Verurteilung und mußte in der Folge für ein Jahr ins Exil nach England gehen. Zola gilt mit seinem Hauptwerk, dem zwanzigbändigen Romanzyklus Les Rougon-Macquart, als bedeutendster europäischer Autor des Naturalismus. Er starb am 29. September 1902.
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Émile Zola wurde am 2. April 1840 als Sohn eines italienischen Ingenieurs in Paris geboren und wuchs in Aix-en-Provence auf. Nachdem er das Abitur nicht bestanden hatte, war er zunächst als Hilfsarbeiter in einem Hafen tätig, gelangte schließlich aber zu einer Anstellung im Verlag Hachette. Ab 1865 konnte er als Journalist und Kunstkritiker Fuß fassen. Im Zuge der Affäre Alfred Dreyfus verfaßte er einen offenen Brief gegen dessen Verurteilung und mußte in der Folge für ein Jahr ins Exil nach England gehen. Zola gilt mit seinem Hauptwerk, dem zwanzigbändigen Romanzyklus Les Rougon-Macquart, als bedeutendster europäischer Autor des Naturalismus. Er starb am 29. September 1902.
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Human remains and identification presents a pioneering investigation into the practices and methodologies used in the search for and exhumation of dead bodies resulting from mass violence. Previously absent from forensic debate, social scientists and historians here confront historical and contemporary exhumations with the application of social context to create an innovative and interdisciplinary dialogue, enlightening the political, social and legal aspects of mass crime and its aftermaths. Through a ground-breaking selection of international case studies, Human remains and identification argues that the emergence of new technologies to facilitate the identification of dead bodies has led to a "forensic turn", normalising exhumations as a method of dealing with human remains en masse. However, are these exhumations always made for legitimate reasons? Multidisciplinary in scope, this book will appeal to readers interested in understanding this crucial phase of mass violence's aftermath, including researchers in history, anthropology, sociology, forensic science, law, politics and modern warfare. The research program leading to this publication has received funding from the European Research Council under the European Union's Seventh Framework Programme (FP/2007-2013) / ERC Grant Agreement n° 283-617.
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Vorwort I Basis und Kontext des Schreibens Jürgen Ritte: Les écrivains à venir - Zur Rezeption der Zeitgenossen bei Proust Ulrich Meier: Proust und die Avantgarde Peter V. Zima: Psyche und Gesellschaft bei Proust - Zur Synthese von psychoanalytischen und soziologischen Methoden Horst Lederer: Kreatives Schreiben. Zur Psychologie der literarischen Ästhetik Ursula Link-Heer: Zwischen Ödipus und Anti-Ödipus. Bemerkungen zur psychoanalytischen Lektüre Prousts II Die Genese des Werkes Joseph Jurt: Politisches Handeln und ästhetische Transposition. Proust und die Dreyfus-Affäre Bernd Spillner: Prousts Stil zwischen Tradition und Kreation Bernard Brun: Warum Marcel Prousts Roman neu herausgeben? Henri Bonnet: Die Niederlagen des Marcel Proust III Für eine kreative Hermeneutik Luzius Keller: Literaturtheorie und immanente Ästhetik im Werke Marcel Prousts Dirk Kocks: Die Bildhauerei als Metapher in der Recherche. Zur Parallelisierung von Kreationsprozessen der Kunst und des Lebens bei Proust Volker Roloff: Lesen als »déchiffrement« - zur Buchmetaphorik und Hermeneutik bei Novalis und Proust Wolfgang Killen: Deutsche Proust-Bibliographie 1979-1982 Abkürzungen Namenregister
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Im September/Oktober 1899 verbringt Marcel Proust sechs Wochen in Évian am Genfer See und führt dort ein intensives gesellschaftliches Leben: Besuche in den prachtvollen Villen des internationalen Adels rund um den See, zahlreiche Ausflüge, Vergnügungen und lange Debatten (die Frankreich spaltende Dreyfus-Affäre ist allgemeines Salongespräch). Noch notiert Proust Impressionen, Skizzen, Aperçus, von denen er nicht ahnt, dass er sie Jahre später wieder aufnehmen wird, wenn er sich endlich an die Redaktion der Suche nach der verlorenen Zeit begibt. Bis zum Jahre 1905 kehrt Proust – was bislang wenig bekannt war – immer wieder an den Lac Léman zurück. Der See wird zu einem seiner Schreib- und Sehnsuchtsorte. Évian, Thonon, Maugny, Coppet, Genf und der Montblanc: Jürgen Ritte hat Prousts Orte besucht und begibt sich auf eine literarische und kulturgeschichtliche Entdeckungsreise an den exklusiven Urlaubszielen der französischen Schweiz.
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Theodor Herzl, geboren 1860 in Budapest, schrieb mit »Der Judenstaat« (1896) die entscheidende Abhandlung für die Gründung eines autonomen jüdischen Staatswesens. Das Buch war eine Abwehrreaktion gegen den in Europa sich verschärfenden Antisemitismus, den Herzl besonders als Paris-Korrespondent während der Dreyfus-Affäre erleben musste. Sechs Jahre später erschien sein Roman »Altneuland«, in dem er seine Ideen eines jüdischen Staates in Palästina literarisierte, reflektierte und modifizierte. Herzl schrieb die Utopie, »um zu zeigen, dass es keine ist«. In seinem Buch geht es nicht um Literatur oder Politik – es geht um beides gleichermaßen. Es changiert zwischen Roman und Leben, Imagination und Realisierung. Clemens Peck folgt Herzls Bewegung zwischen diesen beiden Polen – den Experimenten im Labor der Utopie. Er lotet die Leistungen des Romans vor dem Hintergrund des Utopie-Diskurses um 1900 erstmals ausführlich aus und gewinnt neue Einsichten nicht nur über den Roman, sondern auch über die schillernde Person des jüdischen Schriftstellers und Journalisten.
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This book outlines for the first time in a single volume the theoretical and methodological tools for a study of human remains resulting from episodes of mass violence and genocide. Despite the highly innovative and contemporary research into both mass violence and the body, the most significant consequence of conflict - the corpse - remains absent from the scope of existing research. Why have human remains hitherto remained absent from our investigation, and how do historians, anthropologists and legal scholars, including specialists in criminology and political science, confront these difficult issues? By drawing on international case studies including genocides in Rwanda, the Khmer Rouge, Argentina, Russia and the context of post-World War II Europe, this ground-breaking edited collection opens new avenues of research. Multidisciplinary in scope, this volume will appeal to readers interested in an understanding of mass violence's aftermath, including researchers in history, anthropology, sociology, law, politics and modern warfare. The research program leading to this publication has received funding from the European Research Council under the European Union's Seventh Framework Programme (FP/2007-2013) / ERC Grant Agreement n° 283-617.
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