Studies in Photography
Publishing, books, journals and photographic prints
View Rights PortalYour Search Results
-
-
Blessa Retail Studies Institute
WE HAVE BOOKS IN ENGLISH AND IN PORTUGUESE AND YOU CAN TRANSLATE THEM FOR YOUR LANGUAGE.
View Rights Portal
-
Promoted Content
-
Promoted Content
January 2001Qualitative Forschung
Theorie, Methoden, Anwendung in Psychologie und Sozialwissenschaften
by Flick, Uwe
-
Trusted Partner
September 2009Sozialforschung
Methoden und Anwendungen: Ein Überblick für die BA-Studiengänge
by Flick, Uwe
-
Trusted Partner
-
Trusted Partner
April 2006Qualitative Evaluationsforschung
Konzepte, Methoden, Umsetzung
by Herausgegeben von Flick, Uwe
-
Trusted Partner
January 1995Psychologie des Sozialen
Repräsentationen in Wissen und Sprache
by Herausgegeben von Flick, Uwe
-
Trusted Partner
-
Trusted Partner
April 2015Glaube, Gott und letztes Geleit
Unterrichtsmaterial zu jüdischen, christlichen und muslimischen Bestattungen
by Meyer, Karlo / Herausgeber (Film oder Video) Scitem Wissenschafts agentur GmbH M. Krischke Ramaswamy; Umschlaggestaltung von Meyer, Karlo
-
Trusted Partner
May 2005Litora audio
Hör-CD mit nach pronuntiatus restitutus gelesenen Litora-Texten. Ca. 70 Minuten
by Müller, Hubert; Blank-Sangmeister, Ursula / Sprecher Hansen, Julia; Sprecher Jackenkroll, Michael; Herausgeber (Film oder Video) Kimmel, Frank Stefan
-
Trusted Partner
April 2008Lumina audio
Hör-CD mit nach pronuntiatus restitutus gelesenen Lumina-Texten. Laufzeit: 72 Minuten
by Blank-Sangmeister, Ursula / Sprecher Jackenkroll, Michael; Sprecher Hansen, Julia; Herausgeber (Film oder Video) Kimmel, Frank Stefan; Zeichnungen von Dietmar Griese Griese Design
-
Trusted Partner
March 2008Intra. Lehrgang für Latein ab Klasse 5 oder 6 / Intra audio I
Hör-CD mit nach pronuntiatus restitutus gelesenen Intra-Texten
by Blank-Sangmeister, Ursula; Hubig, Silke; Mosebach-Kaufmann, Inge; Hille-Coates, Gabriele / Sprecher Jackenkroll, Michael; Sprecher Hansen, Julia; Herausgeber (Film oder Video) Kimmel, Frank Stefan Stefan
-
Trusted Partner
January 2009Intra. Lehrgang für Latein ab Klasse 5 oder 6 / Intra audio II
Hör-CD mit nach pronuntiatus restitutus gelesenen Intra-Texten
by Blank-Sangmeister, Ursula; Hille-Coates, Gabriele; Hubig, Silke; Mosebach-Kaufmann, Inge; Müller, Hubert / Redaktion Schweigert, Jutta; Sprecher Jackenkroll, Michael; Herausgeber (Film oder Video) Kimmel, Frank Stefan Stefan; Sprecher Hansen, Julia
-
Trusted Partner
October 2000Qualitative Forschung
Ein Handbuch
by Herausgegeben von Flick, Uwe; Herausgegeben von Kardorff, Ernst von; Herausgegeben von Steinke, Ines; Beiträge von Flick, Uwe; Beiträge von Kardorff, Ernst von; Beiträge von Steinke, Ines; Beiträge von Hildenbrand, Bruno; Beiträge von Willems, Herbert; Beiträge von Bergmann, Jörg R.; Beiträge von Lindner, Rolf; Beiträge von Nadig, Maya; Beiträge von Reichmayr, Johannes; Beiträge von Wolff, Stephan; Beiträge von Lincoln, Ivonna S.; Beiträge von Hitzler, Ronald; Beiträge von Eberle, Thomas S.; Beiträge von Denzin, Norman K.; Beiträge von Soeffner, Hans-Georg; Beiträge von Marotzki, Winfried; Beiträge von Bude, Heinz; Beiträge von Honer, Anne; Beiträge von Winter, Rainer; Beiträge von Gildemeister, Regine; Beiträge von Rosenstiel, Lutz von; Beiträge von Meinefeld, Werner; Beiträge von Reichertz, Jo; Beiträge von Merkens, Hans; Beiträge von Kelle, Udo; Beiträge von Erzberger, Christian; Beiträge von Hopf, Christel; Beiträge von Hermanns, Harry; Beiträge von Bohnsack, Ralf; Beiträge von Lüders, Christian; Beiträge von Harper, Douglas; Beiträge von Kowal, Sabine; Beiträge von O'Connell, Daniel C.; Beiträge von Schmidt, Christiane; Beiträge von Rosenthal, Gabriele; Beiträge von Fischer-Rosenthal, Wolfram; Beiträge von Mayring, Philipp; Beiträge von Böhm, Andreas; Beiträge von Knoblauch, Hubert; Beiträge von Luckmann, Thomas; Beiträge von Parker, Ian; Beiträge von König, Hans-Dieter; Beiträge von Matt, Eduard; Beiträge von Bauer, Martin; Beiträge von Métraux, Alexandre; Beiträge von Ohlbrecht, Heike
-
Trusted Partner
May 2010Intra. Lehrgang für Latein ab Klasse 5 oder 6 / Intra Texte und Übungen I NRW
Lehrgang für Latein ab Klasse 5 oder 6
by Blank-Sangmeister, Ursula; Hille-Coates, Gabriele; Hubig, Silke; Mosebach-Kaufmann, Inge / Illustriert von akg-images GmbH Archiv für Kunst und Geschichte; Illustriert von Raurica, Augusta; Illustriert von Marti, Reto; Illustriert von Bentz, Martin; Illustriert von Römisch-Germanisches Museum; Illustriert von Schweigert, Hanna; Illustriert von Archäologisches Institut der Universität Göttingen; Illustriert von Archivi Alinari; Illustriert von Gießmann-Bindewald, Ulrike; Illustriert von Lotos Film, G.Thiem; Illustriert von Archäologische Staatssammlung Museum für Vor- und Frühgeschichte; Illustriert von Quint, Peter; Illustriert von Römische Villa Borg Herrn Gerd Schmitt; Illustriert von SCALA Istituto Fotografico Editoriale S.p.A.; Illustriert von Seiffert, Kaspar; Illustriert von Stader, Manfred; Illustriert von Kunstmuseum Bonn; Illustriert von Museum Roemervilla; Illustriert von Eidt, Markus; Illustriert von Schewe, Susanne; Illustriert von SchwabScantechnik
-
Trusted Partner
The ArtsJanuary 2019European Film Noir
by Andrew Spicer
European Film Noir is the first book to bring together specialist discussions of film noir in specific European national cinemas. Written by leading scholars, this groundbreaking study provides an authoritative understanding of an important aspect of European cinema and of film noir itself, for too long considered as a solely American form. The Introduction reviews the problems of defining film noir, its key characteristics and discusses its significance to the development of European film, the relationship of specific national films noirs to each other, to American noir and to historical and social change. Eight chapters then discuss film noir in France, Germany, Britain and Spain, analysing both earlier developments and the evolution of neo-noir through to the present. A further chapter explores film noir in Italian cinema where its presence is not so well defined. Each piece provides a critical overview of the most significant films in relation to their industrial and social contexts. European Film Noir is an important contribution to the study of European cinema that will have a broad appeal to undergraduates, cinéastes, film teachers and researchers.
-
Trusted Partner
The ArtsJune 2021Medieval film
by Anke Bernau, Bettina Bildhauer
Medieval film explores theoretical questions about the ideological, artistic, emotional and financial investments inhering in cinematic renditions of the medieval period. What does it mean to create and watch a 'medieval film'? What is a medieval film and why are they successful? This is the first work that attempts to answer these questions, drawing, for instance, on film theory, postcolonial theory, cultural studies and the growing body of work on medievalism. Contributors investigate British, German, Italian, Australian, French, Swedish and American film, exploring topics such translation, temporality, film noir, framing and period film - and find the medieval lurking in inexpected corners. In addition it provides in-depth studies of individual films from different countries including The Birth of a Nation to Nosferatu, and Robin Hood: Prince of Thieves. Medieval Film will be of interest to medievalists working in disciplines including literature, history, to scholars working on film and in cultural studies. It will also be of interest to undergraduates, postgraduates and to an informed enthusiast in film or/and medieval culture.
-
Trusted Partner
The ArtsJune 2021Contemporary French cinema
An introduction (revised edition)
by Guy Austin
Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.
-
Trusted Partner
The ArtsJanuary 2019Contemporary French cinema
An introduction (revised edition)
by Guy Austin
Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.
-
Trusted Partner
-
Trusted Partner
The ArtsJune 2021Lukácsian film theory and cinema
A study of Georg Lukács' writing on film 1913–1971
by Ian Aitken
Lukácsian film theory and cinema explores Georg Lukács' writings on film. The Hungarian Marxist critic Georg Lukács is primarily known as a literary theorist, but he also wrote extensively on the cinema. These writings have remained little known in the English-speaking world because the great majority of them have never actually been translated into English - until now. Aitken has gathered together the most important essays and the translations appear here, often for the first time. This book thus makes a decisive contribution to understandings of Lukács within the field of film studies, and, in doing so, also challenges many existing preconceptions concerning his theoretical position. For example, whilst Lukács' literary theory is well known for its repudiation of naturalism, in his writings on film Lukács appears to advance a theory and practice of film that can best be described as naturalist. Lukácsian film theory and cinema is divided into two parts. In part one, Lukács' writings on film are explored, and placed within relevant historical and intellectual contexts, whilst part two consists of the essays themselves. This book will be of considerable interest to scholars and students working within the fields of film studies, literary studies, intellectual history, media and cultural studies. It is also intended to be the final volume in a trilogy of works on cinematic realism, which includes the author's earlier European film theory and cinema (2001), and Realist film theory and cinema (2006).
