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      • Five Quills London

        At Five Quills we believe reading should be fun and that humour and lively illustrations are key to developing life long readers. This is why our high-quality picture books and young fiction titles for children aged 3-9 years have well crafted, action-packed stories at their centre, integrated with engaging, imaginative pictures throughout.    We take great pride in introducing readers to the fascinating world of science from a very young age. Our new eco-adventure series Lottie Loves Nature and the extremely successful Al's Awesome Science books draw in young readers with humorous stories about friendship and family, and fun, hands-on science experiments they can easily do at home. Lottie and Al encourage children to explore the natural world and help them understand that science is not confined to the classroom - it is everywhere!

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      • Ediciones Corregidor is an independent Argentine publisher with more than five decades publishing..

        Corregidor is an independent Argentine publisher with more than five decades, dedicated to publishing and distributing a catalog focused in Latin American and Argentine literature.

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      • Trusted Partner
        Cinesonica
        The Arts
        June 2021

        Cinesonica

        Sounding film and video

        by Andy Birtwistle

        Cinesonica: sounding film and video explores previously neglected and under-theorised aspects of film and video sound, drawing on detailed case study analyses of Hollywood cinema, art cinema, animated cartoons, and avant-garde film and video. Adopting an interdisciplinary approach to the study of the soundtrack, and breaking away from the focus on narrative and signification that has tended to dominate the study of film sound, the book examines the way in which sound's materiality figures within audiovisual experience. Through a close examination of sound-image relations in a range of film and video forms and genres - including Warner Bros. cartoons, scratch video, and artist's film and video - Cinesonica recasts the film and video text as the meeting point of audio and visual materialities, cultural practices and perceptual activity. The interdisciplinary approach adopted by the book makes its discussion of sound of interest to those studying and working in a range of subject disciplines, including film studies, sound studies, sonic arts, cultural studies, music and art history.

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        Medieval film
        The Arts
        June 2021

        Medieval film

        by Anke Bernau, Bettina Bildhauer

        Medieval film explores theoretical questions about the ideological, artistic, emotional and financial investments inhering in cinematic renditions of the medieval period. What does it mean to create and watch a 'medieval film'? What is a medieval film and why are they successful? This is the first work that attempts to answer these questions, drawing, for instance, on film theory, postcolonial theory, cultural studies and the growing body of work on medievalism. Contributors investigate British, German, Italian, Australian, French, Swedish and American film, exploring topics such translation, temporality, film noir, framing and period film - and find the medieval lurking in inexpected corners. In addition it provides in-depth studies of individual films from different countries including The Birth of a Nation to Nosferatu, and Robin Hood: Prince of Thieves. Medieval Film will be of interest to medievalists working in disciplines including literature, history, to scholars working on film and in cultural studies. It will also be of interest to undergraduates, postgraduates and to an informed enthusiast in film or/and medieval culture.

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        Lukácsian film theory and cinema
        The Arts
        June 2021

        Lukácsian film theory and cinema

        A study of Georg Lukács' writing on film 1913–1971

        by Ian Aitken

        Lukácsian film theory and cinema explores Georg Lukács' writings on film. The Hungarian Marxist critic Georg Lukács is primarily known as a literary theorist, but he also wrote extensively on the cinema. These writings have remained little known in the English-speaking world because the great majority of them have never actually been translated into English - until now. Aitken has gathered together the most important essays and the translations appear here, often for the first time. This book thus makes a decisive contribution to understandings of Lukács within the field of film studies, and, in doing so, also challenges many existing preconceptions concerning his theoretical position. For example, whilst Lukács' literary theory is well known for its repudiation of naturalism, in his writings on film Lukács appears to advance a theory and practice of film that can best be described as naturalist. Lukácsian film theory and cinema is divided into two parts. In part one, Lukács' writings on film are explored, and placed within relevant historical and intellectual contexts, whilst part two consists of the essays themselves. This book will be of considerable interest to scholars and students working within the fields of film studies, literary studies, intellectual history, media and cultural studies. It is also intended to be the final volume in a trilogy of works on cinematic realism, which includes the author's earlier European film theory and cinema (2001), and Realist film theory and cinema (2006).

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        Intra. Lehrgang für Latein ab Klasse 5 oder 6 / Intra audio I
        March 2008

        Intra. Lehrgang für Latein ab Klasse 5 oder 6 / Intra audio I

        Hör-CD mit nach pronuntiatus restitutus gelesenen Intra-Texten

        by Blank-Sangmeister, Ursula; Hubig, Silke; Mosebach-Kaufmann, Inge; Hille-Coates, Gabriele / Sprecher Jackenkroll, Michael; Sprecher Hansen, Julia; Herausgeber (Film oder Video) Kimmel, Frank Stefan Stefan

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        Intra. Lehrgang für Latein ab Klasse 5 oder 6 / Intra Texte und Übungen I NRW
        May 2010

        Intra. Lehrgang für Latein ab Klasse 5 oder 6 / Intra Texte und Übungen I NRW

        Lehrgang für Latein ab Klasse 5 oder 6

        by Blank-Sangmeister, Ursula; Hille-Coates, Gabriele; Hubig, Silke; Mosebach-Kaufmann, Inge / Illustriert von akg-images GmbH Archiv für Kunst und Geschichte; Illustriert von Raurica, Augusta; Illustriert von Marti, Reto; Illustriert von Bentz, Martin; Illustriert von Römisch-Germanisches Museum; Illustriert von Schweigert, Hanna; Illustriert von Archäologisches Institut der Universität Göttingen; Illustriert von Archivi Alinari; Illustriert von Gießmann-Bindewald, Ulrike; Illustriert von Lotos Film, G.Thiem; Illustriert von Archäologische Staatssammlung Museum für Vor- und Frühgeschichte; Illustriert von Quint, Peter; Illustriert von Römische Villa Borg Herrn Gerd Schmitt; Illustriert von SCALA Istituto Fotografico Editoriale S.p.A.; Illustriert von Seiffert, Kaspar; Illustriert von Stader, Manfred; Illustriert von Kunstmuseum Bonn; Illustriert von Museum Roemervilla; Illustriert von Eidt, Markus; Illustriert von Schewe, Susanne; Illustriert von SchwabScantechnik

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        Contemporary French cinema
        The Arts
        June 2021

        Contemporary French cinema

        An introduction (revised edition)

        by Guy Austin

        Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.

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        Contemporary French cinema
        The Arts
        January 2019

        Contemporary French cinema

        An introduction (revised edition)

        by Guy Austin

        Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.

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        Intra. Lehrgang für Latein ab Klasse 5 oder 6 / Intra audio II
        January 2009

        Intra. Lehrgang für Latein ab Klasse 5 oder 6 / Intra audio II

        Hör-CD mit nach pronuntiatus restitutus gelesenen Intra-Texten

        by Blank-Sangmeister, Ursula; Hille-Coates, Gabriele; Hubig, Silke; Mosebach-Kaufmann, Inge; Müller, Hubert / Redaktion Schweigert, Jutta; Sprecher Jackenkroll, Michael; Herausgeber (Film oder Video) Kimmel, Frank Stefan Stefan; Sprecher Hansen, Julia

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        Surrealism and film after 1945
        The Arts
        July 2024

        Surrealism and film after 1945

        by Kristoffer Noheden, Abigail Susik

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        Realist film theory and cinema
        The Arts
        January 2019

        Realist film theory and cinema

        The nineteenth-century Lukácsian and intuitionist realist traditions

        by Ian Aitken

        'Realist film theory and cinema' embraces studies of cinematic realism and 19th century tradition, the realist film theories of Lukács, Grierson, Bazin and Kracauer, and the relationship of realist film theory to the general field of film theory and philosophy. This is the first book to attempt a rigorous and systematic application of realist film theory to the analysis of particular films. The book suggests new ways forward for a new series of studies in cinematic realism, and for a new form of film theory based on realism. It stresses the importance of the question of realism both in film studies and in contemporary life. Aitken's work will be of interest to scholars and advanced students of film studies, literary studies, media studies, cultural studies and philosophy.

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        Medieval film
        The Arts
        January 2019

        Medieval film

        by Anke Bernau, Bettina Bildhauer

        Medieval film explores theoretical questions about the ideological, artistic, emotional and financial investments inhering in cinematic renditions of the medieval period. What does it mean to create and watch a 'medieval film'? What is a medieval film and why are they successful? This is the first work that attempts to answer these questions, drawing, for instance, on film theory, postcolonial theory, cultural studies and the growing body of work on medievalism. Contributors investigate British, German, Italian, Australian, French, Swedish and American film, exploring topics such translation, temporality, film noir, framing and period film - and find the medieval lurking in unexpected corners. In addition it provides in-depth studies of individual films from different countries including The Birth of a Nation to Nosferatu, and Robin Hood: Prince of Thieves. Medieval film will be of interest to medievalists working in disciplines including literature, history, art history, to scholars working on film and in cultural studies. It will also be of interest to undergraduates, postgraduates and to an informed enthusiast in film or/and medieval culture.

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      • Trusted Partner
        The Encyclopedia of British Film
        Film theory & criticism
        February 2014

        The Encyclopedia of British Film

        Fourth edition

        by Edited by Brian McFarlane

        With well over 6,300 articles, including over 500 new entries, this fourth edition of The Encyclopedia of British Film is a fully updated invaluable reference guide to the British film industry. It is the most authoritative volume yet, stretching from the inception of the industry to the present day, with detailed listings of the producers, directors, actors and studios behind a century or so of great British cinema. Brian McFarlane's meticulously researched guide is the definitive companion for anyone interested in the world of film. Previous editions have sold many thousands of copies and this fourth edition will be an essential work of reference for enthusiasts interested in the history of British cinema, and for universities and libraries.

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        The Encyclopedia of British Film
        The Arts
        March 2021

        The Encyclopedia of British Film

        by Brian McFarlane, Anthony Slide

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        Five Elizabethan progress entertainments
        Literature & Literary Studies
        December 2018

        Five Elizabethan progress entertainments

        by Leah Scragg, Paul Edmondson

        Designed to introduce the student or general reader to a largely unfamiliar area of Elizabethan theatrical activity, Five Elizabethan progress entertainments focuses on a group of entertainments mounted for the monarch in the closing years of her reign. Richly annotated, and prefaced by a substantial introduction, the texts enable an understanding of the motives underlying not only the progress itself, but the choice of locations the monarch elected to visit and the personal and political preoccupations of those with whom she determined to stay. Selected for their diversity, the entertainments exhibit the tensions underlying some royal visits, the lavish expenditure entailed for the monarch's hosts and the overlap in terms of both material and authorship between the progress entertainments and the more widely studied products of the sixteenth-century stage.

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        Five Elizabethan progress entertainments
        Literature & Literary Studies
        February 2021

        Five Elizabethan progress entertainments

        by Leah Scragg

        Designed to introduce the student or general reader to a largely unfamiliar area of Elizabethan theatrical activity, Five Elizabethan progress entertainments focuses on a group of entertainments mounted for the monarch in the closing years of her reign. Richly annotated, and prefaced by a substantial introduction, the texts enable an understanding of the motives underlying not only the progress itself, but the choice of locations the monarch elected to visit and the personal and political preoccupations of those with whom she determined to stay. Selected for their diversity, the entertainments exhibit the tensions underlying some royal visits, the lavish expenditure entailed for the monarch's hosts and the overlap in terms of both material and authorship between the progress entertainments and the more widely studied products of the sixteenth-century stage.

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        Public information films
        The Arts
        July 2024

        Public information films

        British government film units, 1928–52

        by Alan Harding

        In the years after the First World War the British government had to adapt its communication policy to connect with the new mass electorate. This book examines the government's own Film Units and their slow development of the Public Information Film. By reviewing the entire film catalogue produced by the Empire Marketing Board, the General Post Office and Crown Film Units, particular themes are identified which not only reflect the demands of the Units' sponsors but also the anxieties and concerns of the 1930s and 1940s. The impact of the films is explored through the contemporary reaction of the audiences to them. By the time the Crown Film Unit was closed in 1952 a style of Public Information Film had been developed and continued into the 1970s.

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        European Film Noir
        The Arts
        February 2007

        European Film Noir

        by Andrew Spicer

        European Film Noir is the first book to bring together specialist discussions of film noir in specific European national cinemas. Written by leading scholars, this groundbreaking study provides an authoritative understanding of an important aspect of European cinema and of film noir itself, for too long considered as a solely American form. The Introduction reviews the problems of defining film noir, its key characteristics and discusses its significance to the development of European film, the relationship of specific national films noirs to each other, to American noir and to historical and social change. Eight chapters then discuss film noir in France, Germany, Britain and Spain, analysing both earlier developments and the evolution of neo-noir through to the present. A further chapter explores film noir in Italian cinema where its presence is not so well defined. Each piece provides a critical overview of the most significant films in relation to their industrial and social contexts. European Film Noir is an important contribution to the study of European cinema that will have a broad appeal to undergraduates, cinéastes, film teachers and researchers. ;

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        Der ganze Film in 5 Sekunden
        October 2014

        Der ganze Film in 5 Sekunden

        150 große Kinomomente von Psycho bis Avatar

        by Civaschi, Matteo; Milesi, Gianmarco / Englisch Herber, Klaus

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