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Get Fresh Books Publishing
Get Fresh Books Publishing is a non-profit, cooperative press devoted to amplifying diverse voices in poetry and making the publication process accessible to marginalized communities. Our primary objective is to provide opportunities for underrepresented voices by eliminating economic and societal barriers, such as submission fees and contests, which may inhibit marginalized voices from contributing to the literary conversation. As a cooperative press, we encourage manuscript submissions from BIPOC, LGBTQ+, people with disabilities and people living with mental illnesses. By doing so, we explicitly reject any “ism” or phobia which seeks to suppress the voices of those who receive insufficient or inadequate representation in literature. In the four short years of our founding, we have been able to preserve our commitment to diversity and inclusivity by publishing the work of 12 talented and distinct poets, whose poetry cover a wide range of topics from ethnicity, sexuality and religion to immigration, suicide and discrimination. Our press’s cooperative process of integrating the ideas and skills of our poets, editors and publisher have given us the ability to bring fresh and diverse voices into the literary world. With the help of donations, grants and private investments, we have been able to publish each literary work without charging a single submission fee to ensure that poets and writers of all ages, ethnicities, sexual orientations, abilities, and economic statuses would have their voices heard.
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The ArtsJanuary 2019Contemporary French cinema
An introduction (revised edition)
by Guy Austin
Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.
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Promoted Content
The ArtsJune 2021Contemporary French cinema
An introduction (revised edition)
by Guy Austin
Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.
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The ArtsJanuary 2019Bertrand Blier
by Sue Harris
The most complete study of Blier's work to date, Harris traces the director's career from the early 1960s until the present. Outlines the forms, themes and style which dominate in Blier's work, and challenges the many labels that have been used to describe both the corpus of films and the man himself. Provides an original and controversial discussion of Blier's alleged 'misogyny', and invites the reader to understand the scatological and corporeal aspects of Blier's filmmaking in terms of long-established traditions of popular dramatic culture. Brings to light the comic mechanisms underpinning Blier's films and identifies strategies which navigate through one of the most entertaining and disconcerting bodies of work of recent years. The first book on Blier published in English.
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Humanities & Social SciencesMarch 2017The French empire at War, 1940–1945
by Martin Thomas
The French empire at war draws on original research in France and Britain to investigate the history of the divided French empire - the Vichy and the Free French empires - during the Second World War. What emerges is a fascinating story. While it is clear that both the Vichy and Free French colonial authorities were only rarely masters of their own destiny during the war, preservation of limited imperial control served them both in different ways. The Vichy government exploited the empire in an effort to withstand German-Italian pressure for concessions in metropolitan France and it was key to its claim to be more than the mouthpiece of a defeated nation. For Free France too, the empire acquired a political and symbolic importance which far outweighed its material significance to the Gaullist war effort. As the war progressed, the Vichy empire lost ground to that of the Free French, something which has often been attributed to the attraction of the Gaullist mystique and the spirit of resistance in the colonies. In this radical new interpretation, Thomas argues that it was neither of these. The course of the war itself, and the initiatives of the major combatant powers, played the greatest part in the rise of the Gaullist empire and the demise of Vichy colonial control.
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The ArtsJanuary 2019French cinema in the 1970s
The echoes of May
by Alison Smith
This book re-examines French cinema of the 1970s. It focuses on the debates which shook French cinema, and the calls for film-makers to rethink their manner of filming, subject matter and ideals in the immediate aftermath of the student revolution of May 1968. Alison Smith examines the effect of this re-thinking across the spectrum of French production, the rise of new genres and re-formulation of older ones. Chapters investigate political thrillers, historical films, new naturalism and Utopian fantasies, dealing with a wide variety of films. A particular concern is the extent to which film-makers' ideas and intentions are contained in or contradicted by their finished work, and the gradual change in these ideas over the decade. The final chapter is a detailed study of two directors who were deeply involved in the debates and events of the 70s, William Klein and Alain Tanner, here taken as exemplary spokesmen for those changing debates as their echoes reached the cinema.
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Humanities & Social SciencesMarch 2017The French empire between the wars
Imperialism, politics and society
by Martin Thomas
By considering the distinctiveness of the inter-war years as a discrete period of colonial change, this book addresses several larger issues, such as tracing the origins of decolonization in the rise of colonial nationalism, and a re-assessment of the impact of inter-war colonial rebellions in Africa, Syria and Indochina. The book also connects French theories of colonial governance to the lived experience of colonial rule in a period scarred by war and economic dislocation.
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The ArtsDecember 2019Screening the Paris suburbs
From the silent era to the 1990s
by Philippe Met, Annie Fourcaut, Roland-François Lack, Jean-Louis Pautrot, Keith Reader, Margaret Flinn, Eric Bullot, Tristan Jean, Malcolm Turvey, Elisabeth Cardonne-Arlyck, Térésa Faucon, Philippe Met, Camille Canteux, Derek Schilling, Guillaume Soulez, David Vasse, Derek Schilling
Decades before the emergence of a French self-styled 'hood' film around 1995, French filmmakers looked beyond the gates of the capital for inspiration and content. In the Paris suburbs they found an inexhaustible reservoir of forms, landscapes and social types in which to anchor their fictions, from bourgeois villas and bucolic riverside cafés to post-war housing estates and postmodern new towns. For the first time in English, contributors to this volume address key aspects of this long film history, marked by such towering figures as Jean Renoir, Jacques Tati and Jean-Luc Godard. Idyllic or menacing, expansive or claustrophobic, the suburb served divergent aesthetic and ideological programmes across the better part of a century. Themes central to French cultural modernity - class conflict, leisure, boredom and anti-authoritarianism - cut across the fifteen chapters.
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The ArtsJanuary 2019Jean-Jacques Beineix
by Philip Powrie
This volume is the first to examine, in either French or English, the films of Jean-Jacques Beineix, often seen as the best example of the 1980s cinéma du look, with cult films, such as Diva and Betty Blue (37º 2 le matin) .. After an introduction which places Beineix in the context of the 1980s and the arguments centering on a postmodern cinema, the volume devotes a chapter to each of Beineix's feature films, including the film which marked his return to feature film making after a break of a decade, Mortel Transfert (2001). Prefaced by an excellent foreword by the director himself, which includes a broad condemnation of French critics. Includes many illustrations direct from the director's own collection, complementing the interviews Powrie made with him and his collaborators.
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Literature & Literary StudiesAugust 2021The Massacre at Paris
By Christopher Marlowe
by Martin White, Mathew R. Martin
This volume presents a modernised edition of Christopher Marlowe's critical engagement with one of the bloodiest and traumatic episodes of the French Wars of Religion, the wholesale massacre of French Huguenots in Paris in August, 1572. Sensorily shocking and intellectually gripping, the play's dramatic action spans a tumultuous two decades in French history to unfold for its audience the tragic consequences of religious fanaticism, power politics, and dynastic rivalry. Comprehensively introduced and containing full commentary notes, this edition opens up this frequently neglected but historically significant and dramatically powerful play to student and scholar alike. The introduction examines such topics as the history of the massacre, the play's treatment of its sources, the play's dramatisation of trauma, and the play's exploration of notions of religious toleration.
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Literature & Literary StudiesFebruary 2025The Massacre at Paris
By Christopher Marlowe
by Mathew R. Martin
This volume presents a modernised edition of Christopher Marlowe's critical engagement with one of the bloodiest and traumatic episodes of the French Wars of Religion, the wholesale massacre of French Huguenots in Paris in August, 1572. Sensorily shocking and intellectually gripping, the play's dramatic action spans a tumultuous two decades in French history to unfold for its audience the tragic consequences of religious fanaticism, power politics, and dynastic rivalry. Comprehensively introduced and containing full commentary notes, this edition opens up this frequently neglected but historically significant and dramatically powerful play to student and scholar alike. The introduction examines such topics as the history of the massacre, the play's treatment of its sources, the play's dramatisation of trauma, and the play's exploration of notions of religious toleration.
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The ArtsDecember 2008Contemporary French cinema
An introduction (revised edition)
by Guy Austin
Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike. ;
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The ArtsJanuary 2017Representing ethnicity in contemporary French visual culture
by Joseph McGonagle
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Humanities & Social SciencesMay 2023Time and radical politics in France
From the Dreyfus Affair to the First World War
by Alexandra Paulin-Booth
This book investigates how people have thought about and experienced time, and how their ideas about time have shaped their political views and actions. Using French thinkers and activists of the radical left and right between the Dreyfus Affair and the First World War as a case study, it argues that time provides an important means of exploring how concepts such as nationalism, revolution and social change were understood at the turn of the century. Attending to different experiences of time - the speed at which it was perceived to move, the extent to which the future was near and graspable, the ways in which the past was seen to impinge on the present - opens up exciting new possibilities for analysing politics, ideologies and worldviews.
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The ArtsMarch 2005French cinema in the 1970s
The echoes of May
by Alison Smith
This book re-examines French cinema of the 1970s. It focuses on the debates which shook French cinema, and the calls for film-makers to rethink their manner of filming, subject matter and ideals in the immediate aftermath of the student revolution of May 1968. Alison Smith examines the effect of this re-thinking across the spectrum of French production, the rise of new genres and re-formulation of older ones. Chapters investigate political thrillers, historical films, new naturalism and Utopian fantasies, dealing with a wide variety of films. A particular concern is the extent to which film-makers' ideas and intentions are contained in or contradicted by their finished work, and the gradual change in these ideas over the decade. The final chapter is a detailed study of two directors who were deeply involved in the debates and events of the 70s, William Klein and Alain Tanner, here taken as exemplary spokesmen for those changing debates as their echoes reached the cinema. ;
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The ArtsJanuary 2019Coline Serreau
by Brigitte Rollet
Coline Serreau became famous in 1985 when her third film, Trois hommes et un couffin (Three Men and a Baby), the most successful French film of the 1980s. She was already known in France for her major contribution to feminist documentaries with the acclaimed Mais qu'est-ce qu'elles veulent?, a series of interviews with French women made between 1975 and 1977. She is now a key figure in French cinema and drama, with international hits including Romuald et Juliette (1989) and La Crise (1992). This appraisal of her work situates her films within the social, cultural and political context of France since May 1968, and assesses th emajor impact of the women's movement on French society and culture. Politics and sexual politics, two key aspects of Serreau's films and plays, are thoroughly examined. This book also considers the cultural influences of her work, and provides an overview of her films and filmic skills. Special attention is given to comedy, the cinematographic genre favoured by Serreau and the French audience, which is apprehended from a historical and gendered perspective. The clarity of the style and the wide-ranging analysis of Serreau's films and filming techniques make this book relevant both to students of film and film enthusiasts.
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The ArtsJanuary 2019Leos Carax
by Fergus Daly, Garin Dowd
The first book in any language to study the films of this enfant terrible of contemporary French cinema, best known for his film Les Amants du Pont Neuf. Examines key ingredients in the worlds of Carax's films - Paris, pop music, 'flânerie' and 'amour fou', 'mannerist' and 'neo-baroque' aesthetics, the Nouvelle Vague and contemporary 'naturalist' cinema - making the book a good primer of contemporary French film and culture. Draws on a variety of intellectual sources, such as the philosophy of Deleuze, film criticism, theory of art, and literary monographs. Argues that the recent history of maverick mannerist and baroque auteurs, from Ruiz & Rivette to Garrel and Techine, and their explorations of the 'powers of the false' are key to Carax's cinema. Examines Carax's contribution to the strand of cinema which is focused on chance and destiny, from Wong Kar-Wai and David Lynch to films such as Serendipity and Sliding doors.
