Your Search Results
-
-
Mediendesign Dr. Georg Hauptfeld GmbH Edition Konturen
We are publishing book about the central questions of our culture in politics, philosophy, art and history.
View Rights Portal
-
Promoted Content
-
Promoted Content
-
Trusted Partner
July 2014Gelassenheit to go
Im Handumdrehen entspannt
by Bush, Ashley / Übersetzt von Ickler, Ingrid
-
Trusted Partner
November 2024Last Girl Standing - Wer wird überleben?
Thriller
by Jackson, Lisa Bush, Nancy
Aus dem amerikanischen Englisch von Kristina Lake-Zapp
-
Trusted Partner
December 2015Nirgends wirst du sicher sein
Thriller
by Bush, Nancy / Übersetzt von Lake-Zapp, Kristina
-
Trusted Partner
-
Trusted Partner
February 2016Niemals wirst du ihn vergessen
Thriller
by Bush, Nancy / Übersetzt von Lake-Zapp, Kristina
-
Trusted Partner
-
Trusted Partner
-
Trusted Partner
1993Auf dem Weg zum Herzen
Spiritualität und praktische Nächstenliebe
by RamDass; Bush, Mirabai / Englisch Fath-Engelhardt, Ilse
-
Trusted Partner
-
Trusted Partner
The ArtsMay 2011Performing Herself
Autobiography and Fanny Kelly's Dramatic Recollections
by Gilli Bush-Bailey, Kate Dorney, Maggie B. Gale
This unique book contains the never before published script of the first ever one-woman show, written by Fanny Kelly. The script was performed in Britain in the 1830s and 40s, based on Kelly's own experiences and offers a picture of the exuberant and often bizarre Georgian entertainment world. The performance text is introduced, edited and explained by Gilli Bush-Bailey, who focuses 21st-century revisionist scholarship on Kelly's story. It is an innovative contribution to the modern debate on biographical and autobiographical writing, whilst also being a valuable text for those who wish to study comedy and women's performance. The materials and methods of the modern stand-up routine are already to be seen in this unusual text. This book will appeal to students and scholars who are involved in performance, theatre history, or biography. It is also an accessible text for the interested general reader. ;
-
Trusted Partner
-
Trusted Partner
-
Trusted Partner
The ArtsJuly 2006Treading the bawds
by Gilli Bush-Bailey, Kate Dorney, Maggie B. Gale, Rebecca Mortimer
-
Trusted Partner
November 2001Formen interaktiver Medienkunst
Geschichte, Tendenzen, Utopien
by Albrecht Dürer, Bernd Busch, Simon Penny, Gaudenzio Ferrari, Thomas A Edison, Christian Ries, Paul Sermon, Jeffrey Shaw, Bill Seaman, Ken Feingold, Fabian Wagminster, Lynn Hershman, Tiziano Vecello, Gianlorenzo Bernini, Eduard Hüttinger, Friedrich von Zglinicki, Olga Tubreluts, Eduardo Kac, J E Fassio, Vannenar Bush, Douglas Davis, Electronic Café, Los Angeles 1984, Lucasfilm-Studio, Sierra Studios, Jill Scott, SPA Stiftung Panorama Altötting, Inez van Lambsweerde, Peter Gendolla, Norbert M Schmitz, Irmela Schneider, Peter M Spangenberg, Peter Gendolla, Oliver Grau, Söke Dinkla, Norbert M Schmitz, Peter M Spangenberg, Marie L Angerer, Mike Sandbothe, Bazon Brock, Heiko Idensen, Martina Leeker, Natalie Binczek, Claudia Benthien, Angela Krewani, Irmela Schneider, Frank Furtwängler, Peter Gendolla, Norbert M Schmitz, Irmela Schneider, Peter M Spangenberg
-
Trusted Partner
Teaching, Language & ReferenceMay 2025US diplomacy and the Good Friday Agreement in post-conflict Northern Ireland
by Richard Hargy
Richard Haass and Mitchell Reiss, as autonomous diplomats in the George W. Bush State Department, were able to alter US intervention in Northern Ireland and play critical roles in the post-1998 peace process. Their contributions have not been fully appreciated or understood. The restoration of Northern Ireland's power-sharing government in 2007 was made possible by State Department-led intervention in the peace process. There are few references to Northern Ireland in work examining the foreign policy legacy of the George W. Bush presidency. Moreover, the ability to control US foreign policy towards the region brought one of George W. Bush's Northern Ireland special envoys into direct diplomatic conflict with the most senior actors inside the British government. This book will uncover the extent of this fall-out and provide original accounts on how diplomatic relations between these old allies became so fraught.
-
Trusted Partner
The ArtsJune 2002American film and politics from Reagan to Bush Jr
by Philip Davies, Paul Wells
Covers a crucial two decades in American history, when the links between Hollywood and Washington DC were at their strongest.. The period is 'book-ended' by the mighty political and cinematic figures of Reagan and Clinton.. Covers a period in which movies have become targets of political rhetoric of 'family values'.. Essays examine cinematic views of key American political institutions - the presidency and electoral process, politically significant places such as New York City and the American South, the promotion of major issues like gender, family and race. This is a subject which has gained new significance in the wake of recent terrorist attacks in New York and Washington DC, which have changed both the political climate, and the priorities of the movie industry. ;
-
Trusted Partner
February 2014Nachgelassene Schriften. Abteilung IV: Vorlesungen
Band 17: Kranichsteiner Vorlesungen
by Theodor W. Adorno, , Klaus Reichert, Michael Schwarz
Ein Jahr nach Kriegsende fanden in Schloss Kranichstein bei Darmstadt zum ersten Mal die »Internationalen Ferienkurse für Neue Musik« statt. Sie markierten den Beginn des »musikalischen Wiederaufbaus« in einem Land, in dem die Neue Musik noch kurz zuvor als »entartet« galt, und entwickelten sich rasch zur international bedeutendsten Veranstaltung zeitgenössischer Musik. Seit 1950 nahm Theodor W. Adorno regelmäßig an den »Ferienkursen« teil und wurde für mehr als ein Jahrzehnt zu einer ihrer bestimmenden Figuren. 1955 hielt er dort seine erste Vorlesung – unter den Hörern waren Pierre Boulez und Stockhausen − und lotete am Beispiel des jungen Schönberg das Spannungsfeld zwischen Tradition und Avantgarde aus. Dies blieb das Leitmotiv auch der weiteren Vorlesungszyklen, etwa dem über »Kriterien der Neuen Musik«. Daneben geht es immer wieder um jene kompositorischen Probleme zeitgenössischer Musik, die Adorno 1954 in seinem berühmten Vortrag über »Das Altern der Neuen Musik« benannt hatte und der die Kranichsteiner Diskussionen befeuerte. Die in diesem Band versammelten Vorlesungen, nicht selten von Adorno mit teilweise von ihm selbst auf dem Flügel improvisierten Musikbeispielen begleitet, sind ein einzigartiges Dokument zur Theorie und Geschichte der Neuen Musik. Man kann sie nun erstmals im Zusammenhang und im Wortlaut lesen – und dank des beigegebenen Tonträgers auch hören!
-
Trusted Partner
