Provided with a remarkable collection, Mercure de France follows an exacting editorial policy: French and foreign literature, poetry, history, anthologies... Awarded many times, the publishing house is associated with prestigious names: Romain Gary, Colette, Ionesco , André Gide, André du Bouchet, Henri Michaux, Adonis, Yves Bonnefoy, Andréï Makine, Gilles Leroy, Anne Serre, Gwenaëlle Aubry, Julian Barnes...
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Mercis Publishing bv is the publisher and world-wide rights holder for Dick Bruna’s books, including Miffy. Mercis Publishing has published the Dutch version of the Dick Bruna books since 1995 and coordinates the publication of all Dick Bruna books in other countries. Dick Bruna’s books have been translated into more than 50 languages. The list includes picture books, board books, bath books, novelty books and colouring & activity titles.
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This book examines one of the most fundamental issues in twelfth-century English politics: justice. It demonstrates that during the foundational period for the common law, the question of judgement and judicial ethics was a topic of heated debate - a common problem with multiple different answers. How to be a judge, and how to judge well, was a concern shared by humble and high, keeping both kings and parish priests awake at night. Using theological texts, sermons, legal treatises and letter collections, the book explores how moralists attempted to provide guidance for uncertain judges. It argues that mercy was always the most difficult challenge for a judge, fitting uncomfortably within the law and of disputed value. Shining a new light on English legal history, Justice and mercy reveals the moral dilemmas created by the establishment of the common law.
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CO2. A WORLD WITH NO TOMORROW is a fast-paced science thriller. For this story, Tom Roth takes movements such as Fridays for Future and the increasingly radical protests for climate change as his inspiration and point of departure. It seems that increasing numbers of people see themselves justified in resorting to radical measures in their efforts to save the planet and the future of humanity (children). And for the first time in history, the movement is emanating primarily from children and young people – whose future is at stake. Twelve children from twelve nations are kidnapped. They’ve been participating in a climate camp in Australia. From now on, one child will die every week unless the international community meets certain demands of the kidnappers for climate protection. As mankind waits with bated breath in anticipation of the first ultimatum expiring, the governments of the countries concerned are fighting over solutions. It soon becomes clear that this race is about much more than the lives of individuals, and that time knows no mercy. A topical issue of our times, highly emotional For readers of Marc Elsberg and Andreas Eschbach English outline and sample translation available
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Tim, who with Annika and Malte has qualified for the second round, is confronted with the biggest challenge of his running career: he, his friends and their arch rivals Jeremy, Darius and Vanessa must form a team that will perform perfectly together. How well they succeed will be judged by millions of spectators, because every moment of this competition will be broadcast live by the media company Global Games. The decision as to who wins has long since ceased to be a matter of ability. Whether the prize is worth the challenge is open to question.
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Tim is one of them. A runner full of passion, ready to go beyond the limits. When one day he gets a letter from GlobalGames he doesn’t hesitate to accept the challenge for a second. 7 caches have been hidden in 7 locations. 100 young people are chasing after them. Each one against the others. But Tim soon realises that he can’t do it alone. He finds an ally in the fascinating Annika, known as Sakura. But can he really trust her? Or is everyone just running for themselves after all? Who’s ready to go the furthest to find the biggest cache in the world?
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"Rescue” has two fundamentally different “existential” dimensions. One is aimed at “saving” individual lives that are in danger. Firefighters, for instance, rescue people from fires, while the sea rescue services rescue shipwrecked people from the Mediterranean. The second dimension of “rescue”, on the other hand, concerns systems – think of the bailing out of banks, the euro or the climate disaster – and so points to a larger context that creates the conditions for “life” to even be possible, or at least to be preserved. The complex subject of this stringent essay is just to what extent politics enable or prevent “rescue attempts”, to what extent it understands its actions as “rescue actions”, and how decisively the “narrative”, i.e. the “talk of rescue”, ultimately dominates our entire understanding of politics.
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With well over 6,300 articles, including over 500 new entries, this fourth edition of The Encyclopedia of British Film is a fully updated invaluable reference guide to the British film industry. It is the most authoritative volume yet, stretching from the inception of the industry to the present day, with detailed listings of the producers, directors, actors and studios behind a century or so of great British cinema. Brian McFarlane's meticulously researched guide is the definitive companion for anyone interested in the world of film. Previous editions have sold many thousands of copies and this fourth edition will be an essential work of reference for enthusiasts interested in the history of British cinema, and for universities and libraries.
