Aurora Metro is a an award-winning indie publisher established over 25 years ago in the UK. We publish fiction, non-fiction, YA fiction, drama, cookery, biography. Over 200 international authors published and over 20 works in translation.
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Metis list includes both fiction and nonfiction. Some literary authors are Gerbrand Bakker, John Berger, Maurice Blanchot, Anne Carson, Rana Dasgupta, Carlos Fonseca, Georgi Gospodinov, Alasdair Gray, Ursula K. LeGuin, Norman Manea, Javier Marias, Georges Perec, Per Petterson, Andrei Platonov, J.R.R. Tolkien, and Marguerite Yourcenar. Metis nonfiction list -in History Society Philosophy, Literary Criticism, Arts and People, Critical Science, Gender Studies series- features works of prominent authors such as Benedict Anderson, Alain Badiou, Etienne Balibar, Walter Benjamin, Wendy Brown, Susan Buck-Morss, Judith Butler, Byung Chul-Han, David Harvey, Kojin Karatani, Tim Parks, Adam Phillips, Jacques Rancière, Edward Said, Renata Salecl, Immanuel Wallerstein, Slavoj Zizek and Alenka Zupancic. World-class literary theorists including Mikhail Bakhtin, Gyorgy Lukacs and Tzvetan Todorov, philosophers such as Roland Barthes, Paul Ricoeur and Ludwig Wittgenstein and psychoanalytic masters including Didier Anzieu, Sigmund Freud, Anna Freud, Melanie Klein, Jacques Lacan and D.W. Winnicott are amongst the authors Metis has published.
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This book examines slave trading in northern and eastern central Europe from the seventh century through the eleventh century, tracing its growth, climax, and decline. Demand from the Islamic world in the ninth and tenth centuries prompted changes in warfare, trade logistics, and administrative responses to slavery in the slaving zones centred on the British Isles and the Czech lands. This study establishes slave trading as a core driver of connectivity and presents a model for this practice in politically fragmented areas of Europe.
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Fast nichts ist uns Menschen so wichtig wie unser subjektives, bewußtes Innenleben – und doch wissen wir relativ wenig über seine Genese. Benjamin Libet gehört zu den Pionieren auf dem Gebiet der Bewußtseinsforschung und hat zahlreiche Experimente durchgeführt, die gezeigt haben, wie das Gehirn Bewußtsein produziert. In »Mind Time« präsentiert er erstmals eine eigene Deutung seiner berühmten »Libet-Experimente«, die die aktuelle Debatte über die Bedeutung der Neurowissenschaften für unser Menschenbild überhaupt erst angestoßen haben. Dieses Buch gehört zu den zentralen Arbeiten der modernen Hirnforschung.
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Medicine for the relief of pain has made little progress in the last 50 years. 16% of our population claim to suffer from chronic pain, for which no lasting help can be found, despite years of treatment by different doctors. Trigger point therapy experts have integrated myofascial techniques into their everyday therapy in recent decades and through this they have achieved good results even with complex and chronic problems. In this book, instructors from the Interest Group for Myofascial Trigger Point Therapy (IMTT) in Switzerland present 33 complex cases of patients with chronic pain, whose pain they were able to relieve permanently with manual trigger point therapy and dry needling. Using these case studies, doublepage spreads with an educational, uniform layout clearly present the diagnosis, pathophysiology and chronifcation of myofascial pain syndromes and, in conclusion, describe encouraging and surprising successes despite previous therapy resistance.
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This is the first in-depth study of post-war female religious life. It draws on archival materials and a remarkable set of eighty interviews to place Catholic sisters and nuns at the heart of the turbulent 1960s, integrating their story of social change into a larger British and international one. Shedding new light on how religious bodies engaged in modernisation, it addresses themes such as the Modern Girl and youth culture, '1968', generational discourse, post-war modernity, the voluntary sector and the women's movement. Women religious were at the forefront of the Roman Catholic Church's movement of adaptation and renewal towards the world. This volume tells their stories in their own words.
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Colonial war played a vital part in transforming the reputation of the military and placing it on a standing equal to that of the navy. The book is concerned with the interactive culture of colonial warfare, with the representation of the military in popular media at home, and how these images affected attitudes towards war itself and wider intellectual and institutional forces. It sets out to relate the changing image of the military to these fundamental facts. For the dominant people they were an atavistic form of war, shorn of guilt by Social Darwinian and racial ideas, and rendered less dangerous by the increasing technological gap between Europe and the world. Attempts to justify and understand war were naturally important to dominant people, for the extension of imperial power was seldom a peaceful process. The entertainment value of war in the British imperial experience does seem to have taken new and more intensive forms from roughly the middle of the nineteenth century. Themes such as the delusive seduction of martial music, the sketch of the music hall song, powerful mythic texts of popular imperialism, and heroic myths of empire are discussed extensively. The first important British war correspondent was William Howard Russell (1820-1907) of The Times, in the Crimea. The 1870s saw a dramatic change in the representation of the officer in British battle painting. Up to that point it was the officer's courage, tactical wisdom and social prestige that were put on display.
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This book examines the distinctive aspects that insiders and outsiders perceived as characteristic of Irish and Scottish ethnic identities in New Zealand. When, how, and why did Irish and Scots identify themselves and others in ethnic terms? What characteristics did the Irish and the Scots attribute to themselves and what traits did others assign to them? Did these traits change over time and if so how? Contemporary interest surrounding issues of ethnic identities is vibrant. In countries such as New Zealand, descendants of European settlers are seeking their ethnic origins, spurred on in part by factors such as an ongoing interest in indigenous genealogies, the burgeoning appeal of family history societies, and the booming financial benefits of marketing ethnicities abroad. This fascinating book will appeal to scholars and students of the history of empire and the construction of identity in settler communities, as well as those interested in the history of New Zealand.
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»Robert Mächler hat die flüchtigen Spuren von Robert Walsers Leben so sorgfältig und verläßlich wie überhaupt gesichert. Wer Robert Walser kennen lernen will, kann sich Mächler anvertrauen. Er findet einen zuverlässigen, umsichtigen Führer und er wird angesichts dieser sachlichen Dichtervita, dieses Bildnisses eines so armen wie reichen Mannes vielleicht von Erschütterung, gewiß aber von Zuneigung und Bewunderung angerührt werden.« Jochen Greven »Mächler hat geschildert und erfaßt, was es zu erfassen gab. Peinlich und aufregend genau wird vom Biographen Kombination, Möglichkeit und Faktum nebeneinandergestellt. Es wird nichts verschwiegen aus dem verschwiegenen Leben, aus diesem lebenslangen Lebensversteck.« Karl Krolow Robert Mächler wurde 1909 in Baden/ Aargau geboren. Nach humanistischen Studien an der Universität Bern war er als Journalist und Schriftsteller tätig. Er starb 1997.
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The Art of The Faerie Queene is the first book centrally focused on the forms and poetic techniques employed by Spenser. It offers a sharp new perspective on Spenser by rereading The Faerie Queene as poetry which is at once absorbing, demanding and experimental. Instead of the traditional conservative model of Spenser as poet, this book presents the poem as radical, edgy and unconventional, thus proposing new ways of understanding the Elizabethan poetic Renaissance. The book moves from the individual words of the poem to metre, rhyme and stanza form onto its larger structures of canto and book. It will be of particular relevance to undergraduates studying Elizabethan poetry, graduate students and scholars of Renaissance poetry, for whom the formal aspect of the poetry has been a topic of growing relevance in recent years.
