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        Literature & Literary Studies
        August 2024

        Instead of modernity

        The Western canon and the incorporation of the Hispanic (c. 1850–75)

        by Andrew Ginger

        Instead of modernity goes to the very heart of comparative cultural study: the question of what happens when intimate, dynamic connections are made over place and time, what it is to feel at home amid the lavish diversity of culture. This ambitious interdisciplinary book reconsiders foundational figures of the modern western canon, from Darwin to Cameron, Baudelaire to Whistler. It weaves together brain images from France, preserved insects from the Americas, glass in London, poetry from Argentina, paintings from Spain. Flaubert, Whitman, and Nietzsche find themselves with Hostos from Puerto Rico and Gorriti from Argentina. The book ranges over theoretical fields: trauma and sexuality studies, theories of visuality, the philosophy of sacrifice and intimacy, the thought of Wittgenstein. Instead of modernity is an adventure in the practice of comparative writing: resonances join suggestively over place and time, the textures of words, phrases and images combine to form moods.

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        Humanities & Social Sciences
        August 2017

        Bauman and contemporary sociology

        by Ali Rattansi

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        Literature & Literary Studies
        October 2020

        Instead of modernity

        by Andrew Ginger, Andrew Smith, Anna Barton

      • Trusted Partner
        Literature & Literary Studies
        July 2008

        Anthony Burgess and modernity

        by Alan Roughley

        Anthony Burgess and Modernity provides a variety of new perspectives and contexts for exploring Burgess's literature and music. A range of international scholars and critics explore the writer's novels, music and linguistic productions to explore and define how Burgess contributed to modernist and postmodernist art. The scholars who contributed to the book provide original explorations of Burgess's work and the theological, psychological, linguistic, literary and musical contexts in which Burgess's achievements can best be understood. It will appeal to scholars and students, but it also offers an appreciation of Burgess's artistic achievements that will provide general readers of Burgess's work with an insight into some of the exciting contexts in which Burgess novels can be read. ;

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        Literature & Literary Studies
        June 2022

        The early modern English sonnet

        Ever in motion

        by Laetitia Sansonetti, Rémi Vuillemin, Enrica Zanin

        This volume questions and qualifies commonly accepted assumptions about the early modern English sonnet: that it was a strictly codified form, most often organised in sequences, which only emerged at the very end of the sixteenth century and declined as fast as it had bloomed, and that minor poets merely participated in the sonnet fashion by replicating established conventions. Drawing from book history and relying on close reading and textual criticism, this collection offers a more nuanced account of the history of the sonnet. It discusses how sonnets were written, published and received in England as compared to mainland Europe, and explores the works of major (Shakespeare, Sidney, Spenser) and minor (Barnes, Harvey) poets alike. Reflecting on current editorial practices, it also provides the first modern edition of an early seventeenth-century Elizabethan miscellany including sonnets presumably by Sidney and Spenser.

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        Humanities & Social Sciences
        April 2024

        Women in exile in early modern Europe and the Americas

        by Linda Levy Peck, Adrianna E. Bakos

        Exile, its pain and possibility, is the starting point of this book. Women's experience of exile was often different from that of men, yet it has not received the important attention it deserves. Women in exile in early modern Europe and the Americas addresses that lacuna through a wide-ranging geographical, chronological, social and cultural approach. Whether powerful, well-to-do or impoverished, exiled by force or choice, every woman faced the question of how to reconstruct her life in a new place. These essays focus on women's agency despite the pressures created by political, economic and social dislocation. Collectively, they demonstrate how these women from different countries, continents and status groups not only survived but also in many cases thrived. This analysis of early modern women's experiences not only provides a new vantage point from which to enrich the study of exile but also contributes important new scholarship to the history of women.

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        The Arts
        February 2019

        Contemporary Korean cinema

        Culture, identity and politics

        by Hyangjin Lee

        The first in-depth, comprehensive study of Korean cinema offering original insight into the relationships between ideology and the art of cinema from East Asian perspectives. Combines issues of contemporary Korean culture and cinematic representation of the society and people in both North and South Korea. Covers the introduction of motion pictures in 1903, Korean cinema during the Japanese colonial period (1910-45) and the development of North and South Korean cinema up to the 1990s. Introduces the works of Korea's major directors, and analyses the Korean film industry in terms of film production, distribution and reception. Based on this historical analysis, the study investigates ideological constructs in seventeen films, eight from North Korea and nine from South Korea.

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        October 2011

        Unerfüllte Moderne?

        Neue Perspektiven auf das Werk von Charles Taylor

        by Michael Kühnlein, Matthias Lutz-Bachmann

        Charles Taylor gehört zu den international renommiertesten Philosophen der Gegenwart. Sein Werk vereint Sozial- und politische Philosophie zu einer umfassenden Gütertheorie der Moderne. Als Vordenker des Kommunitarismus verteidigt er die normative Unhintergehbarkeit des Guten bei der Bestimmung des Menschen; als Theoretiker der Moderne kritisiert er den »Artikulationsstau« säkularer Großerzählungen. Der vorliegende Band, der aus Anlaß des 80. Geburtstages von Charles Taylor erscheint, beschäftigt sich mit zentralen Aspekten seines philosophischen Denkens. Er umfaßt Beiträge von Philosophen, Theologen, Soziologen und Juristen, darunter Christoph Menke, Karl Kardinal Lehmann, Hans Joas und Hartmut Rosa, sowie eine Replik von Charles Taylor.

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        The Arts
        June 2021

        The new pornographies

        Explicit sex in recent French fiction and film

        by Victoria Best, Martin Crowley

        The turn of the twenty-first century has witnessed the striking advance of pornography into the Western cultural mainstream. Symptomatic of this development has been the use by writers, artists, and film-makers of the imagery and aesthetics of pornography, in works which have, often on this basis, achieved considerable international success. Amongst these artists are a number of French authors and directors - such as Michel Houellebecq, Catherine Breillat, Virginie Despentes, or Catherine Millet - whose work has often been dismissed as trashy or exploitative, but whose use of pornographic material may in fact be indicative of important contemporary concerns. In this study of a very significant trend, the authors explore how the reference to pornography encodes diverse political, cultural, and existential questions, including relations between the sexes, the collapse of avant-garde politics, gay sexualities in the time of AIDS, the anti-feminist backlash, the relation to the body and illness, the place of fantasy, and the sexualisation of children. It will be of interest to undergraduates, graduates, and researchers in the fields of French culture, gender, film and media studies.

      • Trusted Partner
        The Arts
        January 2019

        The new pornographies

        Explicit sex in recent French fiction and film

        by Victoria Best, Martin Crowley

        The turn of the twenty-first century has witnessed the striking advance of pornography into the Western cultural mainstream. Symptomatic of this development has been the use by writers, artists, and film-makers of the imagery and aesthetics of pornography, in works which have, often on this basis, achieved considerable international success. Amongst these artists are a number of French authors and directors - such as Michel Houellebecq, Catherine Breillat, Virginie Despentes, or Catherine Millet - whose work has often been dismissed as trashy or exploitative, but whose use of pornographic material may in fact be indicative of important contemporary concerns. In this, the first study of this significant trend, the authors explore how the reference to pornography encodes diverse political, cultural, and existential questions, including relations between the sexes, the collapse of avant-garde politics, gay sexualities in the time of AIDS, the anti-feminist backlash, the relation to the body and illness, the place of fantasy, and the sexualisation of children. It will be of interest to undergraduates, graduates, and researchers in the fields of French culture, gender, film and media studies.

      • Trusted Partner
        October 1984

        Die Struktur der Moderne

        Grundmuster und differentielle Gestaltung des institutionellen Aufbaus der modernen Gesellschaften

        by Richard Münch

        Die Moderne verstehen – dies ist ein prominentes Thema der Soziologie. Richard Münch versucht in seinem neuen Buch, durch die soziologische Analyse ihres institutionellen Aufbaus zu einem Verständnis der Grundstruktur und der Strukturprobleme der modernen Gesellschaften zu gelangen. Im Vordergrund der Analyse steht zunächst die gemeinsame institutionelle Tiefenstruktur moderner Gesellschaften. Diese generalisierende Betrachtung wird dann durch die Analyse ihrer unterschiedlichen institutionellen Oberflächenstruktur im inter- und intrakulturellen Vergleich konkretisiert.

      • Trusted Partner
        December 2014

        Vergangenheit und Zukunft der Moderne

        by Ulrich Beck, Martin Mulsow

        Mit der Ankunft der Zeitgeschichtsschreibung in den siebziger und achtziger Jahren ist eine Reflexion auf die Geschichte der Moderne und ihre Vorgeschichte unabweisbar geworden. Es steht an, den internen Bruch zwischen »Erster« und »Zweiter« Moderne sowohl historisch als auch soziologisch zu verstehen. Zugleich muss dabei der Horizont einer Tiefenzeit der Moderne berücksichtigt werden, die weit hinter das 19. Jahrhundert zurückreicht, in die stufenweisen Modernisierungsschritte mindestens seit der Renaissance. Welche Konsequenzen haben solche Reflexionen für das soziologische Verständnis der »Zweiten Moderne« selbst? Wie ist unter diesen Umständen die Identität der Moderne zu verbürgen? Impliziert eine Identität der Moderne Kontinuitäten, die sich bei allen Brüchen durchhalten?

      • Trusted Partner
        Literature & Literary Studies
        August 2020

        1913: The year of French Modernism

        by Efthymia Rentzou, André Benhaïm

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        Literature & Literary Studies
        September 2022

        Nietzsche and Irish modernism

        by Patrick Bixby

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