NeWest Press
Livres Canada Books
View Rights PortalThis book examines the distinctive aspects that insiders and outsiders perceived as characteristic of Irish and Scottish ethnic identities in New Zealand. When, how, and why did Irish and Scots identify themselves and others in ethnic terms? What characteristics did the Irish and the Scots attribute to themselves and what traits did others assign to them? Did these traits change over time and if so how? Contemporary interest surrounding issues of ethnic identities is vibrant. In countries such as New Zealand, descendants of European settlers are seeking their ethnic origins, spurred on in part by factors such as an ongoing interest in indigenous genealogies, the burgeoning appeal of family history societies, and the booming financial benefits of marketing ethnicities abroad. This fascinating book will appeal to scholars and students of the history of empire and the construction of identity in settler communities, as well as those interested in the history of New Zealand.
This edited collection investigates New Zealand's history as an imperial power, and its evolving place within the British Empire. It revises and expands the history of empire within, to and from New Zealand by looking at the country's spheres of internal imperialism, its relationship with Australia, its Pacific empire and its outreach to Antarctica. The book critically revises our understanding of the range of ways that New Zealand has played a role as an imperial power, including the cultural histories of New Zealand inside the British Empire, engagements with imperial practices and notions of imperialism, the special significance of New Zealand in the Pacific region, and the circulation of ideas of empire both through and inside New Zealand over time. The essays in this volume span social, cultural, political and economic history, and in testing the concept of New Zealand's empire, the contributors take new directions in both historiographical and empirical research.
"Hi everyone! My name is Steffi (Stefanie) and I am starting this book today to speak freely about my life. Here’s a little about me: I live in Vienna, Austria, in a nice little flat in a cosy council estate, which has a lot of Rottweilers who I think are really cute. I went through a lot of stuff between the age of 16 and 20. Once a crazy person tried to kill me – I still have a scar on my hand to prove it.’" Stefanie Sargnagel is an Internet star, an audience magnet and a unique author. This is her first book, pretty much a classic coming-of-age novel.
The Toronto New Wave (TNW) comprises a group of avant-garde filmmakers working in Canada from the 1980s and into the new millennium whose innovative film works share significant affinities with anarchist themes and aesthetics. Several of the TNW filmmakers openly identify as anarchists and/or acknowledge a debt to anarchism in their production of highly apocalyptic narratives as part of their cinematic political projects. However, recognition of anarchism's progressive apocalyptic theoretical relevance has yet to be substantially taken up by scholarship in cinema analysis. This analysis introduces an anarchist-inflected analytical methodology to understand the apocalyptic-revelatory political work these films attempt to accomplish in the perceptual space between the filmic texts and both their auteurs and potential viewers, and to re-locate the TNW within cinema history as an ongoing phenomenon with new significance in an apocalyptic era of digital distribution.
Recent years have seen a rennaissance of scholarly interest in the fin-de-siecle fiction of the New Woman. New Woman Strategies offers a new approach to the subject by focusing on the discursive strategies and revisionist aesthetics of the genre in the writings of three of its key exponents: Sarah Grand, Olive Schreiner and Mona Caird. ;
New D.H. Lawrence uses current and emergent approaches in literary studies to explore one of Britain's major modernist writers. The collection features new work by the present generation of Lawrence scholars, who are brought together here for the first time. Chapters include: Andrew Harrison on the marketing of Sons and Lovers; Howard J. Booth on The Rainbow, Marxist criticism and colonialism; Holly A. Laird on ethics and suicide in Women in Love; Hugh Stevens on psychoanalysis and war in Women in Love; Jeff Wallace on Lawrence, Deleuze and abstraction; Stefania Michelucci on myth and war in 'The Ladybird'; Bethan Jones on gender and comedy in the late short fiction; Fiona Becket on green cultural critique, Apocalypse and Birds, Beasts and Flowers; and Sean Matthews on class, Leavis and the trial of Lady Chatterley. New D.H. Lawrence will be of interest to all concerned with contemporary writing on Lawrence, modernism and English radical cultures. ;
This book examines the distinctive aspects that insiders and outsiders perceived as characteristic of Irish and Scottish ethnic identities in New Zealand. When, how, and why did Irish and Scots identify themselves and others in ethnic terms? What characteristics did the Irish and the Scots attribute to themselves and what traits did others assign to them? Did these traits change over time and if so how? Contemporary interest surrounding issues of ethnic identities is vibrant. In countries such as New Zealand, descendants of European settlers are seeking their ethnic origins, spurred on in part by factors such as an ongoing interest in indigenous genealogies, the burgeoning appeal of family history societies, and the booming financial benefits of marketing ethnicities abroad. This fascinating book will appeal to scholars and students of the history of empire and the construction of identity in settler communities, as well as those interested in the history of New Zealand. ;
The first edition of New challenges for documentary provided a major stimulus for teaching about documentary film and television and fresh encouragement for critical thinking about practice. This second edition brings together many new contributions both from academics and filmmakers, reflecting shifts both in documentary production itself, and in ways of discussing it. Once again, the emphasis has been on clear and provocative writing, sympathetic to the practical challenges of documentary film-making but making connections with a range of work in media and communications analysis. With its wide range of contributors and the international scope of its agenda, New challenges for documentary will be essential reading for general filmmakers and documentary students both of academic and practical inclinations. ;
In the new world order mapped out by Japanese and Western imperialism in East Asia after the mid-nineteenth century opium wars, communities of merchants and settlers took root in China and Korea. New identities were constructed, new modes of collaboration formed and new boundaries between the indigenous and foreign communities were literally and figuratively established. Newly available in paperback, this pioneering and comparative study of Western and Japanese imperialism examines European, American and Japanese communities in China and Korea, and challenges received notions of agency and collaboration by also looking at the roles in China of British and Japanese colonial subjects from Korea, Taiwan and India, and at Chinese Christians and White Russian refugees. This volume will be of interest to students and scholars of the history and anthropology of imperialism, colonialism's culture and East Asian history, as well as contemporary Asian affairs. ;
In the new world order mapped out by Japanese and Western imperialism in East Asia after the mid-nineteenth century opium wars, communities of merchants and settlers took root in China and Korea. New identities were constructed, new modes of collaboration formed and new boundaries between the indigenous and foreign communities were literally and figuratively established. Newly available in paperback, this pioneering and comparative study of Western and Japanese imperialism examines European, American and Japanese communities in China and Korea, and challenges received notions of agency and collaboration by also looking at the roles in China of British and Japanese colonial subjects from Korea, Taiwan and India, and at Chinese Christians and White Russian refugees. This volume will be of interest to students and scholars of the history and anthropology of imperialism, colonialism's culture and East Asian history, as well as contemporary Asian affairs.
The New Inn is one of the most neglected of Jonson's plays which is now finding a new and appreciative audience. May be read, according to this Editor's introduction, as a tribute to Shakespeare, and as a belated recognition that the fantasies of romance contain profound truths. The spelling has been modernised and the text updated and corrected for this paperback edition. There is also a critical introduction, helpful appendices and a commentary which explains difficult or significant passages within the play. ;
Mit schönem Farbschnitt in der Erstauflage – Lieferung je nach Verfügbarkeit In einem Netz aus Lügen … Obwohl Reva einer Verschwörung innerhalb der Elite von New London auf die Spur gekommen ist, konnte sie den wahren Verantwortlichen für die Mordserie in der Menschenwelt nicht finden. Weil die Unruhen in der Hexengesellschaft immer größer werden, kehrt sie auf der Suche nach Antworten in ihre magische Heimat zurück. Inmitten rauschender Feste muss sie erkennen, wer Freund und wer Feind ist. Dabei sind ihre heimlichen Gefühle für Gabriel alles andere als hilfreich. Insbesondere, da er fest davon überzeugt ist, seine Pflichten als Frühlingserbe erfüllen zu müssen. Doch nicht nur ihre verbotene Sehnsucht erschwert die Ermittlungen, sondern auch die wachsende Dunkelheit in ihr selbst. Ein Wettlauf mit der Zeit beginnt, bei dem sie alles verlieren könnte … Moonblessed: Eine New-Adult-Romantasy mit einer Prise Crime Einzigartig: Eine fesselnde Kombination aus Urban Romantasy und Crime, die Leser*innen ab 16 Jahren in ihren Bann zieht. Spannend und magisch: Band 2 der erfolgreichen „Witches of New London“-Reihe von Isabel Clivia. Gegen alle Widerstände: Die junge Hexe Reva kämpft in dieser einzigartigen Second Chance-Liebesgeschichte gegen alle Regeln und für ihre Liebe zu Gabriel. Voll im Trend: Moonblessed vereint meisterhaft die faszinierenden Themen Hexen, Crime und Liebe in einer packenden Geschichte, die ihre Leser*innen nicht mehr loslassen wird. Genial ausgestattet: Softcover mit Klappen, einem trendig illustrierten Farbschnitt in der Erstauflage und einem abtrennbaren Lesezeichen. Band 2 der „Witches of New London“-Reihe von Isabel Clivia ist eine Urban Romantasy, die die Trendthemen Hexen und Crime vereint. Eine mitreißende Second-Chance-Liebesgeschichte für New-Adult-Leser*innen ab 16 Jahren!
Mit schönem Farbschnitt in der Erstauflage – Lieferung je nach Verfügbarkeit Detective Witch: Romantasy-Crime in London. „Jack the Ripper ist zurück“ – so lautet die Schlagzeile, wegen der ganz London den Atem anhält. Vor allem die junge Hexe Reva, denn sie kennt die Wahrheit: Der Mörder stammt aus ihren Reihen. Als Detektivin im Dienste der Hexen-Geheimgesellschaft ist es ihre Pflicht, der Sache auf den Grund zu gehen. Eine Spur führt sie nach New London, ihre einstige Heimatstadt, die hinter einem magischen Schleier verborgen liegt. Dort benötigt sie ausgerechnet die Hilfe des charismatischen Hexers Gabriel. Auf das verbotene Herzklopfen, das er in ihr auslöst, würde sie lieber verzichten. Aber um die finsteren Verbrechen aufzuklären, muss sie notgedrungen mit ihm zusammenarbeiten. Schon bald steht weit mehr auf dem Spiel als nur ihr Herz … Witches of New London 1. Sunblessed: Magische Romeo-und-Julia-Story zwischen Sherlock und Jack the Ripper. Witchcraft und WitchTok: der Social-Media-Trend jetzt mit coolen Crime-Elementen. Komm mit nach New London, wenn du magische Powerfrauen und Portale in andere Welten liebst. Zwei Liebende, die nicht zusammen sein können, aber zusammen arbeiten müssen. Deine Lieblings-Tropes „Forbidden Love“ und „Second Chance“: Verbotene Gefühle sind oft die stärksten. Band 1 der New Adult Fantasy Reihe ab 16 Jahren, Band 2 erscheint im Frühjahr 2024
This volume of eight new essays by leading scholars provides a stimulating dialogue between a range of critical perspectives. Encompassing the fields of cultural history, history of science, literature, and politics, the collection explores The New Atlantis' complex location within Bacon's oeuvre and its negotiations with cultural debates of the past and present. Often regarded as the apotheosis of Bacon's ideas through its depiction of an advanced “scientific” society, it is also read as a seminal work of science fiction.
Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.
Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.
Als »Lyrik zum Die-Pulsadern-Aufschneiden« bezeichnete Federico García Lorca (1898–1936) die Gedichte, die er 1930 aus New York und Havanna mit nach Hause brachte, deren Drucklegung (1940) er jedoch nicht mehr erlebte. Wo unsere Landkarten New York verzeichnen, liegt in Wirklichkeit eine andere Stadt. Es gibt nur einen Zugang zu ihr – García Lorcas Gedichte.
Verliere dein Herz im magischen London Jack the Ripper ist zurück – so lautet die Schlagzeile, wegen der ganz London den Atem anhält. Die junge Hexe Reva kennt jedoch die Wahrheit: Der Mörder stammt aus ihren Reihen. Als Detektivin im Dienste der Hexen-Geheimgesellschaft ist es Revas Pflicht, der Sache auf den Grund zu gehen. Eine Spur führt sie nach New London, ihre einstige Heimatstadt, die hinter einem magischen Schleier verborgen liegt. Dort benötigt sie ausgerechnet die Hilfe des charismatischen Hexers Gabriel. Auf das verbotene Herzklopfen, das er in ihr auslöst, würde sie lieber verzichten. Aber um die finsteren Verbrechen aufzuklären, muss sie notgedrungen mit ihm zusammenarbeiten. Schon bald steht weit mehr auf dem Spiel als nur ihr Herz …