Sell Out
Sell Out is a generalist imprint with strong commercial catalog.
View Rights PortalSell Out Kids is a series of our imprint Sell Out, for children and YA titles.
View Rights PortalThis work explores the idea of the Celt and the definition of the so-called "Celtic Fringe" over the last 300 years. It is an in-depth study of the literary and cultural representation of Ireland, Scotland and Wales over this period, and is based on a wide-ranging grasp of issues of national identity and state formation. The idea of the Celt and Celticism is once again highly fashionable. Is there such a common Celtic heritage? What is the place of the "Celtic Fringe" in British identity? Pittock begins by assessing the term "Celtic" itself, by questioning its validity, going on to examine its historic uses and heroic notions of Scotland's past. The Celtic Revival of the late 19th century is examined in detail together with its impact on Irish nationalism. Pittock asks how far the "Celtic" experience in Britain can be described as a colonial one, and examines the importance of the Celtic languages in preserving a sense of identity. Contemporary issues such as the literary language of the Troubles in Northern Ireland and the growth of modern Scottish nationalism are also considered. ;
The first book-length study of one of Britain's most successful young writers. His work in a range of genres, from drama to film, fiction and short stories, has elicited widespread critical acclaim and - at times - provoked sharp condemnation. Provides a detailed account of his work to date, from Kureishi's early involvement in 'fringe' theatre (an area generally ignored hitherto), to the short story collections. Locates Kureishi's work securely in its historical, social, cultural and critical contexts, as well as providing detailed readings of all the major works. Kureishi is an important writer due to his intervention into such modish topics as British identity, questions of race, aspects of gender and choice of genre. ;
Based on an ethnographic study on the Andean Tri-border (between Chile, Peru, and Bolivia), this volume addresses the experience of Aymara cross-border women from Bolivia employed in the rural valleys on the outskirts of Arica (Chile's northernmost city). As protagonists of transborder mobility circuits, these women are intersectionally impacted by different forms of social vulnerability. With a feminist anthropological perspective, the book investigates how the boundaries of gender are constructed in the (multi)situated experience of these transborder women. By building a bridge between classical anthropological studies on kinship and contemporary debates on transnational and transborder mobility, the book invites us to rethink structuralist theoretical assertions on the elementary character of family alliances.
Dennis Kelly's award-winning plays have been translated into over thirty languages and produced on six continents. His endlessly inventive vision has produced a diverse body of work for a variety of audiences across a range of forms, genres, and media, from the Olivier and Tony Award-winning Matilda the Musical (2010), to the Channel Four cult-classic series Utopia. His 2008 play DNA, written for National Theatre Connections, is a set text on the AQA GCSE English Literature syllabus. This collection of essays written by leading scholars, teachers, and practitioners of theatre provides the first multi-authored study of Kelly's critically acclaimed oeuvre. Featuring an original interview with Kelly himself, this volume captures the full range and scope of his writing for stage and screen, from the quirky fringe debut Debris (2003) to the globally-distributed film adaptation of Matilda the Musical (2022).
Hamburg, 1954: Greta Bergström has spent almost her entire life with her grandmother in Stockholm. Now she stands in front of a run-down house in St. Pauli, where her father lives with his new family. He greets his daughter icily, and in buttoned-up Hamburg Greta searches in vain for a job as a beautician. Until she meets Marieke, who does her neighbours' hair in the prefab barracks on the outskirts of the city. Together they decide to tour the city in a mobile beauty shop – with great success. After the dark years of the war, women want to look pretty again. Marieke does hair, Greta cosmetics, and Trixie, the third in the group, gives fashion advice. Suddenly Greta's life is so brightly eventful, she almost forgets the reason for her return to Hamburg: to find out what had happened to her mother, who had disappeared without a trace during the war.
The dream of the ideal city is as old as the city itself. Since real cities often develop chaotically, the idea of perfecting them, even tearing them down if necessary, and rebuilding them according to the prevailing patterns of thought is an obvious one. The latest manifestation of this utopia is the smart city - the intelligent city, packed with the latest technology and extensively digitised. But will air taxis and hyperloops, ubiquitous sensors, access control systems and data-driven management really make the city of the future a better place to live? Are they the answer to the enormous challenges facing today's fast-growing metropolises? Or will the supposed administrative paradise ultimately mutate into a digital juggernaut?
This edited volume provides new readings of the life and career of iconic actress Vivien Leigh (1913-67), written by experts from theatre and film studies and curators from the Victoria & Albert Museum, London. The collection uses newly accessible family archives to explore the intensely complex relationship between Vivien Leigh's approach to the craft of acting for stage and screen, and how she shaped, developed and projected her public persona as one of the most talked about and photographed actresses of her era. With key contributors from the UK, France and the US, chapters range from analyses of her work on stage and screen to her collaborations with designers and photographers, an analysis of her fan base, her interior designs and the 'public ownership' of Leigh's celebrity status during her lifetime and beyond.
Can You Believe Your Eyes? Dorian has been living on the streets since running away from home, and has always managed to fend for himself pretty well. But when he wakes up one morning beside a dead homeless man who has evidently been murdered, Dorian panics – he can’t remember anything of what happened the previous night. Is he responsible for the man’s murder? Then a stranger appears with an unexpected offer of help, and Dorian seizes the opportunity with both hands – this is his chance to hide from the police. The stranger works with young people in need, and he takes Dorian to a villa where he is given food, new clothes and even schooling.But Dorian soon learns that you get nothing for free in this life. In return for being looked after at the villa, Dorian is expected to distribute mysterious free gifts – gifts which are very carefully sealed. And when an unexpected turn of events results in him keeping one of the gifts, he finds himself being hunted by merciless pursuers. After the international YA-bestseller Erebos, Saeculum and The Eleria-Trilogy Ursula Poznanski now presents her new thriller: Layers Awarded with the Hans-Jörg-Martin Prize 2016 for the best YA-Thriller! More information also available under: www.layers-buch.de