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      • Paper Crane Agency

        A key source for ​international publishers looking for new titles from Japan, ​we facilitate collaborations ​with Japanese authors, illustrators and publishers.   We also assist publishers who are licensing Japanese content with translation, adaptation and localization to make publishing Japanese books in translation as easy as possible.   In Japan, the crane is a symbol of good fortune, happiness and longevity. Origami folded paper cranes are often given as an expression of good wishes and peace.    ​At Paper Crane, we hope that all the titles we present or create – our “good wishes” from Japan – will bring enjoyment to readers of all ages, wherever they are in the world.

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      • Papadopoulos Publishing SA

        Papadopoulos Publishing, a Greek, family-owned publishing house, was founded in 1953.  From its inception the publishing house excelled in children’s books publishing, establishing its name over the year as a household name for quality children’s books. Since 2010 we have expanded our catalog to adult titles as well, beginning with nonfiction and later on with fiction. Currently, the business is managed by the family’s fourth generation. Our full catalog comprises more than 1500 titles in stock and we own our own logistics and distribution facilities. Our books are carried by more than 1000 sales points (bookshops, supermarkets) all over Greece and Cyprus. FarosBooks, our London-based subsidiary was launched in March 2019. It is a new publishing venture with a vision to inspire and entertain by publishing quality picturebooks for young children. FarosBooks aims both to the UK and international children's book market.10-15 new titles will be published every year. For more details, visit www.farosbooks.co.uk

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        The Arts
        December 2024

        The picture politics of Sir Francis Carruthers Gould

        Britain's pioneering political cartoonist

        by Mark Bryant

        This is the first major study of Britain's pioneering graphic satirist, Sir Francis Carruthers Gould (1844-1925), the first staff political cartoonist on a daily newspaper in Britain, and the first of his kind to be knighted. Written by the distinguished media historian, Colin Seymour-Ure, it is essential reading for anyone interested in cartoons, caricature and illustration and will also be welcomed by students of history, politics and the media. It examines Gould's career in Fleet Street until his retirement after the First World War. It also discusses his illustrations for magazines and books and there is an analysis of his use of symbolism and literary allusion to lampoon such eminent politicians as Gladstone and Joseph Chamberlain. As Lord Baker says in his Foreword, this book is 'a major contribution to our knowledge of British cartooning.'

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        Literature & Literary Studies
        July 2024

        Thomas Nashe and literary performance

        by Chloe Kathleen Preedy, Rachel Willie

        As an instigator of debate and a defender of tradition, a man of letters and a popular hack, a writer of erotica and a spokesman for bishops, an urbane metropolitan and a celebrant of local custom, the various textual performances of Thomas Nashe have elicited, and continue to provoke, a range of contradictory reactions. Nashe's often incongruous authorial characteristics suggest that, as a 'King of Pages', he not only courted controversy but also deliberately cultivated a variety of public personae, acquiring a reputation more slippery than the herrings he celebrated in print. Collectively, the essays in this book illustrate how Nashe excelled at textual performance but his personae became a contested site as readers actively participated and engaged in the reception of Nashe's public image and his works.

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        May 1986

        Briefe an Werner Kraft

        by Gershom Scholem, Werner Kraft, Jörg Drews

        "Die hier versammelten Briefe Gerhard Gershom Scholems sind zum allergrößten Teil Zeugnisse aus jungen Jahren; gerichtet an Werner Kraft, den heute in Jerusalem lebenden Dichter und homme de lettres. In jenen Jahren, die in diesen Briefen aufleuchten, nämlich den Jahren 1917 bis 1931, gab es für Scholem hauptsächlich eines zu tun: leidenschaftlich, unentwegt zu lernen, und zwar, so Werner Kraft, fast ausschließlich »bezogen auf das Studium der heiligen Schriften«. Wie Scholem derjenige wurde, dem man sein Botschaft glaubte, weil er sie vertrat – dies verdeutlichen diese Briefe an den Jugendfreund, der, mit weit größeren Schwierigkeiten, als Scholem sie hatte, ebenfalls zu »seinem« Judentum finden mußte."

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        Business, Economics & Law
        October 2022

        Resilient reporting

        Media coverage of Irish elections since 1969

        by Michael Breen, Michael Courtney, Iain Mcmenamin, Eoin O'Malley, Kevin Rafter

        This book examines how election news reporting has changed over the last half century in Ireland by means of a unique dataset involving 25m words from newspapers as well as radio and television coverage. The authors examine reporting in terms of framing, tone and the distribution of coverage.They also focus on how the economy has affected election coverage as well as media reporting of leaders and personalities, gender and the effect of the commercial basis of media outlets. The findings - drawn from a machine learning computer system involving a huge content analysis study - will interest academics as well as politicians and policymakers internationally.

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        Humanities & Social Sciences
        February 2007

        Design and the modern magazine

        by Christopher Breward, Jeremy Aynsley, Kate Forde, Bill Sherman, Martin Hargreaves

        Design and the Modern Magazine provides a thematically arranged set of essays that examine the changing character of the magazine as an important aspect of cultural life from the late nineteenth century until today. In doing so it offers some of the first detailed case-studies of individual titles and analyses how design decisions are made alongside editorial, commercial and technical considerations. The book suggests ways to understand the magazine as a designed object. Among the more significant titles considered are Woman's Home Companion, Design, Woman and Vogue. While largely drawing from British and American sources, the book also covers the impact of modern design ideas from Europe on such publications. The essays present new and original scholarship on the subject and will be of use to students and teachers working on a wide range of art and design history, and literature studies courses. ;

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        The Arts
        January 2014

        The newspaper clipping

        A modern paper object

        by Anke Heesen, Amelia Jones, Marsha Meskimmon, Lori Lantz

        Looking at the newspaper clipping from 1870 to 1930 in art and science, this study examines knowledge production and its visual and material background, combining the perspectives of media history with art history and the history of science. It traces the biography of a newspaper clipping in different fields, ranging from highly sophisticated ordering systems in the sciences, to bureaucratic archives, to their appearance in the collages of the Dadaists. Te Heesen emphasises the materiality of paper and analyses the practices connected with it, placing them and their instruments and tools within a theoretical framework. This history also sheds light on the handling of information, information overload and the generation of knowledge, drawing parallels with the internet. Te Heesen offers a counterpoint to existing works on the iconographic meaning of materials by opening up an interdisciplinary framework through the use of different case studies. ;

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        Literature & Literary Studies
        July 2024

        Mid-century women's writing

        Disrupting the public/private divide

        by Melissa Dinsman, Megan Faragher, Ravenel Richardson

        The traditional narrative of the mid-century (1930s-60s) is that of a wave of expansion and constriction, with the swelling of economic and political freedoms for women in the 1930s, the cresting of women in the public sphere during the Second World War, and the resulting break as employment and political opportunities for women dwindled in the 1950s when men returned home from the front. But as the burgeoning field of interwar and mid-century women's writing has demonstrated, this narrative is in desperate need of re-examination. Mid-century women's writing: Disrupting the public/private divide aims to revivify studies of female writers, journalists, broadcasters, and public intellectuals living or working in Britain, or under British rule, during the mid-century while also complicating extant narratives about the divisions between domesticity and politics.

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        Humanities & Social Sciences
        November 2007

        Public issue television

        World in Action' 1963–98

        by Peter Goddard, John Corner, Kay Richardson

        Public issue television is a major contribution to understanding the relationship between television, politics and society. Based on full access to the archives, it offers a fascinating historical account of how one television series, Granada's World in Action, celebrated for its tough journalism, visual directness and public impact, functioned and developed over its run across 35 years between 1963 and 1998. In a succession of chapters looking at different periods in the series' development and at key dimensions of its distinctive identity, it gets deep inside the making of factual television and examines how a particular culture of production works within broader conditions of possibility and constraint. In particular, it charts the interwoven processes of change - technological, professional, aesthetic, institutional, economic, social and political. As well as discussing achievement and success, it examines the tensions, the debates and open conflicts that formed part of the context within which the series was made and transmitted across four decades. ;

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        Business, Economics & Law
        July 2016

        Drafting the Irish Free State Constitution

        by Laura Cahillane

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        Literature & Literary Studies
        September 2023

        Romantic women's life writing

        by Susan Civale

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        Literature & Literary Studies
        June 2012

        Authorship and authority

        The writings of James VI and I

        by Jane Rickard

        James VI of Scotland and I of England participated in the burgeoning literary culture of the Renaissance, not only as a monarch and patron, but as an author in his own right, publishing extensively in a number of different genres over four decades. As the first monograph devoted to James as an author, this book offers a fresh perspective on his reigns in Scotland and England, and also on the inter-relationship of authorship and authority, literature and politics in the Renaissance. Beginning with the poetry he wrote in Scotland in the 1580s, it moves through a wide range of his writings in other genres, including scriptural exegeses, political, social and theological treatises and printed speeches, concluding with his manuscript poetry of the early 1620s. The book combines extensive primary research into the preparation, material form and circulation of these varied writings, with theoretically informed consideration of the relationship between authors, texts and readers. The discussion thus explores James's responses to, and interventions in, a range of literary, political and religious debates, and reveals the development of his aims and concerns as an author. Rickard argues that, despite the King's best efforts to the contrary, his writings expose the tensions and contradictions between authorship and authority. This book will be of interest to scholars and students of the reign of James VI and I, the literary and political cultures of late sixteenth-century Scotland and early seventeenth-century England, the development of notions of authorship and the relationship between literature and politics. ;

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        Literature & Literary Studies
        February 1994

        Italian women writing

        by Sharon Wood

        How has it happened that from being politely ignored or marginalized just half a century ago, women writers in Italy are now at the centre of literary activity? To what extent does writing by women reflect the successes and failures of Italy in the post-war period? What form did the feminist movement in Italy take, and how did this affect what - and how - women wrote? And how are women who write responding to a more fragmented post-modern age? These are just some of the questions asked of the relationship between women and fiction in post-war Italy in this anthology. It includes stories by Cialente, Ginzburg, Ortese, Morante, Romano, Maraini and Duranti as well as Bompiani, Sanvitale, Mizzau, Scaramuzzino, Capriolo and Petrignani. The thirteen stories presented offer a range of style and content indicative of the wealth and diversity of writing by women, and their reading is supported by critical notes and an extensive vocabulary. This is a clear and challenging introduction to the rich field of women and fiction in Italy. ;

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        Humanities & Social Sciences
        November 2020

        The subject of Britain, 1603–25

        by Christopher Ivic

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