Editions Denoël
Founded in 1930, Editions Denoël publish quality fiction and non fiction, as well as graphic novels and illustrated books.
View Rights PortalFounded in 1930, Editions Denoël publish quality fiction and non fiction, as well as graphic novels and illustrated books.
View Rights PortalUn-welcome to Denmark critically assesses Denmark's migration regime by directly engaging the voices of multiple stakeholders impacted by its harshness. It puts forward the theory of the unwelcome migrant by undertaking an extensive analysis of the programmatic and legal foundations for the undeserving migrant as well as of the lived experiences of Syrian refugees, and welfare professionals and private businesses tasked with supporting them. It thereby documents the ways in which the Danish migration gaze produces and perpetuates the hyper precarity of the everyday lives of Syrians and the anxiety that overshadows the manner in which Syrians and those who support them navigate its maze. By so doing, it traces how a once admired, liberal, tolerant and open society with a strong reverence for human rights has turned into one of the harshest migration regimes in Europe, if not internationally.
This book offers the first extended study of Queen Henrietta's Men, one of Caroline London's most important professional playing companies. The drama that the company performed at the Cockpit between 1626 and 1636 includes many underexplored and neglected plays from the period alongside more celebrated works by dramatists including James Shirley and John Ford, and a number of Elizabethan and Jacobean revivals. Queen Henrietta's Men and the Cockpit Repertory explores the material and cultural conditions under which the company operated, and offers an account of the dynamics that held between new drama written for the company and the revivals staged alongside that fare. In doing so, this account illuminates the ways in which an appreciation of the work of Queen Henrietta's Men can offer new perspectives on theatre history and the categories of company and repertory that have shaped it.
London, 1898: Eine geheimnisvolle junge Frau ist strahlender Mittelpunkt auf den Bällen der Saison. Die High Society erliegt ihrer Schönheit, ihrem Charme und Witz. Niemand ahnt, wer sich hinter dem makellosen Lächeln verbirgt. Quinn Le Blanc, ist Meisterin der Verkleidung und in der Halbwelt als »Queen von Mayfair« bekannt. Ihr Ziel: sich den begehrtesten Junggesellen Londons, den Duke of Kendal, angeln – samt seinem stattlichen Vermögen. Ihr Plan ist kühn, das Spiel riskant. Und sie hat nur fünf Tage Zeit. Quinn gleitet zwischen funkelnden Kronleuchtern, knisternder Seide und geflüsterten Intrigen durch die feine Gesellschaft. Doch immer mehr verstrickt sie sich in ein kompliziertes Netz aus Liebe, Lügen und Loyalität, denn sie ist nicht die Einzige, die mit falschen Karten spielt … Ein charmanter Gesellschaftsroman voller Spannung, Eleganz und Witz – mit einer Heldin, die man nicht mehr vergessen wird. Für alle, die das Spiel lieben.
Iraqi women in Denmark is an ethnographic study of ritual performance and place-making among Shi'a Muslim Iraqi women in Copenhagen. The book explores how Iraqi women construct a sense of belonging to Danish society through ritual performances, and investigates how this process is interrelated with their experiences of inclusion and exclusion in Denmark. The findings refute the all too simplistic assumptions of general debates on Islam and immigration in Europe that tend to frame religious practice as an obstacle to integration in the host society. In sharp contrast to the fact that the Iraqi women's religious activities in many ways contribute to categorising them as outsiders to Danish society, their participation in religious events also localises them in the city. Written in an accessible, narrative style, this book addresses both an academic audience and the general reader interested in Islam in Europe and immigration to Scandinavia. ;
RuPaul wuchs mit seinen drei Schwestern und seiner Mutter in San Diego auf. Er war anders als die Jungs in seiner Klasse, die ihn immer hänselten, denn RuPaul verkleidete sich gern – als Mädchen. »Tu das, was sich für dich richtig anfühlt, und lieb dich für das, was du bist«, sagte die Mutter zu ihm. Er schmiss die Schule und zog nach Atlanta, um darstellende Kunst zu studieren. Und weiter nach New York, wo er als Schauspieler, Singer-Songwriter, Model und Performer rasch zur glänzenden »Queen of New York« aufstieg. Sich nicht in eine Schublade stecken lassen, sich lieben für das, was man ist, dafür ist RuPaul das beste Beispiel. Little People, Big Dreams erzählt von den beeindruckenden Lebensgeschichten großer Menschen: Jede dieser Persönlichkeiten, ob Philosophin, Forscherin oder Sportler, hat Unvorstellbares erreicht. Dabei begann alles, als sie noch klein waren: mit großen Träumen.
The five Nordic countries - Denmark, Finland, Iceland, Norway and Sweden - frequently attract attention as examples of a 'Nordic model'. The meanings of the term vary, but especially since the global financial crisis of 2008-9 the Nordic countries have often been portrayed positively, as examples of economic dynamism, innovation and social equality. Studies of these images of the Nordic countries and Nordic region and their international circulations are now a well-established field of research. This volume explores how the Nordic model has been shaped by global entanglements, in exchange not only with Western Europe and North America, but also with the Global South. Drawing on selected case studies, the volume offers new perspectives on the meanings of the Nordic model and Nordic exceptionalism in a global context during the half century since c. 1970.
In the mid-ninth century, Francia was rocked by the first royal divorce scandal of the Middle Ages: the attempt by King Lothar II of Lotharingia to rid himself of his queen, Theutberga and remarry. Even 'women in their weaving sheds' were allegedly gossiping about the lurid accusations made. Kings and bishops from neighbouring kingdoms, and several popes, were gradually drawn into a crisis affecting the fate of an entire kingdom. This is the first professionally published translation of a key source for this extraordinary episode: Archbishop Hincmar of Rheims's De divortio Lotharii regis et Theutbergae reginae. This text offers eye-opening insight both on the political wrangling of the time and on early medieval attitudes towards magic, penance, gender, the ordeal, marriage, sodomy, the role of bishops, and kingship.The translation includes a substantial introduction and annotations, putting the case into its early medieval context and explaining Hincmar's sometimes-dubious methods of argument.
Winner of the ASAA mid-career book prize in Asian Studies 2020 and joint winner of the 2020 Royal Studies Journal Book Prize Photographic subjects examines photography at royal celebrations during the reign of Queens Wilhelmina (1898-1948) and Juliana (1948-80), a period spanning the zenith and fall of Dutch rule in Indonesia. It is the first monograph in English on the Dutch monarchy and the Netherlands' modern empire in the age of mass and amateur photography. Photographs forged imperial networks, negotiated relations of recognition and subjecthood between Indonesians and Dutch authorities, and informed cultural modes of citizenship at a time of accelerated colonial expansion and major social change in the East Indies/Indonesia. This book advances methods in the uses of photographs for social and cultural history and provides a new interpretation of Queens Wilhelmina and Juliana as imperial monarchs.
Morgan's study of key texts situating Edmund Spenser and the plantation in Munster in the late 1590s reveals not only a hatred and abiding fear of the Catholic Irish but also disturbing tensions with the state in England including the Queen herself. In doing so, he has combined traditional historical and literary methods with stylometric document testing to reveal the authorship of these controversial contemporary tracts. Overall this insightful book reimagines the English colonial mentality of the period by examining its underbelly of anonymous texts.
For nearly half a century Anne Lake Prescott has been a force and an inspiration in Renaissance studies. A force, because of her unique blend of learning and wit and an inspiration through her tireless encouragement of younger scholars and students. Her passion has always been the invisible bridge across the Channel: the complex of relations, literary and political, between Britain and France. The essays in this long-awaited collection range from Edmund Spenser to John Donne, from Clément Marot to Pierre de Ronsard. Prescott has a particular fondness for King David, who appears several times; and the reader will encounter chessmen, bishops, male lesbian voices and Roman whores. Always Prescott's immense erudition is accompanied by a sly and gentle wit that invites readers to share her amusement. Reading her is a joyful education.
For nearly half a century Anne Lake Prescott has been a force and an inspiration in Renaissance studies. A force, because of her unique blend of learning and wit and an inspiration through her tireless encouragement of younger scholars and students. Her passion has always been the invisible bridge across the Channel: the complex of relations, literary and political, between Britain and France. The essays in this long-awaited collection range from Edmund Spenser to John Donne, from Clément Marot to Pierre de Ronsard. Prescott has a particular fondness for King David, who appears several times; and the reader will encounter chessmen, bishops, male lesbian voices and Roman whores. Always Prescott's immense erudition is accompanied by a sly and gentle wit that invites readers to share her amusement. Reading her is a joyful education.
Meine neue Schule und ich: eine explosive Mischung! Lenis Plan an der neuen Schule: Bloß. Nicht. Auffallen. Schließlich ist dort ihre ältere Schwester Fiona der unangefochtene Star und Leni will sie auf keinen Fall blamieren. Leichter gesagt als getan, wenn man eine große Klappe hat … Erst wird Leni zur Klassensprecherin gewählt, dann muss sie vor der gesamten Schule einen gewagten Wetteinsatz einlösen. Ein Leben voller Feenstaub und Konfetti? Schön wär’s! Stattdessen Schwesternzoff ohne Ende. Um sich mit Fiona zu versöhnen, beschließt Leni, sie mit ihrem Schwarm zu verkuppeln. Doch Lenis Chaos-Magnet lässt einfach nicht locker … Witzig, charmant, frech und mitten aus dem Leben: Das perfekte Lesefutter für alle ab 10! Von Emma Flint, der Spezialistin für Beste-Freundinnen-Romane - mit süßen Bildern und einem Glitzer-Cover von Eva Schöffmann-Davidov!