McGill-Queen's University Press
Livres Canada Books
View Rights PortalEstablished in 1948, UQP is a dynamic publishing house known for its innovative philosophy and commitment to producing books of high quality and cultural significance. UQP publishes books for general readers in the areas of fiction, non-fiction, poetry, Indigenous writing and youth literature as well as scholarly works. Our books and authors have received national and international recognition through literary prizes. These include the Miles Franklin Literary Award, the ABIAs, the CBCAs, the Prime Minister’s Literary Awards, the NSW Premier’s Literary Awards, the Deutscher Jugendliteraturpreis and the White Raven awards.
View Rights PortalSeit drei Jahrzehnten untersuchen Queer Studies die Macht geschlechtlicher und sexueller Normen – und wie diese infrage gestellt werden. Sie erforschen die komplexen Zusammenhänge von Sexualität, Geschlecht, Rassismus, Klasse und Nation. Dieser Band versammelt klassische und neuere Schlüsseltexte der anglophonen Queer Studies in deutscher Sprache, von Judith Butler und Eve Kosofsky Sedgwick bis Cathy Cohen und José Esteban Muñoz. Er führt in die wichtigsten theoretischen Positionen ein, macht mit den zentralen Entwicklungslinien des Diskurses vertraut und präsentiert wegweisende queere Analysen zu Kapitalismus, Migration, Geopolitik, Behinderung, Aktivismus, Kultur und Subkultur.
Seit drei Jahrzehnten untersuchen Queer Studies die Macht geschlechtlicher und sexueller Normen – und wie diese infrage gestellt werden. Sie erforschen die komplexen Zusammenhänge von Sexualität, Geschlecht, Rassismus, Klasse und Nation. Dieser Band versammelt erstmals klassische und neuere Schlüsseltexte der anglophonen Queer Studies in deutscher Sprache, von Judith Butler und Eve Kosofsky Sedgwick bis Jack Halberstam, Cathy Cohen und José Esteban Muñoz. Er führt in die wichtigsten theoretischen Positionen ein, macht mit den zentralen Entwicklungslinien des Diskurses vertraut und präsentiert wegweisende queere Analysen zu Kapitalismus, Migration, Geopolitik, Behinderung, Aktivismus, Kultur und Subkultur.
Queer exceptions is a study of contemporary solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism. With diverse case studies featuring the work of La Ribot, David Hoyle, Oreet Ashery, Bridget Christie, Tanja Ostojic, Adrian Howells and Nassim Soleimanpour, the book examines the role of singular or 'exceptional' subjects in constructing and challenging assumed notions of communal sociability and togetherness, while drawing fresh insight from the fields of sociology, gender studies and political philosophy to reconsider theatre's attachment to singular lives and experiences. Framed by a detailed exploration of arts festivals as encapsulating the material, entrepreneurial circumstances of contemporary performance-making, this is the first major critical study of solo work since the millennium.
Queer lives give rise to a vast array of objects: the things we fill our houses with, the gifts we share with our friends, the commodities we consume at work and at play, the clothes and accessories we wear, and the analogue and digital technologies we use to communicate with one another. But what makes an object queer? The sixty-three chapters in Queer Objects consider this question in relation to lesbian, gay and transgender communities across time, cultures and space. In this unique international collaboration, well-known and newer writers traverse world history to write about items ranging from ancient Egyptian tomb paintings and Roman artefacts to political placards, snapshots, sex toys and the smartphone. Fabulous, captivating, transgressive.
Jacques Martineau, Olivier Ducastel, Alain Guiraudie, Sébastien Lifshitz and Céline Sciamma. The films of these five major French directors exemplify queer cinema in the twenty-first century. Comprehensive in scope, Queer cinema in contemporary France traces the development of the meaning of queer across these directors' careers, from their earliest, often unknown films to their later, major films with wide international release. Whether having sex on the beach or kissing in the high school swimming pool, these cinematic characters create or embody forward-looking, open-ended and optimistic forms of queerness and modes of living, loving and desiring. Whether they are white, beur or black, whether they are lesbian, gay, trans* or queer, they open up hetero- and cisnormativity to new ways of being a gendered subject.
De-centering queer theory seeks to reorient queer theory to a different conception of bodies and sexuality derived from Eastern European Marxism. The book articulates a contrast between the concept of the productive body, which draws its epistemology from Soviet and avant-garde theorists, and Cold War gender, which is defined as the social construction of the body. The first part of the book concentrates on the theoretical and visual production of Eastern European Marxism, which proposed an alternative version of sexuality to that of western liberalism. In doing so it offers a historical angle to understand the emergence not only of an alternative epistemology, but also of queer theory's vocabulary. The second part of the book provides a Marxist, anti-capitalist archive for queer studies, which often neglects to engage critically with its liberal and Cold War underpinnings.
Can reading make us better citizens? In Crossing borders and queering citizenship, Feghali crafts a sophisticated theoretical framework to theorise how the act of reading can contribute to the queering of contemporary citizenship in North America. Providing sensitive and convincing readings of work by both popular and niche authors, including Gloria Anzaldúa, Dorothy Allison, Gregory Scofield, Guillermo Gómez-Peña, Erín Moure, Junot Díaz, and Yann Martel, this book is the first to not only read these authors together, but also to discuss how each powerfully resists the exclusionary work of state-sanctioned citizenship in the U.S. and Canada. This book convincingly draws connections between queer theory, citizenship studies, and border studies and sheds light on how these connections can reframe our understanding of American Studies.
Popular television drama: critical perspectives' is a collection of essays examining landmark programmes of the last forty years, from 'Doctor Who' to 'The Office', and from 'The Demon Headmaster' to 'Queer As Folk'. Contributions from prominent academics focus on the full range of popular genres, from sitcoms to science fiction, gothic horror and children's drama, and challenge received wisdom by reconsidering how British television drama can be analysed. Each section is preceded by an introduction in which the editors discuss how the essays address existing problems in the field and also suggest new directions for study. The book is split into three sections, addressing the enduring appeal of popular genres, the notion of 'quality' in television drama, and analysing a range of programmes past and present. Popular television drama: critical perspectives will be of interest to students and researchers in many academic disciplines that study television drama. Its breadth and focus on popular programmes will also appeal to those interested in the shows themselves.
Als Didier Eribons Betrachtungen zur Schwulenfrage 1999 in Frankreich erschienen, wurde das als Ereignis gefeiert. Schnell etabliert sich das Buch als Klassiker und Gründungsdokument der Queer Studies. Eribon legt darin eine neue Analyse der Bildung von Minderheitenidentitäten vor, an deren Anfang die Beleidigung steht. Es geht um die Macht der Sprache und der Stigmatisierung, um die Gewalt verletzender Worte im Rahmen einer allgemeinen Theorie der Gesellschaft und der Mechanismen ihrer Reproduktion. Nun liegt das Werk erstmals in deutscher Übersetzung vor. Eribons Analyse setzt ein mit einer fulminanten »Sozialanthropologie« der gelebten Erfahrung, in der zentrale Etappen der Konstitution einer homosexuellen Identität nachgezeichnet werden. Auf sie folgt eine historische Rekonstruktion der literarischen und intellektuellen Dissidenz sowie der »homosexuellen« Rede – von den Oxforder Hellenisten in der Mitte des 19. Jahrhunderts über Oscar Wilde und Marcel Proust bis zu André Gide im 20. Jahrhundert. Die Untersuchung mündet in einer Neuinterpretation von Michel Foucaults philosophischem Denken über Sexualität, Macht und Widerstand. In der brillanten Verknüpfung von Soziologie, Literatur und Philosophie bietet dieses große Buch mehr denn je Werkzeuge für all jene, die über Differenz und Emanzipation nachdenken wollen.
Mit schönem Farbschnitt in der Erstauflage – Lieferung je nach Verfügbarkeit Fake Dating vom Feinsten – humorvoll und prickelnd! Um Iris Kelly herum sind alle verliebt. Und sie freut sich für jeden von ihnen. Wirklich. Schließlich hat sie ja eine Karriere als Romance-Autorin gemacht. Leider sind ihr dabei die Ideen fürs Dating ausgegangen. Ein Abend in einer Bar mit einer sexy Fremden namens Stevie entwickelt sich zum schlimmsten One-Night-Stand, den Iris je hatte. Um sich abzulenken, bewirbt sie sich bei einer Theatergruppe - und trifft dort Stevie wieder. Diese bittet Iris, ihre Freundin zu spielen. Iris willigt skeptisch ein. Während die beiden so tun, als seien sie ein Paar, fängt es zwischen ihnen gewaltig zu knistern an. Und bald geht es nur noch darum, wer den ersten Schritt macht... Die prickelnde RomCom lässt die Herzen von New-Adult-Fans ab 16 Jahren höher schlagen. Der dritte Band der „Bright Falls“-Reihe von Ashley Herring Blake erzählt eine witzige und gefühlvolle LGBTQIA+-Story mit dem beliebten Trope „Fake Dating“. Eine smarte und humorvolle Romance über die Liebe zwischen zwei Frauen, die Leser*innen begeistern wird. Iris Kelly doesn't date: Band 3 der erfolgreichen Reihe „Bright Falls“ Gefühle, Liebe und LGBTQIA+: Eine prickelnde Romantic Comedy für Leser*innen ab 16 Jahren. Voll im Trend: Humorvolle Gay Romance mit dem beliebten Trope „Fake Dating“. Witzig und gefühlvoll: Eine New-Adult-Romance über die Wendungen des Lebens und die Magie der Liebe. Die TikTok-Sensation: Band 3 der „Bright Falls“-Reihe von der amerikanischen Bestsellerautorin Ashley Herring Blake, die einen TikTok-Hype ausgelöst hat. Genial ausgestattet in der Erstauflage: Softcover mit Klappen, trendig illustriertem Buchschnitt und coolem Lesezeichen zum Abtrennen. Die Romance für junge Frauen erzählt eine witzige und gefühlvolle LGBTQIA+-Geschichte über Iris Kelly und ihren desaströsen One-Night-Stand. Eine spicy RomCom für alle Fans von Alice Oseman und Casey McQuiston, die beweist, dass die Liebe oft dort zu finden ist, wo man sie am wenigsten erwartet.
The Strawberry Fairy works her magic again! For this top-quality gift edition, decorated with glitter and foil embossing, the author and illustrator Stefanie Dahle has chosen her own favourite stories from the three books. There is always something going on in the strawberry garden: the little fairy cures the sore throats of the frog choir, helps Don Carlo to win the love of his sweetheart, and enjoys some jolly parties in the garden. Later everyone cuddles up by the fire and makes plans for the spring while drinking a delicious cup of strawberry tea. A book to treasure, and not just for Strawberry Fairy fans.
The Art of The Faerie Queene is the first book centrally focused on the forms and poetic techniques employed by Spenser. It offers a sharp new perspective on Spenser by rereading The Faerie Queene as poetry which is at once absorbing, demanding and experimental. Instead of the traditional conservative model of Spenser as poet, this book presents the poem as radical, edgy and unconventional, thus proposing new ways of understanding the Elizabethan poetic Renaissance. The book moves from the individual words of the poem to metre, rhyme and stanza form onto its larger structures of canto and book. It will be of particular relevance to undergraduates studying Elizabethan poetry, graduate students and scholars of Renaissance poetry, for whom the formal aspect of the poetry has been a topic of growing relevance in recent years.
The Art of The Faerie Queene is the first book centrally focused on the forms and poetic techniques employed by Spenser. It offers a sharp new perspective on Spenser by rereading The Faerie Queene as poetry which is at once absorbing, demanding and experimental. Instead of the traditional conservative model of Spenser as poet, this book presents the poem as radical, edgy and unconventional, thus proposing new ways of understanding the Elizabethan poetic Renaissance. The book moves from the individual words of the poem to metre, rhyme and stanza form onto its larger structures of canto and book. It will be of particular relevance to undergraduates studying Elizabethan poetry, graduate students and scholars of Renaissance poetry, for whom the formal aspect of the poetry has been a topic of growing relevance in recent years.
The Art of The Faerie Queene is the first book centrally focused on the forms and poetic techniques employed by Spenser. It offers a sharp new perspective on Spenser by rereading The Faerie Queene as poetry which is at once absorbing, demanding and experimental. Instead of the traditional conservative model of Spenser as poet, this book presents the poem as radical, edgy and unconventional, thus proposing new ways of understanding the Elizabethan poetic Renaissance. The book moves from the individual words of the poem to metre, rhyme and stanza form onto its larger structures of canto and book. It will be of particular relevance to undergraduates studying Elizabethan poetry, graduate students and scholars of Renaissance poetry, for whom the formal aspect of the poetry has been a topic of growing relevance in recent years.