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      • Trusted Partner
        Humanities & Social Sciences
        November 2006

        British representations of the Spanish Civil War

        by Brian Shelmerdine

        This book looks at the reception of the Spanish Civil War in British popular culture, and how supporters of both sides in Britain used the rhetoric and imagery of the conflict to bolster support for their respective causes in the arena of British public opinion. Brian Shelmerdine finds that traditional notions of Spain as a country of bullfighting, bandits and flamenco were pervasive and were significant in shaping wider UK government policy towards Spain. He carefully assesses the different political perceptions of the 1930s Spanish scene, the role of the Catholic Church, the depiction of the two sides in terms of class, race and ethnicity, humanitarian appeals, and the plight of the Basques. The book is fluently written, and should make fascinating and entertaining reading for scholars of British society and culture in the twentieth century, as well as those investigating international impact of the Spanish Civil War. ;

      • Trusted Partner
        Humanities & Social Sciences
        February 1999

        The Irish and the Spanish Civil War, 1936–1939

        by Robert Stradling

        The outbreak of the Spanish Civil War threw Irish politics, north and south of the border, into turmoil. Tragic events in Spain aroused emotive responses across the spectrum of Irish society. In contrast to most other communities of the British Isles, citizens of the Irish Free State were mainly pro-Franco. But many on the left felt a strong identification with the plight of the Republic. Ireland sent large organized bodies of men to fight on opposite sides in the Spanish Civil War. The International Brigade volunteers were led by the IRA warrior, Frank Ryan. Their rivals, who became a battalion of Franco's Foreign Legion were mostly members of the semi-facist Blueshirts, and were commanded by the ex-leader of that movement, General Eoin O'Duffy. In late 1936, two enemy crusades - Communist and Catholic - left Ireland to fight it out in Spain. This book, illuminated by personal histories, tells the story of what happened to those two sides. Starting with their eventful journey to Spain, it follows their footsteps across the battlefields of Spain. ;

      • Trusted Partner
        Humanities & Social Sciences
        September 2023

        Civil war London

        Mobilizing for parliament, 1641–5

        by Jordan S. Downs

        This book looks at London's provision of financial and military support for parliament's war against King Charles I. It explores for the first time a series of episodic, circumstantial and unique mobilisations that spanned from late 1641 to early 1645 and which ultimately led to the establishment of the New Model Army. Based on research from two-dozen archives, Civil war London charts the successes and failures of efforts to move London's vast resources and in the process poses a number of challenges to longstanding notions about the capital's 'parliamentarian' makeup. It reveals interactions between London's Corporation, parochial communities and livery companies, between preachers and parishioners and between agitators, propagandists and common people. Within these tangled webs of political engagement reside the untold stories of the movement of money and men, but also of parliament's eventual success in the English Civil War.

      • Trusted Partner
        The Arts
        January 2019

        Contemporary Spanish cinema and genre

        by Jay Beck, Vicente Rodríguez Ortega

        This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years. The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today.

      • Trusted Partner
        The Arts
        June 2021

        Contemporary Spanish cinema and genre

        by Jay Beck, Vicente Rodríguez Ortega

        This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years. The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today.

      • Trusted Partner
        The Arts
        January 2019

        Spanish cinema 1973–2010

        Auteurism, politics, landscape and memory

        by Maria M. Delgado, Robin Fiddian

        This collection offers a new lens through which to examine Spain's cinema production following the isolation imposed by the Franco regime. The seventeen key films analysed in the volume span a period of 35 years that have been crucial in the development of Spain, Spanish democracy and Spanish cinema. They encompass different genres (horror, thriller, melodrama, social realism, documentary), both popular (Los abrazos rotos/Broken Embraces, Vicky Cristina Barcelona) and more select art house fare (En la ciudad de Sylvia/In the City of Sylvia, El espíritu de la colmena/Spirit of the Beehive) and are made in English (as both first and second language), Basque, Castilian, Catalan and French. Offering an expanded understanding of 'national' cinemas, the volume explores key works by Guillermo del Toro and Lucrecia Martel alongside an examination of the ways in which established auteurs (Almodóvar, José Garci, Carlos Saura) and younger generations of filmmakers (Cesc Gay, Amenábar, Bollaín) have harnessed cinematic language towards a commentary on the nation-state. The result is a bold new study of the ways in which film has created new prisms that have determined how Spain is positioned in the global marketplace.

      • Trusted Partner
        The Arts
        November 2012

        The war that won't die

        by David Archibald

      • Trusted Partner
        Humanities & Social Sciences
        January 2022

        Exiting war

        The British Empire and the 1918–20 moment

        by Romain Fathi, Margaret Hutchison, Andrekos Varnava, Michael Walsh, Alan Lester

        Exiting war explores a particular 1918-20 'moment' in the British Empire's history, between the First World War's armistices of 1918, and the peace treaties of 1919 and 1920. That moment, we argue, was a challenging and transformative time for the Empire. While British authorities successfully answered some of the post-war tests they faced, such as demobilisation, repatriation, and fighting the widespread effects of the Spanish flu, the racial, social, political and economic hallmarks of their imperialism set the scene for a wide range of expressions of loyalties and disloyalties, and anticolonial movements. The book documents and conceptualises this 1918-20 'moment' and its characteristics as a crucial three-year period of transformation for and within the Empire, examining these years for the significant shifts in the imperial relationship that occurred and as laying the foundation for later change in the imperial system.

      • Trusted Partner
        The Arts
        November 2006

        Spanish visual culture

        Cinema, television, internet

        by Paul Julian Smith, Susan Williams

        This book is the first to explore three visual media in contemporary Spain: cinema, television and the internet. It also examines cultural products in each of these media in terms of three vital themes: emotion, location and nostalgia. The first two chapters focus on emotion. They analyze the 'emotional imperative' in a recent Almodóvar feature film and in Spanish television's top-rated period drama, and investigate the politics of affect in TV drama in the last decade. The next pair of chapters deal with location. They use cultural geography to re-read contradictory accounts of the movida (the post-Franco cultural boom) and examine an attempt to anchor a US-derived genre (the youth movie) in the urban landscape of Madrid. The fifth and sixth chapters introduce the theme of location into nostalgia. They treat the unique cases of a successful Spanish heritage movie and a contemporary Spanish thriller remade in Hollywood. The peunultimate chapter investigates electronic artists and the virtual universe, and the book ends with a look at the implications of Hispano-Mexican co-productions and the interconnectedness of economic and aesthetic cultural forms. ;

      • Trusted Partner
        Humanities & Social Sciences
        June 2021

        Civil war London

        by Jordan S. Downs, Jason Peacey

      • Trusted Partner
        The Arts
        September 2014

        The war that won't die

        The Spanish Civil War in cinema

        by David Archibald

        The war that won't die charts the changing nature of cinematic depictions of the Spanish Civil War. In 1936, a significant number of artists, filmmakers and writers - from George Orwell and Pablo Picasso to Joris Ivens and Joan Miró - rallied to support the country's democratically-elected Republican government. The arts have played an important role in shaping popular understandings of the Spanish Civil War and this book examines the specific role cinema has played in this process. The book's focus is on fictional feature films produced within Spain and beyond its borders between the 1940s and the early years of the twenty-first century - including Hollywood blockbusters, East European films, the work of the avant garde in Paris and films produced under Franco's censorial dictatorship. The book will appeal to scholars and students of Film, Media and Hispanic Studies, but also to historians and, indeed, anyone interested in why the Spanish Civil War remains such a contested political topic. ;

      • Trusted Partner
        Humanities & Social Sciences
        September 2013

        The Spanish Socialist Party and the modernisation of Spain

        by Paul Kennedy, Steven Fielding, John Callaghan, Steve Ludlam

        This book considers the most electorally successful political party in Spain, the Spanish Socialist Workers' Party (PSOE), which was in government for two of the three decades since it won office under Felipe González in 1982. Providing rich historical background, the book's main focus is on the period since General Franco's death in 1975. It charts Spain's modernisation under the PSOE, with a particular focus on the role played by European integration in this process. Covering events including the 2011 general election, the book is one of the most up-to-date works available in English and will be of great interest to academics and undergraduate and postgraduate students in the field of Spanish and European studies. ;

      • Trusted Partner
        Humanities & Social Sciences
        December 1999

        The debate on the American Civil War era

        by Hugh Tulloch, Roger Richardson

        This study is the first to critically survey the changing and highly controversial historical literature surrounding the American Civil War era, from contemporary interpretations up to the present.. The book analyses both historians attitudes and assumptions and suggests that each writer's perspective was partly determined by the dictates of time and place.. The author engages with all aspects of the Civil War era; social, cultural and economic as well as its political dimensions.. Aimed at sixth form colleges and university students. ;

      • Trusted Partner
        Humanities & Social Sciences
        March 2017

        The French empire between the wars

        Imperialism, politics and society

        by Martin Thomas

        By considering the distinctiveness of the inter-war years as a discrete period of colonial change, this book addresses several larger issues, such as tracing the origins of decolonization in the rise of colonial nationalism, and a re-assessment of the impact of inter-war colonial rebellions in Africa, Syria and Indochina. The book also connects French theories of colonial governance to the lived experience of colonial rule in a period scarred by war and economic dislocation.

      • Trusted Partner
        Literature & Literary Studies
        August 2003

        'Other' Spanish theatres

        Erasure and inscription on the twentieth-century Spanish stage

        by Maria M. Delgado

        'Other' Spanish theatres challenges established opinions on modern Iberian theatre by considering the roles of contrasting figures and companies who have impacted upon both the practice and the perception of Spanish and European stages. In questioning the primacy of the dramatist, this pioneering study offers a new interpretation of a nation's theatrical culture that has been viewed primarily through the prisms of a select number of playwrights. Accordingly many of the conclusions reached are new ones, and the case, for acknowledging the wide influence of Spanish practitioners on theatre in Europe and the Americas is made in persuasive terms. Through a bold documentation and interrogation of key productions and their reception both at home and abroad, 'Other' Spanish theatres focuses on the doing of performance, asking provocative questions around how performances are tested against the texts that remain. In a broad and detailed study Delgado selects six case studies which map out alternative readings of a nation's theatrical innovation through the twentieth century: muse and mentor to Federico Garcia Lorca, Margarita Xirgu; theatrical innovator and influence on Orson Welles, Enrique Rambal; tragedienne Maria Casares feted by George Craig Camus, Genet and Cocteau; actress, producer and director Nuria Espert; international director Lluis Pasqual and Catalan performance company La Cubana. ;

      • Trusted Partner
        Film theory & criticism
        October 2013

        The child in Spanish cinema

        by Sarah Wright

        In this, the first full-length treatment of the child in Spanish cinema, Sarah Wright explores the ways that the cinematic child comes to represent 'prosthetic memory'. The central theme of the child and the monster is used to examine the relationship of the self to the past, and to cinema. Concentrating on films from the 1950s to the present day, the book explores religious films, musicals, 'art-house horror', science-fiction, social realism and fantasy. It includes reference to Erice's The Spirit of The Beehive, del Toro's Pan's Labyrinth, Mañas's El Bola and the Marisol films. The book also draws on a century of filmmaking in Spain and intersects with recent revelations concerning the horrors of the Spanish past. The child is a potent motif for the loss of historical memory and for its recuperation through cinema. This book is suitable for scholars and undergraduates working in the areas of Spanish cinema, Spanish cultural studies and cinema studies.

      • Trusted Partner
        Humanities & Social Sciences
        June 2024

        Sexual politics in revolutionary England

        by Sam Fullerton

        Sexual politics in revolutionary England recounts a dramatic transformation in English sexual polemic that unfolded during the kingdom's mid-seventeenth-century civil wars. In early Stuart England, explicit sexual language was largely confined to manuscript and oral forms by the combined regulatory pressures of ecclesiastical press licensing and powerful cultural notions of civility and decorum. During the early 1640s, however, graphic sex-talk exploded into polemical print for the first time in English history. Over the next two decades, sexual politics evolved into a vital component of public discourse, as contemporaries utilized sexual satire to reframe the English Revolution as a battle between licentious Stuart tyrants and their lecherous puritan enemies. By the time that Charles II regained the throne in 1660, this book argues, sex was already a routine element of English political culture.

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