Stanford University Press
Stanford University Press publishes 130 books a year across the humanities, social sciences, law, and business.
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OB STARE
OB STARE is a Spanish publisher specialized in conscious maternity, early childhood education and development that supports knowledge and freedom of choice. We publish inspirational books for a new way of looking, including empowerment, gender equality, self-love and sexual diversity.
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Literature & Literary StudiesJanuary 2019The art of The Faerie Queene
by J. B. Lethbridge, Richard Brown
The Art of The Faerie Queene is the first book centrally focused on the forms and poetic techniques employed by Spenser. It offers a sharp new perspective on Spenser by rereading The Faerie Queene as poetry which is at once absorbing, demanding and experimental. Instead of the traditional conservative model of Spenser as poet, this book presents the poem as radical, edgy and unconventional, thus proposing new ways of understanding the Elizabethan poetic Renaissance. The book moves from the individual words of the poem to metre, rhyme and stanza form onto its larger structures of canto and book. It will be of particular relevance to undergraduates studying Elizabethan poetry, graduate students and scholars of Renaissance poetry, for whom the formal aspect of the poetry has been a topic of growing relevance in recent years.
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Promoted Content
Literature & Literary StudiesSeptember 2020The art of The Faerie Queene
by Richard Danson Brown, Joshua Samuel Reid
The Art of The Faerie Queene is the first book centrally focused on the forms and poetic techniques employed by Spenser. It offers a sharp new perspective on Spenser by rereading The Faerie Queene as poetry which is at once absorbing, demanding and experimental. Instead of the traditional conservative model of Spenser as poet, this book presents the poem as radical, edgy and unconventional, thus proposing new ways of understanding the Elizabethan poetic Renaissance. The book moves from the individual words of the poem to metre, rhyme and stanza form onto its larger structures of canto and book. It will be of particular relevance to undergraduates studying Elizabethan poetry, graduate students and scholars of Renaissance poetry, for whom the formal aspect of the poetry has been a topic of growing relevance in recent years.
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January 2026Der Kellerby-Code
Thriller | Er hat ein Leben gefunden, für das es zu töten lohnt
by Jonny Sweet, Thomas Wörtche, Andrea Stumpf
Ein raffinierter Psychothriller über Klassismus und eine toxische Freundschaftsbeziehung Edward lebt in einer Welt, die er sich nicht leisten kann und zu der er nicht gehört. Um sich beliebt zu machen, kümmert er sich um die Bedürfnisse seiner beiden reichen Freunde aus der Upper Class: Er holt ihre Wäsche aus der Reinigung, putzt und kocht für sie. Er tut alles, um seine absolut schrecklichen »besten Freunde«, Robert und Stanza, bei Laune zu halten, aber auch um seine »niedere Herkunft« und seine Gewaltgeschichte vergessen zu machen. Edward will einfach dazugehören. Allerdings ist Edward seit ihrer gemeinsamen Zeit in Cambridge heimlich in Stanza verliebt. Die erschütternde Entdeckung, dass sie und Robert ein Paar sind und er dann auch noch deren Hochzeit organisieren soll, erregt seinen glühenden Zorn. Seine kleinen Nettigkeiten nehmen eine unheimliche Wendung. Auf dem schicken Landsitz von Stanzas Familie, dem Kellerby House, eskaliert die Situation …
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Literature & Literary StudiesSeptember 2014A concordance to the rhymes of The Faerie Queene
by Richard Brown, J. B. Lethbridge, J. B. Lethbridge
This book is the first ever concordance to the rhymes of Spenser's epic. It gives the reader unparalleled access to the formal nuts and bolts of this massive poem: the rhymes which he used to structure its intricate stanzas. As well as the main concordance to the rhymes, the volume features a wealth of ancillary materials, which will be of value to both professional Spenserians and students, including distribution lists and an alphabetical listing of all the words in The Faerie Queene. The volume breaks new ground by including two studies by Richard Danson Brown and J. B. Lethbridge, so that the reader is given provocative analyses alongside the raw data about Spenser as a rhymer. Brown considers the reception of rhyme, theoretical models and how Spenser's rhymes may be reading for meaning. Lethbridge in contrast discusses the formulaic and rhetorical character of the rhymes. ;
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Trusted Partner
Literature & Literary StudiesJanuary 2021A concordance to the rhymes of The Faerie Queene
by Richard Danson Brown, J. B. Lethbridge, J. B. Lethbridge
This book is the first ever concordance to the rhymes of Spenser's epic. It gives the reader unparalleled access to the formal nuts and bolts of this massive poem: the rhymes which he used to structure its intricate stanzas. As well as the main concordance to the rhymes, the volume features a wealth of ancillary materials, which will be of value to both professional Spenserians and students, including distribution lists and an alphabetical listing of all the words in The Faerie Queene. The volume breaks new ground by including two studies by Richard Danson Brown and J. B. Lethbridge, so that the reader is given provocative analyses alongside the raw data about Spenser as a rhymer. Brown considers the reception of rhyme, theoretical models and how Spenser's rhymes may be reading for meaning. Lethbridge in contrast discusses the formulaic and rhetorical character of the rhymes.
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Trusted Partner
Literature & Literary StudiesJanuary 2021The art of The Faerie Queene
by Richard Danson Brown
The Art of The Faerie Queene is the first book centrally focused on the forms and poetic techniques employed by Spenser. It offers a sharp new perspective on Spenser by rereading The Faerie Queene as poetry which is at once absorbing, demanding and experimental. Instead of the traditional conservative model of Spenser as poet, this book presents the poem as radical, edgy and unconventional, thus proposing new ways of understanding the Elizabethan poetic Renaissance. The book moves from the individual words of the poem to metre, rhyme and stanza form onto its larger structures of canto and book. It will be of particular relevance to undergraduates studying Elizabethan poetry, graduate students and scholars of Renaissance poetry, for whom the formal aspect of the poetry has been a topic of growing relevance in recent years.
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Trusted Partner
Literature: history & criticismSeptember 2016Spenserian allegory and Elizabethan biblical exegesis
A context for The Faerie Queene
by Series edited by J. B. Lethbridge, Margaret Christian
Edmund Spenser famously conceded to his friend Walter Raleigh that his method in The Faerie Queene 'will seeme displeasaunt' to those who would 'rather have good discipline delivered plainly in way of precepts, or sermoned at large'. Spenser's allegory and Elizabethan biblical exegesis is the first book-length study to clarify Spenser's comparison by introducing readers to the biblical typologies of contemporary sermons and liturgies. The result demonstrates that 'precepts ... sermoned at large' from lecterns and pulpits were themselves often 'clowdily enwrapped in allegoricall devises'. In effect, routine churchgoing prepared Spenser's first readers to enjoy and interpret The Faerie Queene. A wealth of relevant quotations invites readers to adopt an Elizabethan mindset and encounter the poem afresh. The 'chronicle history' cantos, Florimell's adventures, the Souldan episode, Mercilla's judgment on Duessa and even the two stanzas that close the Mutabilitie fragment, all come into sharper focus when juxtaposed with contemporary religious rhetoric.
