Suryastra
Founded in 2006, Suryastra is an integral media company, representing classic, mythical, enlightening works to be expressed globally across media.
View Rights PortalFounded in 2006, Suryastra is an integral media company, representing classic, mythical, enlightening works to be expressed globally across media.
View Rights PortalDanny Herman was born in 1935 in Königsberg in East Prussia. As the Nazis were rounding up Jews, Danny's father managed to escape to England in July 1939. He travelled to the Kitchener Camp in Kent, which helped refugees secure visas for safer places. Danny and his mother arrived in England just three days before war was declared in 1939, and his father was later sent to an internment camp on the Isle of Man. Danny went on to become a successful runner, competing in many international athletics events and volunteering in many roles, including at the 2002 Commonwealth Games. Danny's detailed memories of arriving in England, initially at the seaside in Kent and then moving to Manchester, create a vivid picture of life-changing events as experienced by a young child. Danny's book is part of the My Voice book collection, a stand-alone project of The Fed, the leading Jewish social care charity in Manchester, dedicated to preserving the life stories of Holocaust survivors and refugees from Nazi persecution who settled in the UK. The oral history, which is recorded and transcribed, captures their entire lives from before, during and after the war years. The books are written in the words of the survivor so that future generations can always hear their voice. The My Voice book collection is a valuable resource for Holocaust awareness and education.
The new updated manual from the originators of NET is full ofeven more valuable, practical advice• Written by the originators of narrative exposure• therapy Fully updated 3rd edition• Step-by-step guidance through NETExtensive evidence shows that six to ten sessions of narrativeexposure therapy (NET) can be sufficient to provide considerablerelief from events such as organized violence, torture,war, rape, and childhood abuse. The new manual is evenmore clearly structured and easy-to-follow, and includesnew figures that help illustrate and guide the reader throughthe steps of NET. The theoretical sections offer a solid basisfor carrying out the therapeutic intervention. The reader isthen shown the NET approach step by step, with robust andstraightforward practical advice and tools, including how todeal with challenging situations, e.g., how to go deeper whenfaced with the challenging dynamics of remembering trauma,and how to manage dissociation, avoidance, strongemotions, lost memories, or the sudden emergence of unexpectedrecollections from the past.
This is the first in-depth study of the science fiction television devised and written by Terry Nation. Terry Nation was the inventor of the Daleks and wrote other serials for 'Doctor Who'; he also wrote the BBC's 1970s post-apocalyptic drama 'Survivors' and created the space adventure series 'Blake's 7'. Previously television science fiction in Britain has received little critical attention. This book fills that gap and places Nation's work in the context of its production. Using Terry Nation's science fiction work as a case study, the boundaries around the authorship and authority of the television writer are explored in detail. The authors make use of BBC's archival research and specially conducted interviews with television producers and other production staff, to discuss how the programmes that Terry Nation created and wrote were commissioned, produced and brought to the screen. The book makes an important contribution to the study of British television history and will be of interest to enthusiasts of Terry Nation's landmark drama series as well as students of Television Studies.
Remorselessly dark and shattering, Earth’s war against humankind is intensifying, and the end of the world is nigh! Chaos reigns over Planet Earth, and devastating natural disasters have sent millions of people to their death, while the survivors live in fear. In Tokyo there is only one person who has survived the destructive rage of Terra Mater. But Ayumi knows that something far worse awaits her than the ruins all around her. In a vision she has clearly seen what Terra Mater is planning. And so Ayumi has no choice: she must conquer her fear and join the natural spirits in trying to close down the Elekreen power station. Only she, Liam, Addy and Younes can save humanity.
In Germany, 132 women were murdered by their (ex-)partners over the past year, according to police statistics. An attempted murder happened every other day – the real figure is in all probability much higher. Julia Cruschwitz and Carolin Haentjes unveil their book on femicides in Germany with research from interviews with academics, criminologists, police officers, social workers, lawyers, survivors, witnesses and relatives and their analysis of scientific reports. Their work highlights how the issue of femicides affects the whole of society, but there are sensible ways to protect women more effectively from male violence. All we must do is take steps to follow these.
Available for the first time in English translation, this collection of songs is a powerful memorial to the victims of the Holocaust. In June 1945, before the full devastation of the Holocaust had emerged, a team of researchers embarked on a remarkable project. While documenting the experiences of Jewish refugees, they began to collect songs composed and sung in the Nazi camps and ghettos. The resulting book, Mima'amakim (Out of the depths), was published in a short run of 500 copies. Today, only a handful survive. Out of the depths: The first collection of Holocaust songs presents the contents of this extraordinary document for a new generation of readers. Based on a copy of Mima'amakim discovered in 2013, it contains not only the songs' melodies and lyrics, the latter in a new translation by Joseph Toltz, but also short biographies of the composers, drawn from painstaking original research. Introductory essays provide historical and musicological background, deepening our knowledge of this terrible event and the creative means by which the Jewish people responded to and endured it. Described by the original editor, Yehuda Eismann, as a 'memorial stone for Polish Jewry', the songbook is a timeless document of a people's despair, hope and strength.
This book traces the career of Roy Ward Baker, one of the great survivors of the British film and television industry. He directed the landmark British film Morning Departure (1949), worked at Twentieth Century Fox in Hollywood in the early 1950s where he directed Marilyn Monroe's 'breakthrough' film (Don't Bother to Knock), and followed this with a succession of fine films for Rank, culminating in the best version of the Titanic disaster, A Night to Remember in 1958. Yet within three years he was unable to secure a job in the British film industry and he moved to television series such as The Avengers, The Saint and Minder. Later Baker re-emerged as a major director of science-fiction (Quatermass and the Pit) and horror films (Asylum). Geoff Mayer provides an industrial and aesthetic context in which to understand the interrelationship between a skilled classical director and the transformation of the British film industry in the 1950s. ;
The Narrative Exposure Therapy manual is an effective, short-term, culturally universal intervention for trauma victims - including the latest insights and new treatments for dissociation and social pain. Narrative Exposure Therapy (NET) is a successful and culturally universal intervention for the treatment of survivors of multiple and severe traumatic events, such as organized violence, torture, war, rape, and childhood abuse. Field tests in contexts of ongoing adversity and disaster areas, as well as controlled trials in various countries, have shown that three to six sessions can be sufficient to provide considerable relief. The first part of the book describes the theoretical background. The second part shows how to use the NET approach step by step, with practical advice and tools, including how to deal with special issues (such as dealing with challenging moments, defense mechanisms for the therapist, and ethical issues). Appendices include an informed consent form, and checklists for the therapist. Target Group: Trauma therapists, clinical psychologists, counselors, psychiatrists, aid workers in conflict regions.
Ireland's Magdalen Laundries and the Nation's Architecture of Containment connects Ireland's Magdalen laundries and the nation-state's nativist politics in the post-independence era, while critically evaluating cultural representations of the Magdalen laundries that have, over the past fifteen years, recovered these institutions from the amnesia at the center of state politics. The book interrogates available archival resources, including government reports, legislative debates, and court cases, to assert that the state was always an active agent in the operation and function of the nation's Magdalen homes. The second half of the book considers a wide range of creative works that help imagine and give narrative form to the Magdalen experience: commercial, independent documentaries, photography and literary representations. Ultimately, the book contends that Ireland's Magdalen institutions chiefly exist in the public mind at the level of story (cultural representation and survivor testimony) rather than history (archival history and documentation). This fascinating study will be invaluable to those interested in Irish History, Gender History and Social History. ;
Tim, who with Annika and Malte has qualified for the second round, is confronted with the biggest challenge of his running career: he, his friends and their arch rivals Jeremy, Darius and Vanessa must form a team that will perform perfectly together. How well they succeed will be judged by millions of spectators, because every moment of this competition will be broadcast live by the media company Global Games. The decision as to who wins has long since ceased to be a matter of ability. Whether the prize is worth the challenge is open to question.
Tim is one of them. A runner full of passion, ready to go beyond the limits. When one day he gets a letter from GlobalGames he doesn’t hesitate to accept the challenge for a second. 7 caches have been hidden in 7 locations. 100 young people are chasing after them. Each one against the others. But Tim soon realises that he can’t do it alone. He finds an ally in the fascinating Annika, known as Sakura. But can he really trust her? Or is everyone just running for themselves after all? Who’s ready to go the furthest to find the biggest cache in the world?
The phenomenon of anti-scientific disinformation has been discussed in the recent past under the acronym FLICC (Fake experts, Logical fallacies, Impossible expectations, Cherry-picking and Conspiracy theories), especially as it pertains to the topic of climate change. What is generally missing however is a more comprehensive consideration of science denial in diff erent disciplines with a critical examination of the central arguments and a comparison of the parallels. Holm Gero Hümmler dedicates himself to this task in this readable and fact-orientated book on topics such as genetic engineering, mobile phone networks, radioactivity, and chips that are implanted under the skin for medical reasons.
With well over 6,300 articles, including over 500 new entries, this fourth edition of The Encyclopedia of British Film is a fully updated invaluable reference guide to the British film industry. It is the most authoritative volume yet, stretching from the inception of the industry to the present day, with detailed listings of the producers, directors, actors and studios behind a century or so of great British cinema. Brian McFarlane's meticulously researched guide is the definitive companion for anyone interested in the world of film. Previous editions have sold many thousands of copies and this fourth edition will be an essential work of reference for enthusiasts interested in the history of British cinema, and for universities and libraries.