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      • Tamer Institute for Community Education

        TAMER Institute for Community Education is an educational non-governmental non for profit organization established in 1989 as a natural and necessary response to the urgent needs of the Palestinian community during the first intifada (uprising). The most important of these is the need to acquire means to help people learn and become productive. Focusing principally on the rights to education, identity, freedom of expression, and access to information,Tamer works across the West Bank and Gaza Strip, primarily targeting children and young adults to encourage and deepen opportunities of learning among them. Our program aims to contribute to enhancing reading, writing and all forms of Expression among children and young adults. It also aims at contributing to a Palestinian environment that is supportive to learning processes, and at supporting the literary and scholar production on child culture in Palestine.

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      • Gyeonggi Content Agency

        GCA supports the planning, production, distribution, overseas expansion of contents including videos and films, music, publishing, webtoons and animations, games, etc

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      • Trusted Partner
        Incest in contemporary literature
        Literature & Literary Studies
        April 2020

        Incest in contemporary literature

        by Miles Leeson

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        The postsocialist contemporary
        The Arts
        November 2021

        The postsocialist contemporary

        by Octavian Esanu, Amelia Jones, Marsha Meskimmon

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        Contemporary Spanish cinema
        The Arts
        January 2019

        Contemporary Spanish cinema

        by Barry Jordan, Rikki Morgan-Tamosunas

        Contemporary focus, right up to date with material from 1980s and 90s. Wide-ranging analyses of major directors, themes, genres and issues, including historical film, genre cinema, women in film and autonomies.

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        Contemporary French cinema
        The Arts
        December 2008

        Contemporary French cinema

        An introduction (revised edition)

        by Guy Austin

        Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike. ;

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        Contemporary French cinema
        The Arts
        January 2019

        Contemporary French cinema

        An introduction (revised edition)

        by Guy Austin

        Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.

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      • Trusted Partner
        Contemporary French cinema
        The Arts
        June 2021

        Contemporary French cinema

        An introduction (revised edition)

        by Guy Austin

        Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.

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        Contemporary history on trial
        Humanities & Social Sciences
        December 2013

        Contemporary history on trial

        Europe since 1989 and the role of the expert historian

        by Harriet Jones, Kjell Ostberg, Nico Randeraad

        Is it right for historians to serve as 'expert witnesses' to past events? Since the end of the Cold War, a series of heated and politicised debates across Europe have questioned the 'truth' about painful episodes in the twentieth century. From the Holocaust to Srebrenica, inquiries and fact-finding commissions have become a common device employed by governments to deal with the pressure of public opinion. State-sponsored programmes of education and research attempt to encourage a common moral understanding of the lessons we learn from these painful memories. Contemporary historians have increasingly been drawn into these efforts since 1989 - in the courtroom, in the media, on commissions, as advisers. In a series of thoughtful essays, written by leading historians from across Europe, this volume considers the ethics and responsibilities that this new role entails. For anyone concerned with the role of the historian in contemporary society and how we arrive at a public understanding of history, this book is essential reading. ;

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        Contemporary Slavic horror across media
        Literature & Literary Studies
        June 2025

        Contemporary Slavic horror across media

        Cursed zones

        by Agnieszka Jezyk

        In the Western cultural production that puts individual or collective fear at its center, East/Central Europe has been portrayed as an othered space of horror - lawless, frightening zones where anything can happen. Incorporating articles on literature, film, visual arts, video games, music videos, and music festivals, Contemporary Slavic horror across media: Cursed zones is a pioneering anthology of academic essays devoted to Slavic horror fiction. The book focuses on works from the mid-20th century through the present, particularly the post-Soviet period. Assessing current trends in Czech, Polish, Russian, Slovak, Ukrainian, and East/Central European horror media, the book looks at similarities and idiosyncrasies of the genre in its Slavic variant. With this anthology we hope to tame 'the Easterner Other' and start exorcising 'monstrous' East/Central Europe.

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        Die Erben der Animox 5. Die Rache des Tigers
        January 2024

        Die Erben der Animox 5. Die Rache des Tigers

        by Aimée Carter, Maren Illinger, Frauke Schneider

        Wieder zurück in der Welt der Tierwandler, bei den Erben der Animox! Das große Abenteuer, das Simon Thorn bestehen muss, nähert sich seinem Ende. Auf vier Kontinente hat es ihn und seine Freund*innen bereits geführt. Und es waren zweifellos schwierige Aufgaben zu lösen in Europa, Australien, Afrika und Südamerika. Im fünften und letzten Band „Die Rache des Tigers“ verschlägt es sie ins geheimnisvolle Asien. Wird es Simon Thorn gelingen, die Welt der Animox und ihrer Erben zu retten? Und kann er den gefürchteten Krieg zwischen dem Imperium und den Erben der Animox verhindern? Das grandiose Ende der zweiten Reihe aus dieser einzigartigen Fantasywelt der Gestaltwandler ist ein unvergleichlich spannendes Leseabenteuer. Die Erben der Animox Band 5: Die Rache des Tigers – actionreich und hochspannend. Der fünfte und letzte Band ist das fulminante Finale der zweiten Reihe aus dem Animox-Kosmos. Mitreißende Tierwandler-Fantasy, die dich ins faszinierende Asien entführt, wo diesmal der Tiger im Fokus steht. Atmosphärisch dicht und superspannend erzählter Roman für Kinder ab 10 Jahren. In der zweiten Animox-Reihe „Die Erben der Animox“ sind bisher erschienen: „Die Beute des Fuchses“ (Band 1) „Das Gift des Oktopus“ (Band 2) „Der Kampf des Elefanten“ (Band 3) „Der Verrat des Kaimans“ (Band 4) Entdecke auch die fünf Bände der ersten Animox-Reihe von Aimée Carter: „Das Heulen der Wölfe“ (Band 1) „Das Auge der Schlange“ (Band 2) „Die Stadt der Haie“ (Band 3) „Der Biss der Schwarzen Witwe“ (Band 4) „Der Flug des Adlers“ (Band 5)

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        Die Erben der Animox 5. Die Rache des Tigers
        January 2024

        Die Erben der Animox 5. Die Rache des Tigers

        by Aimée Carter, Peter Kaempfe, Maren Illinger, Superhearo Audio, Frauke Schneider, Uticha Marmon

        Das große Finale steht bevor: Auf vier Kontinenten haben Simon Thorn und seine Freunde bereits Abenteuer erlebt und schwierige Aufgaben gelöst – in Europa, Australien, Afrika und Südamerika. Im fünften und letzten Band verschlägt es sie nach Asien. Wird es Simon Thorn gelingen, die Welt der Animox und ihrer Erben zu retten? Und kann er den gefürchteten Krieg zwischen dem Imperium und den Erben verhindern? Das epische Ende der zweiten Reihe aus der Welt der Animox – ein spannendes Hörabenteuer. Jetzt die anderen Teile der "Animox"-Reihe entdecken: Das Heulen der Wölfe Das Auge der Schlange Die Stadt der Haie Der Biss der Schwarzen Witwe Der Flug des Adlers Alle Bände von "Die Erben der Animox": Die Beute des Fuchses Das Gift des Oktopus Der Kampf des Elefanten Der Verrat des Kaimans Die Rache des Tigers Der spannende fünfte Band der neuen ANIMOX-Bestseller-Serie ungekürzt und packend erzählt von Peter Kaempfe.

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        Consequences of Modernity in Contemporary Legal Theory.
        September 1998

        Consequences of Modernity in Contemporary Legal Theory.

        Preface by Dieter Wyduckel.

        by Herausgegeben von Dais, Eugene E.; Herausgegeben von Kevelson, Roberta; Herausgegeben von Van Dunné, Jan M.

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        New slaveries in contemporary British literature and visual arts
        Literature & Literary Studies
        June 2021

        New slaveries in contemporary British literature and visual arts

        by Pietro Deandrea

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      • Trusted Partner
        From India to Germany:What My Father's Journey Tells Usabout Migration and the Kindness ofStrangers
        October 2023

        From India to Germany:What My Father's Journey Tells Usabout Migration and the Kindness ofStrangers

        by Sunita Sukhana

        — An extraordinary story of migration — Contemporary history of the 70s and backgrounds to India, Afghanistan, Iran, Turkey, Bulgaria, the former Yugoslavia, the GDR and the Federal Republic of Germany He was the son of the Sikh priest, a successful 400-meter runner and, eventually, a migrant. In 1979, Bagicha Singh turned his back on his homeland and set off with a head full of dreams on the long, turbulent overland journey from India to Germany. It was the year the Soviet Union invaded Afghanistan and the Islamic Revolution raged in Iran. A year whose aftermath continues to shape the world to this day. More than 40 years later, his daughter tells the story of Bagicha's adventurous journey. The result is a touching document on origin, contemporary history, and the meaning of migration.

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        Lifelong learning, the arts and community cultural engagement in the contemporary university
        Humanities & Social Sciences
        September 2016

        Lifelong learning, the arts and community cultural engagement in the contemporary university

        by Michael Osborne, Darlene Clover, Kathy Sanford

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      • Trusted Partner
        Contemporary Korean cinema
        The Arts
        March 2001

        Contemporary Korean cinema

        Culture, identity and politics

        by Hyangjin Lee, Mary Norris

        The first in-depth, comprehensive study of Korean cinema offering original insight into the relationships between ideology and the art of cinema from East Asian perspectives. Combines issues of contemporary Korean culture and cinematic representation of the society and people in both North and South Korea. Covers the introduction of motion pictures in 1903, Korean cinema during the Japanese colonial period (1910-45) and the development of North and South Korean cinema up to the 1990s. Introduces the works of Korea's major directors, and analyses the Korean film industry in terms of film production, distribution and reception. Based on this historical analysis, the study investigates ideological constructs in seventeen films, eight from North Korea and nine from South Korea. ;

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        Contemporary Chaucer across the centuries
        Literature & Literary Studies
        June 2026

        Contemporary Chaucer across the centuries

        by Helen Hickey, Anne McKendry, Melissa Raine

        This unique and exciting collection, inspired by the scholarship of literary critic Stephanie Trigg, offers cutting-edge responses to the writings of Geoffrey Chaucer for the current critical moment. The chapters are linked by the organic and naturally occurring affinities that emerge from Trigg's ongoing legacy; containing diverse methodological approaches and themes, they engage with Chaucer through ecocriticism, medieval literary and historical criticism, and medievalism. The contributors, trailblazing international specialists in their respective fields, honour Trigg's distinctive and energetic mode of enquiry (the symptomatic long history) and intellectual contribution to the humanities. At the same time, their approaches exemplify shifting trends in Chaucer scholarship. Like Chaucer's pilgrims, these scholars speak to and alongside each other, but their essays are also attentive to 'hearing Chaucer speak' then, now and in the future.

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        Contemporary Australian cinema
        The Arts
        December 2000

        Contemporary Australian cinema

        An introduction

        by Jonathan Rayner

        Provides an introduction to the products and context of the new Australian film industry which arose toward the end of the 1960s. Traces the development of Australian film, in terms of prominent directors and stars, consistent themes, styles and evolving genres. The evolution of the film genres peculiar to Australia, and the adaptation of conventional Hollywood forms (such as the musical and the road movie) are examined in detail through textual readings of landmark films. Films and trends discussed include: the period film and Picnic at Hanging Rock; the Gothic film and the Mad Max trilogy; camp and kitsch comedy and the Adventures of Pricilla, Queen of the Desert. The key issue of the revival (the definition, representation and propagation of a national image) is woven through analysis of the new Australian cinema. ;

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        Contemporary Australian cinema
        The Arts
        June 2017

        Contemporary Australian cinema

        An introduction

        by Jonathan Rayner

        Provides an introduction to the products and context of the new Australian film industry which arose toward the end of the 1960s. Traces the development of Australian film, in terms of prominent directors and stars, consistent themes, styles and evolving genres. The evolution of the film genres peculiar to Australia, and the adaptation of conventional Hollywood forms (such as the musical and the road movie) are examined in detail through textual readings of landmark films. Films and trends discussed include: the period film and Picnic at Hanging Rock; the Gothic film and the Mad Max trilogy; camp and kitsch comedy and the Adventures of Pricilla, Queen of the Desert. The key issue of the revival (the definition, representation and propagation of a national image) is woven through analysis of the new Australian cinema.

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